{"id":130,"date":"2020-10-15T09:58:03","date_gmt":"2020-10-15T13:58:03","guid":{"rendered":"https:\/\/sites.smith.edu\/art-oresman-gallery\/jackie-brown-artist-statement-copy\/"},"modified":"2020-10-19T16:40:07","modified_gmt":"2020-10-19T20:40:07","slug":"erin-mallea-jen-vaughn-artist-statement","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/art-oresman-gallery\/erin-mallea-jen-vaughn-artist-statement\/","title":{"rendered":"Erin Mallea and Jen Vaughn"},"content":{"rendered":"<h1>Artist Statement<\/h1>\n<p><i><span style=\"font-weight: 400\">A<\/span><\/i><i><span style=\"font-weight: 400\">rmillaria ostoyae<\/span><\/i><span style=\"font-weight: 400\">,<\/span> <span style=\"font-weight: 400\">commonly known as the Honey Fungus, resides in the mountains of Malheur National<\/span> <span style=\"font-weight: 400\">Forest in Eastern Oregon. It is estimated to be the largest living organism by area, covering 3.5 square miles<\/span> <span style=\"font-weight: 400\">at an estimated age of 8,650 years. After the first fall rain, Jen attempted to listen to the vibrations of these<\/span> <span style=\"font-weight: 400\">ancient rhizomatic networks. Thousands of miles away, Erin repeatedly transmitted Jen\u2019s recorded sounds<\/span> <span style=\"font-weight: 400\">and images throughout the atmosphere via Slow Scan Television (SSTV). Together, their work aims at an<\/span> <span style=\"font-weight: 400\">expanded intimacy\u2014a move towards contact despite distance, difference, and time. Each action threads<\/span> <span style=\"font-weight: 400\">together accumulations of decay with moments of the living, the cosmic, the future.<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">SSTV is a mode of image communication that utilizes shortwave radio frequencies to transmit still images.<\/span> <span style=\"font-weight: 400\">It is slow and specific, taking anywhere from 8 seconds to five minutes for each image to be built from<\/span> <span style=\"font-weight: 400\">modulating audio frequencies. Each received image is unique; the original transmission transformed in<\/span> <span style=\"font-weight: 400\">route, influenced by atmospheric noise, human-caused interference, and the recipient\u2019s location. The<\/span> <span style=\"font-weight: 400\">possibility of these images being heard, and therefore seen, lies only with those who are actively listening,<\/span> <span style=\"font-weight: 400\">diligently open to receiving the unknown.<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Cumulative Skies, Deep Soils <\/span><\/i><span style=\"font-weight: 400\">is a rhizomatic installation of sounds, crystallizing spills, meteorites and<\/span> <span style=\"font-weight: 400\">mycelium. It was created from a distance, with the goal of generating closeness against the ease of<\/span> <span style=\"font-weight: 400\">alienation and the pace of separation. <\/span><span style=\"font-weight: 400\">Video sound was created in collaboration with Tyler Blendsorf. It<\/span> <span style=\"font-weight: 400\">incorporates honey mushroom vibrations, field recordings from Malheur National Forest and Malheur<\/span> <span style=\"font-weight: 400\">Wildlife Refuge, Voyager Golden Record sounds, NASA recordings, and the artists\u2019 SSTV transmissions that were received and encoded in real time during the exhibition.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist Statement Armillaria ostoyae, commonly known as the Honey Fungus, resides in the mountains of Malheur National Forest in Eastern Oregon. It is estimated to be the largest living organism by area, covering 3.5 square miles at an estimated age of 8,650 years. After the first fall rain, Jen attempted to listen to the vibrations [&hellip;]<\/p>\n","protected":false},"author":466,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"class_list":["post-130","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/pages\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/users\/466"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":3,"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/pages\/130\/revisions"}],"predecessor-version":[{"id":134,"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/pages\/130\/revisions\/134"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/media?parent=130"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/art-oresman-gallery\/wp-json\/wp\/v2\/tags?post=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}