{"id":173,"date":"2019-03-31T15:33:39","date_gmt":"2019-03-31T19:33:39","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=173"},"modified":"2023-09-04T07:35:50","modified_gmt":"2023-09-04T11:35:50","slug":"fall-2012","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/issues\/fall-2012\/","title":{"rendered":"Fall 2012"},"content":{"rendered":"<p class=\"style2\" align=\"center\">Fall 2012<br \/>\n20.2<\/p>\n<p class=\"style3\" align=\"center\">The following is the Table of Contents from the Fall 2012 edition of\u00a0<em>Metamorphoses<\/em>.<br \/>\nThe complete edition, including the original language versions for the poetry, is available only in print.<\/p>\n<p style=\"text-align: left\" align=\"center\">Thalia Pandiri:<\/p>\n<ul>\n<li style=\"text-align: left\"><a href=\"https:\/\/sites.smith.edu\/metamorphoses\/wp-content\/uploads\/sites\/402\/2023\/09\/4444444.pdf\">From the Editor-in-Chief<\/a>, page 12.<\/li>\n<\/ul>\n<p>Ovid,\u00a0<em>Translated from the Latin by Christopher Michael Brunelle:<\/em><\/p>\n<ul>\n<li>How to Mother a Minotaur, page 16.<\/li>\n<\/ul>\n<p>\u00c6lfric Of Eynsham,\u00a0<em>Edited and translated from the Old English by DerekJ. Updegraff:<\/em><\/p>\n<ul>\n<li>The Life of St. \u00c6thelthryth<\/li>\n<\/ul>\n<p>Fran\u00e7ois Villon,\u00a0<em>Translated from the French by Samuel Danon:<\/em><\/p>\n<ul>\n<li>Ballade of the Ladies of Long Ago, page 30.<\/li>\n<li>Ballade of the Lords of LongAgo, page 30.<\/li>\n<li>Another Ballade, page 30.<\/li>\n<\/ul>\n<p>Charles Baudelaire,\u00a0<em>Translated from the French by Jan Owen:<\/em><\/p>\n<ul>\n<li>Page 38:\n<ul>\n<li>The Lovers\u2019 Wine<\/li>\n<li>The Loner\u2019sWine<\/li>\n<li>The Ragpickers\u2019 Wine<\/li>\n<li>The Murderer\u2019s Wine<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Jean de la Cepp\u00e8de,\u00a0<em>Translated from the French by Lance Levens:<\/em><\/p>\n<ul>\n<li>Book I Sonnet #23, page 48.<\/li>\n<li>Book III Sonnet #85, page 48.<\/li>\n<\/ul>\n<p>Aldo Pellegrini,\u00a0<em>Translated\u00a0from the Spanish by Leora S. Fridman with Marina Kaplan, Robert Kaplan, Reyes Lazaro:<\/em><\/p>\n<ul>\n<li>Page 52:\n<ul>\n<li>System of Discipline<\/li>\n<li>Someone Waking Up<\/li>\n<li>Need for the Adding Machine<\/li>\n<li>The Heart of All Faces<\/li>\n<li>One More Show<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Penn Kemp,\u00a0<em>Translated from the English into Spanish by Mar\u00eda Luz Gonz\u00e1lez Rodr\u00edguez:<\/em><\/p>\n<ul>\n<li>Not Waving But Drowning, page 62.<\/li>\n<\/ul>\n<p>Lu\u00eds de Cam\u00f6es,\u00a0<em>Translated from the Portuguese by Dan McNerney:<\/em><\/p>\n<ul>\n<li>Mote Alheio, page 66.<\/li>\n<li>Voltas Pr\u00f3prias, page 66.<\/li>\n<\/ul>\n<p>Gast\u00e3o Cruz,\u00a0<em>Translated from the Portuguese by Alexis Levitin:<\/em><\/p>\n<ul>\n<li>Page 68:\n<ul>\n<li>Youths at the Entrance to the Chiado<\/li>\n<li>Under the Sun<\/li>\n<li>Note<\/li>\n<li>The Name of that Body<\/li>\n<li>Ebb Tide<\/li>\n<li>Task<\/li>\n<li>Oxymorons for an Absence<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Paula G\u00e2ndara,\u00a0<em>Translated from the Portuguese by Philip Eugene Krummrich:<\/em><\/p>\n<ul>\n<li>Coimbra, the Unfamiliar Memory Photographs, page 76.<\/li>\n<li>Photographs, page 76.<\/li>\n<li>Bel\u00e9m Pier, page 76.<\/li>\n<\/ul>\n<p>Word of Mouth Poet\u2019s Collective,\u00a0<em>Translated by the Word of Mouth Poet\u2019s Collective:<\/em><\/p>\n<ul>\n<li>Contemporary Russian Women\u2019s Poetry, page 84.<\/li>\n<\/ul>\n<p>Gr\u00e1inne Tobin:<\/p>\n<ul>\n<li>Note on Translating Galina Gamper\u2019s \u201cThe Seagulls\u2019 Creaking Cry,\u201d page 85.<\/li>\n<\/ul>\n<p>Natasha Cuddington:<\/p>\n<ul>\n<li>Note on Translating Galina Gamper\u2019s \u201cWe Are Going Out,\u201d page 87.<\/li>\n<\/ul>\n<p>Galina Gamper:<\/p>\n<ul>\n<li>The Seagulls\u2019 Creaking Cry,\u00a0<em>Translated from the Russian by Gr\u00e1inne Tobin,<\/em> page 88.<\/li>\n<li>We Are Going Out,\u00a0<em>Translated from the Russian by Natasha Cuddington,<\/em> page 90.<\/li>\n<\/ul>\n<p>Galina Usova:<\/p>\n<ul>\n<li>The Laurel Branch, <em>Translated from the Russian by Eilish Martin,\u00a0<\/em>page 92.<\/li>\n<li>The Laurel Branch,\u00a0<em>Translated from the Russian by Ann Zell,\u00a0<\/em>page 94.<\/li>\n<li>December,\u00a0<em>Translated from the Russian by Ann Zell,<\/em> page 94.<\/li>\n<\/ul>\n<p>Alla Mikhalevich,\u00a0<em>Translated from the Russian by Sally Wheeler:<\/em><\/p>\n<ul>\n<li>Wasps (I), page 98.<\/li>\n<li>Two Almost Equal Seasons Fill the Year, page 98.<\/li>\n<\/ul>\n<p>X\u00e1nath Caraza:<\/p>\n<ul>\n<li>In the Time of Nahuatl, page 102.<\/li>\n<li>Poems in Spanish, English, and Nahuatl:\n<ul>\n<li>Rings of Stone, page 106.<\/li>\n<li>Ancestral, Feminine Strength, page 106.<\/li>\n<li>Mujer, page 114.<\/li>\n<\/ul>\n<\/li>\n<li>Amiquizltli,\u00a0<em>Translated with the poet into English by Stephen Holland-Wempe and into Nahuatl with Rafaela Enr\u00edquez-Meij\u00eda<\/em>, page 116.<\/li>\n<\/ul>\n<p>Eric Sellin:<\/p>\n<ul>\n<li>Poetic Compromises and the Uncertainty Principle: Translating Verhaeren\u2019s \u201cLe Navire,\u201d page 122.<\/li>\n<\/ul>\n<p>Emile Verhaeren,\u00a0<em>Translated from the French by Eric Sellin:<\/em><\/p>\n<ul>\n<li>The Ship, page 132.<\/li>\n<\/ul>\n<p>Epit\u00e1cio Pais,\u00a0<em>Translated from the Portuguese by Paul Melo e Castro:<\/em><\/p>\n<ul>\n<li>Translator\u2019s Introduction, page 134.<\/li>\n<li>Munu, page 134.<\/li>\n<\/ul>\n<p>Adriana Lunardi,\u00a0<em>Translated from the Portuguese by Marguerite Itamar Harrison:<\/em><\/p>\n<ul>\n<li>Victoria, page 147.<\/li>\n<\/ul>\n<p>Meir Aron Goldschmidt,\u00a0<em>Translated from the Danish by Ingrid Lansford:<\/em><\/p>\n<ul>\n<li>Under a Spell I: A Legend Retold, page 155.<\/li>\n<\/ul>\n<p>Jan Sonnergaard,\u00a0<em>Translated from the Danish by Ingrid Lansford:<\/em><\/p>\n<ul>\n<li>Do You Believe in Life After Love?, page 166.<\/li>\n<\/ul>\n<p>M\u00f3nica Lav\u00edn,\u00a0<em>Translated from the Spanish by Patricia Dubrava:<\/em><\/p>\n<ul>\n<li>The Letter, page 178.<\/li>\n<\/ul>\n<p>Ilias Venezis,\u00a0<em>Translated from the Greek by Miltiades and Susan Matthias:<\/em><\/p>\n<ul>\n<li>The Seagulls, page 182.<\/li>\n<\/ul>\n<p>Cooper Renner:<\/p>\n<ul>\n<li><a href=\"https:\/\/sites.smith.edu\/metamorphoses\/wp-content\/uploads\/sites\/402\/2023\/09\/555555555.pdf\">Review of Gonzalo Celorio:\u00a0And Let the Earth Tremble at Its Centers<\/a>, page 192.<\/li>\n<\/ul>\n<p>Contributors, page 194.<\/p>\n<p>&nbsp;<\/p>\n<p>Errata et Corrigenda;<\/p>\n<ul>\n<li>Volume 20.1 (Spring 2012)\n<ul>\n<li>The last name of contributors Vado Muskheli and Veronica Muskheli was misspelled.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Fall 2012 20.2 The following is the Table of Contents from the Fall 2012 edition of\u00a0Metamorphoses. The complete edition, including the original language versions for the poetry, is available only in print. Thalia Pandiri: From the Editor-in-Chief, page 12. Ovid,\u00a0Translated from the Latin by Christopher Michael Brunelle: How to Mother a Minotaur, page 16. \u00c6lfric [&hellip;]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":27,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-173","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=173"}],"version-history":[{"count":7,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/173\/revisions"}],"predecessor-version":[{"id":3040,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/173\/revisions\/3040"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/27"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=173"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=173"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}