{"id":141,"date":"2022-12-27T15:49:34","date_gmt":"2022-12-27T20:49:34","guid":{"rendered":"https:\/\/sites.smith.edu\/emilydashes\/?p=141"},"modified":"2022-12-27T15:49:34","modified_gmt":"2022-12-27T20:49:34","slug":"ed26","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/emilydashes\/ed26\/","title":{"rendered":""},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-115\" src=\"https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-660x1024.png\" alt=\"A blackout poem made from a page of poetry by Emily Dickinson. Lines of the poem are crossed out with red-violet marker, and the remaining words are boxed. The page is decorated with drawn lines and patterns. On the bottom left, a black-and-white vintage photo of a man and a woman is taped to the page.\" width=\"660\" height=\"1024\" srcset=\"https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-660x1024.png 660w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-193x300.png 193w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-768x1191.png 768w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-991x1536.png 991w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-1321x2048.png 1321w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-940x1458.png 940w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26-400x620.png 400w, https:\/\/sites.smith.edu\/emilydashes\/wp-content\/uploads\/sites\/880\/2022\/12\/ed26.png 1638w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>By Lyda Martin &#8217;26<\/strong><\/p>\n<p>this noon<br \/>\nso close,<br \/>\nneighborhood\u2014<br \/>\nI SEE thee better in the dark,<br \/>\nExcelling violet.<br \/>\nfor the years<br \/>\nTo nullify<br \/>\ngrave<br \/>\nall ruddy<br \/>\nAt<br \/>\nLOW<br \/>\nstatelier sums<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Lyda Martin &#8217;26 this noon so close, neighborhood\u2014 I SEE thee better in the dark, Excelling violet. for the years To nullify grave all ruddy At LOW statelier sums<\/p>\n","protected":false},"author":5567,"featured_media":115,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-141","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pages"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/posts\/141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/users\/5567"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/comments?post=141"}],"version-history":[{"count":1,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/posts\/141\/revisions"}],"predecessor-version":[{"id":142,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/posts\/141\/revisions\/142"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/media\/115"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/media?parent=141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/categories?post=141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/emilydashes\/wp-json\/wp\/v2\/tags?post=141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}