{"id":82,"date":"2018-04-09T19:51:49","date_gmt":"2018-04-09T19:51:49","guid":{"rendered":"https:\/\/sites.smith.edu\/indians-in-art-museums\/?p=82"},"modified":"2018-04-30T14:47:13","modified_gmt":"2018-04-30T14:47:13","slug":"well-yall-have-nmai","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/indians-in-art-museums\/2018\/04\/09\/well-yall-have-nmai\/","title":{"rendered":""},"content":{"rendered":"<figure id=\"attachment_151\" aria-describedby=\"caption-attachment-151\" style=\"width: 2253px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-151\" src=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/spring.jpg\" alt=\"\" width=\"2253\" height=\"2000\" srcset=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/spring.jpg 2253w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/spring-300x266.jpg 300w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/spring-768x682.jpg 768w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/spring-1024x909.jpg 1024w, https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/spring-108x96.jpg 108w\" sizes=\"auto, (max-width: 2253px) 100vw, 2253px\" \/><figcaption id=\"caption-attachment-151\" class=\"wp-caption-text\"><a href=\"http:\/\/www.wendyredstar.com\">Wendy Red Star<\/a> (Aps\u00e1alooke). Spring (The Four Seasons series), 2006. Archival pigment print on Sunset fiber rag.<\/figcaption><\/figure>\n<h2>WELL YOU ALREADY HAVE NMAI!<\/h2>\n<p>Ash-Milby, Kathleen (Din\u00e9) and Ruth B. Phillips. &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Inclusivity-or-Sovereignty.pdf\">Inclusivity or Sovereignty? Native American Arts in the Gallery and the Museum since 1992<\/a>.&#8221;\u00a0<em>Art Journal<\/em>, no. 76 (2017).<\/p>\n<p>Tracing activity over the last 25 years, noting a marked shift away from Native-centered projects since the opening of NMAI in 2004.<\/p>\n<p>Lonetree, Amy (Ho-Chunk). &#8220;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Museums-as-Sites-of-Decolonization.pdf\">Museums as Sites of Decolonization: Truth Telling in National and Tribal Museums<\/a>.&#8221; In\u00a0<em>Contesting Knowledge: Museums and Indigenous Perspectives<\/em>, edited by Susan Sleeper-Smith, 322. Lincoln: University of Nebraska Press, 2009.\u00a0<strong>See also\u00a0<\/strong><a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/2018\/04\/05\/not-the-same-as-decolonization\/\">Not the same as Decolonization<\/a>.<\/p>\n<p>Marie Mithlo, Nancy (Chiricahua Apache). &#8220;&#8216;<a href=\"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-content\/uploads\/sites\/241\/2018\/04\/Silly-Little-Things.pdf\">Silly Little Things:&#8217; Framing Global Self-Appropriations in Native Arts<\/a>.&#8221; In\u00a0<em>No Deal! Indigenous Arts and the Politics of Possession<\/em>, edited by Tressa Berman, 188. Santa Fe: School for Advanced Research Press, 2012.<\/p>\n<p>From NMAI to a global scale.<\/p>\n<p>&nbsp;<\/p>\n<p>In short, it&#8217;s okay for Indians to strive to be parts of NMAI <em>as well as\u00a0<\/em>non-Native contemporary arts spaces. &#8220;American Indian&#8221; and &#8220;contemporary artist&#8221; are not mutually exclusive.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WELL YOU ALREADY HAVE NMAI! Ash-Milby, Kathleen (Din\u00e9) and Ruth B. Phillips. &#8220;Inclusivity or Sovereignty? Native American Arts in the Gallery and the Museum since 1992.&#8221;\u00a0Art Journal, no. 76 (2017). Tracing activity over the last 25 years, noting a marked shift away from Native-centered projects since the opening of NMAI in 2004. Lonetree, Amy (Ho-Chunk). [&hellip;]<\/p>\n","protected":false},"author":1548,"featured_media":93,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-82","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-uncategorized","9":"no-post-title"},"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/82","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/users\/1548"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/comments?post=82"}],"version-history":[{"count":15,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/82\/revisions"}],"predecessor-version":[{"id":251,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/posts\/82\/revisions\/251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/media\/93"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/media?parent=82"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/categories?post=82"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/indians-in-art-museums\/wp-json\/wp\/v2\/tags?post=82"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}