{"id":641,"date":"2021-05-20T21:50:32","date_gmt":"2021-05-21T01:50:32","guid":{"rendered":"https:\/\/sites.smith.edu\/dan399-sp21\/?page_id=641"},"modified":"2021-05-24T10:30:16","modified_gmt":"2021-05-24T14:30:16","slug":"4-0-tp-process-log-interior-space-to-exterior","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/dan399-sp21\/talia-home-new\/4-0-tp-process-log-interior-space-to-exterior\/","title":{"rendered":"4.0 Talia Process Log: Interior space to exterior"},"content":{"rendered":"<h1><em>Naturally<\/em>\u00a0. . .<\/h1>\n<p><span style=\"font-weight: 400\"><em>Glass Pocket<\/em> felt like a jewel box that I could keep safe and sound. It is clarified and contained. There is a specific narrative that goes along with the character in the box.<\/span><\/p>\n<p><span style=\"font-weight: 400\"> For my second film, my intention was to break out of the jewel box and fixed frame and into a completely contrasting environment that allowed for a more personal connection with the live performer. In <em>Glass Pocket,<\/em> the audience is distanced from the performer, yet also right there watching. In Naturally, I am invested in the movement journey and true experience of the three locations around the island of O\u2019ahu: <em>Ho&#8217;omaluhia, Ko\u2019olau<\/em> mountains in <em>Kane\u2019ohe<\/em>, and <em>Wawamalu<\/em>. In this piece, I used Raw footage and surround sound from the three locations mountain to ocean. I want the viewer to get a clear sense of the land and the space the body is occupying in relation to the landscapes around her.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Naturally_TaliaPreis.mov\" src=\"https:\/\/player.vimeo.com\/video\/553613886?dnt=1&amp;app_id=122963\" width=\"584\" height=\"329\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p>\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013Credits<\/p>\n<ul>\n<li><strong>Title<\/strong>: Naturally<\/li>\n<li><strong>Choreography, Editing, Sound Design<\/strong>: Talia Preis<\/li>\n<li><strong>Performer<\/strong>: Talia Preis<\/li>\n<li><strong>Cinematographer<\/strong>: Lisa Preis &amp; Talia Preis<\/li>\n<li><strong>Music<\/strong>: Knee Five by Philip Glass Ensemble, Old School Projector by Kevin Brown, Original sound recordings by Talia Preis<\/li>\n<li><strong>Costumes<\/strong>: Sandy Tanaka<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naturally\u00a0. . . Glass Pocket felt like a jewel box that I could keep safe and sound. It is clarified and contained. There is a specific narrative that goes along with the character in the box. For my second film, &hellip; <a href=\"https:\/\/sites.smith.edu\/dan399-sp21\/talia-home-new\/4-0-tp-process-log-interior-space-to-exterior\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1063,"featured_media":145,"parent":203,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-641","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/pages\/641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/users\/1063"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/comments?post=641"}],"version-history":[{"count":8,"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/pages\/641\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/pages\/641\/revisions\/731"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/pages\/203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/media\/145"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/dan399-sp21\/wp-json\/wp\/v2\/media?parent=641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}