{"id":2924,"date":"2023-06-25T14:03:45","date_gmt":"2023-06-25T18:03:45","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=2924"},"modified":"2023-08-03T10:33:49","modified_gmt":"2023-08-03T14:33:49","slug":"spring-summer-2022-30-2","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/spring-summer-2022-30-2\/","title":{"rendered":"Spring\/Summer 2022 (30.2)"},"content":{"rendered":"<p class=\"style2\" align=\"center\">Spring\/Summer 2022<br \/>\n30.2<\/p>\n<p class=\"style3\" align=\"center\">The following is the Table of Contents from the Spring\/Summer 2022 issue of <em>Metamorphoses<\/em>.<br \/>\nThe complete edition, including the original language versions for the poetry, is available only in print.<\/p>\n<p align=\"center\">Thalia Pandiri, Editor-in-Chief:<\/p>\n<ul>\n<li><a href=\"https:\/\/sites.smith.edu\/metamorphoses\/wp-content\/uploads\/sites\/402\/2023\/06\/in-this-issue_-Metamorphoses-30.1-spring_summer-2022.pdf\">In This Issue<\/a>, page 9.<\/li>\n<\/ul>\n<p>Oscar Hahn,\u00a0<em>Translated from the\u00a0<\/em><em>Spanish by G. J. Racz:<\/em><\/p>\n<ul>\n<li style=\"font-weight: 400\">Come Join Death\u2019s Dance, page 14.<\/li>\n<li style=\"font-weight: 400\">Gladioli Beside the Sea, page 14.<\/li>\n<li style=\"font-weight: 400\">Good Night My Loveliness, page 16.<\/li>\n<li style=\"font-weight: 400\">\u201cThe Annunciation\u201d By Fra Angelico (15th Century), page 16.<\/li>\n<li style=\"font-weight: 400\">On The Nudist Beach of The Unconscious Mind, page 18.<\/li>\n<li style=\"font-weight: 400\">Entries In Rimbaud\u2019s Journal, page 20.<\/li>\n<li style=\"font-weight: 400\">The Perfectionist, page 24.<\/li>\n<li style=\"font-weight: 400\">Weather Report, page 26.<\/li>\n<li style=\"font-weight: 400\">Racing Against the Clock, page 28.<\/li>\n<li style=\"font-weight: 400\">Silent Movie, page 30.<\/li>\n<li style=\"font-weight: 400\">Predators, page 32.<\/li>\n<li style=\"font-weight: 400\">Future Imperfect, page 34.<\/li>\n<\/ul>\n<p>Thomas Wahlberg,\u00a0<em>Translated from the Swedish by Sarah Hollister:<\/em><\/p>\n<ul>\n<li>Viola d\u2019amore, page 36.<\/li>\n<li>Songs to Yes, page 38.<\/li>\n<li><span style=\"font-weight: 400\">Two-Four Beat, page 40.<\/span><\/li>\n<\/ul>\n<div>\n<p><i>Translated from the Swedish by Cassandra Blomberg: <\/i><\/p>\n<\/div>\n<div>\n<ul>\n<li>High Above the Ocean 42<\/li>\n<li>Notions 42<\/li>\n<\/ul>\n<\/div>\n<div>\n<p>Salgado Maranha\u0303o, <i>Translated from the Portuguese by Alexis Levitin: <\/i><\/p>\n<\/div>\n<div>\n<ul>\n<li>Seppuku, page 44.<\/li>\n<li>Pastinha Zen, page 44.<\/li>\n<li>Waterings, page 46.<\/li>\n<\/ul>\n<\/div>\n<div>\n<p>Salah Al Hamdani, <i>Translated from the Arabic (Iraq) into French by the author in collaboration with Isabelle Lagny and\u00a0translated from French into English by Sonia Alland:<br \/>\n<\/i><\/p>\n<ul>\n<li>An Exile\u2019s Letter To His Mother, page 48.<\/li>\n<li>The Live Coals of the Mirage, page 52.<\/li>\n<li>Left Without Saying She Loved Me, page 54<\/li>\n<li>Insubordination, page 56.<\/li>\n<\/ul>\n<\/div>\n<div>Horace (Quintus Horatius Flaccus), <i>Translated from the Latin by Ruth Evans:<\/i><\/div>\n<div>\n<div>\n<ul>\n<li>To Amber (<i>Carmen <\/i>1.5), page 70.<\/li>\n<li>Carpe Diem (<i>Carmen <\/i>1.11), page 70.<\/li>\n<li>To Fosco (<i>Carmen <\/i>1.22), page 72.<\/li>\n<li>Living On (<i>Carmen <\/i>3.30), page 74.<\/li>\n<li>Still Heartless (<i>Carmen <\/i>4.10), page 74.<\/li>\n<li>Translator\u2019s Note, page 74.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div>\n<div>\n<p>Bassam Hajjar, <i>Translated from the Arabic by Lara Matta: <\/i><\/p>\n<\/div>\n<div>\n<ul>\n<li>The Passerby in a Night Scene by Edward Hopper, page 76.<\/li>\n<li>Translator\u2019s Commentary, page 88.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div>\n<div>\n<p>Niga\u0302r Hanim, <i>Translated from the Ottoman Turkish by Iclal Vanwesenbeeck: <\/i><\/p>\n<\/div>\n<div>\n<ul>\n<li>Snow Ball Frolic, page 90.<\/li>\n<li>While It Was Snowing Translator\u2019s Commentary, page 94.<\/li>\n<li>Translator\u2019s Commentary, page 102.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div>\n<div>\n<p>Luis Miguel Nava, <i>Translated from the Portuguese by Alexis Levitin and Ricardo Vasconcelos:<br \/>\n<\/i><\/p>\n<ul>\n<li>I Like To Think The Sky 106<\/li>\n<li>Washer, page 106.<\/li>\n<li>Youth, page 108.<\/li>\n<li>The Sky, page 108.<\/li>\n<li>Nakedness, page 108.<\/li>\n<li>Through Nakedness, page 110.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div>\n<div>\n<p>Henri De Re\u0301gnier, <i>Translated from the French by Philip H. Christensen: <\/i><\/p>\n<\/div>\n<div>\n<ul>\n<li>Watersport, page 112.<\/li>\n<\/ul>\n<\/div>\n<div>\n<ul>\n<li>Philip H. Christensen:<br \/>\nRe\u0301gnier\u2019s \u201cFe\u0302te d\u2019eau\u201d and the Art of Metamorphosis, page 114.<\/li>\n<\/ul>\n<\/div>\n<div>\n<p>Jose\u0301 Francisco Agu\u0308ero Oliver, <i>Translated from the German by Marc James Mueller: <\/i><\/p>\n<\/div>\n<div>\n<ul>\n<li>\u201cIn the spirit but not imitating Gertrude Stein\u201d, page 116.<\/li>\n<\/ul>\n<\/div>\n<div>\n<p>Marc James Mueller<\/p>\n<ul>\n<li>Translating \u201cIn the spirit but not imitating Gertrude Stein\u201d by Jose\u0301 F.A. Oliver, page 120.<\/li>\n<\/ul>\n<\/div>\n<div><\/div>\n<div>\n<p>Narci\u0301s Comadira, <i>Translated from the Catalan into English by Sonia Alland and\u00a0into French by Sonia Alland and Dominique Delpirou:<br \/>\n<\/i><\/p>\n<ul>\n<li>Books 128<\/li>\n<li>In The Mountains 130<\/li>\n<li>Echos 132<\/li>\n<li>Nuptials 134<\/li>\n<li>The Island 136<\/li>\n<\/ul>\n<\/div>\n<div>\n<p>Marguerite Itamar Harrison<\/p>\n<ul>\n<li><a href=\"https:\/\/sites.smith.edu\/metamorphoses\/wp-content\/uploads\/sites\/402\/2023\/08\/spring-2022-review-1.pdf\">Review<\/a>: <i>Mestre dos disfarces <\/i>by Charles Simic 139<\/li>\n<\/ul>\n<\/div>\n<div>\n<p>Gregary J. Racz<\/p>\n<ul>\n<li><a href=\"https:\/\/sites.smith.edu\/metamorphoses\/wp-content\/uploads\/sites\/402\/2023\/08\/spring-2022-review-2.pdf\">Review<\/a>: Rodolfo Hinostroza. <i>Contra Natura<\/i>. 142<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>Contributors, page 148.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spring\/Summer 2022 30.2 The following is the Table of Contents from the Spring\/Summer 2022 issue of Metamorphoses. The complete edition, including the original language versions for the poetry, is available only in print. Thalia Pandiri, Editor-in-Chief: In This Issue, page 9. Oscar Hahn,\u00a0Translated from the\u00a0Spanish by G. J. Racz: Come Join Death\u2019s Dance, page 14. 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