{"id":1002,"date":"2019-12-10T19:13:13","date_gmt":"2019-12-11T00:13:13","guid":{"rendered":"https:\/\/sites.smith.edu\/afr111-f19\/?page_id=1002"},"modified":"2019-12-13T09:35:37","modified_gmt":"2019-12-13T14:35:37","slug":"page1-5","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/afr111-f19\/page1-5\/","title":{"rendered":"Whitney Houston Video Explanation"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Whitney and Robyn didn\u2019t feel comfortable publicly being together, which is representative of so many black queer female subjects across time. They shut themselves off from the joy they brought one another, in part, because of the homophobia projected towards black queer women in particular. Audre Lorde\u2019s <\/span><i><span style=\"font-weight: 400\">Uses of the Erotic as Power<\/span><\/i><span style=\"font-weight: 400\"> provides a point of departure to examine the wealth of potential (for self actualization and self-love\/joy) that stems from fully embracing the black queer female subject that, as in this example, is so often ignored.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-877 aligncenter\" src=\"https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-300x42.png\" alt=\"\" width=\"300\" height=\"42\" srcset=\"https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-300x42.png 300w, https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-768x107.png 768w, https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-1024x143.png 1024w, https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-700x97.png 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<table style=\"width: 100%\">\n<tbody>\n<tr>\n<th>\n<h3 style=\"text-align: left\"><a href=\"https:\/\/sites.smith.edu\/afr111-f19\/camille-nayelis-zoe-page-1\/\"><strong>Back<\/strong><\/a><\/h3>\n<\/th>\n<th style=\"text-align: right\">\n<h3><a href=\"https:\/\/sites.smith.edu\/afr111-f19\/page-2-cnz\/\"><strong>Next<\/strong><\/a><\/h3>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Whitney and Robyn didn\u2019t feel comfortable publicly being together, which is representative of so many black queer female subjects across time. They shut themselves off from the joy they brought one another, in part, because of the homophobia projected towards black queer women in particular. Audre Lorde\u2019s Uses of the Erotic as Power provides a [&hellip;]<\/p>\n","protected":false},"author":2399,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1002","page","type-page","status-publish","hentry","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/1002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/users\/2399"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/comments?post=1002"}],"version-history":[{"count":6,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/1002\/revisions"}],"predecessor-version":[{"id":1040,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/1002\/revisions\/1040"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/media?parent=1002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}