{"id":118,"date":"2017-04-12T13:35:25","date_gmt":"2017-04-12T13:35:25","guid":{"rendered":"https:\/\/sites.smith.edu\/eal-237\/?page_id=118"},"modified":"2017-06-15T19:23:04","modified_gmt":"2017-06-15T19:23:04","slug":"infatuation-with-nature","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/eal-237\/infatuation-with-nature\/","title":{"rendered":"Infatuation with Nature"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Landscape and nature paintings have long been an essential staple of classical Chinese art. By exploring the abundant symbolism in rivers, flowers, mountains, and other natural elements, artists and poets express infatuation with nature\u2019s infinite possibilities. This cultural fixation on the effortless beauty of the natural world manifests itself through powerful odes to nature, celebrating it as a source of endless inspiration.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The pairings of paintings and poetry in our exhibition facilitate a dialogue between visual and literary works. Through their union we gain a deeper understanding of nature\u2019s role in shaping human reality. This exhibition showcases the many forms that nature takes on in relation to the human experience. Beyond symbolizing human suffering and joy, it represents a sanctuary from worldly affairs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The paintings are ordered from the most general view of nature to the most specific. From an abstract, distant view of majestic mountain ranges to a study on a peony\u2019s elegance, this exhibition showcases numerous perspectives and vantage points on nature. Regardless of era or dynasty, each piece is a timeless love letter to the natural world, a reminder of belonging that erases our differences.<\/span><\/p>\n<p><strong>Online Student Curatorial Team:<br \/>\n<\/strong>Ava Friedlander &#8217;20, Kela Harrington &#8217;19, Lucy Liang &#8217;17, and Yuxiao Meng &#8217;19<\/p>\n<figure id=\"attachment_765\" aria-describedby=\"caption-attachment-765\" style=\"width: 4437px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/sites.smith.edu\/eal-237\/wp-content\/uploads\/sites\/90\/2017\/04\/Ava-Friedlander-\u201920-Kela-Harrington-\u201919-Lucy-Liang-\u201917-Yuxiao-Meng-\u201919.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-765\" src=\"https:\/\/sites.smith.edu\/eal-237\/wp-content\/uploads\/sites\/90\/2017\/04\/Ava-Friedlander-\u201920-Kela-Harrington-\u201919-Lucy-Liang-\u201917-Yuxiao-Meng-\u201919.jpg\" alt=\"Ava Friedlander \u201920, Kela Harrington \u201919, Lucy Liang \u201917, Yuxiao Meng \u201919\" width=\"4437\" height=\"853\" srcset=\"https:\/\/sites.smith.edu\/eal-237\/wp-content\/uploads\/sites\/90\/2017\/04\/Ava-Friedlander-\u201920-Kela-Harrington-\u201919-Lucy-Liang-\u201917-Yuxiao-Meng-\u201919.jpg 4437w, https:\/\/sites.smith.edu\/eal-237\/wp-content\/uploads\/sites\/90\/2017\/04\/Ava-Friedlander-\u201920-Kela-Harrington-\u201919-Lucy-Liang-\u201917-Yuxiao-Meng-\u201919-300x58.jpg 300w, https:\/\/sites.smith.edu\/eal-237\/wp-content\/uploads\/sites\/90\/2017\/04\/Ava-Friedlander-\u201920-Kela-Harrington-\u201919-Lucy-Liang-\u201917-Yuxiao-Meng-\u201919-768x148.jpg 768w, https:\/\/sites.smith.edu\/eal-237\/wp-content\/uploads\/sites\/90\/2017\/04\/Ava-Friedlander-\u201920-Kela-Harrington-\u201919-Lucy-Liang-\u201917-Yuxiao-Meng-\u201919-1024x197.jpg 1024w\" sizes=\"auto, (max-width: 4437px) 100vw, 4437px\" \/><\/a><figcaption id=\"caption-attachment-765\" class=\"wp-caption-text\">Photographs by Lynne Graves for SCMA.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Landscape and nature paintings have long been an essential staple of classical Chinese art. By exploring the abundant symbolism in rivers, flowers, mountains, and other natural elements, artists and poets express infatuation with nature\u2019s infinite possibilities. This cultural fixation on the effortless beauty of the natural world manifests itself through powerful odes to nature, celebrating [&hellip;]<\/p>\n","protected":false},"author":599,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-118","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/pages\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/users\/599"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":13,"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/pages\/118\/revisions"}],"predecessor-version":[{"id":806,"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/pages\/118\/revisions\/806"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/eal-237\/wp-json\/wp\/v2\/media?parent=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}