Bibliography, Sources, and Further Reading

Note: All images scanned from Matthias Hühne’s Pan Am: History, Design & Identity except for the Ladeco poster. Ladeco image scanned and uploaded by flickr user RiveraNotario, available at https://www.flickr.com/photos/riveranotario/13953988167/in/photostream/lightbox/.

  • Ballengee-Morris, Christine. “Cultures for Sale: Perspectives on Colonialism and Self-Determination and the Relationship to Authenticity and Tourism.” Studies in Art      Education 43, no. 3 (2002): 232-45. doi:10.2307/1321087.
  • Candelaria, Cordelia. “La Malinche, Feminist Prototype.” Frontiers: A Journal of Women Studies 5, no. 2 (1980): 1-6. doi:10.2307/3346027.
  • Canessa, Andrew. “Gender, Indigeneity, and the Performance of Authenticity in Latin American Tourism.” Latin American Perspectives 39, no. 6 (2012): 109-15. http://www.jstor.org/stable/41702298.
  • Del Real, Patricio. “Building a Continent: MOMA’s Latin American Architecture since 1945 Exhibition,” Journal of Latin American Cultural Studies 16, no. 1 (2007): 95-110. doi:10.1080/13569320601156803.
  • Fox, Claire. Making Art Panamerican: Cultural Policy and the Cold War. Minneapolis: University of Minnesota Press, 2013.
  • Frow, John. “Tourism and the Semiotics of Nostalgia.” October 57 (1991): 123-51. doi:10.2307/778875.
  • Hühne, Matthias. Pan Am : History, Design & Identity. Berlin: Callisto Publishers, 2016.
  • Merrill, Dennis. Negotiating Paradise: U.S. Tourism and Empire in Twentieth-Century Latin America. Chapel Hill: The University of North Carolina Press, 2009.
  • Swords, Alicia, and Ronald L. Mize. “Beyond Tourist Gazes and Performances: U.S. Consumption of Land and Labor in Puerto Rican and Mexican Destinations.” Latin American Perspectives35, no. 3 (2008): 53-69. http://www.jstor.org/stable/27648097.