{"id":808,"date":"2019-12-08T16:58:22","date_gmt":"2019-12-08T21:58:22","guid":{"rendered":"https:\/\/sites.smith.edu\/afr111-f19\/?page_id=808"},"modified":"2019-12-13T09:34:43","modified_gmt":"2019-12-13T14:34:43","slug":"page-3-5","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/afr111-f19\/page-3-5\/","title":{"rendered":"&#8220;Apinda Mpako and Ayanda Magudulela&#8221; by Zanele Muholi Rationale"},"content":{"rendered":"<p><span style=\"font-weight: 400\">In many ways, the ordinariness of the photo humanizes black queerness.<\/span><i><span style=\"font-weight: 400\">\u00a0Mpako and Ayanda Magudulela <\/span><\/i><span style=\"font-weight: 400\">by Zanele Muholi,\u00a0 allows us to interact with images of queer black femininity, which is seldom represented in a manner as tender as Muholi&#8217;s rendering. Instead of aligning with the idea that the act of holding a queer sexuality must be inherently political for black women, Muholi&#8217;s lens softens the veil. <\/span><span style=\"font-weight: 400\">The women are captured as any two lovers might be. There are no wilting flowers or pillars of strength in this image. Just a portrayal of raw and blissful humanity&#8230;\u00a0<\/span><\/p>\n<p>We chose to put Mulholi&#8217;s piece in conversation with a work by several Smith student artists that was produced this semester. It will be a part of Unblunted Magazine&#8217;s upcoming issue. The magazine, which is a Smith College based entity, describes itself as &#8220;an online journal collective aimed at highlighting lives, art, and experiences of young, marginalized bodies&#8221;.\u00a0 With Smith being a space which is largely open and accepting of queer identities, we are starting to see works which capture black queerness in a similarly raw and real way.\u00a0 Again, this image is not a political call to arms, but rather the capturing of an intimate moment between two lovers.<\/p>\n<p>&nbsp;<\/p>\n<p>Supplementary works:<\/p>\n<p>&#8220;Untitled&#8221; by Bea Oyster to be featured in &#8220;Unblunted&#8221; produced by M Molapo and Lily Sendroff<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-877 aligncenter\" src=\"https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-300x42.png\" alt=\"\" width=\"300\" height=\"42\" srcset=\"https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-300x42.png 300w, https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-768x107.png 768w, https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-1024x143.png 1024w, https:\/\/sites.smith.edu\/afr111-f19\/wp-content\/uploads\/sites\/442\/2019\/12\/flower-border-ornament-8-700x97.png 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<table style=\"width: 100%\">\n<tbody>\n<tr>\n<th>\n<h3 style=\"text-align: left\"><a href=\"https:\/\/sites.smith.edu\/afr111-f19\/apinda-mpako-and-ayanda-magudulela-by-zanele-muholi\/\"><strong>Back<\/strong><\/a><\/h3>\n<\/th>\n<th style=\"text-align: right\">\n<h3><a href=\"https:\/\/sites.smith.edu\/afr111-f19\/make-me-feel-by-janelle-monae\/\"><strong>Next<\/strong><\/a><\/h3>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In many ways, the ordinariness of the photo humanizes black queerness.\u00a0Mpako and Ayanda Magudulela by Zanele Muholi,\u00a0 allows us to interact with images of queer black femininity, which is seldom represented in a manner as tender as Muholi&#8217;s rendering. Instead of aligning with the idea that the act of holding a queer sexuality must be [&hellip;]<\/p>\n","protected":false},"author":2399,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-808","page","type-page","status-publish","hentry","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/users\/2399"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/comments?post=808"}],"version-history":[{"count":22,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/808\/revisions"}],"predecessor-version":[{"id":1088,"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/pages\/808\/revisions\/1088"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/afr111-f19\/wp-json\/wp\/v2\/media?parent=808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}