{"id":363,"date":"2019-04-14T22:32:16","date_gmt":"2019-04-15T02:32:16","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=363"},"modified":"2019-07-25T07:06:41","modified_gmt":"2019-07-25T11:06:41","slug":"iol-b","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/iol-b\/","title":{"rendered":"IOL B"},"content":{"rendered":"

Bachmann, Ingeborg. (German) “I Too Have Lived in Arcadia.” Trans. Linda Baker. 23.1<\/a>, 39.<\/p>\n

Badoux, Georges. (French) “Excerpt from\u00a0Savages et Civilises<\/em>.” Trans. Karin Speedy. 11.1<\/a>, 128.<\/p>\n

Bakr, Salwa. (Arabic) “My Grandma’s Provisions.” Trans. Almira al-Zaqrid. 19.1-2<\/a>, 260.<\/p>\n

Baldini, Raffaello. (Italian from Romagnolo) “The Comedy.” Trans. Adria Bernardi and Baldini. 13.1<\/a>, 76.
\n—“Fussbudget.” Trans. Bernardi and Baldini. 13.1<\/a>, 82.
\n—“Stricken.” Trans. Bernardi and Baldini. 13.1<\/a>, 88.
\n—“The Will.” Trans. Bernardi and Baldini. 13.1<\/a>, 94.
\n—(Romagnolo and Italian) “E’ br\u00e8tt, Il beretto, The Cap.” Trans. Bernardi. 14.1-2<\/a>, 43.
\n—“Furist\u00edr, Forestiero, Outsider.” Trans. Bernardi. 14.1-2<\/a>, 49.
\n—“L\u00f3i, Luglio, July.” Trans. Bernardi. 14.1-2<\/a>, 55.
\n—“China, China, Liqueur.” Trans. Bernardi. 14.1-2<\/a>, 58.
\n—“La n\u00e0iva, La neve, Snow.” Trans. Bernardi. 14.1-2<\/a>, 61.<\/p>\n

Banagar, Serajaddin. (Persian) “A Farsi Version of a Kurdish Folk Tale: Lazy Ahmad and the King’s Daughter.” Trans. Firouzeh Dianat and Stephanie Fauver. 18.1<\/a>, 192.<\/p>\n

Bancquart, Marie-Claire. (French) “Odyssey, Final Canto.” Trans. Wendeline Hardenberg. 21.2<\/a>, 72.
\n— “Forgettings.” Trans. Wendeline Hardenberg. 21.2<\/a>, 76.
\n— “Old Man.” Trans. Wendeline Hardenberg. 21.2<\/a>, 76.
\n— “Black-Eyed Susan.” Trans. Wendeline Hardenberg. 21.2<\/a>, 78.
\n— “Hesitating, Wearing Out.” Trans. Wendeline Hardenberg. 21.2<\/a>, 78.
\n— “The Impulse of Ours.” Trans. Wendeline Hardenberg. 21.2<\/a>, 80.<\/p>\n

Banoum, Bertrade B. Ngo-Ngijol. (Basaa) “Bon ba Hiton.” Trans. Banoum. 10.1<\/a>, 242.<\/p>\n

Banti, Anna. (Italian) “Lavinia Lost.” Trans. Shirley A. Smith. 17.1<\/a>, 305.<\/p>\n

Baptista, Josely Vianna. (Portuguese) \u201cAuthor\u2019s Note on the Celestial Blue Words.\u201d Trans. Malcolm McNee. 25.2<\/a>, 17.
\n— \u201cThe Ancient Rites of the Hummingbird.\u201d Trans. McNee. 25.2<\/a>, 24.
\n— \u201cBaroque Garden.\u201d Trans. McNee. 25.2<\/a>, 26.<\/p>\n

Baranczak, Stanislaw. (Polish) “Voice Coaching (Ustawienie Glosu).” Trans. Baranczak and Clare Cavanagh. 7.2<\/a>, 112.<\/p>\n

Barbakadze, Dato. (Georgian) “Poet.” Trans. Lyn Coffin and Nato Alhazishvili. 21.2<\/a>, 124.<\/p>\n

Bartolom\u00e9, Efra\u00edn. (Spanish) “(From\u00a0Ocosingo War Diary: Voices from <\/em>Chiapas) <\/em>Don Tonito.” Trans. Kevin Brown. 21.2<\/a>, 148.<\/p>\n

Bassry, Aicha. (Arabic) \u201cHouse of Night (Chapter 1 of\u00a0Silk Nights).\u201d Trans. Mbarek Sryfi. 25.2<\/a>, 229.<\/p>\n

Batma, Larbi. (Arabic) “A Gnawa Adventure, from\u00a0Arrahil<\/em>.” Trans. Ziad Bentahar. 15.1-2<\/a>, 140.<\/p>\n

Baudelaire, Charles. (French) “Get Drunk (Enivrez-Vous).” Trans. Thalia Pandiri. 9.2<\/a>, 332.
\n—“The Lovers’ Wine.” Trans. Jan Owen. 20.2<\/a>, 38.
\n—“The Loner’s Wine.” Trans. Owen. 20.2<\/a>, 38.
\n—“The Ragpickers’ Wine.” Trans. Owen. 20.2<\/a>, 40.
\n—“The Murderer’s Wine.” Trans. Owen. 20.2<\/a>, 42.
\n—“Three Poems.\u201d Trans. Tony Brinkley. 25.2<\/a>, 88.<\/p>\n

—Baudelaire (French). \u201cOn Eug\u00e8ne Delacroix\u2019s Tasso in Prison.\u201d Trans. Samuel N. Rosenberg. 27.1<\/a>, 38.<\/span><\/p>\n

\u2014Baudelaire (French). \u201cA Skeleton at Work.\u201d Trans. Rosenberg. 27.1<\/a>, 40.<\/span><\/p>\n

\u2014Baudelaire (French). \u201cBeacons.\u201d Trans. Rosenberg. 27.1<\/a>, 44.<\/span><\/p>\n

\u2014Baudelaire (French). \u201cOn a Portrait of Honor\u00e9 Daumier.\u201d Trans. Rosenberg. 27.1<\/a>, 48.<\/span><\/p>\n

Becker, J\u00c3\u00bcrgen. (German). “Andrew Wyeth Paints a Sound.” Trans. Ingrid G. Lansford. 23.1<\/a>, 138<\/p>\n

Bejarano, Maya (Hebrew). \u201cMeeting with the Actors, Hakkibutz Hameuchad, 2014 Iphigenia.\u201d Trans. Tsipi Keller. 27.1<\/a>, 18.<\/span><\/p>\n

Belaya, Irina. (Russian) “Tale of the Traffic Light.” Trans. Ilya Yudin and Elena Gorsheneva. 17.1<\/a>, 292.<\/p>\n

du Bellay, Joachim. (French) “Heureux Qui.” Trans. Warren D. Anderson, Anthony Hecht, and Richard Wilbur. 5.1<\/a>, 40.<\/p>\n

Belli, Carlos German. (Spanish) \u201cSegregation No. 1.\u201d Trans. Annette Beauchamp. 25.2<\/a>, 168.
\n<\/strong><\/p>\n

Belo, Ruy. (Portuguese) “At the Coming of Longer Days (A Chegada dos Dias Grandes).” Trans. Alexis Levitin. 7.1<\/a>, 144.<\/p>\n

\u00a0 —“Anniversary Mass.” Trans. Alexis Levitin. 23.1<\/a>, 84<\/p>\n

\u00a0 —“The Grandeur of Man.” Trans. Alexis Levitin. 23.1<\/a>, 87<\/p>\n

\u00a0\u00a0—“Misery and Grandeur.” Trans. Alexis Levitin. 23.1<\/a>, 87<\/p>\n

Belotti, Elena Gianni. (Italian) “Suspicions.” Trans. Anne Milano Appel. 14.1-2<\/a>, 223.<\/p>\n

Benacot, Debora. (Spanish) \u201c(She found out her spiral notebook).\u201d Trans. Robert Kaplan and Margaret Young. 25.2<\/a>, 122.
\n—\u201c(It is not true that any self-respecting writer).\u201d Trans. Kaplan and Young. 25.2<\/a>, 124.
\n—\u201c(The newborn girl).\u201d Trans. Kaplan and Young. 25.2<\/a>, 126.
\n<\/strong><\/p>\n

B\u00e9n\u00e9zet, Mathieu. (French) “‘Phase I’ from\u00a0L’Oc\u00e9an jusqu’\u00e0 toi<\/em>.” Trans. Patrick Williamson. 17.1<\/a>, 120.<\/p>\n

Benn, Gottfried. (German) “Songs: I (Gesange: I).” Trans. Peter Viereck. 2.1<\/a>, 70.<\/p>\n

Benni, Stefano. (Italian). “Autogrill Horror: The Boy With the Mohawk’s Tale.” Trans. Amelia Linsky. 23.2<\/a>, 162.<\/p>\n

Berger, John. (Spanish) “Redder Every Day.” Trans. Pilar V\u00e1zquez. 12.1-2<\/a>, 188.<\/p>\n

Bernard, Stephen. (French) “The Two Rabbits.” Trans. Norman R. Shapiro. 11.1<\/a>, 234.<\/p>\n

de Beth\u00fane, Conon. (Old French) “Ce fut l’autrier en un autre pais.” Trans. Samuel N. Rosenberg. 10.2<\/a>, 94.<\/p>\n

Beurard-Valdoye. (French) “Portbou: Walter Benjamin.” Trans. Barbara\u00a0 Siegel Carlson. 16.1<\/a>, 100.<\/p>\n

Beyala, Callixthe. (French) “Birth of a Myth.” Trans. Mariana Past. 11.1<\/a>, 42.<\/p>\n

Bialik, C.N. (Hebrew) “My Native Village and my Dream.” Trans. David Patterson, 7.1<\/a>, 30.<\/p>\n

Biermann, Wolf. (German) “Monkey on the Rocks (Affenfelsen).” Trans. Ina Pfitzner. 9.2<\/a>, 84.<\/p>\n

Birstein, Yossel. (Yiddish) “Between the Olive Trees.” Trans. Adi Mahalel. 23.1<\/a>, 27.<\/p>\n

Bitar, Haifa. (Arabic) “Between the A and the Z.” Trans. John Peate. 19.1-2<\/a>, 254.<\/p>\n

Blatny, Ivan. (Czech) “Historic Painting.” Trans. Deborah H. Garfinkle. 7.2<\/a>, 50.
\n—“Soul.” Trans. Garfinkle. 7.2<\/a>, 50.
\n—“Variation.” Trans. Garfinkle. 7.2<\/a>, 48.<\/p>\n

du Bocage, Manuel Maria Barbosa. (Portuguese) “Another (Outro).” Trans. Alexis Levitin. 7.1<\/a>, 136.<\/p>\n

Bogliun, Loredana. (Dignanese dialect of Istria and Italian) “La piera, La pietra, The Stone.” Trans. Adeodato Piazza Nicolai. 14.1-2<\/a>, 99.<\/p>\n

Bondy, Egon. (Czech) “[Ghosts criss-cross over the fields (Pizraky chodi po polich)]” Trans. Ron and Maria Nemcov\u00e1 Banerjee. 3.2<\/a>, 128.<\/p>\n

Borda, Itxaro. (Basque) “From\u00a0Poems of the Infinite Silence<\/em>.” Trans. I\u00f1aki Mendiguren and Sarah J. Turtle. 12.1<\/a>, 69.<\/p>\n

Bosco, Henri. (French) “Megremut [opening of Chapter One of novel Malicroix<\/em>].” Trans. Joyce Zonana. 23.2<\/a>, 185.<\/p>\n

Bosmeniel, Feliz M. Tanco Y. (Spanish) “Petrona and Rosalia.” Trans. Thomas Genova. 25.1<\/a>, 162.<\/p>\n

Bourquin, Marcel. (French) “A Love Letter.” Trans. Elisabeth B. Leete. 4.1<\/a>, 92.<\/p>\n

Boukalas, Pantelis. (Greek) “Marsyas.” Trans. Richard Berengarten and Paschalis Nicolaou. 21.2<\/a>, 16.<\/p>\n

Boye, Karin. (Swedish) “A Painter’s Wish.” Trans. Gabriella Frykhamn and Michael Joyce. 18.2<\/a>, 60.
\n—“6.” Trans. Frykhamn and Joyce. 18.2<\/a>, 62.<\/p>\n

Branco, Rosa Alice. (Portuguese) “The Eye of the Needle.” Trans. Alexis Levitin. 9.2<\/a>, 48.
\n—“Mid-Winter Night’s Dream.” Trans. Levitin. 9.2<\/a>, 48.
\n—“Opaqueness of the World.” Trans. Levitin. 9.2<\/a>, 50.
\n—“Room with Wicket Window.” Trans. Levitin. 9.2<\/a>, 50.
\n—“Day by Day.” Trans. Levitin. 9.2<\/a>, 52.
\n—“Endless, the Night.” Trans. Levitin. 9.2<\/a>, 52.
\n—“Notes for a Concert.” Trans. Levitin. 9.2<\/a>, 54.
\n—“27. (They flay rabbits).\u201d Trans. Levitin. 25.1<\/a>, 14.
\n—“29. (The men’s hands would graze).\u201d Trans. Levitin. 25.1<\/a>, 14.
\n—“36. (In the winter there was no reason).\u201d Trans. Levitin. 25.1<\/a>, 16.
\n—“38. (In the summer the rooms).\u201d Trans. Levitin. 25.1<\/a>, 16.
\n—“39. (Sometimes it was known).\u201d Trans. Levitin. 25.1<\/a>, 18.
\n—“40. (It smelled of immaculate wax).\u201d Trans. Levitin. 25.1<\/a>, 18.
\n—“45. (The skylights can blind us).\u201d Trans. Levitin. 25.1<\/a>, 20.<\/p>\n

Brand\u00e4o, Fiama Pais. (Portuguese) “Epistle to the Siren of a Boat.” Trans. Alexis Levitin. 8.2<\/a>, 112.
\n—“Epistle to a Swan.” Trans. Levitin. 8.2<\/a>, 112.
\n—“Epistle to the Beloved.” Trans. Levitin. 8.2<\/a>, 114.
\n—“Epistle to a Mandolin, Always upon a Table.” Trans. Levitin. 8.2<\/a>, 114.
\n—“Epistle to Daedalus.” Trans. Levitin. 8.2<\/a>, 116.
\n—“Epistle to an Equinox.” Trans. Levitin. 8.2<\/a>, 116.
\n—“Epistle to a Sundial with the Inscription ‘Carpe Diem.'” Trans. Levitin. 8.2<\/a>, 116.
\n—“Epistle to Myself, Long Ago, on All Saints Day.” Trans. Levitin. 8.2<\/a>, 118.
\n—“Epistle to the Sun.” Trans. Levitin. 8.2<\/a>, 118.
\n—“Memorandum on a Window that Taps like the Beak of a Raven.” Trans. Levitin. 8.2<\/a>, 118.
\n—“Memorandum for a Fable.” Trans. Levitin. 8.2<\/a>, 120.
\n—“Memorandum for Myself, Thinking of Keats.” Trans. Levitin. 8.2<\/a>, 120.<\/p>\n

Brandt, Per Aage. (Danish). “50 existence, for god’s sake,.” Trans. Thom Satterlee. 23.2<\/a>, 146.<\/p>\n

\u00a0 —“49 why should one rant and rage.” Trans. Satterlee. 23.2<\/a>, 146.<\/p>\n

\u00a0 —“44 she stands at the window, which.” Trans. Satterlee. 23.2<\/a>, 146.<\/p>\n

Braque, Georges. (French) “A Few Aphorisms.” Trans. Melinda Kennedy. 4.1<\/a>, 26.<\/p>\n

Bressane, Ronaldo. (Portuguese) “The Cyber-Monkeys of Lokombia.” Trans. Sandro Barros. 24.1-2<\/a>, 72.<\/p>\n

de Breteuil, Gabrielle Emilie Le Tonnelier. (French) “Discourse on\u00a0 Happiness.” Trans. Erik Liddell. 16.1<\/a>, 274.<\/p>\n

Brito, Christiana de Caldas. (Italian) “I, Fingertip 5,423.” Trans. Giovanna Bellesia and Victoria Offredi Poletto. 14.1-2<\/a>, 99.<\/p>\n

Brodsky, Joseph. (Russian) “The Jewish Cemetery.” Trans. Laszlo Tikos. 4.2<\/a>, 4.
\n—“Landscape with Flood.” Trans. Tikos with Melinda Kennedy. 5.1<\/a>, 6.
\n—“The Town We Lived In.” Trans. Tikos with Kennedy. 5.1<\/a>, 8.
\n—“To the Up-coming Century.” Trans. Tikos with Kennedy. 5.1<\/a>, 10.
\n—“After Auden.” Trans. Tikos with Kennedy. 5.1<\/a>, 14.
\n—“MCMXCIV.” Trans. Tikos with Kennedy. 5.1<\/a>, 16.
\n—“After Us, Of Course.” Trans. Tikos with Kennedy. 5.1<\/a>, 18.
\n—“In the Byzantine Manner.” Trans. Tikos with Kennedy. 5.1<\/a>, 20.<\/p>\n

Bronsard, Marie. (French) “Glances.” Trans. Sonia Alland with Bronsard. 16.2<\/a>, 176.<\/p>\n

—Bronsard (French). \u201cCamille.\u201d Trans. Sonia Alland. 27.1<\/a>, 142.<\/span><\/p>\n

Brossa, Joan. (Catalan) “Man.” Trans. John London. 5.2<\/a>, 127.
\n—“After…” Trans. London. 5.2<\/a>, 128.
\n—“Bridge.” Trans. London. 5.2<\/a>, 128.
\n—“Performance.” Trans. London. 5.2<\/a>, 128.
\n—“War.” Trans. London. 5.2<\/a>, 128.
\n—“A Fish.” Trans. London. 5.2<\/a>, 130.
\n—“Here There’s a Wall.” Trans. London. 5.2<\/a>, 130.
\n—“That’s How I’d Paint You.” Trans. London. 5.2<\/a>, 130.
\n—“A Man Sneezes.” Trans. London. 5.2<\/a>, 132.<\/p>\n

Bruveris, Peters. (Latvian) “Untitled.” Trans. Inara Cedrins. 16.2<\/a>, 60.
\n—“Stone.” Trans. Inara Cedrins. 16.2<\/a>, 60.
\n—“Untitled.” Trans. Inara Cedrins. 16.2<\/a>, 62.
\n—“Morning in the Meadows.” Inara Cedrins. 16.2<\/a>, 64.
\n—“City Courtyard.” Inara Cedrins. 16.2<\/a>, 64.<\/p>\n

Bulgakov, Mikhail (adapted by Veniamin Smekhov). “Two scenes from the stage adaptation of Master and Margarita<\/em>: ‘Satan’s Ball’ and ‘By Candlelight.'” Trans. Alexander and Catherine Woronzoff-Dashkoff. 10.2<\/a>, 214.<\/p>\n

Burk, C. John. \u201cReview: Asli\u00a0 <\/span>Erdo\u011fan., <\/b>The Stone Building and Other Places. <\/i>Translated from the Turkish by Sevin\u00e7 T\u00fcrkkan. City Lights Books, San Francisco, CA 94133. 2018.\u201d\u00a0 <\/span>27.1<\/a>, 156.<\/span><\/p>\n

Bursa, Andrzej. (Polish) “Farewell to my Dog.” Trans. Kevin Christianson and Halina Ablamowicz. 13.2<\/a>, 64.
\n—“My Hunt.” Trans. Christianson and Ablamowicz. 13.2<\/a>, 66.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bachmann, Ingeborg. (German) “I Too Have Lived in Arcadia.” Trans. Linda Baker. 23.1, 39. Badoux, Georges. (French) “Excerpt from\u00a0Savages et Civilises.” Trans. Karin Speedy. 11.1, 128. Bakr, Salwa. (Arabic) “My Grandma’s Provisions.” Trans. Almira al-Zaqrid. 19.1-2, 260. Baldini, Raffaello. (Italian from Romagnolo) “The Comedy.” Trans. Adria Bernardi and Baldini. 13.1, 76. —“Fussbudget.” Trans. Bernardi and […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-363","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=363"}],"version-history":[{"count":6,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/363\/revisions"}],"predecessor-version":[{"id":1299,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/363\/revisions\/1299"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=363"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=363"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}