{"id":421,"date":"2019-04-14T22:49:42","date_gmt":"2019-04-15T02:49:42","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=421"},"modified":"2019-07-09T12:24:38","modified_gmt":"2019-07-09T16:24:38","slug":"itc-c","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-c\/","title":{"rendered":"ITC C"},"content":{"rendered":"

Cabiedes-Fink, Alicia (and Ted Maier). (Spanish) Sara Vanegas Cove\u00f1a, “Four Poems by Sara Vanegas Cove\u00f1a.” 4:2<\/a>, 94.<\/p>\n

Cai, Meghan (Chinese). Wang Jingtao, \u201cA Sweet Kiss After Wine.\u201d 26:1<\/a>, 202.<\/span><\/p>\n

Call, Wendy. (Spanish) Jos\u00e9 Alfredo Escobar Mart\u00ednez, “Santa Maria Del Mar.” 16:2<\/a>, 82.<\/p>\n

Calvo, Antonio F. (Spanish) Richard Bruce Nugent, From\u00a0Smoke, Lilies & Jade: Dreaming a Future<\/em>. “Alex’s Dream.” 18:1<\/a>, 84.<\/p>\n

Ca\u00f1adas, Ivan. (Spanish) Francisco de Quevedo y Villegas, “A Mighty Lord is Master Gold (c. 1600).” 13:1<\/a>, 120.<\/p>\n

Cantarella, H\u00e9l\u00e8ne. “Translation as a Political Instrument.” 1:2<\/a>, 15.
\n—(Italian) Alberto Moravia, “The Secret.” 2:1<\/a>, 25.
\n—(with Melinda Kennedy). (Italian) Salvatore Quasimodo, “Five Poems by Salvatore Quasimodo.” 4:2<\/a>, 82.
\n—(with Melinda Kennedy). (Italian) Alessandro Ferace, “The Almond Tree,” “Alzheimer’s.” 5:1<\/a>, 54.
\n—(Italian) Aldo Palazzeschi, “Madame Bouche.” 5:1<\/a>, 77.
\n—(Italian) Manlio Cancogni, “Death of a ‘Queen Mother.'” 6:1<\/a>, 15.
\n—(with Melinda Kennedy). (Italian) Ferace, “A Group of Poems.” 6:1<\/a>, 100.
\n—(Italian) Prosper M\u00e9rim\u00e9e, “Mateo Falcone.” 6:2<\/a>, 58.
\n—(Italian) Natalia Ginzburg, “He and I.” 7:1<\/a>, 34.<\/p>\n

Camara, Seydou. (with Charry and Jansen) (Mande) “The Mande Praise Song Kayra (Peace): Mande Global Perspectives” 10:1<\/a>, 300.
\n—(with Charry and Jansen) “Kayra” 10:1<\/a>, 312<\/p>\n

Camire, Kelsey. (Spanish) Julia Otxoa, “Aphorisms and Poems.” 12:1-2<\/a>, 155.<\/p>\n

Carbajal, Aleksandra. (Spanish) Roc\u00edo Qespi, “The Cemetery of Acari.” 16:1<\/a>, 244.<\/p>\n

Carbajosa, Natalia. (Spanish) Mila Ramos, Poems From “8,00 Reasons for Remembering.” 17:2<\/a>, 66.
\n—(Spanish) Gracia Iglesias, “There Was a Mermaid in My Glass of Water” 17:2<\/a>, 70<\/p>\n

Carlsen, Ivana. (Portuguese) Miguel Torga, “Alma Grande.” 2:1<\/a>, 13.<\/p>\n

Carlson, Barbara Siegel. “Creating a Golden Boat.” 16:1<\/a>, 81.
\n—(French) Patrick Beurard-Valdoye, “Portbou: Walter Benjamin.” 16:1<\/a>, 100.
\n—(Slovene) Barbara Pogacnik, “Encounter, Setting Sail.” 16:1<\/a>, 110.
\n—(with Ana Jelnikar). (Slovene) Taja Kramberger, “Landscape.” 16:1<\/a>, 104.
\n—(with Jelnikar). (Slovene) Iztok Osojnik, “From ‘A Night with Li Po’.” 16:1<\/a>, 108.
\n—(with Jelnikar). (Slovene) Primoz Repar, “Offered Lady.” 16:1<\/a>, 114.
\n—(with Jelnikar). (Slovene) Srecko Kosovel, “Alone.” 17:1<\/a>, 22.
\n—(with Jelnikar). (Slovene) Kosovel, “My Poem.” 17:1<\/a>, 22.
\n—(with Jelnikar). (Slovene) Kosovel, “Ecstasy of Death.” 17:1<\/a>, 24.
\n—(with Jelnikar). (Slovene) Kosovel, “In Green India.” 17:1<\/a>, 26.
\n—(with Jelnikar). (Slovene) Kosovel, “Bread.” 17:1<\/a>, 28.
\n—(with Jelnikar). (Slovene) Kosovel, “Rhyme.” 17:1<\/a>, 30.
\n—(with Jelnikar). (Slovene) Kosovel, “It’s Not You.” 17:1<\/a>, 30.
\n—(with Jelnikar). (Slovene) Kosovel, “Honorarium.” 17:1<\/a>, 32.
\n—(with Jelnikar). (Slovene) Kosovel, “Evening Before Winter.” 17:1<\/a>, 34.
\n—(with Jelnikar). (Slovene) Kosovel, “Tragedy on the Ocean.” 17:1<\/a>, 34.
\n—(with Jelnikar). (Slovene) Kosovel, “One Word.” 17:1<\/a>, 46.
\n—(Slovene) Kosovel, “Sonnet of the New Year.” 17:1<\/a>, 48.<\/p>\n

\u00a0 —(with Jelnikar). (Slovene) Kosovel, “Talk at twilight.” 23:2<\/a>, 90.<\/p>\n

\u00a0 —(with Jelnikar). (Slovene) Kosovel, “Swaying in the wind.” 23:2<\/a>, 90.<\/p>\n

\u00a0 —(with Jelnikar). (Slovene) Kosovel, “A village.” 23:2<\/a>, 92.<\/p>\n

\u00a0 —(with Jelnikar). (Slovene) Kosovel, “Suburb in the snow.” 23:2<\/a>, 94.<\/p>\n

Carlstedt, Maria (with Anna Mandell, Katarina Tucker, and Erica Wick). (Swedish) Carina Karlsson, “Excerpts from Lisbeta, Per Skarp’s Wife<\/em>.” 8:1<\/a>, 140.<\/p>\n

Castro, Paul Melo e. (Portuguese) Vimala Devi, “N\u00e2ttak.” 18:1<\/a>, 44.
\n—“Translator’s Introduction.” 20:2<\/a>, 134.
\n—(Portuguese) Epit\u00e1cio Pais, “Munu.” 20:2<\/a>, 135.<\/p>\n

\u00a0 —(Portuguese) Maria Elsa da Rocha, “The Bangle Seller.” 23:2<\/a>, 178.<\/p>\n

Cavanagh, Clare. (Polish) Krystyna Milobedzka, poems. 7:2<\/a>, 94.
\n—(Polish) Ryszard Krynicki, poems. 7:2<\/a>, 96.
\n—(Polish) Ewa Lipska, poems. 7:2<\/a>, 98.
\n—(Polish) Adam Zagajewski, “New World.” 7:2<\/a>, 102.
\n—(with Stanislaw Baranczak). (Polish) Baranczak, “Voice Coaching.” 7:2<\/a>, 112.
\n—(Polish) Bronislaw Maj, poems. 7:2<\/a>, 116.<\/p>\n

Cedrins, Inara. (Latvian) Peters Bruveris, “Untitled.” 16:2<\/a>, 60.
\n—(Latvian) Bruveris, “Stone.” 16:2<\/a>, 60.
\n—(Latvian) Bruveris, “Untitled.” 16:2<\/a>, 62.
\n—(Latvian) Bruveris, “Morning in the Meadows.” 16:2<\/a>, 64.
\n—(Latvian) Bruveris, “City Courtyard.” 16:2<\/a>, 64.
\n—(Latvian) Amanda Aizpuriete, “Untitled.” 17:2<\/a>, 38.<\/p>\n

Chadeayne, Lee. (German) Siegfried Lenz, “Lucas, Gentle Servant.” 13:1<\/a>, 185.
\n—(German) Oliver Potzsch, “Excerpt from the Prologue,\u00a0The Hangman’s Daughter (Die Henkerstocher)<\/em>.” 18:2<\/a>, 145.<\/p>\n

Chakhravarti, Srinjay. (Bengali [Bangla]) Jibanananda Das, “Give Me Your Word.” 23:2<\/a>, 78.<\/p>\n

\u00a0 —(Bengali [Bangla]) Jibanananda Das, “River Kite.” 23:2<\/a>, 80.<\/p>\n

Chanturishvili, Teimuraz. (Russian) Mikhail Y. Lermontov, “Demon: An Oriental Tale.” 21:2<\/a>, 114.<\/p>\n

Chapman, George. (Greek) Homer,\u00a0Odyssey<\/em>, Book V, lines 291-299. 6:2<\/a>, 130.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2<\/a>, 137.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2<\/a>, 145.<\/p>\n

Chapple, Gerald. (German) G\u00fcnter Kunert, “Viewing.” 13:1<\/a>, 98.
\n—(German) Kunert, “Definition.” 13:1<\/a>, 100.
\n—(German) Kunert, “Sign.” 13:1<\/a>, 102.
\n—(German) Kunert, “Remembering III.” 13:1<\/a>, 104.
\n—(German) Kunert, “My Contribution to Balkan History.” 13:1<\/a>, 106.<\/p>\n

Charles, Asselin. (French) Frank\u00e9tienne, “The Noose.” 11:1<\/a>, 135.<\/p>\n

Charry, Eric (with Camara and Jansen). (Mande) “The Mande Praise Song Kayra (Peace): Mande Global Perspectives.” 10:1<\/a>, 300.
\n—(with Camara and Jansen) “Kayra.” 10:1<\/a>, 312.<\/p>\n

Cheung, Esther M.K. (with Michelle L.Y. Kwok). (Chinese) Xi Xi, “‘The Dream Factory,’ from Mourning for the Breast<\/em>.” 17:1<\/a>, 262.<\/p>\n

Childers, Chris. (Latin) Sextus Propertius, “4.7 Ghosts do exist. All things don’t end with dying.” 23:2<\/a>, 52.<\/p>\n

Chopra, Hamida Banu and Zack Rogow. (Urdu) Mohammed Iqbal, “Love Meets Death.” 20:1<\/a>, 41.<\/p>\n

Christianson, Kevin (with Halina Ablamowicz). (Polish) Andrzej Bursa, “Farewell to my Dog.” 13:2<\/a>, 64.
\n—(with Ablamowicz). (Polish) Bursa, “My Hunt.” 13:2<\/a>, 66.<\/p>\n

Chwastyk, Maura (and Kevin Wetmore). “A Phonomorphological Model for the Study of Intercultural Theatre.” 9:1<\/a>, 225.<\/p>\n

Claeson, Eva. (Swedish) Margareta Ekstr\u00f6m, poems. 1:1<\/a>, 20.
\n—“An Interview with Leif Sj\u00f6berg.” 1:2<\/a>, 35.
\n—(Swedish) Barbro Dahlin, “Death Comes So Gently.” 1:2<\/a>, 60.
\n—(Swedish) M. Ekstr\u00f6m, “The World is Full of Buffalos and Palefaces.” 2:1<\/a>, 31.
\n—(Swedish) M\u00e4rta Tikkanen. “From: Little Red Ridinghood.” 2:2<\/a>, 49.
\n—(Swedish) Johanna Ekstr\u00f6m, “Five Swedish Poems.” 3:2<\/a>, 144.
\n—(Swedish) M. Ekstr\u00f6m, “The Gate of Night.” 4:1<\/a>, 94.
\n—(Swedish) Dahlin, poems. 4:1<\/a>, 96.
\n—(Swedish) Bodil Malmsten, “Behind Town Center,” “A Man Came.” 4:1<\/a>, 102.
\n—(Swedish) Dahlin, “The Sun Dance.” 4:2<\/a>, 24.
\n—(Swedish) Inga Britt Wik, “October.” 4:2<\/a>, 138.
\n—(Swedish) Sara Lidman, “Woyzeck in Svappavaara.” 6:1<\/a>, 19.
\n—(Swedish) Lidman, “Lovers of Svappavaara.” 6:2<\/a>, 53.
\n—(Swedish) Helga Henschen, “Speak.” 7:1<\/a>, 146.
\n—(Swedish) Sonja Akesson, poems. 8:1<\/a>, 156.
\n—(Swedish) Akesson, “The Delightful Sixties.” 8:1<\/a>, 178.
\n—(Swedish) Ekstr\u00f6m, “Excerpts from\u00a0About Nature at Stora Skuggan<\/em>.” 8:1<\/a>, 184.
\n—(Swedish) Dahlin, poems 9:2<\/a>, 136.
\n—(Swedish) M. Ekstr\u00f6m, “Before She was Born.” 17:2<\/a>, 52.
\n—(Swedish) M. Ekstr\u00f6m, “About Heritage.” 17:2<\/a>, 52.
\n—(Swedish) M. Ekstr\u00f6m, “When She was Very New.” 17:2<\/a>, 54.
\n—(Swedish) M. Ekstr\u00f6m, “In the Morning.” 17:2<\/a>, 56.
\n—(Swedish) M. Ekstr\u00f6m, “At the Window.” 17:2<\/a>, 58.
\n—(Swedish) M. Ekstr\u00f6m, “At the Country Cottage.” 17:2<\/a>, 60.
\n—(Swedish) M. Ekstr\u00f6m, “Very Close.” 17:2<\/a>, 62.
\n—(Swedish) M. Ekstr\u00f6m, “The Blind Wall.” 17:2<\/a>, 62.
\n—(Swedish) M. Ekstr\u00f6m, “About I and Dead.” 18:2<\/a>, 64.
\n—(Swedish) M. Ekstr\u00f6m, “In the Rearview Mirror.” 18:2<\/a>, 52.
\n—(Swedish) M. Ekstr\u00f6m, “Storm.” 18:2<\/a>, 54.
\n—(Swedish) M. Ekstr\u00f6m, “A Dog’s Life.” 18:2<\/a>, 54.
\n—(Swedish) M. Ekstr\u00f6m, “Friends.” 18:2<\/a>, 56.
\n—(Swedish) Bassem Al-Meraiby, “Whenever\u00a0\u00a0the Stars Shine on the Eyes of a Lover.” 19:1-2<\/a>, 139.
\n—(Swedish) Al-Meraiby, “Every Beautiful Girl\u00e2\u20ac\u2122s Mouth Owes Me a Kiss.”19:1-2<\/a>, 139.
\n—(Swedish) Al-Meraiby, “The Wolf’s Reflection in the Mirror.” 19:1-2<\/a>, 138.
\n—(Swedish) Al-Meraiby, “Portrait of a Poet.” 19:1-2<\/a>, 138.
\n—(Swedish) Al-Meraiby, “I Often Remember Van Gogh.” 19:1-2<\/a>, 141.
\n—(Swedish) Al-Meraiby, “Roots.” 19:1-2<\/a>, 141.
\n—(Swedish) Al-Meraiby, “There are Still Boats That Have Not Arrived.” 19:1-2<\/a>, 140.
\n—(Swedish) Al-Meraiby, “When the Poet Raises his Mirror.” 19:1-2<\/a>, 143.
\n—(Swedish) Al-Meraiby, “With my Sobbing Finger I Point to my Land.” 19:1-2<\/a>, 142.<\/p>\n

Claras\u00f3, Merc\u00e8. (Catalan) Guerau de Liost, “Firs and Beeches.” 5:2<\/a>, 62.
\n—(Catalan) Pere Quart, “Song.” 5:2<\/a>, 100.<\/p>\n

Claus, Hugo. (Flemish) “Old Man with Pig.” 12:1-2<\/a>, 21.<\/p>\n

Clemente, Alice. “Review: Affonso Romano de Sant’Anna,\u00a0A Man and His\u00a0 Shadow<\/em>, and Astrid Cabral,\u00a0Cage<\/em>.” 17:1<\/a>, 352.<\/p>\n

\u00a0 —“Review: Lope de Vega,\u00a0Fuenteovejuna<\/em>, translated from the Spanish by G. J. Racz.” 20:1<\/a>, 338.<\/p>\n

Clingman, Stephen (and Yehudit Heller). (Hebrew) Margalit Matitiahu, poems. 9:2<\/a>, 210.<\/p>\n

Coe, Terese. (German) Heinrich Heine, “Untitled Poem (We were so crazy for each other).” 25:1<\/a>, 42.<\/p>\n

Coffin, Lyn (with Nato Alhazishvili). (Georgian) Dato Barbakadze, “Poet.” 21:2<\/a>, 124.<\/p>\n

Collin, Luci. “Cultural Hybridity, Unpredictable Limits, and Violence in
\nMaria Brum Lemos’ Work.” 24:1-2, 157.<\/p>\n

Conner, Lynne. “Gained in Translation: Classroom Conversations of Lysistrata.” 9:1<\/a>, 16.<\/p>\n

Connors, Susan Leigh. (Italian) Ghit\u00e0, “The Ball.” 14:1-2<\/a>, 220.<\/p>\n

Cooney, Owen. (Japanese) Dazai\u00a0Osamu, “Chiyojo.” 23:1<\/a>, 192.<\/p>\n

Costa, Margaret Jull. (Spanish) Bernardo Atxaga, “Written in the USA.” 12:1-2<\/a>, 62.<\/p>\n

Cox, Wayne (and Lourdes Many\u00e9 i Mart\u00ed). (Catalan) Miquel Mart\u00ed i Pol, poems. 5:2<\/a>, 150.
\n—“Translating Poetry: The Art of Ropemaking.” 5:2<\/a>, 220.<\/p>\n

Cretu, Ion (and Nathaniel Smith). (Romanian) Ioan Es. Pop, “banquet.” 8:2<\/a>, 60.
\n—(and K. Shaver). (Romanian) Pop, “The House.” 8:2<\/a>, 38.<\/p>\n

Croft, Jennifer. (Spanish) Lucas Mertehikian, poems. 21:2<\/a>, 136.<\/p>\n

Crouch, Jane Dobrowolska. (Russian) Michael Kreps, poems. 3:1<\/a>, 96.<\/p>\n

Crumbaugh, Justin. (Basque) Harkaitz Cano, “12 Sardines for Immediate Consumption.” 12:1-2<\/a>, 89.
\n—(Basque) Cano, “Late Breaking News.” 12:1-2<\/a>, 91.
\n—(Basque) Cano, “Momentua.” 12:1-2<\/a>, 94.
\n—(with Sarah Moon). (Basque) Cano, “Poetry is Fiction (That’s Bull).” 12:1-2<\/a>, 98.<\/p>\n

Cuddington, Natasha. “Note on Translating Galina Gamper’s “We are Going Out.” 20:2<\/a>, 87.
\n—(Russian) Galina Gamper, “We are Going Out.” 20:2<\/a>, 90.<\/p>\n

Cuebas, Glenda Y. Nieto. (with German E. Vargas Ramos). (Spanish) Francisco De Castro, “Interlude of the Witches.” 23:1<\/a>, 212.<\/p>\n

Cuffel, Alex. (Arabic) Abd Al-Rahman Ibn Al-Faqih Uthman, “Excerpts from Murshid al-zuwwar ila qubur al-abrar, al-musanna al-Durr al-munazzam ziyara al-jabal al-Muqattam<\/em>.” 15:1-2<\/a>, 138.<\/p>\n

Cugota, Llu\u00eds (and Don Bartell). (Catalan) Vicent Andr\u00e9s Estell\u00e9s, poems. 5:2<\/a>, 48.<\/p>\n

Cutler, Charles. (Portuguese) Carlos Drummond de Andrade, poems. 8:2<\/a>, 96.
\n—(Portuguese) Ad\u00edlia Lopes, “O pulso da Lillian Gish.” 10:2<\/a>, 157.
\n—(Portuguese) Lopes, “As rosas com bolores.” 10:2<\/a>, 159.
\n—(Portuguese) Lopes, “O presente.” 10:2<\/a>, 161.
\n—(Portuguese) Lopes, “‘Por exemplo, nunca convidei uma barata para lanchar comigo.’ Clarice Lispector.” 10:2<\/a>, 167.
\n—(Portuguese) Lopes, “A Elisabeth foi-se embora (com algumas coisas de Anne Sexton).” 10:2<\/a>, 169.
\n—(Portuguese) Lopes, “Uma afirmacao de Pessoa sobre Milton.” 10:2<\/a>, 171.
\n—(Portuguese) Lopes, “Uma historia de bailarinas.” 10:2<\/a>, 173.
\n—(Portuguese) Lopes, “Os papelotes.” 10:2<\/a>, 177.
\n—with David Ball. \u201cReview: Eduardo Chirinos,\u00a0Reasons for Writing Poetry<\/em>, translated by G. J. Racz.\u201d 20:1<\/a>, 323.
\n—(with David Ball) \u201cReview: Eduardo Chirinos,\u00a0Still Life with Flies \/ Naturaleza Muerta con Moscas.<\/em> English translation by G.J. Racz.\u201d 25:2<\/a>, 321.
\n<\/strong><\/p>\n

Czerwiecz, Heidi (with Claudia Routon). (Galician) Branca Vilela, “While I Talk to Carlos.” 16:2<\/a>, 188.
\n—(with Routon). (Galician) Vilela, “Wild Beasts.” 16:2<\/a>, 190.
\n—(with Routon). (Galician) Vilela, “Autumn Depression.” 16:2<\/a>, 190.
\n—(with Routon). (Galician) Vilela, “Don’t Let me Fall Asleep.” 16:2<\/a>, 192.
\n—(with Routon). (Galician) Vilela, “After You.” 16:2<\/a>, 194.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cabiedes-Fink, Alicia (and Ted Maier). (Spanish) Sara Vanegas Cove\u00f1a, “Four Poems by Sara Vanegas Cove\u00f1a.” 4:2, 94. Cai, Meghan (Chinese). Wang Jingtao, \u201cA Sweet Kiss After Wine.\u201d 26:1, 202. Call, Wendy. (Spanish) Jos\u00e9 Alfredo Escobar Mart\u00ednez, “Santa Maria Del Mar.” 16:2, 82. Calvo, Antonio F. (Spanish) Richard Bruce Nugent, From\u00a0Smoke, Lilies & Jade: Dreaming a […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-421","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":4,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/421\/revisions"}],"predecessor-version":[{"id":1078,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/421\/revisions\/1078"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=421"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=421"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}