{"id":437,"date":"2019-04-14T22:52:21","date_gmt":"2019-04-15T02:52:21","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=437"},"modified":"2019-07-11T10:41:57","modified_gmt":"2019-07-11T14:41:57","slug":"itc-k","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-k\/","title":{"rendered":"ITC K"},"content":{"rendered":"

Kaiser, Walter. “Reminiscences of Translating.” 3:1<\/a>, 63.<\/p>\n

Kalm, Chet.”On Making Images.” 2:2<\/a>, 109.
\n—“A Presumption of Relevance.” 3:1<\/a>, 6.
\n—“Folk Art.” 3:2<\/a>, 106.
\n—“Review of\u00a0A Year of the Hunter<\/em> (Czeslaw Milosz).” 3:2<\/a>, 159.<\/p>\n

Kalm, Vera. (Hungarian) Jozsef Erdelyi, “The Wager of the Two Friends.” 3:2<\/a>, 88.
\n—(Hungarian) Erdelyi, “Morning.” 3:2<\/a>, 132.<\/p>\n

Kamei, Toshiya. (Spanish) Juan Gerardo Aguilar, “Flowers in the Windows.” 13:2<\/a>, 156.
\n—(Italian) Jing Jing Huang, “La mia patria, My Homeland.” 14:1-2<\/a>, 218.
\n—(Italian) Loubna Handou, “Marocco (Morocco).” 15:1-2<\/a>, 94.
\n—(Japanese) Ryuichiro Utsumi, “The Three-Legged Dog.” 16:1<\/a>, 230.
\n—(Japanese) Utsumi, “That Morning.” 17:1<\/a>, 280.
\n—(Japanese) Naoko Awa, “The Blue Flower.” 17:1<\/a>, 285.
\n—(Spanish) Espido Freire, “The Black Sheep.” 17:2<\/a>, 135.
\n—(Japanese) Yoshiro Takayasu, “Memory and Infidelity.” 17:2<\/a>, 137.<\/p>\n

—(Japanese) Takayasu, “The Nature Exploration Club.” 27:1<\/a>, 148.<\/p>\n

Kaplan, Ellen W. “The Director as Translator.” 1:1<\/a>, 4.<\/p>\n

Kaplan, Hilary B. (Portuguese) Claudia Roquette-Pinto, “Mother’s Day.” 21:2<\/a>, 94.
\n—(Portuguese) Roquette-Pinto, “How to Open a Man.” 21:2<\/a>, 94.<\/p>\n

Kaplan, Marina. “Review of David Toscana,\u00a0The Last Reader<\/em>.” 18:2<\/a>, 286.
\n—(Spanish) (with Leora S. Fridman, Robert Kaplan, and Reyes Lazaro) Aldo Pellegrini, “System of Discipline.” 20:2<\/a>, 52.
\n—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “Someone Waking Up.” 20:2<\/a>, 52.
\n—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “Need for the Adding Machine.” 20:2<\/a>, 54.
\n—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “The Heart of all Faces.” 20:2<\/a>, 56.
\n—(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, “One More Show.” 20:2<\/a>, 58.<\/p>\n

Kaplan, Robert. “Two Women Poets from Argentina, Review of\u00a0Awaiting <\/em>the Green Morning<\/em> (Maria Rosa Lojo trans by Brett Alan Sanders).” 16:2<\/a>, 223.
\n—“Two Women Poets from Argentina, Review of\u00a0Burning Cartography<\/em> (Noni Benegas trans by Noel Valis).” 16:2<\/a>, 226.
\n—(Spanish) (with Leora S. Fridman, M. Kaplan, and Reyes Lazaro) Aldo Pellegrini, “System of Discipline.” 20:2<\/a>, 52.
\n—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “Someone Waking Up.” 20:2<\/a>, 52.
\n—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “Need for the Adding Machine.” 20:2<\/a>, 54.
\n—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “The Heart of all Faces.” 20:2<\/a>, 56.
\n—(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, “One More Show.” 20:2<\/a>, 58.
\n— Review: Ana Maria Shua, “Without a Net.” 21:2<\/a>, 283..
\n—“Review: Antonio Benitez-Rojo,\u00a0Woman in a Battle Dress<\/em>. Translated from the Spanish by Jessica Powell.” 25:1<\/a>, 189.
\n— (with Margaret Young) (Spanish) Debora Benacot, \u201c(She found out her spiral notebook).\u201d 25:2<\/a>, 122.
\n— (with Margaret Young) (Spanish) Benacot, \u201c(It is not true that any self-respecting writer).\u201d 25:2<\/a>, 124.
\n— (with Margaret Young) (Spanish) Benacot, \u201c(The newborn girl).\u201d 25:2<\/a>, 126.
\n<\/strong><\/p>\n

Kaplansky, Jonathon. (French) Sylvie Massicotte, “Taurus.” 11:1<\/a>, 288.<\/p>\n

Kasymova, Zamira. “The Devil is in the Details: Problems in the Translation of Abdulla Kadiry’s Uzbek National Classic Days of Old<\/em>.” 17:1<\/a>, 175.<\/p>\n

Kates, J. (French) Ren\u00e9 Villard, “The Cemetary of Saint-Nic.” 17:2<\/a>, 58.
\n— (Russian) Victor Shirali, “Untitled Poem (I’m dining on my own).” 25:1<\/a>, 44.
\n— (Russian) Shirali, “Untitled Poem (Weeks of Rain).” 25:1<\/a>, 46.
\n— (Russian) Shirali, “A Christmas Romance.” 25:1<\/a>, 48.<\/p>\n

Katz, Michael (consulting for Reginaldo Francisco). (Portuguese) Beatriz Resende, “Flavio Carneiro’s Multiplicity.” 24:1-2<\/a>, 96.<\/p>\n

Keane, Tim (with Myriam Moraz). (French) Pierre Chappuis, “Blank Page.” 21:2<\/a>, 110.
\n— (French) Chappuis, “What Room.” 21:2<\/a>, 110.<\/p>\n

Keith, Thomas R. (Ancient Greek) Archias of Byzantium, “The Lament of Theris the Sailor.” 21:2<\/a>, 112.<\/p>\n

Keller, Hilary (with Vlasta Moman-Kov\u00e1cov\u00e1). Review: Anne-Marie Cazalis, “Planh.” 21:2<\/a>, 287.<\/p>\n

Keller, Tsipi. (Hebrew) Maya Bejerano, “Meeting with the actors, Hakkibutz Hameuchad, 2014.” 27:1<\/a>, 18.<\/p>\n

—(Hebrew) Raquel Chalfi, “Tale About an Inside-Out Dress.” 17:1<\/a>, 16.
\n—(Hebrew) Chalfi, “Cubism.” 17:1<\/a>, 19.
\n—(Hebrew) Chalfi, “The Love of Trees.” 17:1<\/a>, 19.
\n—“Review of Alex Epstein, Blue Has No South.” 18:2<\/a>, 266.<\/p>\n

\u00a0 —(Hebrew) Avidan, \u201cA Sudden Evening.\u201d 20:1<\/a>, 59.<\/p>\n

\u00a0 —(Hebrew) Avidan \u201cA Peek Into an Open Dream.\u201d 20:1<\/a>, 63.<\/p>\n

\u00a0 —(Hebrew) Avidan \u201cBurying Uncle Solomon.\u201d 20:1<\/a>, 67.<\/p>\n

\u00a0 —(Hebrew) Avidan \u201cDesert Storm, and Infrared Dream.\u201d 20:1<\/a>, 71.<\/p>\n

Kennedy, Melinda. (Italian) Elio Vittorini, “A Name and a Voice.” 1:1<\/a>, 8.
\n—“Context in Translation.” 1:2<\/a>, 3.
\n—(Italian) Rita Dinale, “Africa Turning.” 2:1<\/a>, 74.
\n—“Was the Leopard Bold?” 3:1<\/a>, 40.
\n—“Wisdom.” 3:1<\/a>, 127.
\n—(Italian) Carlo Levi, “Words are Stones.” 3:2<\/a>, 51.
\n—“Review of\u00a0Sleep Rhymes Around the World\u00a0<\/em>(Jane Yolen).” 3:2<\/a>, 163.
\n—(French) Georges Braque, “A Few Aphorisms (from the Notebooks of Georges Braque).” 4:1<\/a>, 26.
\n—(German) Nelly Sachs, “Who Emptied Your Shoes?” 4:1<\/a>, 52.
\n—(French) Paul Eluard, “Understand You Who Dare,” “Courage.” 4:1<\/a>, 54.
\n—(Italian) Cesare Pavese, poems. 4:1<\/a>, 58.
\n—(Italian) Salvatore Quasimodo, “On the Road to Agrigentum.” 4:1<\/a>, 65.
\n—“The Tower of Babel.” 4:1<\/a>, 116.
\n—“A Literary Impersonation.” 4:2<\/a>, 40.
\n—(with Cantarella). (Italian) Quasimodo, “Five Poems by Salvatore Quasimodo.” 4:2<\/a>, 82.
\n—“Review of\u00a0Two Worlds Walking<\/em> (Diane Glancy & C.W. Truesdale, ed.).” 4:1<\/a>, 112.
\n—(with Laszlo Tikos). (Russian) Joseph Brodsky, “New Verses.” 5:1<\/a>, 5.
\n—(with Tikos). (Russian) Brodsky, poems. 5:1<\/a>, 14.
\n—(Italian) Giuseppe Ungaretti, “Delight,” “At Rest.” 5:1<\/a>, 48.
\n—(Italian) Eugenio Montale, “Motets I, VII, VIII.” 5:1<\/a>, 50.
\n—(with H\u00e9l\u00e8ne Cantarella). (Italian) Alessandro Ferace, “The Almond Tree,” “Alzheimer’s.” 5:1<\/a>, 54.
\n—(Italian) Pavese, “Chapter XL, La Luna e i Falo.” 6:1<\/a>, 46.
\n—(with Cantarella). (Italian) Ferace, “A Group of Poems.” 6:1<\/a>, 100.
\n—(German) Rainer Maria Rilke, “A God has the Power.” 6:1<\/a>, 130.
\n—“Poet in Translation”: Review of\u00a0So Forth<\/em> (Joseph Brodsky), 6:1<\/a>, 145.
\n—“Ruminations on the Verb and Related Matters.” 6:1<\/a>, 149.
\n—(with Ferace). (Italian) Ferace, “Confessione Firmata.” 6:2<\/a>, 120.
\n—“Once Upon a Time.” 6:2<\/a>, 158.
\n—(Italian) Dinale, “Heroines: Selections from L’Olimpio \u00c8 Vuoto.” 7:1<\/a>, 60.
\n—“Fugue a la Greque.” 7:1<\/a>, 150.
\n—(Italian) Pavese, “Chapter One from\u00a0The Moon and the Bonfires<\/em>.” 8:2<\/a>, 193.
\n—“In Memoriam.” 9:2<\/a>, 358.
\n—“Meditations on the Word AND.” 9:2<\/a>, 400.
\n—(Italian) Quasimodo, “Auschwitz.” 10:2<\/a>, 137.
\n—“Subjunctive.” 10:2<\/a>, 320.
\n—“The Preposition: For Ever and Ever.” 10:2<\/a>, 322.<\/p>\n

Kennedy, Ruth. “To the Members of the Cercle Bridgman.” 4:2<\/a>, 36.<\/p>\n

Khalil, Nahla (with Mohamed El-Sawi Hassan). “Perspectives in Arabic Translation: Identity and Memory.” 19:1-2<\/a>, 18.<\/p>\n

Khashan, Rafed A. (with Bob Blanchard) (Arabic). Mohammed Khudeir, “The Pilgrim.” 19:1-2<\/a>, 276.<\/p>\n

Kiernan, Brendan. (Russian) Mikhail Matveyevich Kheraskov, “Canto I.” 23:2<\/a>, 96.<\/p>\n

Killinger, Charles. “H\u00e9l\u00e8ne Paquin Cantarella and the Legacy of Anti-Fascism in America: a Tribute to a Woman of Courage and Elegance.” 9:2<\/a>, 382.<\/p>\n

Kim, Yuhn Bok. (English into Korean) Kim, poems. 8:2<\/a>, 150.<\/p>\n

King, Katherine Callen. (Ancient Greek) Sappho, poems. 8:2<\/a>, 154.<\/p>\n

King’ei, Kitula. “The Challenge of Translating Poetic and Metaphorical Language From a Translation: The Case of Okot p’Bitek’s Song of Lawino.” 10:1<\/a>, 152.<\/p>\n

Kingery, Sandra. (Spanish) Xanath Caraza, \u201cWhere Are You?\u201d 25:2<\/a>, 129.
\n<\/strong>—(Spanish) Caraza, \u201cBe a Witness.\u201d 25:2<\/a>, 132.
\n—(Spanish) Caraza, \u201cHow Many Lives?\u201d 25:2<\/a>, 137.
\n—(Spanish) Caraza, \u201cSpill Water.\u201d 25:2<\/a>, 141.
\n<\/strong><\/p>\n

—(Spanish) Caraza, “Wind on My Face.” 27:1<\/a>, 60.<\/p>\n

—(Spanish) Caraza, “Smoke.” 27:1<\/a>, 64.<\/p>\n

Klass, Stephen (and Leif Sj\u00f6berg). (Swedish) Sara Lidman, “The Bear Girl.” 8:1<\/a>, 49.
\n—(and Sj\u00f6berg). (Swedish) Harry Martinson, “Excerpts from Aniara.” 8:1<\/a>, 110.
\n—“On Translating Sara Lidman.” 8:1<\/a>, 63.<\/p>\n

Klein, Lucas (Chinese). Xi Chuan, \u201cOn Fan Kuan\u2019s Monumental Landscape Scroll Travelers Among Mountains and Streams.\u201d<\/i> 26:1<\/a>, 22.<\/span><\/p>\n

\u2014<\/i>Klein (Chinese). Chuan, \u201cOnce More on Fan Kuan\u2019s Travelers Among Mountains and Streams.\u201d 26:1<\/a>, 24.<\/span><\/p>\n

Klocke, Astrid. (German) Edgar Hilsenrath, “Chapter 9, From the Novel Bronsky’s Confession<\/em>.” 16:2<\/a>, 206.<\/p>\n

Kokernot, Walter H. (with Chae-Pyong Song). (Korean) Ku Hyo-So, “A Woman Returning from Farther Away.” 13:1<\/a>, 224.<\/p>\n

Kolb, Jocelyne. “Review:\u00a0Confessions of a Poisoner, Written by Herself<\/em>.” 18:2<\/a>, 281.<\/p>\n

Komarnyckyj, Steve. (Ukrainian) Ihor Pavlyuk, “The Bread of Childhood.” 23:1<\/a>, 108.<\/p>\n

Kono, Kimberly. (Japanese) Yokota Fumiko, “Love Letter (Part II of\u00a0Beautiful Elegy<\/em>).” 13:1<\/a>, 248.<\/p>\n

Korotkova, Nina. (Russian) Aleksandr Kushner, “Genius must inspire awe.” 7:2<\/a>, 148.
\n—(Russian) Marina Temkina, “An Extract from an Unpublished Book.” 7:2<\/a>, 180.<\/p>\n

Kossman, Nina. (Russian) Anna Akhmatova, “Do not be frightened.” 7:2<\/a>, 120.
\n—(Russian) Osip Mandelshtam, poems. 7:2<\/a>, 122.
\n—(Russian) Morits, “Reading a Greek Pitcher.” 7:2<\/a>, 134.
\n—(and Andy Newcomb). (Russian) Yunna Morits, “Episode with Aphrodite.” 7:2<\/a>, 136.
\n—(Russian) Boris Filipoff, “After abducting Europa.” 7:2<\/a>, 138.<\/p>\n

Kraft, Stephanie. (Polish) Stanislaw Dygat, from “Rainy Evenings.” 8:2<\/a>, 204.
\n—(Polish) Zygmunt Haupt, “Rain.” 9:2<\/a>, 316.
\n—(Polish) Kornel Filipowicz, “What is in a Man?” 10:2<\/a>, 199.
\n—“Danuta Mostwin,\u00a0Testament: Two Novellas of Emigration and Exile (The Last Will of Blaise Twardowski and Jocasta)<\/em>.” 13:2<\/a>, 285.<\/p>\n

\u00a0—(Polish) Wojciech Zukrowski, from \u201cStone Tablets.\u201d 20:1<\/a>, 263.<\/p>\n

Krummrich, Philip. (Portuguese) Anonymous, “King Ramiro of the Legend of Gaia.” 13:1<\/a>, 257.
\n—(Portuguese) Anonymous, “The Goat-Footed Lady.” 13:1<\/a>, 264.
\n—(Portuguese) Anonymous, “The Legend of King Lear.” 13:1<\/a>, 266.
\n—(Portuguese) Anonymous, “The Woman of the Sea or The Legend of the Marinhos.” 13:1<\/a>, 267.
\n—(German) Hans Sachs, “History: The Unlucky Love of Leander and Lady Hero.” 16:1<\/a>, 220.
\n—(German) El Hor, “Hero and Leander.” 16:1<\/a>, 226.
\n—(Portuguese) Paula G\u00e2ndara, “Coimbra, the Unfamiliar Memory.” 20:2<\/a>, 76.
\n—(Portuguese) G\u00e2ndara, “Photographs.” 20:2<\/a>, 78.
\n—(Portuguese) G\u00e2ndara, “Bel\u00e9m Pier.” 20:2<\/a>, 80.<\/p>\n

Krutak, Gerhild (with Martin Schwehla and Ren\u00e9e v. Paschen). (English to German) Ren\u00e9e v. Paschen, “Words are Lurking.” 18:2<\/a>, 74.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Like Stainless Steel.” 18:2<\/a>, 74.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Black Sheep.” 18:2<\/a>, 76.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Falling Apart at the Seams.” 18:2<\/a>, 78.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Droplets of Words.” 18:2<\/a>, 78.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Window Dreams\/Joy is Approaching.” 18:2<\/a>, 80.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Magic Carpet.” 18:2<\/a>, 82.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Amsterdam Can.” 18:2<\/a>, 82.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Southern Summer.” 18:2<\/a>, 84.
\n—(with Schwehla and Paschen) (English to German) Paschen, “The Trouble with Thailand.” 18:2<\/a>, 86.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Montr\u00e9al Clochard.” 18:2<\/a>, 86.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Jerusalem of the Jews.” 18:2<\/a>, 88.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Afraid of Freud.” 18:2<\/a>, 90.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Desperately Seeking Silence.” 18:2<\/a>, 90.
\n—(with Schwehla and Paschen) (English to German) Paschen, “A Preference for Comfort.” 18:2<\/a>, 92.
\n—(with Schwehla and Paschen) (English to German) Paschen, “The Fog in the Fall.” 18:2<\/a>, 92.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Elections.” 18:2<\/a>, 94.
\n—(with Schwehla and Paschen) (English to German) Paschen, “Flames in the Fireplace.” 18:2<\/a>, 94.<\/p>\n

Kumove, Shirley. (Yiddish) Anna Margolin, poems. 7:1<\/a>, 102.<\/p>\n

Kwok, Michelle L.Y. (with Esther M.K. Cheung). (Chinese) Xi Xi, “‘The Dream Factory,’ from Mourning for the Breast<\/em>.” 17:1<\/a>, 262.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kaiser, Walter. “Reminiscences of Translating.” 3:1, 63. Kalm, Chet.”On Making Images.” 2:2, 109. —“A Presumption of Relevance.” 3:1, 6. —“Folk Art.” 3:2, 106. —“Review of\u00a0A Year of the Hunter (Czeslaw Milosz).” 3:2, 159. Kalm, Vera. (Hungarian) Jozsef Erdelyi, “The Wager of the Two Friends.” 3:2, 88. —(Hungarian) Erdelyi, “Morning.” 3:2, 132. Kamei, Toshiya. (Spanish) Juan […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-437","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":8,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/437\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/437\/revisions\/1090"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=437"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=437"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}