{"id":2,"date":"2016-10-13T17:11:37","date_gmt":"2016-10-13T17:11:37","guid":{"rendered":"https:\/\/sites.smith.edu\/bkx-capstone\/?page_id=2"},"modified":"2017-02-13T21:34:48","modified_gmt":"2017-02-14T02:34:48","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/bkx-capstone\/","title":{"rendered":"Artist Books"},"content":{"rendered":"<p class=\"p1\" style=\"text-align: center\"><strong>-A small exhibit featuring four additional books from the Collection is currently on display in the Mortimer\u00a0Rare Book Room in Neilson Library <\/strong><strong>from January 23rd to May 13th 2017-<\/strong><\/p>\n<p class=\"p1\" style=\"text-align: center\"><a href=\"http:\/\/www.smith.edu\/libraries\/info\/news\/nancy-bloch-collection\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-176\" src=\"https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/bloch-poster-2-182x300.jpg\" alt=\"bloch-poster-2\" width=\"182\" height=\"300\" srcset=\"https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/bloch-poster-2-182x300.jpg 182w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/bloch-poster-2-768x1265.jpg 768w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/bloch-poster-2-622x1024.jpg 622w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/bloch-poster-2.jpg 1275w\" sizes=\"auto, (max-width: 182px) 100vw, 182px\" \/><\/strong><\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00a0The history of books is a long one complicated by social, economic, and political histories compounded with the aesthetic principals and structural demands of a book. Artists books emerged out of several veins of artistry and bibliophilic tendencies and brought forth hugely diverse products. Book objets, fine press, unique books, and livres d&#8217;artistes\u00a0are merely a few categories that fall in the realm of, if not directly under, the artists book umbrella. Johanna Drucker argues that\u00a0artists books\u00a0are not generally found outside of the 20th and 21st centuries and really emerged around 1945 and developed\u00a0rapidly thereafter. Hundreds of pages have been dedicated to discussing the purpose of artists books, their sustainability, their merits as works of art, their merits as books, their place within art movements, and if they deserve to be made at all. As their position within the art and book world is contentious, Drucker argues that the &#8220;final criteria for definition resides in the informed viewer, who has to determine the extent to which a book work makes integral use of the specific features of this form.&#8221; To do that one must establish what is vital to the physical and conceptual\u00a0construction of the book itself. For instance, artists books can be studied in categories that focus on standout points: the book as object, the text as the focus, the paper and printing as focus, the way the form and subject push back against previously held conventions, and so forth. These questions, problems, and elements are best confronted with physical examples to study. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"> The <a href=\"https:\/\/www.smith.edu\/libraries\/libs\/rarebook\/\">Smith College Mortimer Rare Book Room<\/a> is home to an\u00a0outstanding book arts collection which highlights modern fine press books in addition to more local productions with the McGrath Collection of Connecticut River Valley book arts. The Rare Book Room houses books that cover the breadth of the book arts with titles ranging from Henri Matisse\u2019s <i>Jazz <\/i>and Pablo Picasso\u2019s interpretation of Honor\u00e9 de Balzac\u2019s <i>Le Chef-d\u2019\u0153uvre inconnu <\/i>to Carolee Schneemann\u2019s <i>Vulvas Morphia <\/i>and Xu Bing\u2019s <i>Dishu: cong dian dao dian<\/i> or <i>Book from the Ground. <\/i><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"> <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-162 aligncenter\" src=\"https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.39.08-PM-196x300.png\" alt=\"screen-shot-2017-02-05-at-6-39-08-pm\" width=\"196\" height=\"300\" srcset=\"https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.39.08-PM-196x300.png 196w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.39.08-PM-768x1178.png 768w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.39.08-PM-668x1024.png 668w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.39.08-PM.png 1034w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Most recently the Mortimer Rare Book Room received a generous donation from Nancy Bloch of roughly 200 artists books. As noted by appraiser Priscilla Juvelis, distinctive books in the collection include Suzanne Moore\u2019s <i>Zero: Cypher of Infinity <\/i>and Donald Glaister\u2019s\u00a0<i>Brooklyn Bridge: A Love Song.\u00a0<\/i>The appraisal process is a necessity for all new acquisitions and relies on the appraiser&#8217;s knowledge and experience to determine the value of the items. The value may depend on the edition size, if the book is a deluxe edition or a standard release, if it is out of print and the length of time it has been out of print, and the popularity of the artist and binder.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-163 aligncenter\" src=\"https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.36.39-PM-201x300.png\" alt=\"screen-shot-2017-02-05-at-6-36-39-pm\" width=\"201\" height=\"300\" srcset=\"https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.36.39-PM-201x300.png 201w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.36.39-PM-768x1148.png 768w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.36.39-PM-685x1024.png 685w, https:\/\/sites.smith.edu\/bkx-capstone\/wp-content\/uploads\/sites\/40\/2016\/10\/Screen-Shot-2017-02-05-at-6.36.39-PM.png 1048w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Bloch was first introduced to books as collectible items because her father was a book collector, and she would go with him to auctions in New York City. Initially attracted by the beautiful bindings she saw at a young age, she went on to study bookbinding at the American Academy of Bookbinding in Telluride, CO. Maintaining her interest in fine binding and beautiful craftsmanship, Bloch began to collect books that caught her eye. Sometimes searching for a book but other times just happening upon one at a book sale or fair, the collection began to grow. From her collection\u00a0it is clear that Bloch has the eye of a craftsperson: some books are delicate while others are bold, but all are created and constructed of beautiful works designed with intentional artistry. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"> The books selected for this project, a\u00a0brief exploration of only four books, are stunning in both structure and content. The books were selected not because they adhere to a strict definition of what an artists book <i>should<\/i> be, but because they each explore what an artists book <i>can<\/i> be. Click on the titles at the top of each page to further explore the books.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>-A small exhibit featuring four additional books from the Collection is currently on display in the Mortimer\u00a0Rare Book Room in Neilson Library from January 23rd&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/sites.smith.edu\/bkx-capstone\/\">Continue Reading<span class=\"screen-reader-text\">Artist Books<\/span><\/a><\/div>\n","protected":false},"author":287,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/users\/287"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":182,"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/pages\/2\/revisions\/182"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/bkx-capstone\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}