{"id":391,"date":"2019-04-14T22:38:08","date_gmt":"2019-04-15T02:38:08","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=391"},"modified":"2019-08-14T17:17:25","modified_gmt":"2019-08-14T21:17:25","slug":"iol-p","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/iol-p\/","title":{"rendered":"IOL P"},"content":{"rendered":"

Pais, Epitacio. (Portuguese) “Munu.” Trans. Paul Melo e Castro. 20:2<\/a>, 135.<\/p>\n

Palazzeschi, Aldo. (Italian) “Madame Bouche.” Trans. H\u00e9l\u00e8ne Cantarella. 5:1<\/a>, 77.<\/p>\n

Pallar\u00e9s, Pilar. (Galego) “No resplandor das horas (In the Splendour of the Hours).” Trans. John Rutherford. 22:1-2<\/a>, 74.<\/p>\n

\u00a0 —“I am the Seated Scribe.” Trans. Carys Evans-Corrales. 22:1-2<\/a>, 77.<\/p>\n

\u00a0 —“Falamos nunha lingua desvairada (We Speak in Incoherencies).” Trans. Carys Evans-Corrales. 22:1-2<\/a>, 78.<\/p>\n

Pandaro, Lief. (Danish) “A Ride in the Night.” Trans. Ingrid Lansford. 16:2<\/a>, 96.<\/p>\n

Pandiri, Thalia (with Sujane Wu). \u201cReview: Antologia Poetica: Tra il cielo e la terra \/ Between heaven and earth. Poesie in cinese classico, inglese e italiano\/Poems in the Classical Chinese, English and Italian.\u201d<\/i> 26:1<\/a>, 228.<\/span><\/p>\n

Panfilo, Isabella. (Italian) “House of Women.” Trans. Adeodato Piazza Nicolai. 14:1-2<\/a>, 148.<\/p>\n

Papadaki, Athina. (Greek) “Holy Ewe Lamb, Madonna of the Pressure Cooker.” Trans. Thalia Pandiri. 7:1<\/a>, 78.<\/p>\n

Parashuram. (Bengali) \u201cThe Blue Star.\u201d Trans. Suranjana Banerjee. 25:2<\/a>, 205.<\/p>\n

Parcerisas, Francesc. (Catalan) “A Tomb by the Sea.” Trans. S\u00e9an Golden. 5:2<\/a>, 163.
\n—“Wallpaper.” Trans. Golden. 5:2<\/a>, 164.<\/p>\n

Paredes, Julio. (Spanish) “Eme.” Trans. Jennifer Gabrielle Edwards. 10:2<\/a>, 192.<\/p>\n

Parrella, Valeria. (Italian) “Forty Flush.” Trans. Martha Witt and Mary Ann Frese Witt. 18:2<\/a>, 201.<\/p>\n

von Paschen, Ren\u00e9e. (English to German) “Words are Lurking.” Trans. Gerhild Krutak, Martin Schwehla, and Ren\u00e9e v. Paschen. 18:2<\/a>, 74.
\n—“Like Stainless Steel.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 74.
\n—“Black Sheep.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 76.
\n—“Falling Apart at the Seams.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 78.
\n—“Droplets of Words.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 78.
\n—“Window Dreams\/Joy is Approaching.” Trans. Krutak, Schwehla, and V. Paschen. 18:2<\/a>, 80.
\n—“Magic Carpet.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 82.
\n—“Amsterdam Can.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 82.
\n—“Southern Summer.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 84.
\n—“The Trouble with Thailand.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 86.
\n—“Montr\u00e9al Clochard.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 86.
\n—“Jerusalem of the Jews.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 88.
\n—“Afraid of Freud.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 90.
\n—“Desperately Seeking Silence.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 90.
\n—“A Preference for Comfort.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 92.
\n—“The Fog in the Fall.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 92.
\n—“Elections.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 94.
\n—“Flames in the Fireplace.” Trans. Krutak, Schwehla, and v. Paschen. 18:2<\/a>, 94.<\/p>\n

Pascoli, Giovanni. (Italian) “Purple Digitalis.” Trans. Ron Banerjee. 6:1<\/a>, 66.
\n—“Jasmine at Night.” Trans. Banerjee. 6:1<\/a>, 72.<\/p>\n

Pasolini, Pier Paolo. (Friulian dialect) “Li letanis dal Biel fi, The Litanies of the Handsome Boy.” Trans. Luigi Bonaffini. 14:1-2<\/a>, 112.
\n—“Ploja tai cunfins, Rain at the Edges.” Trans. Bonaffini. 14:1-2<\/a>, 113.
\n—“Chan plor, Dirge.” Trans. Bonaffini. 14:1-2<\/a>, 114.<\/p>\n

Pato, Chus. (Galego). “O \u00fanico rito que co\u00f1ezo (The Only Rite I Know).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 70.<\/p>\n

Pavese, Cesare. (Italian) “A Generation.” Trans. Melinda Kennedy. 4.1<\/a>, 58.
\n—“Green Wood.” Trans. Kennedy. 4.1<\/a>, 60.
\n—“The Voice.” Trans. Kennedy. 4.1<\/a>, 62.
\n—“Chapter XL,\u00a0La Luna e i Fal\u00f2.<\/em>” Trans. Kennedy. 6.1<\/a>, 46.
\n—“Chapter One from\u00a0The Moon and the Bonfires<\/em>.” Trans. Kennedy. 8.2<\/a>, 193.<\/p>\n

Pavlov, Konstantin. (Bulgarian) “Elegaic Optimism.” Trans. Polina Dimcheva Dimova. 9.2<\/a>, 184.
\n—“Capriccio for Goya.” Trans. Dimova. 9.2<\/a>, 186.
\n—“You, Sweet Agony.” Trans. Dimova. 9.2<\/a>, 186.<\/p>\n

Pavlyuk, Ihor. (Ukrainian) “The Bread of Childhood.” Trans. Steve Komarnyckyj. 23.1<\/a>, 108.<\/p>\n

Pedreira, Emma. (Galego) “Libro da selva. Conto da selva (version 2.0) (Jungle Book. Jungle Story).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 118.<\/p>\n

Pellegrini, Aldo. (Spanish) “System of Discipline.” Trans. Leora Fridman,
\nMarina Kaplan, Robert Kaplan, and Reyes Lazaro. 20.2<\/a>, 52.
\n—“Someone Waking Up.” Trans. Fridman, M. Kaplan, R. Kaplan, and Lazaro. 20.2<\/a>, 52.
\n—“Need for the Adding Machine.” Trans. Fridman, M. Kaplan, R. Kaplan, and Lazaro. 20.2<\/a>, 54.
\n—“The Heart of all Faces.” Trans. Fridman, M. Kaplan, R. Kaplan, and Lazaro. 20.2<\/a>, 56.
\n—“One More Show.” Trans. Fridman, M. Kaplan, R. Kaplan, and Lazaro. 20.2<\/a>, 58.<\/p>\n

Pellegrini, Tania. (Portuguese) “A Trace of Blood: Marcal Aquino and the
\nNew Realism.” Trans. Carla Alexandra Ferreira. 24.1-2<\/a>, 64.<\/p>\n

Pereiro, Lois. (Galego) “Edinburg, Edinburgh.” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 88.<\/p>\n

\u00a0 —“Otra poema de amor (Another Love Poem).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 88.<\/p>\n

Pessanha, Camilo. (Portuguese) “The Ship Sails On.” Trans. Alexis\u00a0 Levitin. 7:1<\/a>, 140.<\/p>\n

Pessoa, Fernando. (Portuguese) “She Sings, Poor Reaper.” Trans. Steven K. Smith. 13.2<\/a>, 154.<\/p>\n

Petro, Peter. (Slovak) “German Quartet.” Trans. Petro. 7.2<\/a>, 200.<\/p>\n

Petrov, Mikhail. (Russian) “Iosif Brodsky’s Funeral in New York.” Trans. Laszlo Tikos. 5.1<\/a>, 24.<\/p>\n

Petrov, Valeri. (Bulgarian) “Photos from the Archives.” Trans. Richard Wilbur. 7.2<\/a>, 12.
\n—“A Cry from Childhood.” Trans. Wilbur. 7.2<\/a>, 14.<\/p>\n

Petrushevskaya, Ludmila. (Russian) “The Younger Brother.” Trans. Sylcia Maizell. 13.1<\/a>, 203.<\/p>\n

Pexegueiro, Alfonso. (Galego) “A Muller Das Garzas (The Heron Woman).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 66.<\/p>\n

\u00a0 —“Patria (Homeland).” Trans. Carys Evans-Corrales. 22.1-2<\/a>, 66.<\/p>\n

Pey, Serge. (French) “Every Poem is a Decapitated Head Held Up By a Single Hair.” Trans. Yann Lovelock and Patrick Williamson. 16.1<\/a>, 186.<\/p>\n

Phung, Vu Trong. (Vietnamese) “From Theory to Practice.” Trans. Quan Manh Ha. 21.2<\/a>, 183.<\/p>\n

Pick, Nina. (English) \u201cTo the Light.\u201d Trans. Stratis Haviaras. 25:2<\/a>, 152.<\/p>\n

Pindar. (Greek) “Tenth Olympian Ode.” Trans. William Mullen. 7:1<\/a>, 113.<\/p>\n

Pineau, Gis\u00e8le. (French) “Am\u00e9lie and the Anoles.” Trans. Dawn Fulton. 11:1, 200.<\/p>\n

Pirandello, Luigi. (Italian) \u201cMale di luna.\u201d Trans. Steve Eaton. 25:2<\/a>, 179.
\n—\u201cRequiem Aeternam Dona Eis, Domine.\u201d Trans. Eaton. 25:2<\/a>, 187.<\/p>\n

Plath, Sylvia. (English into Italian) “Funghi (Mushrooms).” Trans. Alessandro Ferace. 6.2<\/a>, 110.<\/p>\n

Pogacnik, Barbara. (Slovene) “Encounter, Setting Sail.” Trans. Barbara Siegel Carlson. 16.1<\/a>, 110.<\/p>\n

di Pofi, Laura. (Italian) “Standard Italian or dialect?” Trans. Lydia Miranda Oram. 14.1-2<\/a>, 181.<\/p>\n

Pons, Pon\u00e7. (Catalan) “Out of His Head.” Trans. Se\u00e1n Golden. 5.2<\/a>, 184.<\/p>\n

Pont, Jaume. (Catalan) “Selections from Divan.” Trans. Hillary J. Gardner. 5.2<\/a>, 168.<\/p>\n

Pop, Ioan Es. (Romanian) “oltetului 15, camera 305.” Trans. Nathaniel Smith and Ion Cretu. 8.2<\/a>, 24.
\n—“Casa.” Trans. K. Shaver and Cretu. 8.2<\/a>, 38.
\n—“banchetul.” Trans. Smith and Cretu. 8.2<\/a>, 60.<\/p>\n

Porchia, Antonio. (Spanish) “Voices.” Trans. W.S. Merwin. 4.2<\/a>, 31.<\/p>\n

Porpetta, Antonio. (Spanish) “The Fine Lady.” Trans. Elizabeth Gamble Miller. 2.2<\/a>, 94.
\n—“The Boy.” Trans. Miller. 2.2<\/a>, 98.
\n—“Words.” Trans. Miller, 2.2<\/a>, 102.<\/p>\n

Potato Brother (Yu Kuichao). (Chinese) “A cruel kind of a process.” Trans. Josh Stenberg. 23.1<\/a>, 150.<\/p>\n

P\u00f6tzsch, Oliver. (German) “Excerpt from the Prologue,\u00a0The Hangman’s Daughter<\/em>\u00a0(Die Henkerstocher<\/em>).” Trans. Lee Chadeayne. 18.2<\/a>, 145.<\/p>\n

Pozo Garza, Luz. (Galego) “A ave da luz (The Bird of Light).” Trans. Alejandro E. V\u00e1squez. 22.1-2<\/a>, 38.<\/p>\n

\u00a0 —“Procurabas as sombras (You Sought the Shadows).” Trans. Alejandro E. V\u00e1squez. 22.1-2<\/a>, 38.<\/p>\n

\u00a0 —“Lotus no coraz\u00f3n (Lotus in My Heart).” Trans. Alejandro E. V\u00e1squez. 22.1-2<\/a>, 40<\/p>\n

Prado, Adelia. (Portuguese) “Two Ways.” Trans. Ellen Dore Watson. 1.1<\/a>, 30.
\n—“The Alphabet in the Park.” Trans. Watson. 1.1<\/a>, 32.
\n— “The Battle.” Trans. Watson. 21.2<\/a>, 96.
\n— “God Does Not Reject the Work of His Hands.” Trans. Watson. 21.2<\/a>, 96.
\n— “Responsory.” Trans. Watson. 21.2<\/a>, 98.<\/p>\n

Premchand, Munshi. (Hindi) “The Chess Players.” Trans. Tejas Parasher. 18.1<\/a>, 137.<\/p>\n

Propertius, Sextus. (Latin) “4.7 Ghosts do exist. All things don’t end with dying.” Trans. Chris Childers. 23.2<\/a>, 52.<\/p>\n

Pushkin, Alexander. (Russian) “On the hills of Georgia.” Trans. Peter Viereck. 2.1<\/a>, 72.
\n—“Andr\u00e9 Ch\u00e9nier.” Trans. Michael Ferber. 11.2<\/a>, 92.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pais, Epitacio. (Portuguese) “Munu.” Trans. Paul Melo e Castro. 20:2, 135. Palazzeschi, Aldo. (Italian) “Madame Bouche.” Trans. H\u00e9l\u00e8ne Cantarella. 5:1, 77. Pallar\u00e9s, Pilar. (Galego) “No resplandor das horas (In the Splendour of the Hours).” Trans. John Rutherford. 22:1-2, 74. \u00a0 —“I am the Seated Scribe.” Trans. Carys Evans-Corrales. 22:1-2, 77. \u00a0 —“Falamos nunha lingua desvairada […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-391","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=391"}],"version-history":[{"count":4,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/391\/revisions"}],"predecessor-version":[{"id":1356,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/391\/revisions\/1356"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=391"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=391"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}