{"id":385,"date":"2019-04-14T22:37:12","date_gmt":"2019-04-15T02:37:12","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=385"},"modified":"2019-06-22T08:48:54","modified_gmt":"2019-06-22T12:48:54","slug":"iol-m","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/iol-m\/","title":{"rendered":"IOL M"},"content":{"rendered":"

Maalouf, Amin. (French) “Four Moments.” Trans. Patricia E. Frederick. 23:2<\/a>, 32.<\/p>\n

Machado de Assis, Joaquim Maria. (Portuguese) “On the Ark: Three Unpublished Chapters from Genesis.” Trans. Rhett Warren McNeil. 18.1<\/a>, 59<\/p>\n

Madunkov, Mitko. (Macedonian) “The Bombing.” Trans. Richard Gaughran. 8:2<\/a>, 222.<\/p>\n

Magallanos, Carmen. (Spanish) “Seven poems.” Trans. Magallanos and Maria Waechter. 4:1<\/a>, 86.<\/p>\n

Mahieu le Juif. (Old French) “Por Autrui Movrai Mon Chant.” Trans. Samuel Rosenberg. 23:1<\/a>, 118.<\/p>\n

\u00a0 —“Par Grant Franchise Me Covient Chanter.” Trans. Samuel N. Rosenberg. 23:1<\/a>, 148.<\/p>\n

Maia, Circe. (Spanish) “Her.” Trans. Alexandra Falek. 18:2<\/a>, 44.
\n—“Death Song.” Trans. Falek. 18:2<\/a>, 46.
\n—“Betrayal.” Trans. Falek. 18:2<\/a>, 48.<\/p>\n

di Maio, Alessandra. (Italian) “An Interview with Ubax Cristina Ali Farah.” Trans. Lydia Miranda Oram. 14:1-2<\/a>, 241.
\n—“A Poetics of Passage: the Prose of Ubax Cristina Ali Farah.” Trans. Oram. 14:1-2<\/a>, 248.<\/p>\n

Maj, Bronislaw. (Polish) “Ascent.” Trans. Clare Cavanagh. 7:2<\/a>, 116.
\n—“Fragment.” Trans. Cavanagh. 7:2<\/a>, 116.
\n—“In June.” Trans. Cavanagh. 7:2<\/a>, 116.<\/p>\n

Maldonado, Wenceslao. (Spanish) “Gorgona.” Trans. Donny Smith. 13:2<\/a>, 68.<\/p>\n

Malih, Wafa. (Arabic) “Looking into a Lover’s Eyes.” Trans. Khaled Al Masri. 15:1-2<\/a>, 124.<\/p>\n

Malmstein, Bodil. (Swedish) “Behind Town Center.” Trans. Eva Claeson. 4:1<\/a>, 102.
\n—“A Man Came.” Trans. Claeson. 4:1<\/a>, 104.<\/p>\n

Mandelstam, Osip. (Russian) “Venetian Life.” Trans. Ron and Maria Nemcov\u00e1 Banerjee. 4:2<\/a>, 124.
\n—“[A light smoke has melted in the frosty air].” Trans. Nina Kossman. 7:2<\/a>, 122.
\n—“[Zeus fired Hephaestus from the job].” Trans. Kossman. 7:2<\/a>, 122.
\n—“Ariosto.” Trans. Seth Zimmerman. 9:2<\/a>, 146.
\n—“What Street is This?” Trans. Zimmerman. 9:2<\/a>, 148.<\/p>\n

— “[Lamarck].” Trans. Ian Probstein. 20:1<\/a>, 76.<\/p>\n

Mandelshtam, Roald. (Russian) \u201c[Dialogue].\u201d Trans. Ian Probstein. 20:1, 48.<\/p>\n

\u00a0 —\u201c[Lemon-seller].\u201d Trans. Ian Probstein. 20:1<\/a>, 48.<\/p>\n

Manderson, Desmond. \u201cShort Note on the Translation \u201cLe d\u00e9serteur.\u201d 27:1<\/a>, 54.<\/span><\/p>\n

Manner, Eeva-Liisa. (Finnish) “Illuminated Night.” Trans. Ritva Poom. 2:2<\/a>, 80.
\n—“Inscribed Stone.” Trans. Poom. 2:2<\/a>, 82.
\n—“Marie Th\u00e9r\u00e8se Paradies.” Trans. Poom. 2:2<\/a>, 86.
\n—“Motif Number 1.” Trans. Poom. 2:2<\/a>, 90.
\n—“Nada.” Trans. Poom. 2:2<\/a>, 84.
\n—“Notte, Serene Ombre.” Trans. Poom. 2:2<\/a>, 88.<\/p>\n

Manto, Saadat Hasan. (Urdu) “God Save Us From Our Sins.” Trans. Aftab Ahmad and Matt Reeck. 23:2<\/a>, 167.<\/p>\n

Maranh\u00e3o, Salgado. (Portuguese) “Lagoon.” Trans. Alexis Levitin. 18:2<\/a>, 24.
\n—“Of the Sea I.” Trans. Levitin. 18:2<\/a>, 24.
\n—“Ecstasy.” Trans. Levitin. 18:2<\/a>, 26.
\n—“The Swamp.” Trans. Levitin. 18:2<\/a>, 28.
\n—“If, If.” Trans. Levitin. 18:2<\/a>, 30.
\n—“Sparks.” Trans. Levitin. 18:2<\/a>, 30.
\n—“Corollary.” Trans. Levitin. 18:2<\/a>, 32.
\n—“The Bobbin.” Trans. Levitin. 18:2<\/a>, 34.<\/p>\n

\u00a0 —“2 … and to what hands do I dedicate.” Trans. Levitin. 23:2<\/a>, 86.<\/p>\n

\u00a0 —“4 beneath the small appeals of this.” Trans. Levitin 23:2<\/a>, 86.<\/p>\n

\u00a0 —“Interfaces.” Trans. Levitin 23:2<\/a>, 88.<\/p>\n

Marbod of Rennes (Latin). \u201cAgainst Seafaring.\u201d Trans. Alan Altimont. 27:1<\/a>, 110.<\/span><\/p>\n

\u2014Marbod of Rennes (Latin). \u201cLetter to Samson, Bishop of Winchester.\u201d Trans. Altimont. 27:1<\/a>, 112.<\/span><\/p>\n

Mar\u00e7al, Maria Merc\u00e8. (Catalan) “Light Song.” Trans. Adela Robles-S\u00e1ez. 5:2<\/a>, 191.
\n—“Like the Murderer Returning to the Scene of the Crime.” Trans. Robles-S\u00e1ez. 5:2<\/a>, 192.
\n—“My Homeless Love.” Trans. Robles-S\u00e1ez. 5:2<\/a>, 193.
\n—“I Do Not Feel The Pain In Me, I Feel It In You.” Trans. Robles-S\u00e1ez. 5:2<\/a>, 193.
\n—“Solstici.” Trans. Kathleen McNerney. 12:1<\/a>, 139.<\/p>\n

Margolin, Anna. (Yiddish) “What Do You Want, Mary?” Trans. Shirley Kumove. 7:1<\/a>, 102.
\n—“Her Smile.” Trans. Kumove. 7:1<\/a>, 104.
\n—“Just Like My Tearful Gaze.” Trans. Kumove. 7:1<\/a>, 106.
\n—“The Gangster.” Trans. Kumove. 7:1<\/a>, 106.
\n—“Beautiful Words of Marble and Gold.” Trans. Kumove. 7:1<\/a>, 108.
\n—“In the Streets.” Trans. Kumove. 7:1<\/a>, 110.<\/p>\n

Mar\u00eda, Manuel. (Galego) “Ode a beleza da palabra (Ode to the Beauty of Words).” Trans. Marta Dahlgren. 22:1-2<\/a>, 42.<\/p>\n

Marks, Christiane. \u201cRilke\u2019s <\/i>Last Poem.\u201d 27:1<\/a>, 85.<\/span><\/p>\n

Marroni, Francesco. (Italian) “Cinema.” Trans. Thalia Pandiri. 13:2<\/a>, 38.
\n—“No Holds Barred.” Trans. Pandiri. 13:2<\/a>, 82.<\/p>\n

Mart\u00ed i Pol, Miquel. (Catalan) “The End of the World.” Trans. Don Bartell. 5:2<\/a>, 143.
\n—“Chronicle.” Trans. Bartell. 5:2<\/a>, 146.
\n—“Almost Self-Portrait.” Trans. Bartell. 5:2, 148.
\n—“Another Life.” Trans. Wayne Cox and Lourdes Many\u00e9 i Mart\u00ed. 5:2<\/a>, 150.
\n—“A Placid Winter.” Trans. Cox and Many\u00e9 i Mart\u00ed. 5:2<\/a>, 150.
\n—“Questions.” Trans. Cox and Many\u00e9 i Mart\u00ed. 5:2<\/a>, 152.<\/p>\n

Mart\u00ednez, Jos\u00e9 Alfredo Escobar. (Spanish) “Santa Maria Del Mar.” Trans. Wendy Call. 16:2<\/a>, 82.<\/p>\n

Martini, Lucifero. (Italian) “Istria.” Trans. Adeodato Piazza Nicolai. 14:1-2<\/a>, 101.<\/p>\n

Martins, Altair. (Portuguese) “Two Chapters from the Novel\u00a0The Wall in the Dark.<\/em>” Trans. Vincent Barletta. 24.1-2<\/a>, 188.<\/p>\n

Martinson, Harry. (Swedish) “Excerpts from Aniara.” Trans. Leif Sj\u00f6berg and Stephen Klass. 8:1<\/a>, 110.<\/p>\n

Massicotte, Sylvie. (French) “Taurus.” Trans. Jonathon Kaplansky. 11:1<\/a>, 288.<\/p>\n

Matherne, Beverly. (Cajun) “Fall Poem.” Trans. Matherne. 3:2<\/a>, 126.
\n—“Doll.” Trans. Matherne. 3:2<\/a>, 134.
\n—“At Belle Terre.” Trans. Matherne. 3:2<\/a>, 134.
\n—“Tante Bette et Nonc Jude.” Trans. Matherne. 3:2<\/a>, 138.
\n—“When a Man Gets Cancer.” Trans. Matherne. 6:1<\/a>, 52.
\n—“Aunt Elphia.” Trans. Matherne. 6:1<\/a>, 54.
\n—“I Call Mama on the Telephone.” Trans. Matherne. 6:1<\/a>, 56.
\n—(French) “The French Market: A Dramatic Monologue.” Trans. Matherne. 11:1<\/a>, 274.
\n—“Elphia and the Rattlesnake: A Folktale.” Trans. Matherne. 11:1<\/a>, 278.
\n—“Crawfishing A Prose Poem.” Trans. Matherne. 11:1<\/a>, 282.<\/p>\n

Matios, Maria. (Ukranian). “Sweet Darusya.” Trans. Michael M. Naydan. 20:1<\/a>, 206.<\/p>\n

Matitiahu, Margalit. (Ladino) “Before Arriving in Saloniki.” Trans. Diana Brown and Kathleen Rettig. 9:2<\/a>, 210.
\n—(Hebrew) “Before the Journey.” Trans. Yehudit Heller and Stephen Clingman. 9:2<\/a>, 210.
\n—(Ladino) “Freedom Square.” Trans. Brown and Rettig. 9:2<\/a>, 212.
\n—(Hebrew) “Freedom’ Square Saloniki.” Trans. Heller and Clingman. 9:2<\/a>, 212.
\n—“Saloniki.” Trans. Heller and Clingman. 9:2<\/a>, 215.
\n—(Ladino) “Saloniki.” Trans. Brown and Rettig. 9:2<\/a>, 216.
\n—(Hebrew) “After My Mother’s Death.” Trans. Heller and Clingman. 9:2<\/a>, \u00a0218.
\n—(Ladino) “Pale Shadows.” Trans. Brown and Rettig. 9:2<\/a>, 218.
\n—(Hebrew) “Mother Against War (Silent protest).” Trans. Heller and Clingman. 9:2<\/a>, 220.<\/p>\n

Matraini, Chiara. (Italian) “How Greatly Deceptive, and Various.” Trans. Elena Maclachlan. 1:2<\/a>, 66.<\/p>\n

Mayakovsky, Vladimir. (Russian) “To Sergey Yesenin, 1926.” Trans. Laszlo Tikos. 9:2<\/a>, 152.
\n—“Unfinished (his own suicide poem).” Trans. Tikos. 9:2<\/a>, 166.<\/p>\n

Mazuri, Alamin. (Kiswahili) “Door.” Trans. Sau Lugano. 10:1<\/a>, 118.
\n—“Detention.” Trans. Lugano. 10:1<\/a>, 120.
\n—“Embrace Me.” Trans. Lugano. 10:1<\/a>, 122.
\n—“Which Way Is Ours?” Trans. Lugano. 10:1<\/a>, 124.
\n—“I Crossed.” Trans. Lugano. 10:1<\/a>, 126.<\/p>\n

Meabe, Miren Agur. (Basque) “Brief Notes.” Trans. Amaia Gabantxo. 12:1<\/a>, 143.
\n—“The Code.” Trans. Gabantxo. 12:1<\/a>, 145.
\n—“Notes on How to Avoid Memory Loss (2).” Trans. Gabantxo. 12:1<\/a>, 147.
\n—“Notes on Anguish.” Trans. Gabantxo. 12:1<\/a>, 149.<\/p>\n

Medeirios, Sergio. (Portuguese) \u201cBororo Hunting Song.\u201d Trans. Malcolm McNee. 25:2<\/a>, 29.
\n—\u201cAnimal Spirits.\u201d Trans. McNee. 25:2<\/a>, 34.
\n<\/strong>\u00a0—\u201cSong of the Emergence of the Ancestors.\u201d Trans. McNee. 25:2<\/a>, 40.
\n<\/strong>\u00a0—\u201cUntitled Poem.\u201d Trans. McNee. 25:2<\/a>, 46.<\/p>\n

M\u00e9ndez Ferr\u00edn, Xos\u00e9 Lu\u00eds. (Galego) “Agora \u00e9 o intre do regreso (Now is the Time to Return).” Trans. Carys Evans-Corrales. 22:1-2<\/a>, 60.<\/p>\n

M\u00e9rim\u00e9e, Prosper. (French) “Mateo Falcone.” Trans. H\u00e9l\u00e8ne Cantarella. 6:2<\/a>, 58.<\/p>\n

Merle, Emmanuel. (French) “from\u00a0Ici en excil\u00a0<\/em>(2012).” Trans. Jennifer Barber. 23:2<\/a>, 120.<\/p>\n

Mertehikian, Lucas. (Spanish) “My Grandmother Talks of the Tribulations of Her Father in Exile.” Trans. Jennifer Croft. 21:2<\/a>, 136.
\n— “It’s Been a While Since I’ve Seen Him.” Trans. Croft. 21:2<\/a>, 138.
\n— “With His Second Wife.” Trans. Croft. 21:2<\/a>, 140.
\n— “The Day of My Grandpa’s Funeral.” Trans. Croft. 21:2<\/a>, 140.<\/p>\n

Merwin, W.S. (English into Italian) “Cercando funghi all’alba.” Trans. Alessandro Ferace. 6:2<\/a>, 118.<\/p>\n

Meyer Peter. (German) “All the Same.” Trans. Vincent Brook and Peter Meyer. 13:2<\/a>, 98.<\/p>\n

Michael, Ib. (Danish) “Shadow Sharks.” Trans. Ingrid Lansford. 21:2<\/a>, 168.<\/p>\n

\u00a0 —“The Source.” Trans. Lansford. 23:2<\/a>, 215.<\/p>\n

Michaux, Henri. (French) “In The Night.” Trans. David Ball. 1:1<\/a>, 28.
\n—“Chant de Mort.” Trans. Ball. 2:1<\/a>, 38.<\/p>\n

Mikhalevich, Alla. (Russian) “Wasps (I).” Trans. Sally Wheeler. 20:2<\/a>, 98.<\/p>\n

—“Two Almost Equal Seasons Fill the Year.” Trans. Wheeler, 20:2<\/a>, 100.<\/p>\n

Milionis, Christoforos. (Greek) “The Lute.” Trans. Thalia Pandiri. 9:2<\/a>, 256.
\n—“Induction Ceremony.” Trans. Pandiri. 9:2<\/a>, 260.
\n—“Phryne.” Trans. Martin McKinsey. 10:2<\/a>, 227.
\n—“Computer Virus.” Trans. Pandiri. 10:2<\/a>, 295.
\n—“A Genuinely Smart Weapon.” Trans. Pandiri. 13:1<\/a>, 275.<\/p>\n

Miller, Larisa Emilyanovna. (Russian) “You and I…” Trans. Rebecca L. Thompson. 23:2<\/a>, 100.<\/p>\n

\u00a0\u00a0—“I Know the Quiet Horizon.” Trans. Thompson. 23:2<\/a>, 100.<\/p>\n

\u00a0\u00a0—“Our Soul.” Trans. Thompson, 23:2<\/a>, 102.<\/p>\n

Milobedzka, Krystyna. (Polish) “[Cacti are clumps of terror…].” Trans. Clare Cavanagh. 7:2<\/a>, 94.
\n—“[Jellyfish tease the sea…]” Trans. Cavanagh. 7:2<\/a>, 94.
\n—“[On a windowpane covered with steam…].” Trans. Cavanagh. 7:2<\/a>, 94.<\/p>\n

Minevski, Blaze. (Macedonian) “The Balkans for Children.” Trans. Zoran Anchevski and Richard Gaughran. 8:2<\/a>, 216.<\/p>\n

Minga, Ana. (Spanish) “(From the Collection\u00a0A Espaldas de Dios<\/em>) VII, XI, XII.” Trans. Alexis Levitin. 21:2<\/a>, 104.<\/p>\n

Miron, Gaston. (French) “Girl.” Trans. Paula Varsano. 11:1<\/a>, 294.
\n—“Centuries of Winter.” Trans. Varsano. 11:1<\/a>, 296.<\/p>\n

Moli\u00e8re. (French) “Amphitryon, Acte Premier, Scene Premiere, Sosie.” Trans. Richard Wilbur. 2:1<\/a>, 42.<\/p>\n

Monasterios, Mar\u00eda. (Spanish) “Air.” Trans. Luc\u00eda Aranda. 17:1<\/a>, 116.<\/p>\n

Montale, Eugenio. (Italian) “Motet I, VII, and VIII.” Trans. Melinda Kennedy with H\u00e9l\u00e8ne Cantarella. 5:1<\/a>, 50.<\/p>\n

\u00a0 —“The Eel.” Trans. Alfonso\u00a0Procaccini. 23:2<\/a>, 136.<\/p>\n

\u00a0 —“from\u00a0Cuttlefish Bones<\/em>.” Trans. Alfonso Procaccini. 23:2<\/a>, 138.<\/p>\n

Monteiro, Pedro Meira. (Portuguese) “Collecting Images: On Joao Almino’s Fictional Work. Trans. Phillip and Julia Wigan. 24:1-2<\/a>, 38.<\/p>\n

Moon Tae-Jun. (Korean) “Old Mother.” Trans. Chae-Pyong Song and Darcy Brandel. 23:1<\/a>, 154.<\/p>\n

\u00a0 —“When Rain Is About to Come.” Trans. Chae-Pyong Song and Darcy L. Brandel. 23:1<\/a>, 154.<\/p>\n

\u00a0 —“Passing through the Tunnel.” Trans. Chae-Pyong Song and Darcy L. Brandel. 23:1<\/a>, 154.<\/p>\n

Moravia, Alberto. (Italian) “The Secret.” Trans. H\u00e9l\u00e8ne Cantarella. 2:1<\/a>, 25.<\/p>\n

Morgenstern, Christian. (German) “The Board Fence.” Trans. Walter Arndt. 2:1<\/a>, 56.
\n—“The Cultist.” Trans. Arndt. 2:1<\/a>, 58.
\n—“The Two Donkeys.” Trans. Arndt. 2:1<\/a>, 58.
\n—“Nor’ard.” Trans. Arndt. 2:1<\/a>, 60.<\/p>\n

Morits, Yunna. (Russian) “Reading a Greek Pitcher.” Trans. Nina Kossman. 7:2<\/a>, 134.
\n—“Episode with Aphrodite.” Trans. Kossman and Andy Newcomb. 7:2<\/a>, 136.<\/p>\n

Moscovich, Cintia. (Portuguese) “The Fiddler and the Roof.” Trans. Isis McElroy. 24.1-2<\/a>, 206.<\/p>\n

Moussemp\u00e8s, Sandra (French) “‘Hopes’ Without Silvering.” Trans. Carolyn Shread. 8:2<\/a>, 78.<\/p>\n","protected":false},"excerpt":{"rendered":"

Maalouf, Amin. (French) “Four Moments.” Trans. Patricia E. Frederick. 23:2, 32. Machado de Assis, Joaquim Maria. (Portuguese) “On the Ark: Three Unpublished Chapters from Genesis.” Trans. Rhett Warren McNeil. 18.1, 59 Madunkov, Mitko. (Macedonian) “The Bombing.” Trans. Richard Gaughran. 8:2, 222. Magallanos, Carmen. (Spanish) “Seven poems.” Trans. Magallanos and Maria Waechter. 4:1, 86. Mahieu le […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-385","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=385"}],"version-history":[{"count":4,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/385\/revisions"}],"predecessor-version":[{"id":1050,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/385\/revisions\/1050"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=385"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=385"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}