{"id":88,"date":"2019-03-23T22:38:56","date_gmt":"2019-03-23T22:38:56","guid":{"rendered":"https:\/\/sites.smith.edu\/loren-maciver\/?p=88"},"modified":"2019-05-04T04:39:51","modified_gmt":"2019-05-04T04:39:51","slug":"moon","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/loren-maciver\/2019\/03\/23\/moon\/","title":{"rendered":"The Sea"},"content":{"rendered":"<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-175\" src=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/wisedarksea-300x97.jpg\" alt=\"\" width=\"445\" height=\"144\" srcset=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/wisedarksea-300x97.jpg 300w, https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/wisedarksea-768x248.jpg 768w, https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/wisedarksea-1024x331.jpg 1024w, https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/wisedarksea-700x226.jpg 700w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><\/p>\n<p style=\"text-align: center\"><em>The wine dark sea<\/em><\/p>\n<p>The beach was an important place of inspiration to Loren MacIver and her husband Lloyd Frankenberg, especially in the 1930s, as they began to regularly spend their summers in Cape Cod starting in 1931. \u00a0Frankenberg\u2019s 1960 story, <em>Yellow Season<\/em>, details the summers (and one harrowing winter) they spent together in the little hut they built out of driftwood in Truro, Cape Cod.<\/p>\n<p>MacIver\u2019s painting of this house, called <em>Shack<\/em>, was part of her first major sale. It was one of two paintings purchased by Alfred Barr, then director of the Museum of Modern Art, in 1934.<\/p>\n<p>In the late 1930s the two also began making summer visits to Key West, guided by their good friend and supporter Louise Crane. It was there, in the summer of 1939, that they were introduced to Elizabeth Bishop, with whom they would remain lifelong friends.<\/p>\n<style type=\"text\/css\">\n#foogallery-gallery-238 .fg-image { width: 150px; }\n#foogallery-gallery-238 { --fg-gutter: 10px; }<\/style>\n\t\t\t<div class=\"foogallery foogallery-container foogallery-default foogallery-lightbox-foobox fg-center fg-default fg-ready fg-dark fg-round-full fg-loading-default fg-loaded-fade-in fg-caption-hover fg-hover-fade fg-hover-zoom\" id=\"foogallery-gallery-238\" data-foogallery=\"{&quot;item&quot;:{&quot;showCaptionTitle&quot;:true,&quot;showCaptionDescription&quot;:true},&quot;lazy&quot;:true}\" style=\"--fg-title-line-clamp: 0; --fg-description-line-clamp: 0;\" >\n\t<div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/Screen-Shot-2019-03-26-at-11.16.22-PM.png\" data-caption-title=\"Shack, 1934, oil on canvas, 20 1\/8 x 24&quot;, MoMA\" data-caption-desc=\"This painting is thought to be one of the first by a woman in the MoMA permanent collection, and shows a distorted, dream-like perspective similar to what we see in the work of the surrealists.  Shack presents all four walls and the floor of the structure in a two-dimensional view.  We see the sparse furnishings of the shack\u2014namely just a small bed, and the various bits and bobs which line the shelves, as well as the view out the window and door looking out to the ocean. On all four sides of the shack the sand dissolves into beachy grasses, which in turn melt into sea and sky, capturing the dreamy essence of MacIver\u2019s Cape Cod world.\" data-attachment-id=\"136\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"This painting is thought to be one of the first by a woman in the MoMA permanent collection, and shows a distorted, dream-like perspective similar to what we see in the work of the surrealists.  Shack presents all four walls and the floor of the structure in a two-dimensional view.  We see the sparse furnishings of the shack\u2014namely just a small bed, and the various bits and bobs which line the shelves, as well as the view out the window and door looking out to the ocean. On all four sides of the shack the sand dissolves into beachy grasses, which in turn melt into sea and sky, capturing the dreamy essence of MacIver\u2019s Cape Cod world.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/Screen-Shot-2019-03-26-at-11_16_22-PM\/1798485209.png\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Shack, 1934, oil on canvas, 20 1\/8 x 24\", MoMA<\/div><div class=\"fg-caption-desc\">This painting is thought to be one of the first by a woman in the MoMA permanent collection, and shows a distorted, dream-like perspective similar to what we see in the work of the surrealists.  Shack presents all four walls and the floor of the structure in a two-dimensional view.  We see the sparse furnishings of the shack\u2014namely just a small bed, and the various bits and bobs which line the shelves, as well as the view out the window and door looking out to the ocean. On all four sides of the shack the sand dissolves into beachy grasses, which in turn melt into sea and sky, capturing the dreamy essence of MacIver\u2019s Cape Cod world.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/04\/Hut1_final.jpg\" data-caption-title=\"Loren and Lloyd&#039;s Hut\" data-caption-desc=\"The shack that Loren and Lloyd made out of driftwood in Truro, Cape Cod. One of several photographs I discovered in the archive in negative form, this and the following photographs have no written date, but they were taken sometime between 1931 and 1940.\" data-attachment-id=\"351\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"The shack that Loren and Lloyd made out of driftwood in Truro, Cape Cod. One of several photographs I discovered in the archive in negative form, this and the following photographs have no written date, but they were taken sometime between 1931 and 1940.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/04\/Hut1_final\/1458536002.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Loren and Lloyd's Hut<\/div><div class=\"fg-caption-desc\">The shack that Loren and Lloyd made out of driftwood in Truro, Cape Cod. One of several photographs I discovered in the archive in negative form, this and the following photographs have no written date, but they were taken sometime between 1931 and 1940.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/big_LM585_KeyWest.jpg\" data-caption-title=\"Untitled (Provincetown), ca. 1937-1939, watercolor on paper, 11 1\/2 x 14 1\/4&quot;, Alexandre Gallery\" data-caption-desc=\"This drawing is one of several from this period done using charcoal and vibrant watercolor, which twist and turn everyday scenes into surreal, disjointed collections of color and line.\" data-attachment-id=\"139\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"This drawing is one of several from this period done using charcoal and vibrant watercolor, which twist and turn everyday scenes into surreal, disjointed collections of color and line.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/big_LM585_KeyWest\/1908663448.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Untitled (Provincetown), ca. 1937-1939, watercolor on paper, 11 1\/2 x 14 1\/4\", Alexandre Gallery<\/div><div class=\"fg-caption-desc\">This drawing is one of several from this period done using charcoal and vibrant watercolor, which twist and turn everyday scenes into surreal, disjointed collections of color and line.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/LM604_bishophouse.jpg\" data-caption-title=\"Elizabeth Bishop&#039;s House, 1939, watercolor and ink on paper,  11 1\/4 x 13 3\/4\" data-caption-desc=\"Done also in the charcoal and watercolor style which MacIver gravitated towards during this period, this drawing shares, through a collection of distorted details spread throughout the interior of Elizabeth Bishop&#039;s Key West home.  This drawing was completed in 1939, the same summer that MacIver met Elizabeth Bishop when introduced in Key West by their mutual friend Louise Crane.\" data-attachment-id=\"138\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"Done also in the charcoal and watercolor style which MacIver gravitated towards during this period, this drawing shares, through a collection of distorted details spread throughout the interior of Elizabeth Bishop&#039;s Key West home.  This drawing was completed in 1939, the same summer that MacIver met Elizabeth Bishop when introduced in Key West by their mutual friend Louise Crane.\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/LM604_bishophouse\/3983893653.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Elizabeth Bishop's House, 1939, watercolor and ink on paper,  11 1\/4 x 13 3\/4<\/div><div class=\"fg-caption-desc\">Done also in the charcoal and watercolor style which MacIver gravitated towards during this period, this drawing shares, through a collection of distorted details spread throughout the interior of Elizabeth Bishop's Key West home.  This drawing was completed in 1939, the same summer that MacIver met Elizabeth Bishop when introduced in Key West by their mutual friend Louise Crane.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/LM494_CrossingDunes.jpg\" data-caption-title=\"Crossing the Dunes, 1933, pastel on paper, 23 x 17&quot;, Alexandre Gallery\" data-caption-desc=\"&quot;Summers we went to the Cape. Usually summer began for us on the first warmish day in April. There we lived on the twenty-five dollars a month we had scraped together. Where we were, behind East Harbor, was called \u201cthe backside.\u201d We were across from North Truro on the bayside, then sparsely settled and without stores. For supplies, we crossed the dunes diagonally for about three miles to the paved road that led, two miles further, into Provincetown. Sometimes we got hitches along this stretch, but mostly we walked the five miles both ways. On the return we were loaded down by knapsacks bulging with food that would last us for three or four days.&quot;\nLloyd Frankenberg, Yellow Season, 1960\" data-attachment-id=\"137\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"&quot;Summers we went to the Cape. Usually summer began for us on the first warmish day in April. There we lived on the twenty-five dollars a month we had scraped together. Where we were, behind East Harbor, was called \u201cthe backside.\u201d We were across from North Truro on the bayside, then sparsely settled and without stores. For supplies, we crossed the dunes diagonally for about three miles to the paved road that led, two miles further, into Provincetown. Sometimes we got hitches along this stretch, but mostly we walked the five miles both ways. On the return we were loaded down by knapsacks bulging with food that would last us for three or four days.&quot;\nLloyd Frankenberg, Yellow Season, 1960\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/LM494_CrossingDunes\/4005968536.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Crossing the Dunes, 1933, pastel on paper, 23 x 17\", Alexandre Gallery<\/div><div class=\"fg-caption-desc\">\"Summers we went to the Cape. Usually summer began for us on the first warmish day in April. There we lived on the twenty-five dollars a month we had scraped together. Where we were, behind East Harbor, was called \u201cthe backside.\u201d We were across from North Truro on the bayside, then sparsely settled and without stores. For supplies, we crossed the dunes diagonally for about three miles to the paved road that led, two miles further, into Provincetown. Sometimes we got hitches along this stretch, but mostly we walked the five miles both ways. On the return we were loaded down by knapsacks bulging with food that would last us for three or four days.\"\nLloyd Frankenberg, Yellow Season, 1960<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/04\/Hut2_final.jpg\" data-caption-title=\"Side of the hut with dunes in background\" data-attachment-id=\"352\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/04\/Hut2_final\/3366245605.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">Side of the hut with dunes in background<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/MacIverCape1_final.jpg\" data-caption-title=\"MacIver sitting among the dunes\" data-attachment-id=\"167\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/MacIverCape1_final\/2896394072.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">MacIver sitting among the dunes<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/MacIverCape2_final.jpg\" data-caption-title=\"MacIver on the front step of her and Lloyd Frankenberg&#039;s driftwood shack\" data-attachment-id=\"168\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/MacIverCape2_final\/3158001733.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">MacIver on the front step of her and Lloyd Frankenberg's driftwood shack<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-image fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/2019\/03\/MacIverCape7_final.jpg\" data-caption-title=\"MacIver standing at the foot of a dune\" data-attachment-id=\"169\" data-type=\"image\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" width=\"150\" height=\"150\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/sites.smith.edu\/loren-maciver\/wp-content\/uploads\/sites\/335\/cache\/2019\/03\/MacIverCape7_final\/400966193.jpg\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22150%22%20viewBox%3D%220%200%20150%20150%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-title\">MacIver standing at the foot of a dune<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><\/div>\n\n<p>&nbsp;<\/p>\n<h1>Seascape<\/h1>\n<h3>Elizabeth Bishop (1911-1979)<\/h3>\n<p>This celestial seascape, with white herons got up as angels,<br \/>\nflying high as they want and as far as they want sidewise<br \/>\nin tiers and tiers of immaculate reflections;<br \/>\nthe whole region, from the highest heron<br \/>\ndown to the weightless mangrove island<br \/>\nwith bright green leaves edged neatly with bird-droppings<br \/>\nlike illumination in silver,<br \/>\nand down to the suggestively Gothic arches of the mangrove roots<br \/>\nand the beautiful pea-green back-pasture<br \/>\nwhere occasionally a fish jumps, like a wildflower<br \/>\nin an ornamental spray of spray;<br \/>\nthis cartoon by Raphael for a tapestry for a Pope:<br \/>\nit does look like heaven.<br \/>\nBut a skeletal lighthouse standing there<br \/>\nin black and white clerical dress,<br \/>\nwho lives on his nerves, thinks he knows better.<br \/>\nHe thinks that hell rages below his iron feet,<br \/>\nthat that is why the shallow water is so warm,<br \/>\nand he knows that heaven is not like this.<br \/>\nHeaven is not like flying or swimming,<br \/>\nbut has something to do with blackness and a strong glare<br \/>\nand when it gets dark he will remember something<br \/>\nstrongly worded to say on the subject.<\/p>\n<p>I selected this poem by Elizabeth Bishop to accompany this theme not only because of the direct references to visions of the sea in art and literature, but also because it shows the way in which summers at the beach played a formative role in the creative work of both Bishop and MacIver. Like Provincetown, Key West, where Bishop often summered, was a crucial hub of creative discovery and expression for American artists and poets throughout this period. \u201cSeascape\u201d captures, much like MacIver\u2019s \u201cCrossing the Dunes,\u201d the ways in which the sea functions in these summers away as not only as the backdrop to a blissful, summer getaway, but also as a source of deep reflection on the philosophy and aesthetics of life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The wine dark sea The beach was an important place of inspiration to Loren MacIver and her husband Lloyd Frankenberg, especially in the 1930s, as they began to regularly spend their summers in Cape Cod starting in 1931. \u00a0Frankenberg\u2019s 1960 story, Yellow Season, details the summers (and one harrowing winter) they spent together in the [&hellip;]<\/p>\n","protected":false},"author":2136,"featured_media":89,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-88","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/users\/2136"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":19,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts\/88\/revisions"}],"predecessor-version":[{"id":452,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/posts\/88\/revisions\/452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/media\/89"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/media?parent=88"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/categories?post=88"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/loren-maciver\/wp-json\/wp\/v2\/tags?post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}