{"id":40,"date":"2019-04-14T13:55:14","date_gmt":"2019-04-14T17:55:14","guid":{"rendered":"https:\/\/sites.smith.edu\/mux300-jxu\/?p=40"},"modified":"2019-05-07T14:25:56","modified_gmt":"2019-05-07T18:25:56","slug":"ramesseum-at-thebes","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/interpreting-collections\/2019\/04\/14\/ramesseum-at-thebes\/","title":{"rendered":"Ramesseum at Thebes"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-41\" src=\"https:\/\/sites.smith.edu\/mux300-jxu\/wp-content\/uploads\/sites\/375\/2019\/04\/de-Forest-Ramesseum-at-Thebes.jpeg\" alt=\"\" width=\"1580\" height=\"2000\" srcset=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/de-Forest-Ramesseum-at-Thebes.jpeg 1580w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/de-Forest-Ramesseum-at-Thebes-237x300.jpeg 237w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/de-Forest-Ramesseum-at-Thebes-768x972.jpeg 768w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/de-Forest-Ramesseum-at-Thebes-809x1024.jpeg 809w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/de-Forest-Ramesseum-at-Thebes-1200x1519.jpeg 1200w\" sizes=\"auto, (max-width: 1580px) 100vw, 1580px\" \/><\/p>\n<p><strong>Lockwood De Forest<\/strong> (American, 1850-1932)<br \/>\n<span style=\"font-weight: 400\"><i>Ramesseum at<\/i> <em>Thebes,<\/em> circa 1876<\/span><br \/>\n<span style=\"font-weight: 400\">Oil on canvas<\/span><br \/>\n<span style=\"font-weight: 400\">Purchased with the Hillyer-Mather-Tryon Fund <\/span><br \/>\n<strong>[on view; 3rd floor]<\/strong><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>The debate over the 1940s sale of some 100 paintings from the Smith College Museum of Art collection\u2014including a Lockwood de Forest work, <em>Ramesseum at Thebes<\/em>, which sold for $10\u2014raises the question over whether selling off works of American art, at the time deemed unimportant, was prudent. Now that the painting is once again owned by Smith, it will be part of an installation in August.\u00a0<\/strong><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>In February 1876, Lockwood de Forest ventured into Thebes as part of his multi-month tour of Egypt. <span style=\"font-weight: 400\"><i>Ramesseum at Thebes<\/i><\/span> portrays the famed, fallen Colossus of Ramesses II (known as &#8220;Ozymandias&#8221; after the 1817 Percy Shelley poem it inspired) memorializing Pharaoh Ramesses II. Highlighted by the Egyptian sun and framed by the roofed hypostyle hall, the columns of which are decorated with deteriorating illustrations of the Pharaoh&#8217;s military successes. Upon returning to the United States, de Forest created this painting in his studio, using oil sketches and drawings from his travels, and in this case, a tourist photograph called <em>The Temple of Ramesses III, Medinet Habu,<\/em> from the studio of French photographer Henri B\u00e9chard.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_178\" aria-describedby=\"caption-attachment-178\" style=\"width: 381px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-178\" src=\"https:\/\/sites.smith.edu\/mux300-jxu\/wp-content\/uploads\/sites\/375\/2019\/04\/photo.jpg\" alt=\"\" width=\"381\" height=\"527\" srcset=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo.jpg 2918w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-217x300.jpg 217w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-768x1064.jpg 768w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-739x1024.jpg 739w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-640x887.jpg 640w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-1100x1524.jpg 1100w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-1440x1995.jpg 1440w, https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/photo-2000x2770.jpg 2000w\" sizes=\"auto, (max-width: 381px) 100vw, 381px\" \/><figcaption id=\"caption-attachment-178\" class=\"wp-caption-text\">Henri B\u00e9chard (French, active Cairo, Egypt 1869 &#8211; 1880s)<br \/>The Temple of Ramesses III, Medinet Habu, about 1872, Albumen silver print<br \/>39.5 \u00d7 28.6 cm (15 9\/16 \u00d7 11 1\/4 in.), 84.XP.767.19<br \/>The J. Paul Getty Museum, Los Angeles<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>De Forest\u2019s canvas was one of three Orientalist paintings purchased by Smith College President L. Clark Seelye in July 1879. Before that, <em>Ramesseum<\/em> was likely a gift of the artists to a fellow artist, James Wells Champney (1843-1903), Smith College&#8217;s first professor of art from 1877-1884. All three were sold in 1940 to Harry Eichleay in Pittsburgh, PA, but Alice Pratt Brown Professor John Davis rediscovered <em>Ramesseum at Thebes<\/em> in the <a href=\"http:\/\/www.debraforce.com\/attachment\/en\/578e507687aa2c815051b02e\/Publication\/57bf6735e6aa2c017af297bf\" target=\"_blank\" rel=\"noopener noreferrer\">Debra Force Fine Art exhibition in 2015<\/a>, allowing the Museum to recover one of its foundational collection. People might think that liquidating museum collections is going to be the immediate way of solving financial challenges, however, Davis&#8217;s research indicates that the sale of what today are widely considered to be masterpieces bought the college \u201csome furniture and some paint on the walls.\u201d<\/p>\n<style type=\"text\/css\">\n#foogallery-gallery-204.fg-masonry .fg-item { width: 350px; }\n#foogallery-gallery-204.fg-masonry { --fg-gutter: 50px; }<\/style>\n\t\t\t<div class=\"foogallery foogallery-container foogallery-masonry foogallery-lightbox-foobox fg-center fg-masonry fg-ready fg-light fg-border-thin fg-shadow-outline fg-loaded-fade-in fg-hover-scale fg-captions-bottom fg-hover-fade fg-fixed\" id=\"foogallery-gallery-204\" data-foogallery=\"{&quot;item&quot;:{&quot;showCaptionTitle&quot;:true,&quot;showCaptionDescription&quot;:false},&quot;lazy&quot;:true,&quot;template&quot;:{&quot;columnWidth&quot;:350,&quot;gutter&quot;:50}}\" style=\"--fg-title-line-clamp: 0; --fg-description-line-clamp: 0;\" >\n\t\t<div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a data-caption-title=\"L. Clark Seelye, ca. 1873\nSmith College Archives\" data-attachment-id=\"181\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"L. Clark Seelye, ca. 1873\nSmith College Archives\" width=\"350\" height=\"523.91975308642\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/2019\/04\/seelye.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22350%22%20height%3D%22523.91975308642%22%20viewBox%3D%220%200%20350%20523.91975308642%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">L. Clark Seelye, ca. 1873\nSmith College Archives<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a data-caption-title=\"J. Wells Champney\n(c) Pocumtuck Valley Memorial Association, Deerfield MA. All rights reserved.\" data-attachment-id=\"180\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img fetchpriority=\"high\" decoding=\"async\" title=\"J. Wells Champney\n(c) Pocumtuck Valley Memorial Association, Deerfield MA. All rights reserved.\" width=\"350\" height=\"525\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/interpreting-collections\/wp-content\/uploads\/sites\/375\/cache\/2019\/04\/j-wells\/4020637679.jpeg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22350%22%20height%3D%22525%22%20viewBox%3D%220%200%20350%20525%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">J. Wells Champney\n(c) Pocumtuck Valley Memorial Association, Deerfield MA. All rights reserved.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><\/div>\n<p>In fact, part of Smith College\u2019s interest in the DeForest painting is that Seelye, with a personal interest in the Middle East, bought three works that would today be labeled \u201corientalist.\u201d Thus the rediscovery of <em>Ramesseum\u00a0<\/em>not only reconnects Champney&#8217;s network and influence at Smith, but the painting also speaks to the interest and experience of the 19th century American artists in North Africa, the Middle East, and India, picturing the &#8220;exotic.&#8221;<\/p>\n<p><em>Ramesseum at Thebes<\/em> is only one of about 100 paintings sold from Smith\u2019s collection in the 1940s. Bringing it back to Northampton is an effort to represent the college&#8217;s original collection of American art. People can also have a slightly more precise and a wider sense of Seelye\u2019s tastes and what the original Smith art museum collection would have looked like.<\/p>\n<p><span style=\"font-size: 16px\">Now on view on the third floor of SCMA, <\/span><i style=\"font-size: 16px\">Ramesseum at Thebes\u00a0<\/i><span style=\"font-size: 16px\">by American painter and designer Lockwood de Forest indeed has an intriguing story to tell.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em>What do you think about the story?<\/em><\/p>\n<p>Read more about <span style=\"font-weight: 400\"><i>Ramesseum at Thebes<\/i><\/span> <a href=\"https:\/\/www.smith.edu\/insight\/stories\/ramesseum.php\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lockwood De Forest (American, 1850-1932) Ramesseum at Thebes, circa 1876 Oil on canvas Purchased with [&hellip;]<\/p>\n","protected":false},"author":1049,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-40","post","type-post","status-publish","format-standard","hentry","category-1","entry","grid"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/users\/1049"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":14,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts\/40\/revisions"}],"predecessor-version":[{"id":346,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/posts\/40\/revisions\/346"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/categories?post=40"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/interpreting-collections\/wp-json\/wp\/v2\/tags?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}