{"id":419,"date":"2019-04-14T22:49:23","date_gmt":"2019-04-15T02:49:23","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=419"},"modified":"2019-08-08T10:06:32","modified_gmt":"2019-08-08T14:06:32","slug":"itc-b","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-b\/","title":{"rendered":"ITC B"},"content":{"rendered":"

Bailat-Jones, Michelle. (French) Charles Ferdinand Ramuz, \u201cPhimonette.” 20.1<\/a>, 197.<\/p>\n

Baker, Linda. (German) Ingeborg Bachmann, “I Too Have Lived in Arcadia.” 23.1<\/a>, 39.<\/p>\n

Banerjee, Suranjana. (Bengali) Parashuram, \u201cThe Blue Star.\u201d 25.2<\/a>, 205.
\n<\/strong><\/p>\n

Ball, David. (French) Henri Michaux, “In the Night.” 1.1<\/a>, 28.
\n—(French) Michaux, “Song of Death.” 2.1<\/a>, 38.
\n—“Review of\u00a0Francis Ponge: Selected Poems<\/em> (Margeret Guiton, ed.).” 3.2<\/a>, 161.
\n—“Review of\u00a0La Grande Pointe<\/em>\u00a0(Beverly Matherne).” 4.1<\/a>, 113.
\n—(French) James Sacr\u00e9, poems. 8.2<\/a>, 70.
\n—“UBU-ing a Theatre-Translation: Defense and Illustration.” 9.1<\/a>, 135.
\n—(with Nicole Ball). (French) “Introduction to the Special Francophone Issue.” 11.1<\/a>, 16.
\n—(French) Abdourahman A. Waberi, “The Equator of the Heart.” 11.1<\/a>1, 67.
\n—(with Nicole Ball). (French) Ren\u00e9 Depestre, “Caribbean Mother Sea.” 11.1<\/a>, 172.
\n—“Review of\u00a0Return to Calm<\/em> (Jacques Reda, trans Aaron Prevots).” 16.2<\/a>, 216.<\/p>\n

\u00a0 —with Charles Cutler. \u201cReview: Eduardo Chirinos,\u00a0Reasons for Writing Poetry<\/em>, translated by G. J. Racz.\u201d 20.1<\/a>, 323.
\n—“Untranslatable Poetry? Shakespeare and a Few Others.” 25.1<\/a>, 121.
\n—with Charles Cutler. \u201cReview: Eduardo Chirinos,\u00a0Still Life With Flies \/ Naturaleza Muerta con Moscas<\/em>. English translation by G.J. Racz.\u201d 25.2<\/a>, 321.
\n<\/strong><\/p>\n

\u00a0 —“Review: Henri Drouget,\u00a0Clatters<\/em>.” 23.1<\/a>, 238.<\/p>\n

Ball, Nicole. (French) Michel Jourdain, poems. 9.2<\/a>, 106.
\n—(with David Ball). (French) “Introduction to the Special Francophone Issue.” 11.1<\/a>, 16.
\n—(with David Ball). (French) Ren\u00e9 Depestre, “Caribbean Mother Sea.” 11.1<\/a>, 172.
\n—(French) Depestre, “In Free Praise of the French Language.” 11.1<\/a>, 176.
\n—(French) Depestre, “Images for an Anti-Autobiography.” 11.1<\/a>, 180.
\n—(French) Depestre, “Far from Jacmel.” 11.1<\/a>, 186.
\n—“Review: Tahar Ben Jelloun,\u00a0The Rising of the Ashes.”<\/em> 19.1-2<\/a>, 377.<\/p>\n

Banerjee, Maria Nemcov\u00e1 (with Ron Banerjee). (Czech) “Three Czech Poems.” 3.2<\/a>, 117.
\n—(with R. Banerjee). (Russian) Osip Mandelstam, “Venetian Life.” 4:2<\/a>, 124.
\n—(with R. Banerjee). (Czech) Frantisek Halas, poems. 7:2<\/a>, 30.
\n—(with R. Banerjee). (Czech) Vladimir Holan, poems. 7:2<\/a>, 38.
\n—(with R. Banerjee). (Czech) Jir\u00ed Kol\u00e1r, poems. 7:2<\/a>, 44.
\n—(with R. Banerjee). (Czech) Milada Souckov\u00e1, poems. 7:2<\/a>, 62.
\n—(with R. Banerjee). (Czech) Kristian Suda, poems. 7:2<\/a>, 70.
\n—(with R. Banerjee). (Russian) Aleksandr Kushner, poems. 7:2<\/a>, 140.
\n—(with R. Banerjee). (Russian) Viktor Krivulin, poems. 7:2<\/a>, 150.
\n—(Czech)”Review:\u00a0The Old Man’s Verses<\/em>.” Poems by Ivan Divis. Trans. Deborah Garfinkle. 17:2<\/a>, 164.
\n—(with R. Banerjee) (Russian) Vyacheslav Ivanov, “The Roman Sonnets.” 25:1<\/a>, 50.<\/p>\n

Banerjee, Ron D.K. (Czech into French) Frantisek Halas, “Le Charmeur de Rats,” “Le Coq Dissipe la Mort.” 2:1<\/a>, 48.
\n—“Terza Rima: Challenge or Torture?” 3:1<\/a>, 37.
\n—“Thoughts on Translating Poetry.” 3:1<\/a>, 124.
\n—(with Maria Nemcov\u00e1 Banerjee). (Czech) “Three Czech Poems.” 3:2<\/a>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0117.
\n—(with M.N. Banerjee). (Russian) Osip Mandelstam, “Venetian Life.” 4:2<\/a>, 124.
\n—“Review of Robert Pinsky:\u00a0The Inferno of Dante<\/em>.” 5:1<\/a>, 117.
\n—(Italian) Giovanni Pascoli, “Purple Digitalis,” “Jasmine At Night.” 6:1<\/a>, 66.
\n—(with M.N. Banerjee). (Czech) Kristian Suda, “Dune \/ Cape Cod.” 6:1<\/a>, 120.
\n—(Italian) Giacomo Leopardi, “The Infinite.” 6:2<\/a>, 128.
\n—(Italian) Leopardi,”The Muse of Exile.” 6:2<\/a>, 152.
\n—(Sanskrit) Jayadeva, “Prologue to Gitagovinda.” 7:1, 125.
\n—(with M.N. Banerjee). (Czech) Halas, poems. 7:2<\/a>, 30.
\n—(with M.N. Banerjee). (Czech) Vladimir Holan, poems. 7:2<\/a>, 38.
\n—(with M.N. Banerjee). (Czech) Jir\u00ed Kol\u00e1r, poems. 7:2<\/a>, 44.
\n—(with M.N. Banerjee). (Czech) Jan Sk\u00e1cel, poems. 7:2<\/a>, 56.
\n—(with M.N. Banerjee). (Czech) Milada Souckov\u00e1, poems. 7:2<\/a>, 62.
\n—(with M.N. Banerjee). (Czech) Suda, poems. 7:2<\/a>, 70.
\n—(with M.N. Banerjee). (Russian) Aleksandr Kushner, poems. 7:2<\/a>, 140.
\n—(with M.N. Banerjee). (Russian) Viktor Krivulin, poems. 7:2<\/a>, 150.
\n—(Sanskrit) Jayadeva,\u00a0Gitagovinda<\/em>\u00a0(Canto V. Song 11.). 9:2<\/a>, 206.
\n—“Translator’s Introduction.” 13:1<\/a>, 43.
\n—(Italian) “Natura (Nature).” 13:1<\/a>, 50.
\n—(Italian) “Uccelli (Birds).” 13:1<\/a>, 52.
\n—(Italian) “Caff\u00e9 di Inverigo (The Caf\u00e9 at Inverigo).” 13:1<\/a>, 54.
\n—(Italian) “A Victoria Surliuga (For Victoria Surliuga).” 13:1<\/a>, 56.
\n—(Italian) “Intermezzo (Intermission).” 13:1<\/a>, 58.
\n—(Italian) “A Giorgio Luzzi (For Giorgio Luzzi).” 13:1<\/a>, 58.
\n—(Italian) “Una mostra di pittura del ’32 (A painting exhibition in 1932).” 13:1<\/a>, 58.
\n—(Italian) “Mimesi (Mimesis).” 13:1<\/a>, 60.
\n—(Italian) “Origine (Origin).” 13:1<\/a>, 62.
\n—(Italian) “Persona seconda (Second Person).” 13:1<\/a>, 66.
\n—(Italian) “Untitled.” 13:1<\/a>, 68.
\n—(Italian) “Untitled.” 13:1<\/a>, 72.
\n—“Revisiting ‘Number One.'” (Introduction to Tagore’s “Pahela Number”) 18:1<\/a>, 110.
\n—(with M.N. Banerjee). (Russian) Vyacheslav Ivanov, “The Roman Sonnets.” 25:1<\/a>, 50.<\/p>\n

Barber, Jennifer. (French) Emmanuel\u00a0Merle, “from\u00a0Ici en exil\u00a0<\/em>(2012).” 23:2<\/a>, 120.<\/p>\n

Barletta, Vincent. (Portuguese) Altair Martins, “Two Chapters from the Novel The Wall in the Dark<\/em>.” 24:1-2<\/a>, 188.<\/p>\n

Barna, Imre. (Hungarian) Mario Materassi, “Nothing Personal. Absolutely Nothing Personal.” 11:2<\/a>, 167.<\/p>\n

Barnstone, Tony. (and Bilal Shaw) (Urdu) Ghalib, “No Medicine.” 25:1<\/a>, 90.
\n—(and Bilal Shaw) (Urdu) Ghalib, “Where Is My Heart.” 25:1<\/a>, 92.
\n—(and Bilal Shaw) (Urdu) Ghalib, “A Woundgift.” 25:1<\/a>, 94.
\n—(and Bilal Shaw) (Urdu) Ghalib, “Who Cares?” 25:1<\/a>, 94.
\n—(and Bilal Shaw) (Urdu) Ghalib, “Heartgrief School.” 25:1<\/a>, 96.<\/p>\n

Barr, Sarah. (German) Elke Heidenreich, “Love.” 11:2<\/a>, 176.<\/p>\n

Barros, Sandro. (Portuguese)\u00a0Ronaldo Bressane, “The Cyber-Monkeys of
\nLokombia.” 24:1-2<\/a>, 72.<\/p>\n

\u00a0 —“Mappings of Language and Transgression in Ronaldo Bressane’s\u00a0A Outra
\nComedia<\/em>.” 24:1-2<\/a>, 81.<\/p>\n

Bartell, Don (and Llu\u00eds Cugota). (Catalan) Vicent Andr\u00e9s Estell\u00e9s, poems. 5:2<\/a>, 48.
\n—(Catalan) Miquel Mart\u00ed i Pol, poems. 5:2<\/a>, 142.<\/p>\n

Basakou, Tatiana (with Apostolaki, Katerina, Panagopoulou, Stella, Patera, Angelik\u00ed, Mart\u00ednez Rodr\u00edguez, Mar\u00eda Jos\u00e9, Asouti, Varvara, Dougali, Timoklia, and Papatheodorou, Afroditi). (Spanish to Modern Greek) X\u00e1nath Caraza, \u201cI. Llueve en el fosforescente verde matutino.\u201d 27:1<\/a>, 70.<\/p>\n

\u2014(Spanish to Modern Greek) Caraza, \u201cIII. Cazo la luna azul de julio.\u201d\u00a027:1<\/a>, 72.<\/p>\n

\u2014(Spanish to Modern Greek) Caraza, \u201cVI. El viento no quiere soplar.\u201d\u00a027:1<\/a>, 74.<\/p>\n

\u2014(Spanish to Modern Greek) Caraza, \u201cXIII. Lacustre vida soy.\u201d\u00a027:1<\/a>, 76.<\/p>\n

\u2014(Spanish to Modern Greek), Caraza, \u201cXXX. L\u00edquido sentir en esta tarde de invierno.\u201d\u00a027:1<\/a>, 78.<\/p>\n

Basford, Douglas. “Introduction to Il Burchiello.” 23:2<\/a>, 124.<\/p>\n

\u00a0 —(Italian) Il Burchiello, “No Party Too Small.” 23:2<\/a>, 128.<\/p>\n

\u00a0 —(Italian) Il Burchiello, “One Doesn’t Say Such Things.” 23:2<\/a>, 130.<\/p>\n

\u00a0 —(Italian) Il Burchiello, “Careful What You Ask For.” 23:2<\/a>, 132.<\/p>\n

\u00a0 —(Italian) Il Burchiello, “I’m Pushed to Extremes.” 23:2<\/a>, 134.<\/p>\n

Bauer, Maria Poglitsch. (German) Friedrich Torberg, “Aunt Jolesch in Person.” 11:2, 205.<\/p>\n

Bauer, Samuel. (Spanish) Joaqu\u00edn Sabina, “The Damned Blessed I.” 18:2<\/a>, 42.<\/p>\n

Beard, Michael (and Adnan Haydar). “From the Interlinear to the Familiar.” 2:2, 4.
\n—(and Haydar). (Arabic) “Inscriptions for the Henna-Speckled Bride.” 4:1<\/a>, 70.
\n—(and Haydar). (Lebanese) Paul Shawul, “The Body’s Circular Motion.” 4:1<\/a>, 73.<\/p>\n

Bebiano, Adriana. (Italian into Portuguese) Mario Materassi, “Niente di Personale. Assolutamente Niente di Personale.” 11:2,<\/a> 164.<\/p>\n

Beekman, E.M. (Dutch) Beb Vuyk, “Way Baru.” 3:1<\/a>, 35.
\n—“Dutch: The Language of Paradise.” 4:1<\/a>, 2.<\/p>\n

Bellesia, Giovanna (with Victoria Offredi Poletto). (Italian) Igiaba Scego, “Sausages.” 13:2<\/a>, 214.
\n—(with Poletto). (Italian) Christiana de Caldas Brito, “I, Fingertip 5,423.” 14:1-2<\/a>, 158.
\n—(with Poletto). (Italian) Ubax Cristina Ali Farah, “Punt Rap.” 14:1-2<\/a>, 276.
\n—(with Poletto). (Italian) Ali Farah, “Little Mother.” 14:1-2<\/a>, 281.<\/p>\n

Benellis, Elena. “Migrant Voices in Contemporary Italy: In Search of Hospitality.” 14:1-2<\/a>, 165.<\/p>\n

Benjamin, Ross. “Review of Peter Altenberg,\u00a0Extracts from Life<\/em>.” 14:1-2<\/a>, 311.<\/p>\n

Ben-Porat, Ziva. (Hebrew) Mario Materassi, “Nothing Personal: Absolutely Nothing Personal.” 11:2<\/a>, 170.<\/p>\n

Bennett, Martin Wilmot. (French) Charles Vig\u00e9e, poems. 8:2<\/a>, 90.
\n—(French) Philippe Jaccottet, “Madrigal.” 8:2<\/a>, 94.
\n—(Italian) Raffaele Carrieri, poems. 9:2<\/a>, 62.<\/p>\n

Bentahar, Ziad. (Arabic) Larbi Batma, “A Gnawa Adventure, from Arrahil<\/em>.” 15:1-2<\/a>, 140.<\/p>\n

Bentsman, Jason. (Russian) Arseny Tarkovsky, “And this I dreamt, and this I dream…” 20:1<\/a>, 47.<\/p>\n

Benulic, Sasa. (Slovenian) Mario Materassi, “Nothing Personal: Absolutely Nothing Personal.” 11:2<\/a>, 168.<\/p>\n

Berengarten, Richard (with Paschalis Nicolaou). (Greek) Pantelis Boukalas, “Marsyas.” 21:2<\/a>, 16.<\/p>\n

Berg, Mark. (Spanish) Ibn Zaydun, “Luscious C\u00f3rdoba.” 15:1-2<\/a>, 178.
\n—(Spanish) Zaydun, “Nostalgic Lover.” 15:1-2<\/a>, 178.
\n—(Spanish) Zaydun, “Wine and Roses.” 15:1-2<\/a>, 178.
\n—(Spanish) Zaydun, “After Absence.” 15:1-2<\/a>, 178.
\n—(Spanish) Zaydun, “A Furtive Glance.” 15:1-2<\/a>, 178.
\n—(Spanish) Zaydun, “A Secret.” 15:1-2<\/a>, 178.
\n—(Spanish) Zaydun, “Hidden Suffering.” 15:1-2<\/a>, 178.
\n—(Spanish) Mahmud Sobh, “Heroism of an Arab in the Mantle of a Poet.” 19:1-2<\/a>, 84.
\n—(Spanish) Sobh, “Free Sail.” 19:1-2<\/a>, 85.
\n—(Spanish) Sobh,”Of the Green Meadows.” 19:1-2<\/a>, 85.
\n—(Spanish) Sobh,”A Meeting with my Son at his Birth.” 19:1-2<\/a>, 87.
\n—(Spanish) Sobh,”Lament for the Ruins of Medina Asahra Before, During, After.” 19:1-2<\/a>, 86
\n—(Spanish) Sobh,”From the Other Shore.” 19:1-2<\/a>, 90.
\n—(Spanish) Sobh,”Taqasim.” 19:1-2<\/a>, 93
\n—(Spanish) Sobh,”Poetry Lesson.” 19:1-2<\/a>, 94.
\n—(Spanish) Sobh,”The Poet’s Clay.” 19:1-2<\/a>, 96.<\/p>\n

Berg, Mary G. (Spanish) Clar E. Ronderos, [Untitled.] 18:1<\/a>, 96.<\/p>\n

Berger, Zackary Sholem. (Yiddish) Avrom Sutzkever, “From Diary Poems.” 23:2<\/a>, 108.<\/p>\n

\u00a0—(Yiddish) Avrom Sutzkever, “Ode to the Dove VI.” 23:2<\/a>, 110.<\/p>\n

Berkowitz, Joel (and Jeremy Dauber). “Translating Yiddish Dramas of the Jewish Enlightenment.” 9:1<\/a>, 90.<\/p>\n

Bernardi, Adria. (Italian) Raffaello Baldini, “The Comedy.” 13:1<\/a>, 76.
\n—(Italian) Baldini, “Fussbudget.” 13:1<\/a>, 82.
\n—(Italian) Baldini, “Stricken.” 13:1<\/a>, 88.
\n—(Italian) Baldini, “The Will.” 13:1<\/a>, 94.
\n—(Romagnolo and Italian) Baldini, “E’ br\u00e8tt, Il beretto, The Cap.” 14:1-2<\/a>, 43.
\n—(Romagnolo and Italian) Baldini, “Furist\u00edr, Forestiero, Outsider.” 14:1-2<\/a>, 49.
\n—(Romagnolo and Italian) Baldini, “L\u00f3i, Luglio, July.” 14:1-2<\/a>, 55.
\n—(Romagnolo and Italian) Baldini, “China, China, Liqueur.” 14:1-2<\/a>, 58.
\n—(Romagnolo and Italian) Baldini, “La n\u00e0iva, La neve, Snow.” 14:1-2<\/a>, 61.<\/p>\n

Bickham, Nedra E. (German) Julia Franck, “Crumb Cake.” 17:2<\/a>, 106.<\/p>\n

Biggs, Murray. “Ovidian Ladies and Homeric Gentlemen.” 3:2<\/a>, 4.<\/p>\n

Bilenko, Anatole. (Russian) Anatoliy Krym, “Liovushka.” 21:2<\/a>, 195.<\/p>\n

Blair, Rhonda. “Specific Approximations: Chekhov’s\u00a0The Seagull<\/em>, Translation and the Actor.” 9:1<\/a>, 148.<\/p>\n

Blanchard, Bob. (with Rafed A. Khashan) (Arabic). Mohammed Khudeir, “The Pilgrim.” 19:1-2<\/a>, 276.<\/p>\n

Boehne, Patricia J. (Catalan) J.V. Fox, poems. 5:2<\/a>, 80.<\/p>\n

Bogoslaw, Laurence. (Russian) Gaito Gazdanov, “The Adventurer.” 2:2<\/a>, 40.
\n—(Russian) Gazdanov, “Hawaiian Guitars.” 5:1<\/a>, 97.<\/p>\n

Bok, Sissela. (Swedish) Olof Lagercrantz, “From:\u00a0The Art of Reading and Writing<\/em>.” 8:1<\/a>, 192.<\/p>\n

Bonaffini, Luigi. (Friulian dialect of Italian) Pier Paolo Pasolini, “Li letanis dal Biel fi, The Litanies of the Handsome Boy.” 14:1-2<\/a>, 112.
\n—(Friulian dialect of Italian) Pasolini, “Ploja tai cunfins, Rain at the Edges.” 14:1-2<\/a>, 113.
\n—(Friulian dialect of Italian) Pasolini, “Can plor, Dirge.” 14:1-2<\/a>, 114.<\/p>\n

Bonner, Deborah. (Catalan) Joan Vinyoli, poems. 5:2<\/a>, 120.<\/p>\n

Borda, Itxaro. (Basque) “From\u00a0Poems of the Infinite Silence<\/em>.” 12:1-2<\/a>, 69.
\n—(French) “From\u00a0Poems of the Infinite Silence<\/em>.” 12:1-2<\/a>, 75.<\/p>\n

Born, Heidi von. “Aspects of Swedish Literature in the year 2000: A Stroll through the Swedish Book Forest\u2014Some Resting Places.” 8:1<\/a>, 203.<\/p>\n

Bouachrine, Ibtissam. “Rethinking the Moroccan-Spanish Border Through Translation.” 19:1-2<\/a>, 281.<\/p>\n

Bourbeau, David. (Italian) Giacomo Leopardi, “The Infinite.” 6:2<\/a>, 127.<\/p>\n

Boutelle, Annie. “Notes on the Rilke Translation.” 9:2<\/a>, 74.
\n—(German) Rainer Maria Rilke, poems. 9:2<\/a>, 76.
\n—(French) Rilke, poems. 9:2<\/a>, 80.
\n—(German) Rilke, “Orpheus. Eurydike. Hermes.” 11:2<\/a>, 53.
\n—(French) Rilke, “The Little Year of the Vine,” 11:2<\/a>, 59.
\n—(Italian) Rita Dinale, “Whenever I Return.” 13:2<\/a>, 24.<\/p>\n

Bowles, David. (Nahuatl) from\u00a0Cantares Mexicanos,\u00a0<\/em>“A Cradlesong.” 23:1<\/a>, 88.<\/p>\n

Brady, Taylor (with Paul Festa and David Hazard) (Chinese). Chen Yingsong, \u201cThe Leopard\u2019s Last Dance.\u201d 26:1<\/a>, 131.<\/span><\/p>\n

Brandel, Darcy L. (with Chae-Pyong Song). (Korean). Moon Jae-Tun, “Old Mother.” 23:1<\/a>, 154.<\/p>\n

\u00a0 —(with Song). (Korean). Moon Jae-Tun, “When Rain\u00a0Is About to Come.” 23:1<\/a>, 154.<\/p>\n

\u00a0 —(with Song). (Korean). Moon Jae-Tun, “Passing through the Tunnel.” 23:1<\/a>, 154.<\/p>\n

\u00a0—“Tribute to Chae-Pyong (J.P.) Song, 1960-2013.” 23:1<\/a>, 158.<\/p>\n

Brelinski, Tim. (Ancient Greek) Alcman, “Fragment 89.” 23:2<\/a>, 50.<\/p>\n

\u00a0 —(Ancient Greek) Alcman, “Fragment 26 \/ After Alcman 26.” 23:2<\/a>, 50.<\/p>\n

Breto, Isabel Alonso. (English into Spanish) Nuala n\u00ed Dhomhnaill, “Nude.” 12:1-2<\/a>, 226.
\n—(English into Spanish) n\u00ed Dhomhnaill, “I Cannot Lie Here.” 12:1-2<\/a>, 232.
\n—(English into Spanish) n\u00ed Dhomhnaill, “The Language Issue.” 12:1-2<\/a>, 236.
\n—(English into Spanish) n\u00ed Dhomhnaill, “Labysheedy (The Silken Bed).” 12:1-2<\/a>, 242.
\n—(English into Spanish) n\u00ed Dhomhnaill, “My Own Love (In Brackets).” 12:1-2<\/a>, 248.
\n—(English into Spanish) n\u00ed Dhomhnaill, “You Are.” 12:1-2<\/a>, 254.<\/p>\n

Brook, Vincent (with Peter Meyer). (German) Meyer, “All the Same.” 13:2<\/a>, 98.<\/p>\n

Brown, Diana (and Kathleen Rettig). (Ladino) Margalit Matitiahu, poems. 9:2<\/a>, 210.<\/p>\n

Brown, Diana Baldini. (Spanish) Olga Bressano de Alonso, \u201cPellegrino.\u201d 20:1<\/a>, 113.<\/p>\n

\u00a0 —(Spanish) \u201cSempre Giovane.\u201d 20:1<\/a>, 115.<\/p>\n

\u00a0 —(Spanish) \u201cLa pieta.\u201d 20:1<\/a>, 117.<\/p>\n

Brown, Kevin. (Spanish) Efra\u00c3\u00adn Bartolom\u00c3\u00a9, \u201cfrom: \u2018Ocosingo War Diary: Voices from Chiapas.\u2019\u201d 20:1<\/a>, 81.<\/p>\n

\u00a0 —(Spanish) Efrain Bartolome, from: “Ocosingo War Diary: Voices from Chiapas: ‘Don Tonito.'” 21:2<\/a>, 148.<\/p>\n

Brownlie, Ian (and Claire Dienes). (Russian) Gaito Gazdanov, “Princess Mary.” 4:2<\/a>, 8.<\/p>\n

Brinton, Daniel G. (Nahuatl) “Five Nahuatl Poems.” 3:2<\/a>, 72.<\/p>\n

Brodsky, Joseph. (English into Russian) W.H. Auden, “XXX from Songs and Other Musical Pieces.” 5:1<\/a>, 12.<\/p>\n

Brunelle, Christopher Michael. (Latin) Ovid, “How to Mother a Minotaur.” 20:2<\/a>, 16.<\/p>\n

Burk, C. John. “Review: Edip Cansever,\u00a0Dirty August: Poems by Edip Cansever<\/em>.” 18:2, 310.
\n—“Review: Bilge Karasu,\u00a0A Long Day’s Evening<\/em>.” 21:2<\/a>, 273.<\/p>\n

\u00a0 —“Review: Tahsin Y\u00fccel,\u00a0Skyscraper<\/em>.” 23:1<\/a>, 249.<\/p>\n

Burns, John. (Galego). Salvador Garc\u00eda-Boda\u00f1o, “Aquelas ma\u00f1\u00e1ns de m\u00fasica (Those mornings when there was music I).” 22:1-2, 54.<\/p>\n

Burrows, Mark S. (German). Hilde Domin, “About Us.” 23:1<\/a>, 104.<\/p>\n

\u00a0\u00a0—(German). Hilde Domin, “Love.” 23:1<\/a>, 104.<\/p>\n

\u00a0 —(German). Hilde Domin, “Beech Trees in Spring.” 23:1<\/a>, 106.<\/p>\n

Butcher, H.S. (and Andrew Lang). (Greek) Homer,\u00a0Odyssey<\/em>, Book V, lines 291-299. 6:2<\/a>, 131.
\n—(and Lang). (Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2<\/a>, 138.
\n—(and Lang). (Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2<\/a>, 146.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bailat-Jones, Michelle. (French) Charles Ferdinand Ramuz, \u201cPhimonette.” 20.1, 197. Baker, Linda. (German) Ingeborg Bachmann, “I Too Have Lived in Arcadia.” 23.1, 39. Banerjee, Suranjana. (Bengali) Parashuram, \u201cThe Blue Star.\u201d 25.2, 205. Ball, David. (French) Henri Michaux, “In the Night.” 1.1, 28. —(French) Michaux, “Song of Death.” 2.1, 38. —“Review of\u00a0Francis Ponge: Selected Poems (Margeret Guiton, […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-419","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=419"}],"version-history":[{"count":7,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/419\/revisions"}],"predecessor-version":[{"id":1326,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/419\/revisions\/1326"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=419"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=419"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}