{"id":85,"date":"2019-03-21T04:11:17","date_gmt":"2019-03-21T04:11:17","guid":{"rendered":"https:\/\/sites.smith.edu\/loren-maciver\/?p=85"},"modified":"2019-05-04T04:46:17","modified_gmt":"2019-05-04T04:46:17","slug":"food","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/loren-maciver\/2019\/03\/21\/food\/","title":{"rendered":"City"},"content":{"rendered":"<p><span style=\"font-weight: 400\">As a native New Yorker, the city was always a central source of inspiration for MacIver. Even in her work that doesn&#8217;t directly deal with the city as a subject, the vibrant light and movement that can be seen in many of her paintings reflect a lifetime of studying the twinkling, active lights of the city. While she was born and raised in the Bronx, Loren moved directly after high school to live in Greenwich Village where she lived alone for one year before marrying Lloyd Frankenberg in 1929, then a student at Columbia. She would live in Greenwich Village until her death in 1998.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-413\" src=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/61-Perry-full-200x300.jpg\" alt=\"\" width=\"405\" height=\"608\" srcset=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/61-Perry-full-200x300.jpg 200w, https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/61-Perry-full-768x1152.jpg 768w, https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/61-Perry-full-683x1024.jpg 683w, https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/61-Perry-full-666x999.jpg 666w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/p>\n<p style=\"text-align: center\"><em>The above photograph is of 61 Perry Street, where Loren and Lloyd moved in 1942. They lived on the top floor, and the large skylight was an inspiration for many of MacIver&#8217;s paintings.\u00a0 Loren would continue to live there until her death in 1998.<\/em><\/p>\n<p>&nbsp;<\/p>\n<style type=\"text\/css\">\n#foogallery-gallery-247 .fg-image { width: 150px; }\n#foogallery-gallery-247 { --fg-gutter: 10px; }<\/style>\n\t\t\t<div class=\"foogallery foogallery-container foogallery-default foogallery-lightbox-foobox fg-center fg-default fg-ready fg-dark fg-round-full fg-loading-default fg-loaded-fade-in fg-caption-hover fg-hover-fade fg-hover-zoom\" id=\"foogallery-gallery-247\" data-foogallery=\"{&quot;item&quot;:{&quot;showCaptionTitle&quot;:true,&quot;showCaptionDescription&quot;:true},&quot;lazy&quot;:true}\" style=\"--fg-title-line-clamp: 0; --fg-description-line-clamp: 0;\" >\n\t<div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/cityphoto.jpg\" data-caption-title=\"Loren MacIver playing with unknown boy in Central Park\" data-attachment-id=\"184\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/cityphoto\/4252667953.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Loren MacIver playing with unknown boy in Central Park<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/LM489GreenwichI.jpg\" data-caption-title=\"Greenwich Village Night I, 1939, chalk on black paper, 9.5X11&quot;\" data-caption-desc=\"This earlier chalk drawing shows how the city remained a consistent presence in MacIver&#039;s work throughout her life. She was particularly interested in the effects of city lights at night, as we continue to see in &quot;New York&quot; and &quot;Subway Lights.&quot; &quot;Greenwich Village Night I&quot; offers us a glimpse into the nighttime sights that surrounded MacIver in her various apartments in Greenwich Village over the years, where she was immersed in a specific culture of modernist artists and poets that were heralding in a new era of the New York art world.\" data-attachment-id=\"141\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"This earlier chalk drawing shows how the city remained a consistent presence in MacIver&#039;s work throughout her life. She was particularly interested in the effects of city lights at night, as we continue to see in &quot;New York&quot; and &quot;Subway Lights.&quot; &quot;Greenwich Village Night I&quot; offers us a glimpse into the nighttime sights that surrounded MacIver in her various apartments in Greenwich Village over the years, where she was immersed in a specific culture of modernist artists and poets that were heralding in a new era of the New York art world.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/LM489GreenwichI\/1925368646.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Greenwich Village Night I, 1939, chalk on black paper, 9.5X11\"<\/div><div class=\"fg-caption-desc\">This earlier chalk drawing shows how the city remained a consistent presence in MacIver's work throughout her life. She was particularly interested in the effects of city lights at night, as we continue to see in \"New York\" and \"Subway Lights.\" \"Greenwich Village Night I\" offers us a glimpse into the nighttime sights that surrounded MacIver in her various apartments in Greenwich Village over the years, where she was immersed in a specific culture of modernist artists and poets that were heralding in a new era of the New York art world.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/newyorkatnight.jpg\" data-caption-title=\"New York at Night\" data-caption-desc=\"These sketches are undated and are likely from a different period than &quot;Greenwich Village Night I,&quot; but show the way in which concepts such as New York at night maintained a steady role in MacIver&#039;s work throughout her lifetime, even as her style and medium changed.\" data-attachment-id=\"189\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"These sketches are undated and are likely from a different period than &quot;Greenwich Village Night I,&quot; but show the way in which concepts such as New York at night maintained a steady role in MacIver&#039;s work throughout her lifetime, even as her style and medium changed.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/newyorkatnight\/194166775.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">New York at Night<\/div><div class=\"fg-caption-desc\">These sketches are undated and are likely from a different period than \"Greenwich Village Night I,\" but show the way in which concepts such as New York at night maintained a steady role in MacIver's work throughout her lifetime, even as her style and medium changed.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/APHILLIPSIG_10310733107.jpg\" data-caption-title=\"New York, 1952, oil on paper\" data-attachment-id=\"142\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/APHILLIPSIG_10310733107\/3106317224.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">New York, 1952, oil on paper<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/neoncity.jpg\" data-caption-title=\"&quot;Neon City \/\" data-caption-desc=\"MacIver often wrote her ideas for paintings in poem like lists, such as the one here. \n\nLights that swim \/ deer \/ in the baleful waters \/ Chartres sculpture-stained glass \/ The spaces in between \/ ears, earrings \/ Piero \/ Elizabeth&#039;s poem \/ A sea of faces, regrets, etc. \/ One white --non panache\" data-attachment-id=\"186\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"MacIver often wrote her ideas for paintings in poem like lists, such as the one here. \n\nLights that swim \/ deer \/ in the baleful waters \/ Chartres sculpture-stained glass \/ The spaces in between \/ ears, earrings \/ Piero \/ Elizabeth&#039;s poem \/ A sea of faces, regrets, etc. \/ One white --non panache\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/neoncity\/3638123022.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">\"Neon City \/<\/div><div class=\"fg-caption-desc\">MacIver often wrote her ideas for paintings in poem like lists, such as the one here. \n\nLights that swim \/ deer \/ in the baleful waters \/ Chartres sculpture-stained glass \/ The spaces in between \/ ears, earrings \/ Piero \/ Elizabeth's poem \/ A sea of faces, regrets, etc. \/ One white --non panache<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/citylightssketch.jpg\" data-caption-title=\"&quot;Neon City Picture \/ Reflections of yellow, green, pink \/ electric tone \/ faces, objects, dogs, cats etc. all bathed in an exciting neon \/ &quot;a beautiful mess&quot; \/ large illuminated \/ shadowy bodies \/ the little  invisible spaces in between&quot;\" data-caption-desc=\"A sketch and notes for the painting that would ultimately become New York.\" data-attachment-id=\"183\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"A sketch and notes for the painting that would ultimately become New York.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/citylightssketch\/2009546974.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">\"Neon City Picture \/ Reflections of yellow, green, pink \/ electric tone \/ faces, objects, dogs, cats etc. all bathed in an exciting neon \/ \"a beautiful mess\" \/ large illuminated \/ shadowy bodies \/ the little  invisible spaces in between\"<\/div><div class=\"fg-caption-desc\">A sketch and notes for the painting that would ultimately become New York.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/citypicture.jpg\" data-caption-title=\"citypicture\" data-caption-desc=\"This sketch for the painting that would come to be &quot;New York&quot; most closely resembles the actual painting. MacIver maps out the blue and violet buildings in the background, the band of light filled with neon signs, the steps of Christopher street subway and subway signs on the left, with subway lights in the center.\" data-attachment-id=\"185\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"This sketch for the painting that would come to be &quot;New York&quot; most closely resembles the actual painting. MacIver maps out the blue and violet buildings in the background, the band of light filled with neon signs, the steps of Christopher street subway and subway signs on the left, with subway lights in the center.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/citypicture\/2862879347.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">citypicture<\/div><div class=\"fg-caption-desc\">This sketch for the painting that would come to be \"New York\" most closely resembles the actual painting. MacIver maps out the blue and violet buildings in the background, the band of light filled with neon signs, the steps of Christopher street subway and subway signs on the left, with subway lights in the center.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/neonsigns2.jpg\" data-caption-title=\"Neon Signs\" data-caption-desc=\"A detailed sketch of the neon signs painted across the center of &quot;New York&quot; with references to the addresses where MacIver spotted the original signs.\" data-attachment-id=\"188\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"A detailed sketch of the neon signs painted across the center of &quot;New York&quot; with references to the addresses where MacIver spotted the original signs.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/neonsigns2\/4211915389.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Neon Signs<\/div><div class=\"fg-caption-desc\">A detailed sketch of the neon signs painted across the center of \"New York\" with references to the addresses where MacIver spotted the original signs.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/ASMITHIG_10313666242-1.jpg\" data-caption-title=\"Subway Lights, 1959, oil on canvas, 50 x 35 in\" data-attachment-id=\"144\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/ASMITHIG_10313666242-1\/4276448401.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Subway Lights, 1959, oil on canvas, 50 x 35 in<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/christopherstsubway.jpg\" data-caption-title=\"Sketch of Christopher Street Subway\" data-caption-desc=\"Just down the street from where she lived in Greenwich Village, Christopher Street subway was a favorite subject of Loren MacIver. The steps down to Christopher Street subway are depicted on the right side of &quot;New York,&quot; and the subway lights she received there when they were being deinstalled were the inspiration for &quot;Subway Lights&quot;\" data-attachment-id=\"182\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"Just down the street from where she lived in Greenwich Village, Christopher Street subway was a favorite subject of Loren MacIver. The steps down to Christopher Street subway are depicted on the right side of &quot;New York,&quot; and the subway lights she received there when they were being deinstalled were the inspiration for &quot;Subway Lights&quot;\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/christopherstsubway\/1682530004.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Sketch of Christopher Street Subway<\/div><div class=\"fg-caption-desc\">Just down the street from where she lived in Greenwich Village, Christopher Street subway was a favorite subject of Loren MacIver. The steps down to Christopher Street subway are depicted on the right side of \"New York,\" and the subway lights she received there when they were being deinstalled were the inspiration for \"Subway Lights\"<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><\/div>\n\n<p>&nbsp;<\/p>\n<h2><strong>Night City<\/strong><\/h2>\n<h4>Elizabeth Bishop (1911-1979)<\/h4>\n<p>No foot could endure it,<br \/>\nshoes are too thin.<br \/>\nBroken glass, broken bottles,<br \/>\nheaps of them burn.<\/p>\n<p class=\"p1\">Over those fires<br \/>\nno one could walk:<br \/>\nthose flaring acids<br \/>\nand variegated bloods.<\/p>\n<p class=\"p1\">The city burns tears.<br \/>\nA gathered lake<br \/>\nof aquamarine<br \/>\nbegins to smoke.<\/p>\n<p class=\"p1\">The city burns guilt.<br \/>\n\u2014 For guilt disposal<br \/>\nthe central heat<br \/>\nmust be this intense.<\/p>\n<p class=\"p1\">Diaphanous lymph,<br \/>\nbright turgid blood,<br \/>\nspatter outward<br \/>\nin clots of gold<\/p>\n<p class=\"p1\">to where run, molten,<br \/>\nin the dark environs<br \/>\ngreen and luminous<br \/>\nsilicate rivers.<\/p>\n<p class=\"p1\">A pool of bitumen<br \/>\none tycoon<br \/>\nwept by himself,<br \/>\na blackened moon.<\/p>\n<p class=\"p1\">Another cried<br \/>\na skyscraper up.<br \/>\nLook! Incandescent,<br \/>\nits wires drip.<\/p>\n<p class=\"p1\">The conflagration<br \/>\nfights for air<br \/>\nin a dread vacuum.<br \/>\nThe sky is dead.<\/p>\n<p class=\"p1\">(Still, there are creatures,<br \/>\ncareful ones, overhead.<br \/>\nThey set down their feet, they walk<br \/>\ngreen, red; green, red.)<\/p>\n<p>This poem by Elizabeth Bishop, who spent time in Loren and Lloyd&#8217;s 61 Perry Street apartment in Greenwich Village while they were living in Paris in the late 1960s, shows the differing ways in which MacIver&#8217;s contemporary and friend reflected on similar themes.\u00a0 &#8220;Night City,&#8221; viewed in partnership with MacIver&#8217;s city paintings, shows the complex nature of the artist&#8217;s relationship to the romanticized city. It can be a wonderland of twinkling lights or a whirlwind of moving color, as we often see in MacIver\u2019s work, or, as in \u201cNight City,\u201d a blazing, wrought place of human suffering.<\/p>\n<p style=\"text-align: center\">\n","protected":false},"excerpt":{"rendered":"<p>As a native New Yorker, the city was always a central source of inspiration for MacIver. Even in her work that doesn&#8217;t directly deal with the city as a subject, the vibrant light and movement that can be seen in many of her paintings reflect a lifetime of studying the twinkling, active lights of the [&hellip;]<\/p>\n","protected":false},"author":2136,"featured_media":86,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-85","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/users\/2136"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/comments?post=85"}],"version-history":[{"count":20,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts\/85\/revisions"}],"predecessor-version":[{"id":459,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts\/85\/revisions\/459"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/media\/86"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/media?parent=85"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/categories?post=85"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/tags?post=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}