{"id":218,"date":"2019-04-10T19:54:16","date_gmt":"2019-04-10T23:54:16","guid":{"rendered":"https:\/\/sites.smith.edu\/interpreting-collections\/?p=218"},"modified":"2019-05-04T15:04:43","modified_gmt":"2019-05-04T19:04:43","slug":"julianna-armour-ferguson","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/interpreting-collections\/2019\/04\/10\/julianna-armour-ferguson\/","title":{"rendered":"Julianna Armour Ferguson"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-239\" src=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J.jpg\" alt=\"\" width=\"1980\" height=\"3805\" srcset=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J.jpg 1980w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J-156x300.jpg 156w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J-768x1476.jpg 768w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J-533x1024.jpg 533w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J-640x1230.jpg 640w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J-1100x2114.jpg 1100w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/J-1440x2767.jpg 1440w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\" \/><strong>Sorolla y Bastida, Joaquin <\/strong>(Spanish, 1863 &#8211; 1923)<br \/>\n<em>Julianna Armour Ferguson<\/em>, 1919?<br \/>\nOil on canvas<br \/>\nGift of Juliana Painter, class of 1947<\/p>\n<p>Joaquin Sorolla y Bastida was a talented Spanish painter whose style was a variant of Impressionism. \u00a0He began to devote himself entirely to this practice in 1900, painting landscapes, views of cities, studies of nature, seascapes and garden scenes in which he demonstrated his tremendous skill in capturing the effects of light.<\/p>\n<p>In 1932, his artist\u2019s house in Madrid was turned into a museum, now known as the <a href=\"http:\/\/www.mecd.gob.es\/msorolla\/en\/el-museo\/mision.html\" target=\"_blank\" rel=\"noopener noreferrer\">Museo Sorolla<\/a>. This\u00a0typical Spanish house from the first half of the 20th Century was his home and workshop for the last 11 years of his life. His family turned over his estate to the Spanish State, which decided to convert it into a museum showcasing his many paintings and personal belongings (sculptures, letters, textile, furniture, etc.) which the painter collected throughout his life.<\/p>\n<p>Sorolla received many commissions from American art patrons between the years 1909 and 1920. <em>Julianna Armour Ferguson\u00a0<\/em>is one of the commissioned works. The donor of this painting, Juliana Painter, in fact, is the granddaughter of\u00a0 Julianna Armour Ferguson. The painting was lent to a big show in Madrid called <a href=\"https:\/\/www.museothyssen.org\/en\/exposiciones\/sorolla-and-fashion\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Sorolla and Fashion<\/em><\/a> from 13 February to 27 May 2018, which displayed clothing and furniture related to the portraits in the show.<\/p>\n<p>In these commissioned works, he describes and reveals the &#8220;soul&#8221; of an elite class, the way they were and, above all, their wish to be recognized as such.<\/p>\n<p>Moreover, Juliana Painter is from a big family and that donated another portrait to SCMA of a portrait of her aunt, which is used to be called <em>Portrait of a Young Girl in White Dress<\/em>, and the museum decided to call it <em>May Ferguson.<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_291\" aria-describedby=\"caption-attachment-291\" style=\"width: 472px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-291\" src=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/1982_36_1.jpg\" alt=\"\" width=\"472\" height=\"830\" srcset=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/1982_36_1.jpg 512w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/1982_36_1-171x300.jpg 171w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><figcaption id=\"caption-attachment-291\" class=\"wp-caption-text\">Wiles, Irving Ramsay, May Ferguson, oil on canvas Gift of Juliana Painter, class of 1947<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><em>How do you think the elites actually looked like? And what does the &#8220;soul&#8221; of an elite class mean?<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Read more about Joaquin Sorolla <a href=\"https:\/\/www.spainenglish.com\/2019\/03\/20\/joaquin-sorolla-exhibition-art-legacy\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<br \/>\nRead more about Mrs. Ferguson and her mansion <a href=\"http:\/\/goldcoastmansionsoflongisland.com\/index.php?page=bygone_mansions_02\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<br \/>\nRead more about\u00a0<em>Sorolla and Fashion<\/em> <a href=\"https:\/\/www.rebekahkosinskigallery.com\/blog\/2018\/2\/23\/sorolla-fashion\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sorolla y Bastida, Joaquin (Spanish, 1863 &#8211; 1923) Julianna Armour Ferguson, 1919? Oil on canvas [&hellip;]<\/p>\n","protected":false},"author":1049,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-218","post","type-post","status-publish","format-standard","hentry","category-1","entry","grid"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/users\/1049"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":10,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts\/218\/revisions"}],"predecessor-version":[{"id":309,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts\/218\/revisions\/309"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/media?parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/categories?post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/tags?post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}