{"id":1621,"date":"2019-12-16T15:09:34","date_gmt":"2019-12-16T20:09:34","guid":{"rendered":"https:\/\/sites.smith.edu\/afr111-f19\/?page_id=1621"},"modified":"2019-12-17T23:09:25","modified_gmt":"2019-12-18T04:09:25","slug":"work-cited-page","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/afr111-f19\/work-cited-page\/","title":{"rendered":"Work Cited Page"},"content":{"rendered":"

Baldwin, Emma. \u201cAnalysis of A Litany for Survival by Audre Lorde.\u201d <\/span>Poem Analysis<\/span><\/i>, 10 Apr. 2019, poemanalysis.com\/a-litany-for-survival-by-audre-lorde-poem-analysis\/.<\/span><\/span><\/p>\n

Bastow, Kelly. \u201cHarmony.\u201d 2019.<\/span><\/p>\n

Colorsxstudio, “Mpho Sebina- Black Butterfly, Late Night, Botswana”, 13 July 2019, https:\/\/colorsxstudios.com\/music\/mpho-sebina-neo\/<\/span><\/p>\n

Lorde, Audre. \u201cA Litany for Survival by Audre Lorde.\u201d <\/span>Poetry Foundation<\/span><\/i>, Poetry Foundation,<\/span> www.poetryfoundation.org\/poems\/147275\/a-litany-for-survival<\/span><\/a>.<\/span><\/span><\/p>\n

Lorde, Audre, and Adrienne Rich. \u201cAn Interview with Audre Lorde.\u201d <\/span>Signs<\/span><\/i>, 1 July 1981, <\/span>www.jstor.org\/stable\/3173739<\/span><\/a>.<\/span><\/span><\/p>\n

\u201cLorna Simpson.\u201d <\/span>Guggenheim<\/span><\/i>, The Solomon R. Guggenheim Foundation, https:\/\/www.guggenheim.org\/artwork\/artist\/lorna-simpson.<\/span><\/span><\/p>\n

\u201cLorna Simpson.\u201d <\/span>Lorna Simpson Biography \u2013 Lorna Simpson on Artnet<\/span><\/i>, http:\/\/www.artnet.com\/artists\/lorna-simpson\/biography.<\/span><\/span><\/p>\n

\u201cPhotographs from the Audre Lorde Archive.\u201d <\/span>Photographs from the Audre Lorde Archive \u2022 John F. Kennedy Institute<\/span><\/i>, 19 Aug. 2013, www.jfki.fu-berlin.de\/en\/library\/holdings\/audrelorde\/audre_lorde_fotos\/index.html.<\/span><\/span><\/p>\n

Photo of Fatima Jamal by June Canedo<\/span><\/p>\n

Sebina, Mpho. “Birth of Neo”,\u00a0 Facebook, 24 October 2018, https:\/\/www.facebook.com\/photo.php?fbid=10156790635894136&set=ecnf.567824135&type=3&theater<\/span><\/p>\n

Sebina, Mpho. \u201cBlack Butterfly.\u201d <\/span>YouTube<\/span><\/i>, 11 December 2017, https:\/\/www.youtube.com\/watch?v=snejJesPH84.<\/span><\/span><\/p>\n

Shackelford, Ashleigh. \u201cProtect Black Trans Sex Workers.\u201d <\/span>Forward Together: Trans Day of Resilience<\/span><\/i>, Forward Together, 2019, https:\/\/tdor.co\/.<\/span><\/span><\/p>\n

Stevens, Victoria. \u201cLorna Simpson.\u201d <\/span>Interview<\/span><\/i>, Interview Magazine, Brooklyn, NY, 23 Aug. 2016, https:\/\/www.interviewmagazine.com\/art\/artists-at-work-lorna-simpson#slideshow_48759.1.<\/span><\/span><\/p>\n

Taylor, Brittany. \u201cErika Hart.\u201d <\/span>Bitch Media<\/span><\/i>, Bitch Media, 17 Oct. 2016, https:\/\/www.bitchmedia.org\/article\/i-want-be-seen\/ericka-hart-changing-image-breast-cancer.<\/span><\/span><\/p>\n

\u201cThey will erect statuses in her honour\u201d of @_yournudemom (on Instagram) by @createdeql (on Instagram)<\/span><\/p>\n

Valdez, Sarah. \u201cLorna Simpson: Echoes of the Unspoken.\u201d <\/span>Art in America<\/span><\/i>, Dec. 2006.<\/span>\u00a0<\/span><\/span><\/p>\n

Wilkes, Andrew. \u201cLORNA SIMPSON.\u201d <\/span>Aperture<\/span><\/i>, no. 133, 1993, pp. 14\u201323. <\/span>JSTOR<\/span><\/i>, www.jstor.org\/stable\/24471693.<\/span><\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Baldwin, Emma. \u201cAnalysis of A Litany for Survival by Audre Lorde.\u201d Poem Analysis, 10 Apr. 2019, poemanalysis.com\/a-litany-for-survival-by-audre-lorde-poem-analysis\/. Bastow, Kelly. \u201cHarmony.\u201d 2019. Colorsxstudio, “Mpho Sebina- Black Butterfly, Late Night, Botswana”, 13 July 2019, https:\/\/colorsxstudios.com\/music\/mpho-sebina-neo\/ Lorde, Audre. \u201cA Litany for Survival by Audre Lorde.\u201d Poetry Foundation, Poetry Foundation, www.poetryfoundation.org\/poems\/147275\/a-litany-for-survival. Lorde, Audre, and Adrienne Rich. \u201cAn Interview with […]<\/p>\n","protected":false},"author":3315,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1621","page","type-page","status-publish","hentry","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/1621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/users\/3315"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/comments?post=1621"}],"version-history":[{"count":12,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/1621\/revisions"}],"predecessor-version":[{"id":2046,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/1621\/revisions\/2046"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/media?parent=1621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}