{"id":427,"date":"2019-04-14T22:50:37","date_gmt":"2019-04-15T02:50:37","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=427"},"modified":"2019-07-10T05:07:58","modified_gmt":"2019-07-10T09:07:58","slug":"itc-f","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-f\/","title":{"rendered":"ITC F"},"content":{"rendered":"

Fagles, Robert. (Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2<\/a>, 140.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2<\/a>, 148.<\/p>\n

Falek, Alexandra. (Spanish) Lara Villaro, “[Untitled].” 17:1<\/a>, 104.
\n—(Spanish) Circe Maia, “Her.”18:2<\/a>, 44.
\n—(Spanish) Maia, “Death Song.” 18:2<\/a>, 46.
\n—(Spanish) Maia, “Betrayal.” 18:2<\/a>, 48.<\/p>\n

Falkenberg, Betty. (German) Else Lasker-Schuler, “My People.” 1:2<\/a>, 64.<\/p>\n

Farman, Michael. (Classical Chinese) Shi-Jing, “Consider the Rat.” 13:1<\/a>, 128.
\n—(Classical Chinese) Shi-Jing, “The Han River.” 13:1<\/a>, 130.
\n—(Classical Chinese) Shi-Jing, “North Wind.” 13:1<\/a>, 132.
\n—(Classical Chinese) Shi-Jing, “The Ospreys.” 13:1<\/a>, 134.
\n—(Classical Chinese) Shi-Jing, “Rabbit’s Running.” 13:1<\/a>, 136.
\n—(Classical Chinese) Shi-Jing, “Splendor of the Lily.” 13:1<\/a>, 138.
\n—(Classical Chinese) Shi-Jing, “Swan Geese.” 13:1<\/a>, 140.<\/p>\n

Fauver, Stephanie (and Firouzeh Dianat). (Persian) Serajaddin Banagar, “A Farsi Version of a Kurdish Folk Tale: Lazy Ahmad and the King’s Daughter.” 18:1<\/a>, 192.
\n—Translator’s Introduction to “A Pillar in the Tower of Babel.” 19:1-2<\/a>, 211.
\n—(Arabic) Dhu Al-Nun Ayyub, “A Pillar in the Tower of Babel.” 19:1-2<\/a>, 214.<\/p>\n

Feldbach, Inna (with Alan Trei). (Estonian) Arthur Alliksaar, poems. 9:2<\/a>, 172.
\n—(and Alan Trei). (Estonian) Jaan Kaplinski, “A Brief Life Story.” 9:2<\/a>, 275.<\/p>\n

Felstiner, John. (German) Paul Celan, “Deathfugue.” 4:1<\/a>, 50.<\/p>\n

Feltrin-Morris, Marella (with Chad Davison). (Italian) “Five African Poets.” 14:1-2<\/a>, 191.<\/p>\n

Fenwick, Gillian. “Review of\u00a0Qualche altro giardino<\/em>\u00a0(Jane Urquhart).” 16:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0326.<\/p>\n

Ferace, Alessandro. (English into Italian) Emily Dickinson, #1298. 6:2<\/a>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0108.
\n—(English into Italian) Sylvia Plath, “Mushrooms.” 6:2<\/a>, 110.
\n—(English into Italian) Richard Wilbur, “Children of Darkness.” 6:2<\/a>, 114.
\n—(English into Italian) W.S. Merwin, “Looking for Mushrooms at Sunrise.” 6:2<\/a>, 118.
\n—(with Melinda Kennedy). (Italian) Ferace, “Confessione Firmata.” 6:2<\/a>, 120.
\n—(English into Italian) Robert Frost, poems. 9:2<\/a>, 56.
\n—(English into Italian) Emily Dickinson, poems. 9:2<\/a>, 58.<\/p>\n

Ferber, Michael. (French) Andr\u00e9 Ch\u00e9nier, “The Young Captive (1794).” 11:2<\/a>, 89.
\n—(Russian) Alexander Pushkin, “Andr\u00e9 Ch\u00e9nier.” 11:2<\/a>, 92.<\/p>\n

Ferrarelli, Rina. (Italian) Bartolo Cattafi, poems. 8:2<\/a>, 124.<\/p>\n

Ferrario, Paola. “Italian Pictures.” 14:1-2<\/a>, 228.<\/p>\n

Ferreira, Carla Alexandra. (Portuguese) Tania Pellegrini, “A Trace of Blood: Marcal Aquino and the New Realism.” 24:1-2<\/a>, 64.<\/p>\n

Festa, Paul (with Taylor Brady, David Hazard) (Chinese). Chen Yingsong, \u201cThe Leopard\u2019s Last Dance.\u201d 26:1<\/a>, 131.<\/span><\/p>\n

Fitzgerald, Robert. (Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2<\/a>, 139.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2<\/a>, 147.<\/p>\n

Fleck, Jonathan. (Spanish) \u00d3scar Hahn, “El Loco Amor.” 18:1<\/a>, 164.
\n—(Spanish) Hahn “The Manic Love.” 18:1<\/a>, 108.<\/p>\n

Foreman, Alex. (Arabic) Ibn Khafaja, “Words Spoken in Contemplation.” 19:1-2<\/a>, 26.<\/p>\n

\u2014Foreman (Chinese). Xi Peilan, \u201cCrossing the Yangtze.\u201d 26:1<\/a>, 40.<\/span><\/p>\n

\u2014Foreman (Chinese). Du Fu, \u201cStaying the Night in a Riverside Villa.\u201d 26:1<\/a>, 76.<\/span><\/p>\n

\u2014Foreman (Chinese). Du, \u201cThe Conscription.\u201d 26:1<\/a>, 78.<\/span><\/p>\n

\u2014Foreman (Chinese). Du, \u201cBallad of the Fair Lady.\u201d 26:1<\/a>, 82.<\/span><\/p>\n

\u2014Foreman (Chinese). Li Bo, \u201cThe River-Merchant\u2019s Wife: A Longgully Love Song.\u201d 26:1<\/a>, 86.<\/span><\/p>\n

\u2014Foreman (Chinese). Wang Wei, \u201cPresented to Subprefect Zhang.\u201d 26:1<\/a>, 90.<\/span><\/p>\n

\u2014Foreman (Chinese). Anonymous (Han Era), \u201cSouth of the Walls We Fought.\u201d 26:1<\/a>, 100.<\/span><\/p>\n

Foster, Brett. (Italian) Cecco Angioliera, poems. 17:2<\/a>, 60.<\/p>\n

Francisco, Reginaldo (with Michael Katz consulting). (Portuguese) Beatriz Resende, “Flavio Carneiro’s Multiplicity.” 24:1-2<\/a>, 96.<\/p>\n

Franzen, Cola. (Spanish) Sa\u00fal Yurkievich, “Perch’i No Spero di Tornar Giammai.” 9:1<\/a>, 32.
\n—(Spanish) Yurkievich, “Memorable.” 9:1<\/a>, 36.
\n—(Spanish) Yurkievich, “Moratorium.” 9:1<\/a>, 38.
\n—(Spanish) Yurkievich, “Luminary.” 9:1<\/a>, 40.
\n—(Spanish) Juan Cameron, “Alvaro de Campos.” 10:2<\/a>, 113.
\n—(Spanish) Cameron, “Extra\u00f1as Circunstancias.” 10:2<\/a>, 113.
\n—(Spanish) Cameron, “Escrituras.” 10:2<\/a>, 115.
\n—(Spanish) Cameron, “Bolero.” 10:2<\/a>, 115.
\n—(Spanish) Cameron, “Sobre el Talento.” 10:2<\/a>, 117.
\n—(Spanish) Cameron, “Carte de Viaje.” 10:2<\/a>, 119.
\n—(Spanish) Cameron, “Erase una Vez.” 10:2<\/a>, 119.
\n—(Spanish) Cameron, “Doble Juego.” 10:2<\/a>, 121.
\n—(Spanish) Cameron, “Tranas.” 10:2<\/a>, 123.
\n—(Spanish) Cameron, “Retirada.” 10:2<\/a>, 123.
\n—“Review:\u00a0Edible Amazonia: Twenty-One Poems From God’s Amazonian Recipe Book<\/em> by Nicomedes Suarez-Arauz.” 10:2<\/a>, 308.
\n—(Spanish) Germ\u00e1n Guerra, “Mart\u00ed.” 13:1<\/a>, 108.
\n—(Spanish) Guerra, “A Circus, A Universe.” 13:1<\/a>, 112.
\n—(Spanish) Guerra, “The City and the Edge of the Island.” 13:1<\/a>, 114.
\n—(Spanish) Guerra, “Sojourn in Pompeii and Herculaneum.” 13:1<\/a>, 116.
\n—(Spanish) Guerra, “Ming Y \/ the Dimming of the Light.” 13:1<\/a>, 118.<\/p>\n

Franzen, Margie. (Dutch) Rudy Kousbroek, \u201cThe Pettability Quotient.\u201d 25:2<\/a>, 213.
\n— (Dutch) Kousbroek, \u201cThe Contract.\u201d 25:2<\/a>, 215.
\n<\/strong><\/p>\n

Freccero, Yvonne. “Review: Shafar Khalifeh,\u00a0The End of Spring<\/em>.” 19:1-2<\/a>, 385.
\n— “A Window on the Arab World: The Importance of Translation.” 21:2<\/a>, 252.<\/p>\n

Frederick, Patricia. (French) Djura, “Excerpt from ‘Beneath the Veil…Algeria.'” 15:1-2<\/a>, 149.
\n—(French) Djura, “Excerpt from ‘The Prophet’s Sneeze.'” 15:1-2<\/a>, 153.
\n—(French) Djura, “Excerpt from ‘The Prophet’s Sneeze.'” 15:1-2<\/a>, 160.
\n—(French) “‘Four Moments’ by Amin Maalouf.” 23:2<\/a>, 30.
\n—(French) Amin Maalouf, “Four Moments.” 23:2<\/a>, 32.<\/p>\n

Free, Katherine B. “Wrestling with the Greeks: Translating and Adapting Ancient Greek Tragedies for the Contemporary Stage.” 9:1<\/a>, 26.<\/p>\n

Fridman, Leora S. (Spanish) (with Marina Kaplan, Robert Kaplan, and Reyes Lazaro) Aldo Pellegrini, “System of Discipline.” 20:2<\/a>, 52.
\n—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “Someone Waking Up.” 20:2<\/a>, 52.
\n—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “Need for the Adding Machine.” 20:2<\/a>, 54.
\n—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “The Heart of all Faces.” 20:2<\/a>, 56.
\n—(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, “One More Show.” 20:2<\/a>, 58.<\/p>\n

Frisardi, Andrew. (Milanese dialect and Italian) Franco Loi, “From\u00a0Libor<\/em>.” 14:1-2<\/a>, 103.<\/p>\n

\u00a0 —(Italian) Dante Alighieri, \u201cVidero li occhi miei quanta pietate (Vita Nova XXXV).\u201d 20:1<\/a>, 87<\/p>\n

\u00a0 —(Italian) Dante Alighieri, \u201cColor d\u2019amore e di pieta sembianti (Vita Nova XXXVI).\u201d 20:1<\/a>, 87.<\/p>\n

\u00a0 —(Italian) Dante Alighieri, \u201cGentil pensero che parla di vui (Vita Nova XXXVIII).\u201d 20:1<\/a>, 89.<\/p>\n

\u00a0 —(Italian) Dante Alighieri, \u201cQuantunque volte, lasso! mi rimembra (Vita Nova XXXIII).\u201d 20:1<\/a>, 89.<\/p>\n

\u00a0 —(Italian) Dante Alighieri, \u201cS\u00c3\u00ac lungiamente m\u2019ha tenuto Amore (from Vita Nova XXVII).\u201d 20:1<\/a>, 91.<\/p>\n

\u00a0 —(Italian) Dante Alighieri, \u201cEra venuta ne la mente mia (Vita Nova XXXIV).\u201d 20:1<\/a>, 93.<\/p>\n

Frykhamn, Gabriella. (with Michael Joyce) (Swedish) Karin Boye, “A Painter’s Wish.” 18:2<\/a>, 60.
\n—(with Joyce) (Swedish) Boye, “6.” 18:2<\/a>, 62.<\/p>\n

Fulton, Dawn. (French) Gis\u00e8le Pineau, “Am\u00e9lie and the Anoles.” 11:1<\/a>, 200.<\/p>\n

Furbish, Dean. (Russian) Irina Ratmirova, “Six Poems by Irina Ratmirova.” 4:2<\/a>, 126.
\n—(Russian) K. Tangalychev, poems. 6:1<\/a>, 58.
\n—(Russian) M. Lomonosov, “Ode from the Book of Job.” 6:2<\/a>, 96.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fagles, Robert. (Greek) Homer,\u00a0Odyssey, Book X, lines 210-224. 6:2, 140. —(Greek) Homer,\u00a0Odyssey, Book XI, lines 204-214. 6:2, 148. Falek, Alexandra. (Spanish) Lara Villaro, “[Untitled].” 17:1, 104. —(Spanish) Circe Maia, “Her.”18:2, 44. —(Spanish) Maia, “Death Song.” 18:2, 46. —(Spanish) Maia, “Betrayal.” 18:2, 48. Falkenberg, Betty. (German) Else Lasker-Schuler, “My People.” 1:2, 64. Farman, Michael. (Classical Chinese) […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-427","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=427"}],"version-history":[{"count":4,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/427\/revisions"}],"predecessor-version":[{"id":1082,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/427\/revisions\/1082"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=427"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=427"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}