Our “On the Line” feature aims to connect our scholarship with other forms of media such as audio recordings and Youtube videos. <\/p>\n\n\n\n
\u201cWe think women of color epistemologies are expressed through multiple genres. Meridians<\/em> is unique in the sense that it offers a space for both evidence-based, research-based scholarship alongside creative and cultural work\u2014everything from poetry to visual images, whether it\u2019s photography, or paintings, or one-dimensional reproductions of three-dimensional works, to memoir and creative non-fiction kinds of work. We view each of these genres as equally valuable forms of knowledge. In any given issue, you\u2019ll see a research-based piece followed by a poem that is speaking to similar or related concerns that the research piece is exploring in another way. So, the philosophy then is really to showcase women of color knowledge production in all these genres and all these forms.\u201d<\/p>\n\n\n\n Explore the different collections that we have or search for a particular article.<\/p>\n\n\n\n Volume 24, Number 1<\/a>: \u201c\u2018we were two ends of one taut rope\u2019: Audre Lorde and Black-Indigenous Relations in the Eurasian Borderlands\u201d by Tatsiana Shchurko<\/strong> + \u201cStorytelling from the Heart: A Decolonial Feminist Humanism\u201d by Ashjan Ajour<\/p>\n\n\n\n Volume 23, Number 2<\/a>: \u201cConsumption as Changemaking and Producers as Artists: Theorizing Alt-Profit Corporations from a Transnational Feminist Perspective\u201d by Debjani Chakravarty and Christine Standish + \u201cComing Out for Community, Coming Out for the Cause: Queer Arab American Activism in the 1990s\u201d by Umayyah Cable \u201805<\/p>\n\n\n\n Volume 23, Number 1<\/a>: Marilyn James\u2019s reading of \u201cThe Contemporary Origins of Smum\u2019iem Matriarchy in Sinixt T\u0259mx\u02b7\u00fala\u0294x\u02b7\u201d + \u201cThe \u2018Grandmother\u2019 of Indigenous Filmmaking in New Zealand: Merata Mita\u2014Film Is Her Patu\u201d<\/p>\n\n\n\n Volume 22, Number 2<\/a>: Devaleena Das + Lashon Daley<\/p>\n\n\n\n Volume 22, Number 1<\/a>: claudia sandoval romero* + Natalia A. Koutsougera<\/p>\n\n\n\n Volume 21, Number 2<\/a>: Mo (u)rning Tea, Extracted<\/p>\n\n\n\n Volume 21, Number 1<\/a>: Signifying Sistas: Black Women\u2019s Humor and Intersectional Poetics<\/p>\n\n\n\n Volume 20, Number 2<\/a>: Celebrating \u201cTransnational Feminist Approaches to Anti-Muslim Racism\u201d <\/p>\n\n\n\n Volume 20, Number 1<\/a>: \u201cThe Mythical Courtesan\u201d<\/p>\n\n\n\n Volume 19, Number 2 <\/a>:\u201cDominican Futurism: The Speculative Use of Negative Aesthetics in the Work of Rita Indiana\u201d + Zoom Celebration<\/a><\/p>\n\n\n\n Volume 19, Number 1<\/a>: \u201cElegy for Mary Turner\u201d<\/p>\n\n\n\n Volume 18, Number 2<\/a>: \u201cListening in Arabic\u201d excerpt 1-6<\/p>\n\n\n\n Volume 18, Number 1<\/a>: \u201cMaking Democracy Real: African American Women, Birth Control, and Social Justice 1910-1960\u201d<\/p>\n\n\n\n Volume 17, Number 2<\/a>: African Feminist Initiative<\/p>\n\n\n\n