{"id":63,"date":"2020-04-27T16:13:36","date_gmt":"2020-04-27T20:13:36","guid":{"rendered":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/?page_id=63"},"modified":"2020-05-18T22:00:00","modified_gmt":"2020-05-19T02:00:00","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/bibliography\/","title":{"rendered":"Selected Resources and Bibliography"},"content":{"rendered":"<p><b>I. A general reference on provenance and museum provenance research project:<\/b><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">Museum of Fine Art, Boston\u00a0<\/span> <\/span><a href=\"https:\/\/www.mfa.org\/collections\/provenance\"><span style=\"font-weight: 400\">https:\/\/www.mfa.org\/collections\/provenance<\/span><\/a><\/p>\n<p><span style=\"color: #0000ff\">Freer and Sackler Gallery, National Museum of Asian Art<\/span>\u00a0 <a href=\"https:\/\/asia.si.edu\/collections\/provenance-research\/\"><span style=\"font-weight: 400\">https:\/\/asia.si.edu\/collections\/provenance-research\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;color: #0000ff\">The Getty Research Institute <\/span><a href=\"https:\/\/www.getty.edu\/research\/tools\/provenance\/\"><span style=\"font-weight: 400\">https:\/\/www.getty.edu\/research\/tools\/provenance\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">The Metropolitan Museum of Art<\/span> \u00a0<\/span><a href=\"https:\/\/www.metmuseum.org\/about-the-met\/policies-and-documents\/provenance-research-project\"><span style=\"font-weight: 400\">https:\/\/www.metmuseum.org\/about-the-met\/policies-and-documents\/provenance-research-project<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;color: #0000ff\">MOMA <\/span><a href=\"https:\/\/www.moma.org\/collection\/provenance\"><span style=\"font-weight: 400\">https:\/\/www.moma.org\/collection\/provenance<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">Princeton Univesity Art Museum<\/span> <\/span><a href=\"https:\/\/artmuseum.princeton.edu\/collections\/provenance-research\"><span style=\"font-weight: 400\">https:\/\/artmuseum.princeton.edu\/collections\/provenance-research<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Yeide, Nancy, et al. <\/span><i><span style=\"font-weight: 400\">The AAM Guide to Provenance Research<\/span><\/i><span style=\"font-weight: 400\">. Washington, D.C.: American Association of Museums, 2001.<\/span><\/p>\n<p><span style=\"font-weight: 400\">International Foundation for Art Research. \u201cProvenance &amp; Due Diligence,\u201d special double issue of <\/span><i><span style=\"font-weight: 400\">IFAR Journal, <\/span><\/i><span style=\"font-weight: 400\">Volume 3, nos. 3&amp;4, 2000. [proceedings of an IFAR\/NYU conference]<\/span><\/p>\n<hr \/>\n<p>II. <b>Antiquities and Cultural Property Issues\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400\"><a href=\"http:\/\/portal.unesco.org\/en\/ev.php-URL_ID=13039&amp;URL_DO=DO_TOPIC&amp;URL_SECTION=201.html\">UNESCO, Convention on the Means of Prohibiting and Preventing the Illicit Import, Export, and Transfer of Ownership of Cultural Property 1970<\/a> \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 \u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">New Acquisitions of Archaeological Material and Works of Ancient Art<\/span> <\/span><a href=\"https:\/\/aamd.org\/object-registry\/new-acquisitions-of-archaeological-material-and-works-of-ancient-art\/more-info\"><span style=\"font-weight: 400\">https:\/\/aamd.org\/object-registry\/new-acquisitions-of-archaeological-material-and-works-of-ancient-art\/more-info<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">Strengthened Guidelines on the Acquisition of Archaeological Material and Ancient Art Issued by the Association of Art Museum Directors<\/span> <\/span><a href=\"https:\/\/aamd.org\/for-the-media\/press-release\/strengthened-guidelines-on-the-acquisition-of-archaeological-material\"><span style=\"font-weight: 400\">https:\/\/aamd.org\/for-the-media\/press-release\/strengthened-guidelines-on-the-acquisition-of-archaeological-material<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Brodie, Neil, Morag Kersel, Christina Luke &amp; Kathryn Walker Tub, eds. <\/span><i><span style=\"font-weight: 400\">Archaeology, Cultural Heritage, and the Antiquities Trade<\/span><\/i><span style=\"font-weight: 400\">. Gainesville, FL: University Press of Florida, 2006.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Conn, Steven. \u201cWhere Is the East?: Asian Objects in American Museums, from Nathan Dunn to Charles Freer.\u201d <\/span><i><span style=\"font-weight: 400\">Winterthur Portfolio<\/span><\/i><span style=\"font-weight: 400\"> 35, no. 2\/3 (July 1, 2000): 157\u201373.<\/span><a href=\"https:\/\/doi.org\/10.1086\/496822\"> <span style=\"font-weight: 400\">https:\/\/doi.org\/10.1086\/496822<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Cohen, Warren. <\/span><i><span style=\"font-weight: 400\">East Asian Art and American Culture<\/span><\/i><span style=\"font-weight: 400\">. New York: Columbia University Press, 1992.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Cuno, James. <\/span><i><span style=\"font-weight: 400\">Who Owns Antiquity? <\/span><\/i><span style=\"font-weight: 400\">Princeton, NJ: Princeton University Press, 2008. Darraby, Jessica L. <\/span><i><span style=\"font-weight: 400\">Art, Artifact, Architecture and Museum Law<\/span><\/i><span style=\"font-weight: 400\">. Eagan, MN: Thomson<\/span><\/p>\n<p><span style=\"font-weight: 400\">Reuters\/West, 2008.\u2028Felch, Jason and Ralph Frammolinio. <\/span><i><span style=\"font-weight: 400\">Chasing Aphrodite: The Hunt for Looted Antiquities and the<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400\">World&#8217;s Richest Museum<\/span><\/i><span style=\"font-weight: 400\">. Boston: Houghton Mifflin Harcourt, 2011.\u2028Gerstenblith, Patty. <\/span><i><span style=\"font-weight: 400\">Art, Cultural Heritage, and the Law: Cases and Materials<\/span><\/i><span style=\"font-weight: 400\">. Durham, NC:<\/span><\/p>\n<p><span style=\"font-weight: 400\">Carolina Academic Press, 2008 (second edition).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Gibbon, Kate Fitz. <\/span><i><span style=\"font-weight: 400\">Who Owns the Past? Cultural Policy, Cultural Property, and the Law<\/span><\/i><span style=\"font-weight: 400\">. New Brunswick, NJ: Rutgers University Press, 2005.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Hoffman, Barbara T., ed. <\/span><i><span style=\"font-weight: 400\">Art and Cultural Heritage: Law, Policy and Practice<\/span><\/i><span style=\"font-weight: 400\">. New York: Cambridge University Press, 2006.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Merryman, John Henry and Stephen K. Urice. <\/span><i><span style=\"font-weight: 400\">Law, Ethics and the Visual Arts<\/span><\/i><span style=\"font-weight: 400\">, 5th ed. The Netherlands: Kluwer Law International BV, 2007.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Meyer, Karl E., and Shareen Blair Brysac, <\/span><i><span style=\"font-weight: 400\">The China Collectors: America&#8217;s Century-long Hunt for Asian Art Treasures <\/span><\/i><span style=\"font-weight: 400\">(New York: St. Martin&#8217;s Press, 2015)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Miles, Margaret M. <\/span><i><span style=\"font-weight: 400\">Art as Plunder: The Ancient Origins of Debate about Cultural Property<\/span><\/i><span style=\"font-weight: 400\">. New York: Cambridge University Press, 2008.<\/span><\/p>\n<p><span style=\"font-weight: 400\">O\u2019Keefe, Patrick J. <\/span><i><span style=\"font-weight: 400\">Trade in Antiquities: Reducing Destruction and Theft<\/span><\/i><span style=\"font-weight: 400\">. London: UNESCO, 1997. Richman, Jennifer R. and Marion P. Forsyth. <\/span><i><span style=\"font-weight: 400\">Legal Perspectives on Cultural Resources<\/span><\/i><span style=\"font-weight: 400\">. Lanham,MD: Alta Mira Press, 2004.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Waxman, Sharon. <\/span><i><span style=\"font-weight: 400\">Loot: The Battle over the Stolen Treasures of the Ancient World<\/span><\/i><span style=\"font-weight: 400\">. New York: Times Books, 2008.<\/span><\/p>\n<hr \/>\n<p><b>III.Looted Artworks During the Nazi Period\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">American Alliance of Museums, Unlawful Appropriation of Objects During the Nazi-Era<\/span> \u00a0 <\/span><a href=\"https:\/\/www.aam-us.org\/programs\/ethics-standards-and-professional-practices\/unlawful-appropriation-of-objects-during-the-nazi-era\/\"><span style=\"font-weight: 400\">https:\/\/www.aam-us.org\/programs\/ethics-standards-and-professional-practices\/unlawful-appropriation-of-objects-during-the-nazi-era\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;color: #0000ff\">Association of Art Museum Directors, Resolutions of Claims for Nazi-Era Cultural assets\u00a0<\/span><a href=\"https:\/\/aamd.org\/object-registry\/resolution-of-claims-for-nazi-era-cultural-assets\/more-info\"><span style=\"font-weight: 400\">https:\/\/aamd.org\/object-registry\/resolution-of-claims-for-nazi-era-cultural-assets\/more-info<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">Cleveland Museum of Art, Nazi-Era Provenance\u00a0<\/span> <\/span><a href=\"https:\/\/www.clevelandart.org\/research\/curatorial\/nazi-era-provenance\"><span style=\"font-weight: 400\">https:\/\/www.clevelandart.org\/research\/curatorial\/nazi-era-provenance<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">National Archives, Looted Art Bibliography<\/span> <\/span><a href=\"https:\/\/www.archives.gov\/research\/holocaust\/bibliographies\/looted-art.html\"><span style=\"font-weight: 400\">https:\/\/www.archives.gov\/research\/holocaust\/bibliographies\/looted-art.html<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Bazyler, Michael J. <\/span><i><span style=\"font-weight: 400\">Holocaust Justice: The Battle for Restitution in America&#8217;s Courts<\/span><\/i><span style=\"font-weight: 400\">. New York: New York University Press, 2003.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bazyler, Michael J. and Roger P. Alford. <\/span><i><span style=\"font-weight: 400\">Holocaust Restitution: Perspectives on the Litigation and its Legacy. <\/span><\/i><span style=\"font-weight: 400\">New York: New York University Press, 2006.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Edsel, Robert M. <\/span><i><span style=\"font-weight: 400\">The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History. <\/span><\/i><span style=\"font-weight: 400\">New York: Center Street, 2009.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Edsel, Robert M. <\/span><i><span style=\"font-weight: 400\">Rescuing Da Vinci: Hitler and the Nazis Stole Europe&#8217;s Great Art: America and her Allies Recovered It. <\/span><\/i><span style=\"font-weight: 400\">Dallas: Laurel Publishing, 2006.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Edsel, Robert M. <\/span><i><span style=\"font-weight: 400\">Saving Italy: The Race to Rescue a Nation\u2019s Treasures from the Nazis. <\/span><\/i><span style=\"font-weight: 400\">New York: W. W. Norton &amp; Company, 2013.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Morozzi, Luisa. <\/span><i><span style=\"font-weight: 400\">Treasures Untraced: An Inventory of the Italian Art Treasures Lost during the Second World War<\/span><\/i><span style=\"font-weight: 400\">. Rome: Instituto poligrafico e zecca dello stato, 1995.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Mu\u0308ller, Melissa. <\/span><i><span style=\"font-weight: 400\">Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice. <\/span><\/i><span style=\"font-weight: 400\">New York: Vendome Press, 2010.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nicholas, Lynn H. <\/span><i><span style=\"font-weight: 400\">The Rape of Europa: The Fate of Europe\u2019s Treasures in the Third Reich and the Second World War<\/span><\/i><span style=\"font-weight: 400\">. New York: Knopf, 1994.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Simpson, Elizabeth, ed. <\/span><i><span style=\"font-weight: 400\">The Spoils of War: World War II and its Aftermath: The Loss, Reappearance and Recovery of Cultural Property<\/span><\/i><span style=\"font-weight: 400\">. New York: Harry N. Abrams, Inc., 1997.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Wechsler, Helen J<\/span><i><span style=\"font-weight: 400\">. Museum Policy and Procedures for Nazi-Era Issues. <\/span><\/i><span style=\"font-weight: 400\">Washington, D.C.: American Association of Museums, 2001.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Yeide, Nancy. <\/span><i><span style=\"font-weight: 400\">Vitalizing Memory: International Perspectives on Provenance Research. <\/span><\/i><span style=\"font-weight: 400\">Washington, D.C:. American Association of Museums, 2005. (proceedings of an AAM conference)<\/span><\/p>\n<hr \/>\n<p><strong>IV.Native American Graves Protection and Repatriation Act (NAGPRA)<\/strong><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">National Park Service, NAGPRA<\/span> <\/span><a href=\"https:\/\/www.nps.gov\/subjects\/nagpra\/index.htm\"><b>https:\/\/www.nps.gov\/subjects\/nagpra\/index.htm<\/b> <\/a><\/p>\n<p><span style=\"font-weight: 400;color: #0000ff\">Peabody Museum of Archaeology and Ethnology, NAGPRA &amp; Repatriation <\/span><a href=\"https:\/\/www.peabody.harvard.edu\/node\/310\"><b>https:\/\/www.peabody.harvard.edu\/node\/310<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400\"><span style=\"color: #0000ff\">Penn Museum, NAGPRA\u00a0 \u00a0\u00a0 \u00a0<\/span>\u00a0 \u00a0\u00a0 \u00a0\u00a0 <\/span><a href=\"https:\/\/www.penn.museum\/about-collections\/statements-and-policies\/nagpra-compliance\"><b>https:\/\/www.penn.museum\/about-collections\/statements-and-policies\/nagpra-compliance<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. A general reference on provenance and museum provenance research project: Museum of Fine Art, Boston\u00a0 https:\/\/www.mfa.org\/collections\/provenance Freer and Sackler Gallery, National Museum of Asian Art\u00a0 https:\/\/asia.si.edu\/collections\/provenance-research\/ The Getty Research Institute https:\/\/www.getty.edu\/research\/tools\/provenance\/ The Metropolitan Museum of Art \u00a0https:\/\/www.metmuseum.org\/about-the-met\/policies-and-documents\/provenance-research-project MOMA https:\/\/www.moma.org\/collection\/provenance Princeton Univesity Art Museum https:\/\/artmuseum.princeton.edu\/collections\/provenance-research Yeide, Nancy, et al. The AAM Guide to Provenance Research.&hellip; <a class=\"more-link\" href=\"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/bibliography\/\">Read More <span class=\"screen-reader-text\">Selected Resources and Bibliography<\/span><\/a><\/p>\n","protected":false},"author":3520,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/pages\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/users\/3520"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":9,"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/pages\/63\/revisions"}],"predecessor-version":[{"id":114,"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/pages\/63\/revisions\/114"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/brown-kennedy-fellowship-sophie\/wp-json\/wp\/v2\/media?parent=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}