{"id":103,"date":"2021-05-06T09:30:49","date_gmt":"2021-05-06T13:30:49","guid":{"rendered":"https:\/\/sites.smith.edu\/angela-calomiris\/?p=103"},"modified":"2021-05-19T22:21:19","modified_gmt":"2021-05-20T02:21:19","slug":"red-masquerade","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/angela-calomiris\/2021\/05\/06\/red-masquerade\/","title":{"rendered":"Red Masquerade"},"content":{"rendered":"

The Ghostwritten Book<\/h2>\n

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In 1950, Calomiris published the ghostwritten autobiography Red Masquerade,<\/em> published by J.B. Lippincott Press based in Philadelphia, PA. The book was put together by Caroline Bird (1915 – 2011), a writer and editor for Lippincott who signed the book’s contract with Calomiris.1<\/a><\/sup> A letter from August 15th, 1950, sent to Kenneth Bierly from George Stevens, a Managing Editor from J.B. Lippincott noted: \u201cAs you may recall the contract is signed by both Miss Calomiris and by Miss Caroline Bird Menuez, and it seems logical that the new provision should apply to both of them.\u201d2<\/a><\/sup> In the 1970s, Bird went on to be an active participant in Second Wave Feminism.<\/span><\/p>\n

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An Anonymous Second Reader<\/h2>\n

In addition to Bird, Calomiris’ collection at the Lesbian Herstory Archives indicates that there was a second reader of Red Masquerade,\u00a0<\/em>who left no indication of their identity in their notes. It is possible that this anonymous second reader was Calomiris’ at the time girlfriend, Marta Robinet<\/a>, who was a journalist in Philadelphia. In response to a draft of Chapter 9 in Red Masquerade, <\/em>the unidentified editor urged Calomiris to be cautious in her use of suggestive language, and to be weary of Bird.<\/p>\n

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Angela Calomiris Special Collection, Box 3 Folder 9, Lesbian Herstory Archives.<\/figcaption><\/figure>\n

“For a moment I saw Sylvia’s fright-affixed stare”\u2014 on the mounted policemen, that is. If you don’t like hyphenated description, use something other than “frightened bunny eyes.”That’s alright for a juvenile book but it isn’t good reading here, holds no descriptive power, has a varied connotation\u2014 I believe I have recently learned- which could be picked up and abused and applied by some to the sex life of a wonderful, courageous, clean young woman photographer whose name is author to the book. Angela, delta scrupulously any word, expression, etc. which might remotely engage any mind searching just for such\u2026 That \u201chandsome\u201d which you deleted could have bred a thousand unkind words about you. A book is a rather important matter when it\u2019s object is to do service by relating a service and for its good and yours you\u2019ve got to watch Carolyn\u2019s manuscript, fine tooth comb it for every little innocent or subtle implication\u2026 I heard her make a subtle remark in the car that night\u2014 maybe you didn\u2019t catch it. These tiny things in the book aren\u2019t deliberate I feel sure but that spoken remark was. I believed you\u2019ll agree that nothing even vaguely suggestive of your personal private life should be allowed to get through.<\/span><\/em><\/p>\n

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Fred Stein<\/h2>\n

While the main function of\u00a0Red Masquerade <\/em>was to protect herself socially and fiscally, Calomiris also used the book as a platform to help resolve the precarity of her friends. One of these friends was Fred Stein, a German-Jew who fled Nazi Europe and ended up in New York City with his family. Stein was a successful photographer best known for his street photography and portraiture. Calomiris likely met Stein at the New York Photo League.<\/p>\n

In a draft of Chapter 7 of Red Masquerade\u00a0<\/em>at the Lesbian Herstory Archives, Calomiris included a section about Stein that did not make it into the book, shown below.<\/p>\n

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Angela Calomiris Special Collection, Box 3 Folder 9, Lesbian Herstory Archives.<\/figcaption><\/figure>\n

One of our more active members was Fred Stein, a refugee from Communism in Europe. He used to get up in League meetings, which were always lively, and warn us that art and politics shouldn\u2019t mix. \u201cThat\u2019s how the Russians and the Nazis get control,\u201d he insisted. He was always booed down, of course, but when he resigned he wrote us a long letter stating his position in no uncertain terms. At an executive board meeting, we comrades decided to destroy his letter. Fred was a dangerous \u201copportunist.\u201d Years later, Fred faced deportation as an undesirable alien. One of the charges against him was membership in the Photo League,\u00a0 which the Attorney General listed in 1947 as a subversive organization, thanks, I hope, to my reports. Fred claimed that he had resigned from the Photo League, but the Photo League of course refused to corroborate his story. After the trial, Fred asked me what became of the letter which could have proved the sincerity of his protests.<\/span><\/em><\/p><\/blockquote>\n

In this quote, Calomiris is attempting to help Stein by removing him from his Communist affiliation via the League. Calomiris’ archive also includes a 1952 letter from Stein to Calomiris thanking her for her sponsorship of his citizenship, indicating that this was indeed Calomiris’ intention by attempting to include Stein in her publication.<\/p>\n

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Angela Calomiris Special Collection, Box 1, Lesbian Herstory Archives.<\/figcaption><\/figure>\n

While the excerpt from the Chapter 7 draft did not make it into the final version, Calomiris did use a portrait of herself taken by Stein on the back cover. While less direct, a photo with his name had the same function of aiding him.<\/p>\n