{"id":425,"date":"2019-04-14T22:50:17","date_gmt":"2019-04-15T02:50:17","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=425"},"modified":"2019-07-09T12:53:20","modified_gmt":"2019-07-09T16:53:20","slug":"itc-e","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-e\/","title":{"rendered":"ITC E"},"content":{"rendered":"

Eaton, Steve. (Italian) Luigi Pirandello, \u201cMale di Luna.\u201d 25:2<\/a>, 179.
\n<\/strong>\u00a0\u00a0—(Italian) Pirandello, \u201cRequiem Aeternam Dona Eis, Domine!\u201d 25:2<\/a>, 187.
\n<\/strong><\/p>\n

Edwards, Jennifer Gabrielle. (Spanish) Hernando Tellez, “Lather and Nothing Else.” 10:2<\/a>, 188.
\n—(Spanish) Julio Paredes, “Eme.” 10:2<\/a>, 192.<\/p>\n

Eglin, Laura Cesarco. (Portuguese) Maria Alzira Brum Lemos, “Rhapsody for Body (A Set Theory).” 24:1-2<\/a>, 150.<\/p>\n

Ehret, Terry (with John Johnson and Nancy Morales). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, “Semantic Engagements.” 23:2<\/a>, 84.
\n—(with Johnson and Morales). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, “Word.” 23:2<\/a>, 84.<\/p>\n

Eichel, Andrew. (Old English) Anonymous, Late 10th Century, “The Wanderer.” 21:2<\/a>, 128.<\/p>\n

Elfyn, Menna. “Deep Sound of W(h)ales.” 12:1-2<\/a>, 208.<\/p>\n

Elias-Bursa, Ellen. “Savior, Spy: Thinking About What We Do.” 1:2<\/a>, 22.<\/p>\n

El-Kadi, Aileen. “The Narrative of Failure or Bernardo Ajzenberg’s Poetics of Negativity.” 24:1-2<\/a>, 22.<\/p>\n

Elnamoury, Mona. (Arabic) Ahmed Zaghlool Alsheety, “Three Green\u00a0 Canaries.” 19:1-2<\/a>, 245.<\/p>\n

Emmerich, Karen. (Greek) Ersi Sotriopoulos, “The Woman.” 16:2<\/a>, 16.
\n—“Review:\u00a0The Beauty of a Greek.<\/em>” Poems by Nikos Engonopoulos. 18:1<\/a>, 202.<\/p>\n

Enr\u00edquez-Mej\u00eda, Rafaela. (Spanish into Nahuatl) X\u00e1nath Caraza, “Mujer.” 20:2<\/a>, 114.<\/p>\n

Entrekin, Alison. (Portuguese) Luiz Ruffato, “Scars – A Football Story.” 24:1-2<\/a>, 262.<\/p>\n

Erskine, Tessa. (Spanish) Luis Pulido Ritter, “An Illegal’s Fantasy with the Butcher on the Corner.” 23:1<\/a>, 34.<\/p>\n

Escoffery, David. “On the Advantages of Being Trapped In-Between: Translating Pirandello’s Sei personaggi in cerca d’autore<\/em>.” 9:1<\/a>, 165.<\/p>\n

Esposito, Claudia. “Of Monuments and Documents.” 14:1-2<\/a>, 302.<\/p>\n

Evans-Corrales, Carys. (Galego) \u00c1lvaro Cunqueiro, “Eu son Danae (I am Danae).” 22:1-2<\/a>, 36.<\/p>\n

\u00a0 —(Galego) Xohana Torres, “Eramos navegantes das illas (We were Explorers…).” 22:1-2<\/a>, 44.<\/p>\n

\u00a0 —(Galego) Xohana Torres, “Ophelia II.” 22:1-2<\/a>, 49.<\/p>\n

\u00a0 —(Galego) Bernardino Gra\u00f1a, “En Padr\u00f3n os alumnos do Instituto (The Pupils at Padron High School.” 22:1-2<\/a>, 52.<\/p>\n

\u00a0 —(with Marta Dahlgren). (Galego) Salvador Garc\u00eda-Boda\u00f1o, “Those mornings when there was music II.” 22:1-2<\/a>, 57.<\/p>\n

\u00a0 —(Galego) Salvador Garc\u00eda-Boda\u00f1o, “Metamorphose (Metamorphosis).” 22:1-2<\/a>, 58.<\/p>\n

\u00a0 —(Galego) Xos\u00e9 Lu\u00eds M\u00e9ndez Ferr\u00edn, “Agora \u00e9 o intro do regreso (Now is the Time to Return.” 22:1-2<\/a>. 60.<\/p>\n

\u00a0 —(Galego) Marilar Aleixandre, “Circe a Ulises (Circe to Ulysses).” 22:1-2<\/a>, 64.<\/p>\n

\u00a0 —(Galego) Alfonso Pexegueiro, “A Muller Das Garzas (The Heron Woman).” 22:1-2<\/a>, 66.<\/p>\n

\u00a0 —(Galego) Alfonso Pexegueiro, “Patria (Homeland).” 22:1-2<\/a>, 66.<\/p>\n

\u00a0 —(Galego) Chus Pato, “O \u00fanico rito que co\u00f1ezo (The Only Rite I Know).” 22:1-2<\/a>, 70.<\/p>\n

\u00a0 —(Galego) Pilar Pallar\u00e9s, “I Am the Seated Scribe.” 22:1-2<\/a>, 77.<\/p>\n

\u00a0 —(Galego) Pilar Pallar\u00e9s, “Falamos nunha lingua desvairada (We Speak in Incoherencies).” 22:1-2<\/a>, 78.<\/p>\n

\u00a0 —(Galego) Miguel Anxo Fern\u00e1n Vello, “Paciencia (Patience).” 22:1-2<\/a>, 82.<\/p>\n

\u00a0 —(Galego) Manuel Forcadela, “L’eclair.” 22:1-2<\/a>, 84.<\/p>\n

\u00a0 —(Galego) Manuel Forcadela, “Maestro.” 22:1-2<\/a>, 84.<\/p>\n

\u00a0 —(Galego) Lois Pereiro, “Edinburgh, Edinburgh.” 22:1-2<\/a>, 88.<\/p>\n

\u00a0 —(Galego) Lois Pereiro, “Otro poema de amor (Another Love Poem).” 22:1-2<\/a>, 88.<\/p>\n

\u00a0 —(Galego) Xela Arias, “Mon\u00f3logo adicto (Addicted Monologue).” 22:1-2<\/a>, 92.<\/p>\n

\u00a0 —(Galego) Ana Roman\u00ed, “Cami\u00f1an descalzas (They Walk Barefoot).” 22:1-2<\/a>, 96.<\/p>\n

\u00a0 —(Galego) Ana Roman\u00ed, “E se fago da varanda… (And if I Make of This Season…).” 22:1-2<\/a>, 96.<\/p>\n

\u00a0 —(Galego) Fran Alonso, “Terrae.” 22:1-2<\/a>, 100.<\/p>\n

\u00a0 —(Galego) Marta Dacosta, “Houbo un medo azul (There Was a Blue Dread).” 22:1-2<\/a>, 102.<\/p>\n

\u00a0 —(Galego) Marta Dacosta, “Como Ofelia (Like Ophelia).” 22:1-2<\/a>, 102.<\/p>\n

\u00a0 —(Galego) Lupe G\u00f3mez, “Monecas Nansi louras (Blonde Nancy Dolls).” 22:1-2<\/a>, 104.<\/p>\n

\u00a0 —(Galego) Lupe G\u00f3mez, “O amor (Love).” 22:1-2<\/a>, 104.<\/p>\n

\u00a0 —(Galego) G\u00f3mez, “Definici\u00f3n (Definition).” 22:1-2<\/a>, 104.<\/p>\n

\u00a0 —(Galego) Estabaliz Espinosa, “Comer\u00c3\u00ada a t\u00c3\u00baa alma (I Would Eat Your Soul).” 22:1-2<\/a>, 106.<\/p>\n

\u00a0 —(Galego) Estabaliz Espinosa, “Sobrenatural (Supernatural).” 22:1-2<\/a>, 106.<\/p>\n

\u00a0 —(Galego) Olga Novo, “Dolorido un campo de algod\u00f3n ou tabaco (Pain-wracked a Field of Cotton or Tobacco).” 22:1-2<\/a>, 112.<\/p>\n

\u00a0 —(Galego) Mar\u00c3\u00ada Do Cebreiro, “O que n\u00f3s sentimos.. (What We Feel…).” 22:1-2<\/a>, 116.<\/p>\n

\u00a0 —(Galego) Emma Pedreira, “Libro da selva. Conto da Selva (Versi\u00f3n 2.0.) (Jungle Book. Jungle Story).” 22:1-2<\/a>, 118.<\/p>\n

\u00a0 —(Galego) Mar\u00eda Lado, “Laranxa mandarina (Mandarin Oranges).” 22:1-2<\/a>, 122.<\/p>\n

\u00a0 —(with Marta Dahlgren). (Galego) Mar\u00eda Lado, “Paxaros e maceiras (Birds and Apple-Trees).” 22:1-2<\/a>, 122.<\/p>\n

\u00a0 —(Galego) Mario Regueira, “o silencio (Retardo) (Silence Deferred).” 22:1-2<\/a>, 126.<\/p>\n

\u00a0\u00a0—(Galego) Xiana Arias, “Repite (Repeat).” 22:1-2<\/a>, 128.<\/p>\n","protected":false},"excerpt":{"rendered":"

Eaton, Steve. (Italian) Luigi Pirandello, \u201cMale di Luna.\u201d 25:2, 179. \u00a0\u00a0—(Italian) Pirandello, \u201cRequiem Aeternam Dona Eis, Domine!\u201d 25:2, 187. Edwards, Jennifer Gabrielle. (Spanish) Hernando Tellez, “Lather and Nothing Else.” 10:2, 188. —(Spanish) Julio Paredes, “Eme.” 10:2, 192. Eglin, Laura Cesarco. (Portuguese) Maria Alzira Brum Lemos, “Rhapsody for Body (A Set Theory).” 24:1-2, 150. Ehret, Terry […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-425","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=425"}],"version-history":[{"count":3,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/425\/revisions"}],"predecessor-version":[{"id":1081,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/425\/revisions\/1081"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=425"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=425"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}