{"id":361,"date":"2019-04-14T22:31:55","date_gmt":"2019-04-15T02:31:55","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=361"},"modified":"2019-07-25T06:57:23","modified_gmt":"2019-07-25T10:57:23","slug":"iol-a","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/iol-a\/","title":{"rendered":"IOL A"},"content":{"rendered":"

Aczel, Tamas. (Hungarian) “Julia.” Trans. Aczel. 1.2<\/a>, 56.
\n—“Palace Hotel.” Trans. Aczel. 1.2<\/a>, 58.<\/p>\n

Ady, Endre. (Hungarian) “Cadaver on the Wheatfield.” Trans. Paul Sohar. 23.2<\/a>, 104.<\/p>\n

Agnant, Marie-C\u00e9lie. (French) “The House Facing the Sea.” Trans. Christina Vander Vorst. 11.1<\/a>, 193.<\/p>\n

\u00a0 —“Travail.” Trans. Corine Tachtiris. 23.2<\/a>, 112.<\/p>\n

Agosin, Marjorie. (Spanish) “The Autumn of the Mothers.” Trans. Agosin. 6.1<\/a>, 36.<\/p>\n

Aguilar, Juan Gerardo. (Spanish) “Flowers in the Window.” Trans. Toshiya Kamei. 13.2<\/a>, 156.<\/p>\n

Ahrens, Henning. (German) “Milk.” Trans. Mark Herman and Ronnie Apter. 23.1<\/a>, 132.<\/p>\n

\u00a0 —“Reins.” Trans. Mark Herman and Ronnie Apter. 23.1<\/a>, 132.<\/p>\n

\u00a0 —“Legends.” Trans. Mark Herman and Ronnie Apter. 23.1<\/a>, 132.<\/p>\n

\u00a0 —“Rain.” Trans. Mark Herman and Ronnie Apter. 23.1<\/a>, 132.<\/p>\n

\u00a0 —“Pub.” Trans. Mark Herman and Ronnie Apter. 23.1<\/a>, 132.<\/p>\n

Aizpuriete, Amanda. (Latvian) “Untitled.” Trans. Inara Cedrins. 17.2<\/a>, 38.<\/p>\n

Ajzenberg, Bernardo. (Portuguese) “Dry Eyes.” Trans. Vivaldo Santos. 24.1-2<\/a>, 14.<\/p>\n

Akesson, Sonja. (Swedish) “Safe and Secure (Trygg).” Trans. Eva Claeson. 8.1<\/a>, 156.
\n—“Yes, Please (Ja Tack).” Trans. Claeson. 8.1<\/a>, 156.
\n—“What I Would Like To Do (Have) (Vad Jag Skulle Vilja Gora (Ha)).” Trans. Claeson. 8.1<\/a>, 158.
\n—“The Delightful Sixties.” Trans. Claeson. 8.1<\/a>, 178.<\/p>\n

Akhmatova, Anna. (Russian) “[Do not be frightened – I can portray us].” Trans. Nina Kossman. 7.2<\/a>, 120.
\n—“Requiem.” Trans. Birgitta Hendron. 21.2<\/a>, 32.<\/p>\n

Al-‘Allaq, ‘Ali Ja’Far. (Arabic) “The River.” Trans. Suheil Laher. 15.1-2<\/a>, 42.<\/p>\n

Alcman. (Ancient Greek) “Fragment 89.” Trans. Tim Brelinski. 23.2<\/a>, 50.<\/p>\n

\u00a0 —“Fragment 26 \/ After Alcman 26.” Trans. Tim Brelinski. 23.2<\/a>, 50.<\/p>\n

Aleixandre, Marila. (Galego) “Circe a Ulises (Circe to Ulysses).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 64.<\/p>\n

Al-Hamdani, Salah. (Arabic to French) (French to English) “Baghdad.” Trans. Isabelle Lagny and Sonia Alland. 19.1-2<\/a>, 155.
\n—“XIITH View: Red Mourning.” Trans. Lagny and Alland. 19.1-2<\/a>, 157.
\n—“A Day in Childhood, Intensely.” Trans. Lagny and Alland. 19.1-2<\/a>, 159.
\n—“The Beacon of Makeshift Houses.” Trans. Lagny and Alland. 19.1-2<\/a>, 158.
\n—“The City of Sand.” Trans. Lagny and Alland. 19.1-2<\/a>, 160.
\n—“If One of Us Died?” Trans. Lagny and Alland. 19.1-2<\/a>, 162.
\n—“A Homeland.” Trans. Lagny and Alland. 19.1-2<\/a>, 165.
\n—“The Necrologist.” Trans. Lagny and Alland. 19.1-2<\/a>, 164.<\/p>\n

Al-Hijaj, Kadihm. (Arabic) “One Change of Vowel Changes.” Trans. Kadhim Al-Ali and Adil Al-Thamiry. 15.1-2<\/a>, 74.
\n—“A Whole World: Short Poems.” Trans. Kadhim Al-Ali and Adil Al Thamiry. 15.1-2<\/a>, 74.<\/p>\n

Ali, Agha Shahid. (English into Hebrew) “A Dream of Glass Bangles.” Trans. Yehudit Ben Zvi Heller. 8.2<\/a>, 290.
\n—“Houses.” Trans. Heller. 8.2<\/a>, 292.<\/p>\n

Ali Farah, Ubax Christina. (Italian) “Entirely.” Trans. Alessandra Di Maio. 14.1-2<\/a>, 269
\n—“Punt Rap.” Trans. Giovanna Bellesia and Victoria Offredi Poletto. 14.1-2<\/a>, 276.
\n—“Little Mother.” Trans. Bellesia and Poletto. 14.1-2<\/a>, 281<\/p>\n

Alighieri, Dante. (Italian) “Inferno<\/em>, Canto I.” Trans. Seth Zimmerman. 3.1<\/a>, 8.
\n—“Inferno<\/em>, Canto I.” Trans. Henry Wadsworth Longfellow. 3.1<\/a>, 19.
\n—“Purgatorio<\/em>, Canto IX.” Trans. W.S. Merwin. 6.2<\/a>, 86.<\/p>\n

\u00a0 —\u201cVidero li occhi miei quanta pietate (Vita Nova<\/em> XXXV).\u201d Trans. Andrew Frisardi. 20.1<\/a>, 86.<\/p>\n

\u00a0\u00a0—\u201cColor d\u2019amore e di piet\u00e0 sembianti (Vita Nova<\/em> XXXVI).\u201d Trans. Andrew Frisardi. 20.1<\/a>, 86.<\/p>\n

\u00a0\u00a0—\u201cCentil Pensero che parla di vui (Vita Nova<\/em> XXXVIII).\u201d Trans. Andre Frisardi. 20.1<\/a>, 88.<\/p>\n

\u00a0 —\u201cQuantunque volte, lasso! Mi rimembra (Vita Nova\u00a0<\/em>XXXIII).\u201d Trans. Andrew Frisardi. 20.1<\/a>, 88.<\/p>\n

\u00a0 —\u201cS\u00ec lungiamente m\u2019ha tenuto Amore (from\u00a0Vita Nova\u00a0<\/em>XXVII).\u201d Trans. Andrew Frisardi. 20.1<\/a>, 88.<\/p>\n

\u00a0 —\u201cEra venuta ne la mente mia (Vita Nova\u00a0<\/em>XXXIV).\u201d Trans. Andrew Frisardi. 20.1<\/a>, 92.<\/p>\n

Allansson, Ove. (Swedish) “Tales from the Sea: The Mutineer.” Trans. Leif Sj\u00f6berg. 8.1<\/a>, 20.<\/p>\n

Alliksaar, Artur. (Estonian) “Turning Point.” Trans. Inna Feldbach and Alan Trei. 9.2<\/a>, 172.<\/p>\n

\u00a0 —“Introspective Masquerade.” Trans. Feldbach and Trei. 9.2<\/a>, 174.
\n—“There Are So Many Flowers, and Yet…” Trans. Feldbach and Trei. 9.2<\/a>, 178.
\n—“Striking Matches in a Pitch Dark Gallery (excerpt).” Trans. Feldbach and Trei. 9.2<\/a>, 180.<\/p>\n

Al-Meraiby, Bassem. (Arabic to Swedish) (Swedish to English) “Whenever the Stars Shine on the Eyes of a Lover.” Trans. Mohamed Jasim and Eva Claeson. 19.1-2<\/a>, 139.
\n—“Every Beautiful Girl\u00e2\u20ac\u2122s Mouth Owes Me a Kiss.” Trans. Jasim and Claeson. 19.1-2<\/a>, 139.
\n—“The Wolf’s Reflection in the Mirror.” Trans. Jasim and Claeson. 19.1-2<\/a>, 138.<\/p>\n

\u00a0 —“Portrait of a Poet.” Trans. Jasim and Claeson. 19.1-2<\/a>, 138.
\n—“I Often Remember Van Gogh.” Trans. Jasim and Claeson. 19.1-2<\/a>, 141.
\n—“Roots.” Trans. Jasim and Claeson. 19.1-2<\/a>, 141.<\/p>\n

\u00a0 —“There are Still Boats That Have Not Arrived.” Trans. Jasim and Claeson. 19.1-2<\/a>, 140.
\n—“When the Poet Raises his Mirror.” Trans. Jasim and Claeson. 19.1-2<\/a>, 143.
\n—“With my Sobbing Finger I Point to my Land.” Trans. Jasim and Claeson. 19.1-2<\/a>, 142.<\/p>\n

Almino, Joao. (Portuguese) “The Book of Emotions.” Trans. Elizabeth Jackson. 24.1-2<\/a>, 28.<\/p>\n

Alonso, Fran. (Galego) “Terrae.” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 100.<\/p>\n

Al-Rube’e, Abdulrahman Majeed. (Arabic) “The Ram.” Trans. Abdulzahra Muhamad. 15.1-2<\/a>, 128.<\/p>\n

Al-Sboul, Tayseer. (Arabic) “The Final Shore.” Trans. Nesreen Akhtarkhavari. 23.2<\/a>, 38.<\/p>\n

Al-Shafici, Abu Abdullah Muhammad Ibn Idris. (Arabic) “Let the days be, for they’ll do as they will.” Trans. Barbara Romaine. 23.2<\/a>, 48.<\/p>\n

Al-Sheety, Ahmed Zaghlool. (Arabic) “Three Green Canaries.” Trans. Mona Elnamoury. 19.1-2<\/a>, 245.<\/p>\n

Alvim, Francisco. (Portuguese) “Also, As a Matter of Fact, Only.” Trans. Malcolm McNee. 18.2<\/a>, 36.
\n—“Old Men.” Trans. McNee. 18.2<\/a>, 36.
\n—“Elephant.” Trans. McNee. 18.2<\/a>, 38.
\n—“Remember?” Trans. McNee. 18.2<\/a>, 38.
\n—“Ants.” Trans. McNee. 18.2<\/a>, 38.
\n—“Wanna See?” Trans. McNee. 18.2<\/a>, 40.<\/p>\n

Al-Zubairi, Mohamed Mahmud. (Arabic) “A Yamani Poem.” Trans. Vartan Gubbins. 19.1-2<\/a>, 74.<\/p>\n

Anacreon. (Ancient Greek) “The Motley-sandaled Girl.” Trans. Paul Statt. 13.1<\/a>, 40.<\/p>\n

Anonymous (Han Era) (Chinese). \u201cSouth of the Walls We Fought.\u201d Trans. Alex Foreman. 26.1<\/a>, 100.<\/span><\/p>\n

Anday, Melih Cevdet. (Turkish) “Olmu Bir Arkadatan Mektup.” Trans. George Messo. 11.2<\/a>, 124.
\n—“Fotograf.” Trans. Messo. 11.2<\/a>, 124.
\n—“Agriz Mizikasi.” Trans. Messo. 11.2<\/a>, 126.
\n—“Serce.” Trans. Messo. 11.2<\/a>, 126.
\n—“Agaclarin Yukardaki Yapreklari.” Trans. Messo. 11.2<\/a>, 126.<\/p>\n

Andersen, Benny. (Danish) “Kierkegaard on his Bicycle.” Trans. Michael Goldman. 21.2<\/a>, 64.<\/p>\n

Andersen, Vita. (Danish) “Friday.” Trans. Ingrid Lansford. 23.2<\/a>, 140.<\/p>\n

\u00a0 —“Saturday.” Trans. Lansford. 23.2<\/a>, 140.<\/p>\n

\u00a0 —“Sunday.” Trans. Lansford. 23.2<\/a>, 142.<\/p>\n

de Andrade, Carlos Drummond. (Portuguese) “Landscape: How to Make It.” Trans. Maria L\u00facia Mill\u00e9o Martins. 5.1<\/a>, 72.
\n—“Nightfall.” Trans. Charles Cutler. 8.2<\/a>, 96.
\n—“The Chosen Ones.” Trans. Cutler. 8.2<\/a>, 98.
\n—“Shards.” Trans. Cutler. 8.2<\/a>, 100.
\n—“Greek Fountain.” Trans. Cutler. 8.2<\/a>, 102.
\n—“Truth.” Trans. Cutler. 8.2<\/a>, 102.
\n—“Natural History.” Trans. Cutler. 8.2<\/a>, 104.
\n—“The Floor’s a Bed.” Trans. Cutler. 8.2<\/a>, 104.
\n—“On the Marble of your Bum.” Trans. Cutler. 8.2<\/a>, 106.
\n—“Remains.” Trans. Cutler. 8.2<\/a>, 106.
\n—“The Migrant’s Illusions.” Trans. Cutler. 8.2<\/a>, 106.
\n—“Three in a Cafe.” Trans. Cutler. 8.2<\/a>, 110.<\/p>\n

de Andrade, Eugenio. (Portuguese) “The Naked Pupil of the Eye.” Trans. Alexis Levitin. 3.1<\/a>, 118.
\n—“Sunflowers.” Trans. Levitin. 3.1<\/a>, 118.
\n—“With You.” Trans. Levitin. 3.1<\/a>, 118.
\n—“Thistles.” Trans. Levitin. 3.1<\/a>, 120.
\n—“Autumn Places.” Trans. Levitin. 3.1<\/a>, 120.
\n—“Aubade.” Trans. Levitin. 4.1<\/a>, 80.
\n—“Fresh Heart.” Trans. Levitin. 4.1<\/a>, 80.
\n—“In Profile.” Trans. Levitin. 4.1<\/a>, 80.
\n—“Mirror.” Trans. Levitin. 4.1<\/a>, 82.<\/p>\n

Andonovski, Venko. (Macedonian) “Isijan’s Shadow.” Trans. Zoran\u00a0 Anchevski and Richard Gaughran. 8.2<\/a>, 240.<\/p>\n

Andreevski, Petre M. (Macedonian) “Chapter one of\u00a0The Last Peasants.<\/em>” Trans. Richard Gaughran and Lence Milosevska. 8.2<\/a>, 225.<\/p>\n

Andrese, Sophia de Mello Breyner. (Portuguese) “Cultural Activist.” Trans. Alexis Levitin. 13.2<\/a>, 58.<\/p>\n

\u00a0\u00a0—“Balconies.” Trans. Levitin. 13.2<\/a>, 58.
\n—“The Infante.” Trans. Levitin. 13.2<\/a>, 60.
\n—“Eyes.” Trans. Levitin. 13.2<\/a>, 60.
\n—“The Poem and the House.” Trans. Levitin. 13.2<\/a>, 62.<\/p>\n

Andriescu, Radu. (Romanian) “The Catalan Within Me.” Trans. Adam J. Sorkin and Andriescu. 10.2<\/a>, 24.
\n—“Almost a miracle: talking to Taj Mahal.” Trans. Sorkin and Andriescu. 10.2<\/a>, 30.
\n—“Hamburger, or the way back home to his digs.” Trans. Sorkin and Andriescu. 10.2<\/a>, 34.
\n—“The Stalinskaya Bridges.” Trans. Sorkin and Andriescu. 10.2<\/a>, 38.
\n—“Bloody bad shit.” Trans. Sorkin and Andriescu. 10.2<\/a>, 44.
\n—“Beep.” Trans. Sorkin and Andriescu. 10.2<\/a>, 50.<\/p>\n

Angiolieri, Cecco. (Italian) “Deadbeat Dad.” Trans. Brett Foster. 17.2<\/a>, 60.
\n—(Italian) “Just Do It.” Trans. Brett Foster. 17.2<\/a>, 60.
\n—(Italian) “Our Deadbeat Dads: A Celebeation. Trans. Brett Foster. 17.2<\/a>, 62.
\n—(Italian) “Relentlessly Remorseful” Trans. Brett Foster. 17.2<\/a>, 62.<\/p>\n

Anonymous. (Arabic) “Inscriptions for the Henna-Speckled Bride.” Trans. Adnan Haydar and Michael Beard. 4.1<\/a>, 70.<\/p>\n

Anonymous. (Hungarian) “The Wager of the Two Friends.” Trans. Vera Kalm. 3.2<\/a>, 88.<\/p>\n

Anonymous. (Kimeru) “Hyena and Cow: A Kimeru Folk Tale.” Trans. Mwenda Mbaiah. 10.1<\/a>, 167.<\/p>\n

Anonymous. (Latin) “I am, Dulcis Amica.” Trans. Helen Waddell and Nathaniel B. Smith. 4.2<\/a>, 120.<\/p>\n

Anonymous. (Matengo) “Hawk and Crow” Trans. Joseph Mbele. 10.1<\/a>, 175.<\/p>\n

Anonymous. (Mande) “Kayra.” Trans. Seydou Camara, Eric Charry, and Jan Jansen. 10.1<\/a>, 312.<\/p>\n

Anonymous. (Nahuatl) “Cantares Mexicanos<\/em>, A Cradlesong.” Trans. David Bowles. 23.1<\/a>, 88.<\/p>\n

Anonymous. (Nahuatl) “Five Nahuatl Poems.” Trans. Daniel G. Brinton. 3.2<\/a>, 72.<\/p>\n

Anonymous. (Old English) \u201cBeowulf.\u201d Trans. Peter Ramey. 25.2<\/a>, 54.
\n<\/strong><\/p>\n

Anonymous. (Old English) “The Wanderer.” Trans. Andrew Eichel. 21.2<\/a>, 128.<\/p>\n

Anonymous. (Old English) \u201cWulf and Eadwacer.\u201d Trans. Kasey J. Waite. 25.2<\/a>, 50.<\/p>\n

Anonymous. (Old French) “Cant voi l’aube dou jor venir.” Trans. Samuel N. Rosenberg. 10.2<\/a>, 88.
\n—“Bele Doette as fenestres se siet.” Trans. Rosenberg. 10.2<\/a>, 98.<\/p>\n

Anonymous. (Old Icelandic) \u201cThe Saddlehead Verses.\u201d Trans. Robert Painter. 25.2<\/a>, 201.<\/p>\n

Anonymous. (Old Norse) “Faroe-Islander Saga<\/em>, Chapter 7: ‘Standoff at Little Dimum’.” Trans. Robert Painter. 23.1<\/a>, 41<\/p>\n

Anonymous. (Old Occitan) “Songs of Women Troubadours.” Trans. Sarah White. 2.2<\/a>, 56.<\/p>\n

Anonymous. (Portuguese) “King Ramiro or The Legend of Gala.” Trans. Philip Krummrich. 13.1<\/a>, 257.
\n—“The Goat-Footed Lady.” Trans. Krummrich. 13.1<\/a>, 264.
\n—“The Legend of King Lear.” Trans. Krummrich. 13.1<\/a>, 266.
\n—“The Woman of the Sea or The Legend of the Marinhos.” Trans. Krummrich. 13.1<\/a>, 267.<\/p>\n

Anonymous. (Proven\u00e7al) “Songs of the Women Trouv\u00e8res.” Trans. Eglal\u00a0\u00a0Doss-Quimby. 6.1<\/a>, 132.<\/p>\n

Anonymous.(Spanish and Occitan). \u201cOccitan folk ballads.\u201d Trans. Samuel N. Rosenberg and Patricia Terry. 20.1<\/a>, 96.<\/p>\n

Apollinaire, Guillaume. (French) “The Mirabeau Bridge (Le Pont Mirabeau).” Trans. Elisabeth B. Leete. 4.1<\/a>, 90.
\n—“Hunting Horns (Cors de Chasse).” Trans. Warren Anderson. 9.2<\/a>, 72.
\n— “Saint Adorata.” Trans. Edward J. Gallagher. 21.2<\/a>, 192.
\n—“Song of the Unrequited Lover.\u201d Trans. Alexander Dickow. 25.1<\/a>, 22.<\/strong>
\n—“Sung for Laetre One Year Ago.\u201d Trans. Dickow. 25.1<\/a>, 26.
\n—“The Zaporozhian Cossack’s Answer to the Sultan of Constantinople.\u201d Trans. Dickow. 25.1<\/a>, 28
\n—“The Seven Swords.\u201d Trans. Dickow. 25.1<\/a>, 35.
\n<\/strong><\/p>\n

Apollonius of Rhodes. (Ancient Greek) “Aphrodite Welcomes Hera and Athena to her home” Trans. Aaron Poochigan. 17.2<\/a>, 86.<\/p>\n

\u00a0—“The Trials of Jason.” Trans. Poochigan. 17.2<\/a>, 96.<\/p>\n

Aql, Said. (Arabic) “Quintrains (Khum asiyyat).” Trans. Adnan Haydar. 4.1<\/a>, 71.<\/p>\n

Aquino, Marcal. (Portuguese). “The Precise Distance from the Vulva to the Heart.” Trans. Leila Lehmen. 24.1-2<\/a>, 48.<\/p>\n

Archias of Byzantium. (Ancient Greek). “The Lament of Theris the Sailor.” Trans. Thomas R. Keith. 21.2<\/a>, 112.<\/p>\n

Arias, Xela. (Galego). “Mon\u00f3logo Adicto (Addicted Monologue).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 92.<\/p>\n

Arias, Xiana. (Galego). “Repite (Repeat).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 128.<\/p>\n

Assaf, Zeinab. (Arabic) “Funeral Prayer in Absentia.” Trans. Khaled Al Masri. 15.1-2<\/a>, 44.<\/p>\n

Atxaga, Bernardo. (Basque) “Antzinako Bihotz” 12.1<\/a>, 43.
\n—(Spanish) “Confession.” Trans. Reyes L\u00e1zaro and Dan Murphy 12.1<\/a>, 47.
\n—(Basque) “The Death and Life of Words.” Trans. Atxaga, L\u00e1zaro, and Sarah Moon. 12.1<\/a>, 56.
\n—(Spanish) “Written in the USA.” Trans. Margaret Jull Costa. 12.1<\/a>, 62.
\n—“Adam’s Flu.” Trans. Cristina de la Torre. 13.2<\/a>, 26.<\/p>\n

Auden, W.H. (English into Russian) “XXX.” Trans. Joseph Brodsky. 5.1<\/a>,\u00a012.<\/p>\n

Avidan, David. (Hebrew) \u201c[A Sudden Evening].\u201d Trans. Tsipi Keller. 20.1<\/a>, 58.<\/p>\n

\u00a0 —\u201c[A Peek Into an Open Dream].\u201d Trans. Tsipi Keller. 20.1<\/a>, 62.<\/p>\n

\u00a0 —\u201c[Burying Uncle Solomon].\u201d Trans. Tsipi Keller. 20.1<\/a>, 66.<\/p>\n

\u00a0 —\u201c[Desert Storm, an Infrared Dream].\u201d Trans. Tsipi Keller. 20.1<\/a>, 70.<\/p>\n

Avila, Consuelo. (Spanish) “From\u00a0Bajo Mis Pies No Florecen Amapolas<\/em>: ‘Compa\u00f1ero.'” Trans. Lorena Terando 10.2<\/a>, 128.
\n—“Miedo.” Trans. Terando 10.2<\/a>, 128.
\n—“Caracoles.” Trans. Terando 10.2<\/a>, 130.
\n—“Conversaci\u00f3n.” Trans. Terando 10.2<\/a>, 130.
\n—“Soledad.” Trans. Terando 10.2<\/a>, 130.
\n—“Celos.” Trans. Terando 10.2<\/a>, 132.
\n—“Deja.” Trans. Terando 10.2<\/a>, 132.
\n—“Prisi\u00f3n.” Trans. Terando 10.2<\/a>, 134.<\/p>\n

Awa, Naoko. (Japanese) “The Blue Flower.” Trans. Toshiya Kamei. 17.1<\/a>, 285.<\/p>\n

Ayyub, Dhu Al-Nun (Arabic) “A Pillar in the Tower of Babel.” Trans. Stephanie Fauver. 19.1-2<\/a>, 214.<\/p>\n

Azzouz, Nassira. (French) “The Smile.” Trans. Peter Thompson. 17.1<\/a>, 124.
\n—“A Child at Sabra.” Trans. Thompson. 17.1<\/a>, 126.
\n—“[Untitled].” Trans. Thompson. 17.1<\/a>, 130.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aczel, Tamas. (Hungarian) “Julia.” Trans. Aczel. 1.2, 56. —“Palace Hotel.” Trans. Aczel. 1.2, 58. Ady, Endre. (Hungarian) “Cadaver on the Wheatfield.” Trans. Paul Sohar. 23.2, 104. Agnant, Marie-C\u00e9lie. (French) “The House Facing the Sea.” Trans. Christina Vander Vorst. 11.1, 193. \u00a0 —“Travail.” Trans. Corine Tachtiris. 23.2, 112. Agosin, Marjorie. (Spanish) “The Autumn of the Mothers.” […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-361","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=361"}],"version-history":[{"count":5,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/361\/revisions"}],"predecessor-version":[{"id":1298,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/361\/revisions\/1298"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=361"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=361"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}