{"id":37,"date":"2018-04-10T14:54:14","date_gmt":"2018-04-10T14:54:14","guid":{"rendered":"https:\/\/sites.smith.edu\/indians-in-art-museums\/?p=37"},"modified":"2018-04-29T17:48:30","modified_gmt":"2018-04-29T17:48:30","slug":"but-we-dont-have-any-bones","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/indians-in-art-museums\/2018\/04\/10\/but-we-dont-have-any-bones\/","title":{"rendered":""},"content":{"rendered":"<figure id=\"attachment_148\" aria-describedby=\"caption-attachment-148\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-148\" src=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/ANEWMUSEUM_10310358753.jpg\" alt=\"\" width=\"1024\" height=\"670\" srcset=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/ANEWMUSEUM_10310358753.jpg 1024w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/ANEWMUSEUM_10310358753-300x196.jpg 300w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/ANEWMUSEUM_10310358753-768x503.jpg 768w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/ANEWMUSEUM_10310358753-147x96.jpg 147w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-148\" class=\"wp-caption-text\">James Luna (Puyukitchum\/Ipai\/Mexican American Indian),\u00a0Artifact Piece, Installation, 1986.<\/figcaption><\/figure>\n<h2>BUT WE DON&#8217;T HAVE ANY BONES<\/h2>\n<p style=\"text-align: left\"><strong>how to steal a canoe (<a href=\"https:\/\/leannesimpson.bandcamp.com\/track\/how-to-steal-a-canoe\">audio<\/a>)<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-179\" src=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Screen-Shot-2018-04-26-at-5.49.40-PM.png\" alt=\"\" width=\"915\" height=\"800\" srcset=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Screen-Shot-2018-04-26-at-5.49.40-PM.png 915w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Screen-Shot-2018-04-26-at-5.49.40-PM-300x262.png 300w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Screen-Shot-2018-04-26-at-5.49.40-PM-768x671.png 768w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Screen-Shot-2018-04-26-at-5.49.40-PM-110x96.png 110w\" sizes=\"auto, (max-width: 915px) 100vw, 915px\" \/><\/p>\n<p style=\"text-align: left\">Repatriation is\u00a0central to the reclamation of and reconnection to many Native peoples&#8217; ancestors and their cultural heritage. However, I find it deeply troubling that the immediate response to &#8220;I&#8217;m thinking about Native American artistic practice and its status in a contemporary arts museum&#8221; is to show me an &#8220;unidentified&#8221; basket or bowl. this indicates that the first thing many people think of when talking about Indians are dead ones.<\/p>\n<p style=\"text-align: left\">If you are interested in reading about histories of repatriation, looting, or the Native American Graves and Repatriation Act, see: <em>Repatriation Reader: Who Owns American Indian Remains?,<\/em>\u00a0edited by Devon A. Mihesuah (Choctaw). Lincoln: University of Nebraska Press, 2000.<\/p>\n<p style=\"text-align: left\">Dumont Jr., Clayton W. (Klamath). &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/03\/Accomplishing_NAGPRA_Perspectives_on_the_Intent_Impact_and_Future_of_the_Native_American_Graves_Protection_and_Repatriation_Act.pdf\">Navigating a Colonial Quagmire: Affirming Native Lives in the Struggle to Defend Our Dead.&#8221;<\/a>\u00a0In\u00a0<em>Accomplishing NAGPRA: Perspectives on the\u00a0Intent, Impact, and Future of the Native American Graves Protection and Repatriation Act<\/em>, edited by Sangita Chari and Jaime M.N. Lavallee, 239. Corvallis:\u00a0Oregon State University Press, 2013.<\/p>\n<p style=\"text-align: left\">Gould, D. Rae (Nipmuc). &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/03\/NAGPRA_CUI_and_Institutional_Will_-_DRGould.pdf\">NAGPRA, CUI and Institutional Will.<\/a>&#8221; In <em>The Routledge Companion to Cultural Property,<\/em>\u00a0edited by<i>\u00a0<\/i>Jane Andersen and Haidy Geismar.<\/p>\n<p><a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/2018\/04\/03\/indians-living-and-working-right-now\/\"><strong>LEARN ABOUT LIVING INDIANS.<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BUT WE DON&#8217;T HAVE ANY BONES how to steal a canoe (audio) Repatriation is\u00a0central to the reclamation of and reconnection to many Native peoples&#8217; ancestors and their cultural heritage. However, I find it deeply troubling that the immediate response to &#8220;I&#8217;m thinking about Native American artistic practice and its status in a contemporary arts museum&#8221; [&hellip;]<\/p>\n","protected":false},"author":1548,"featured_media":60,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-37","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-uncategorized","9":"no-post-title"},"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/users\/1548"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":18,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/37\/revisions"}],"predecessor-version":[{"id":213,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/37\/revisions\/213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/media\/60"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/media?parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/categories?post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/tags?post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}