{"id":50,"date":"2018-04-03T14:59:26","date_gmt":"2018-04-03T14:59:26","guid":{"rendered":"https:\/\/sites.smith.edu\/indians-in-art-museums\/?p=50"},"modified":"2018-05-04T13:10:53","modified_gmt":"2018-05-04T13:10:53","slug":"indians-living-and-working-right-now","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/indians-in-art-museums\/2018\/04\/03\/indians-living-and-working-right-now\/","title":{"rendered":""},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<figure id=\"attachment_167\" aria-describedby=\"caption-attachment-167\" style=\"width: 1280px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-167\" src=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280.png\" alt=\"\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280.png 1280w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280-150x150.png 150w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280-300x300.png 300w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280-768x768.png 768w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280-1024x1024.png 1024w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280-980x980.png 980w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/tumblr_p5o3m5i7pN1rb4qszo1_1280-96x96.png 96w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption id=\"caption-attachment-167\" class=\"wp-caption-text\"><a href=\"http:\/\/chiefladybirdart.tumblr.com\">Chief Lady Bird<\/a> (Chippewa\/Potawatomi). Furious, 2018.<\/figcaption><\/figure>\n<h2>NDNS MAKING ART RIGHT NOW<\/h2>\n<p>Galanin, Nicholas (<span style=\"font-weight: 400\">Tlingit\/<\/span><span style=\"font-weight: 400\">Unangax\u0302). &#8220;<a href=\"https:\/\/walkerart.org\/magazine\/nicholas-galanin-indigenous-art-contemporary-traditional\">Out of Line: Nicholas Galanin Rejects the Traditional\/Contemporary Binary.<\/a>&#8221;\u00a0<em>Walker Reader<\/em>, 26 Mar. 2018.<\/span><\/p>\n<p>Scudeler, June (M\u00e9tis). &#8220;&#8216;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Indians-on-Top.pdf\">Indians on Top:&#8217; Kent Monkman&#8217;s Sovereign Erotics<\/a>.&#8221;\u00a0<i>American Indian\u00a0Culture and Research Journal<\/i>, vol. 39, no. 4 (2015).<\/p>\n<p>Pedri-Space, Celeste (Anishinaabe). &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Waasaabikizo.pdf\">Waasaabikizo: Our pictures are good medicine<\/a>.&#8221;\u00a0<em>Decolonization: Indigeneity, Education &amp; Society<\/em>, vol. 4, no. 1 (2016).<\/p>\n<p>Watt, Marie (Seneca). &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/In-Conversation-with-Marie-Watt-A-New-Coyote-Tale-Art-Journal-Open.pdf\">In Conversation with Marie Watt: A New Coyote Tale<\/a>.&#8221;\u00a0<em>Art Journal<\/em>, no. 76 (2017).\u00a0<a href=\"http:\/\/artjournal.collegeart.org\/?p=9492\">http:\/\/artjournal.collegeart.org\/?p=9492<\/a>. (Weblink has images)<\/p>\n<\/div>\n<p>Schmelzer, Paul. \u201c<a href=\"https:\/\/walkerart.org\/magazine\/inclusion-native-american-art-panel-discussion\">How Can Contemporary Art Be More Inclusive of Native Voices?<\/a>\u201d <em>Walker Reader<\/em>, 12 Oct. 2017.<\/p>\n<p>Vizenor, Gerald. &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/j.ctt1dgn41k.8.pdf\">Aesthetics of Survivance<\/a>.&#8221; In <i>Native Liberty: Natural Reason and Cultural Survivance<\/i>, 85-104. LINCOLN; LONDON: University of Nebraska Press, 2009. <a href=\"10.2307\/j.ctt1dgn41k.8\">doi:10.2307\/j.ctt1dgn41k.8<\/a>.<\/p>\n<p><a href=\"https:\/\/teaandbannock.com\">TEA AND BANNOCK<\/a>: A collective blog by Indigenous women photographers.<\/p>\n<p>Art21 on <a href=\"https:\/\/art21.org\/artist\/brian-jungen\/\">Brian Jungen<\/a> (Dane-Zaa).<\/p>\n<\/div>\n<p><strong>PEOPLE TO FOLLOW ON INSTAGRAM<\/strong><\/p>\n<p>Dylan AT Miner (M\u00e9tis): <a href=\"https:\/\/www.instagram.com\/wiisaakodewinini\/\">@wiisaakodewinini <\/a><\/p>\n<p>lianne charlie \u00a0(Tag\u00e9ChoHud\u00e4n, Yukon): <a href=\"https:\/\/www.instagram.com\/littlesalmonwoman\/\">@littlesalmonwoman<\/a><\/p>\n<\/div>\n<p>Demian Din\u00e9Yazhi\u2019 (Din\u00e9): <a href=\"https:\/\/www.instagram.com\/heterogeneoushomosexual\/\">@heterogeneoushomosexual<\/a>\u00a0+ Radical Indigenous Survivance and Empowerment (R.I.S.E.): <a href=\"https:\/\/www.instagram.com\/riseindigenous\/\">@RISEindigenous<\/a><\/p>\n<p>Tania Willard (Secwepemc Nation): <a href=\"https:\/\/www.instagram.com\/willardart\/\">@willardart<\/a><\/p>\n<p>Christi Belcourt (M\u00e9tis): <a href=\"https:\/\/www.instagram.com\/christi_belcourt\/\">@christi_belcourt<\/a><\/p>\n<p>Jaclyn Roessel (Din\u00e9): <a href=\"https:\/\/www.instagram.com\/jacroessel\/\">@jacroessel<\/a><\/p>\n<p>Chief Lady Bird (Chippewa, Potawatomi): <a href=\"https:\/\/www.instagram.com\/chiefladybird\/\">@chiefladybird<\/a><\/p>\n<p>Wendy Red Star (Aps\u00e1alooke): <a href=\"https:\/\/www.instagram.com\/wendyredstar\/\">@wendyredstar<\/a><\/p>\n<p>Jordan Bennett (Mi&#8217;kmaw): <a href=\"https:\/\/www.instagram.com\/jordanbennetart\/\">@jordanbennetart<\/a><\/p>\n<p>Jeneen Frei Njootli (Vuntut Gwitchin): <a href=\"https:\/\/www.instagram.com\/jfreinjootli\/\">@jfreinjootli<\/a><\/p>\n<p>Regan de Loggans (Choctaw\/K\u2019iche\u2019Maya): <a href=\"https:\/\/www.instagram.com\/phaggotplanet\/\">@phaggotplanet\u00a0<\/a><\/p>\n<p>Wabiska Maengun (Cree\/English): <a href=\"https:\/\/www.instagram.com\/wabiska_maengun\/?hl=en\">@wabiska_maengun<\/a><\/p>\n<p>Nicholas Galanin (<span style=\"font-weight: 400\">Tlingit\/<\/span><span style=\"font-weight: 400\">Unangax\u0302): <a href=\"https:\/\/www.instagram.com\/silverjackson\/\">@silverjackson<\/a><\/span><\/p>\n<p>Dayna Danger (M\u00e9tis): <a href=\"https:\/\/www.instagram.com\/daynadanger\/\">@daynadanger<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.instagram.com\/indigenousrising\/\">@indigenousrising<\/a><\/p>\n<p>Winnipeg Art Gallery: <a href=\"https:\/\/www.instagram.com\/wag_ca\/\">@wag_ca<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/art.exit\/\">@art.exit<\/a>\u00a0(institutional critique)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NDNS MAKING ART RIGHT NOW Galanin, Nicholas (Tlingit\/Unangax\u0302). &#8220;Out of Line: Nicholas Galanin Rejects the Traditional\/Contemporary Binary.&#8221;\u00a0Walker Reader, 26 Mar. 2018. Scudeler, June (M\u00e9tis). &#8220;&#8216;Indians on Top:&#8217; Kent Monkman&#8217;s Sovereign Erotics.&#8221;\u00a0American Indian\u00a0Culture and Research Journal, vol. 39, no. 4 (2015). Pedri-Space, Celeste (Anishinaabe). &#8220;Waasaabikizo: Our pictures are good medicine.&#8221;\u00a0Decolonization: Indigeneity, Education &amp; Society, vol. 4, [&hellip;]<\/p>\n","protected":false},"author":1548,"featured_media":96,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-50","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-uncategorized","9":"no-post-title"},"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/users\/1548"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":15,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/50\/revisions"}],"predecessor-version":[{"id":254,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/50\/revisions\/254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/media\/96"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/media?parent=50"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/categories?post=50"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/tags?post=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}