{"id":441,"date":"2019-04-14T22:52:59","date_gmt":"2019-04-15T02:52:59","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=441"},"modified":"2020-02-16T17:56:22","modified_gmt":"2020-02-16T22:56:22","slug":"itc-m","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-m\/","title":{"rendered":"ITC M"},"content":{"rendered":"

Maclachlan, Elena. (Italian) Chiara Matraini, “How Greatly Deceptive and Various.” 1:2<\/a>, 66.<\/p>\n

MacPherson, James. “The Poems of Ossian.” 4:2<\/a>, 41.<\/p>\n

Magallanos, Carmen (with Marie Waechter). (Spanish) Magallanos, “Seven Poems.” 4:1<\/a>, 86.<\/p>\n

Mahalel, Adi. (Yiddish)\u00a0Yossel Birstein, “Between the Olive Trees.” 23:1<\/a>, 27.<\/p>\n

Maier, Ted (with Alicia Cabiedes-Fink). (Spanish) Sara Vanegas Cove\u00f1a, “Four Poems by Sara Vanegas Cove\u00f1a.” 4:2<\/a>, 94.<\/p>\n

Maizell, Sylvia. (Russian) Ludmila Petrushevaskaya, “The Younger Brother.” 13:1<\/a>, 203.<\/p>\n

Maleska, Kalina. “Luring the Original: Bogomil Gjuzel in English.” Review of Bogomil Gjuzel’s The Wolf at the Door<\/em>. 10:2<\/a>, 317.<\/p>\n

Mandelbaum, Allen. (Italian) Salvatore Quasimodo, “Street of Agrigentum.” 4:1<\/a>, 64.<\/p>\n

Mandell, Anna (with Maria Carlstedt, Katarina Tucker, and Erica Wick). (Swedish) Carina Karlsson, “Excerpts from Lisbeta, Per Skarp’s Wife<\/em>.” 8:1<\/a>, 140.<\/p>\n

Manderson, Desmond. (French) Boris Vian, “Le d\u00e9serteur.” 27:1<\/a>, 56.<\/p>\n

—(French) Vian, “Monsieur le President.” 27:1<\/a>, 56.<\/p>\n

Many\u00e9 i Mart\u00ed, Lourdes (with Wayne Cox). (Catalan) Miquel Mart\u00ed i Pol, poems. 5:2<\/a>, 150.<\/p>\n

Maranis, Jim. “Translating Antonio Ben\u00edtez-Rojo.” 6:2<\/a>, 8.<\/p>\n

Mar\u00e7al, Maria-Merc\u00e9. (Catalan) “Solstici.” 12:1-2<\/a>, 139.<\/p>\n

Mark, Margaret McClumpha. “The Short Happy Life of Victor Bridgman.” 4:2<\/a>, 34.<\/p>\n

Marks, Christine. “Rilke the Stylist: Translating Rilke with Attention to Poetic Form.” 25:1<\/a>, 110.
\n—“The Significance of Meter in Five “Sonnets to Orpheus” with Translations.” 25:1<\/a>, 114.<\/p>\n

—(German) Gertrud Kolmar, “Fruitless.” 27:1<\/a>, 50.<\/p>\n

—(German) Rainer Maria Rilke, “Requiem for a Friend.” 27:1<\/a>, 85.<\/p>\n

Marks, Corey. “Review:\u00a0New European Poets<\/em>, Wayne Miller and Kevin Prufer, eds.” 17:1<\/a>, 343.<\/p>\n

Martin, Annabel. (Galician) Manuel Rivas, “All Animals Speak.” 12:1-2<\/a>, 163.<\/p>\n

Martin, Eilish. (Russian) Galina Usova, “The Laurel Branch.” 20:2<\/a>, 92.<\/p>\n

Martineau, Yzabelle. “Nicolas Kurtovitch and the Cultural Interface in New Caledonia.” 11:1<\/a>, 101.
\n—(French) Nicolas Kurtovitch, “With Mask.” 11:1<\/a>, 106.
\n—(French) Kurtovitch, “The Man in the Forest.” 11:1<\/a>, 114.
\n—(French) Kurtovitch, “Poem for the Fourth of July.” 11:1<\/a>, 118.<\/p>\n

Mart\u00ednez i Albert, Josepa (and Julie McLucas). (Catalan) Vicent Andr\u00e9s Estell\u00e9s, poems. 5:2<\/a>, 56.
\n—(Catalan) V\u00edctor Soler i Tom\u00e0s, “To My Beloved.” 5:2<\/a>, 166.<\/p>\n

Mart\u00ednez Rodr\u00edguez, Maria Jos\u00e9 (with Patera, Angelik\u00ed, Panagopoulou, Stella, Apostolaki, Vervara Asouti, Basakou, Tatiana, Dougali, Timoklia, and Papatheodorou, Afroditi).(Spanish to Greek). X\u00e1nath Caraza, “I. Llueve en el fosforescente verde matutino.” 27:1<\/a>, 70.<\/p>\n

—(with above contributors) (Spanish to Greek) Caraza, “III. Cazo la luna azul de julio.” 27:1<\/a>, 72.<\/p>\n

—(with above contributors) (Spanish to Greek) Caraza, “VI. El viento no quiere soplar.” 27:1<\/a>, 74.<\/p>\n

—(with above contributors) (Spanish to Greek) Caraza, “XIII. Lecustre vida soy.” 27:1<\/a>, 76.<\/p>\n

—(with above contributors) (Spanish to Greek) Caraza, “XXX. L\u00edquido sentir en esta tarde de invierno.” 27:1<\/a>, 78.<\/p>\n

Martins, Maria L\u00facia Mill\u00e9o. (Portuguese) Carlos Drummond de Andrade, “Landscape: How to Make It.” 5:1<\/a>, 72.
\n—(English into Portuguese) Melinda Kennedy, “Autobiography.” 6:1<\/a>, 80.
\n—Review of\u00a0Materia Solar\u00a0<\/em>(Eugenio de Andrade), 4:2<\/a>, 144.<\/p>\n

Materassi, Mario. “The Story of Two Stories.” 11:2<\/a>, 158.
\n—(Italian) “Nothing Personal: Absolutely Nothing Personal.” 11:2<\/a>, 163.<\/p>\n

Matherne, Beverly. (Cajun) Matherne, “Seven Cajun Poems.” 3:2<\/a>, 134.
\n—Review of\u00a0Je suis cadien\u00a0<\/em>(Jean Arceneaux), 3:2<\/a>, 156.
\n—“Translating from English to Cajun French: A Healing Process.” 4:1<\/a>, 16.
\n—Review of\u00a0Plainsongs<\/em> (Darrel Bourque), 4:2<\/a>, 142.
\n—(Cajun) Matherne, poems. 6:1<\/a>, 52.<\/p>\n

Matthias, Miltiades. (Greek) George Seferis, “Translator’s Introduction.” 16:2<\/a>, 137.
\n—(Greek) Seferis, “From\u00a0Turning Point<\/em>.” 16:2<\/a>, 138.
\n—(Greek) Seferis, “From\u00a0Mythistorema<\/em>.” 16:2<\/a>, 144.
\n—(Greek) Seferis, “Pantoum.” 17:2<\/a>, 74.
\n—(Greek) (with Susan Matthias) Ilias Venezis, “The Seagulls.” 20:2<\/a>, 182.
\n—(Greek) Seferis, “Discourse on Love.” 23:1<\/a>, 142.
\n— \u201cTranslator\u2019s Note for the Cistern.\u201d 25:2<\/a>, 178.
\n— (Greek) George Seferis, \u201cThe Cistern.\u201d 25:2<\/a>, 170.<\/p>\n

Matthias, Susan. “Translator’s Introduction to Excerpt from The Lissome Maiden by Andreas Karkavitsas.” 17:2<\/a>, 139.
\n—(Greek) Andreas Karkavitsas, “Excerpt from Chapter 3, ‘The Celebrants,’ from the [1890] novel The Lissome Maiden<\/em>.” 17:2<\/a>, 143.
\n—(Greek) (with Miltiades Matthias) Ilias Venezis, “The Seagulls.” 20:2<\/a>, 182.<\/p>\n

Mbatiah, Mwenda. (Kimeru) “Introduction: A Kimeru Folk Tale” 10:1<\/a>, 164.
\n—“Hyena and Cow: A Kimeru Folk Tale” 10:1<\/a>, 168.<\/p>\n

Mbele, Joseph. (Matengo) “On Translating ‘Hawk and Crow’: A Matengo Folktale” 10:1<\/a>, 169.
\n—“Hawk and Crow” 10:1<\/a>, 178.<\/p>\n

McClure, J. Derrick. “Scots\u2014A Language for Poetic Translation?” 16:1<\/a>, 116.
\n—(with Heideline Pr\u00fcger). (German) Alfred Kolleritsch, “Grenzen.” 16:1<\/a>, 126.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Uber Das Fragen\/Antworten.” 16:1<\/a>, 128.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Im Aussersten.” 16:1<\/a>, 130.
\n—(with Pr\u00fcger). (German) Kolleritsch, “So Soll Es Bleiben.” 16:1<\/a>, 132.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Aufbruch.” 16:1<\/a>, 134.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Fur Die Ubersetzerin.” 16:1<\/a>, 136.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Zerstorung.” 16:1<\/a>, 138.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Meinen Einfallen…” 16:1<\/a>, 140.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Das Haus…” 16:1<\/a>, 142.
\n—(with Pr\u00fcger). (German) Kolleritsch, “Das Haus, In Dem Ich Geboren Wurde.” 16:1<\/a>, 144..
\n—\u201cHeine into Scots.\u201d 25:2<\/a>, 154.
\n—(German) Heinrich Heine, \u201cThon Lassie Luck.\u201d 25:2<\/a>, 158.
\n— (German) Heine, \u201cThe Sinkin Sun Glents Bricht and Bonnie.\u201d 25:2<\/a>, 158.
\n—(German) Heine, \u201cA Laddie Loed a Lassie.\u201d 25:2<\/a>, 158.
\n—(German) Heine, \u201cMy Bonnie Fisher Lassie.\u201d 25:2<\/a>, 160.
\n—(German) Heine, \u201cIn Fremmit Airts.\u201d 25:2<\/a>, 160.
\n—(German) Heine, \u201cWhaur?\u201d 25:2<\/a>, 160.
\n—(German) Heine, \u201cThe Kelpie.\u201d 25:2<\/a>, 162.
\n<\/strong><\/p>\n

McElroy, Isis. (Portuguese) Cintia Moscovich, “The Fiddler and the Roof.” 24:1-2<\/a>, 206.<\/p>\n

McGrath, Lynette F. (and Adela Robles-S\u00e1ez). (Catalan) Olga Xirinacs I D\u00edaz, “Midsummer Meditation.” 5:2<\/a>, 158.<\/p>\n

McKinsey, Martin. (Modern Greek) Yiorgos Ioannou, “The Sarcophagus.” 8:2<\/a>, 188.
\n—(Modern Greek) Kyriakos Haralambidis, poems. 9:2<\/a>, 130.
\n—“Tales From the Grid: The Modern Greek Short Story.” 10:2<\/a>, 224.
\n—(Greek) Christoforos Milionis, “Phryne.” 10:2<\/a>, 227.
\n—(Greek) Nikos Houliaras, “An Afternoon in the Life of Kostakis Darabassinas.” 10:2<\/a>, 232.
\n—(Greek) Dimitris Nollas, “Strategies of Boredom.” 10:2<\/a>, 235.
\n—(Greek) Sotiris Dimitriou, “The Wiring.” 10:2<\/a>, 240.
\n—(Greek) Andonis Sourounis, “With Spiro Hursutoglu in the Salonica Bar.” 10:2<\/a>, 244.
\n—“Introduction to ‘Bolivar.'” 11:2<\/a>, 61.
\n—(Greek) Nikos Engolonopoulos, “Bolivar: A Greek Poem.” 11:2<\/a>, 75.
\n—(Greek) Odysseas Elytis, “Hyacinth Concert.” 13:1<\/a>, 22.<\/p>\n

McLucas, Julie (and Josepa Mart\u00ednez i Albert). (Catalan) Vicent Andr\u00e9s Estell\u00e9s, poems. 5:2<\/a>, 56.<\/p>\n

McNee, Malcolm. (Portuguese) Francisco Alvim, “Also, As a Matter of Fact, Only.” 18:2<\/a>, 36.
\n—(Portuguese) Alvim, “Old Men.” 18:2<\/a>, 36.
\n—(Portuguese) Alvim, “Elephant.” 18:2<\/a>, 38.
\n—(Portuguese) Alvim, “Remember?” 18:2<\/a>, 38.
\n—(Portuguese) Alvim, “Ants.” 18:2<\/a>, 38.
\n—(Portuguese) Alvim, “Wanna See?” 18:2<\/a>, 40.<\/p>\n

\u00a0 —“Adriana Lisboa and the Delicate Task of Mourning.” 24:1-2<\/a>, 181.<\/p>\n

\u00a0 — (Portuguese) Josely Vianna Baptista, \u201cAuthor\u2019s Note on the Celestial Blue Words.\u201d 24:1-2<\/a>, 17.
\n<\/strong><\/p>\n

\u00a0 — (Portuguese) Baptista, \u201cThe Ancient Rites of the Hummingbird.\u201d 25:2<\/a>, 24.
\n<\/strong><\/p>\n

\u00a0 — (Portuguese) Baptista, \u201cBaroque Garden.\u201d 25:2<\/a>, 26.
\n<\/strong><\/p>\n

\u00a0 — (Portuguese) Sergio Medeiros, \u201cBororo Hunting Song.\u201d 25:2<\/a>, 29.<\/p>\n

\u00a0 — (Portuguese) Medeiros, \u201cAnimal Spirits.\u201d 25:2<\/a>, 34.
\n<\/strong><\/p>\n

\u00a0 — (Portuguese) Medeiros, \u201cSong of the Emergence of the Ancestors.\u201d 25:2<\/a>, 40.
\n<\/strong><\/p>\n

\u00a0 — (Portuguese) Medeiros, \u201cUntitled Poem.\u201d 25:2<\/a>, 46.<\/p>\n

McNeil, Rhett Warren. (Portuguese) Joaquim Maria Machado de Assis, ” On the Ark: Three Unpublished Chapters from Genesis.” 18:1<\/a>, 59.<\/p>\n

McNerney, Dan. (Portuguese) Lu\u00eds de Cam\u00f5es, “Mote Alheio.” 20:2<\/a>, 66.
\n—(Portuguese) de Cam\u00f5es, “Voltas Pr\u00f3prias.” 20:2<\/a>, 66.<\/p>\n

McNerney, Kathleen. (Catalan) Mari Chord\u00e0 I Requesens, poems. 5:2<\/a>, 160.
\n—(Catalan) Maria-Merc\u00e8 Roca, excerpts. 5:2<\/a>, 195.
\n—(Catalan) Maria-Merc\u00e9 Mar\u00e7al, “Solstici.” 12:1-2<\/a>, 141.<\/p>\n

Mehrotra, A.K. “Sant Kabir, Rudyard Kipling, and Vernacular English.” 17:2<\/a>, 10-31.
\n—(Hindi) Vinod Kumar Shukla, \u201cFour Poems.\u201d 25:2<\/a>, 164.
\n<\/strong><\/p>\n

Men, Bozhou (with John Allaster) (Chinese). Shi Zhecun, \u201cMiss de Luxe.\u201d 26:1<\/a>, 172.<\/span><\/p>\n

Mendiguren, I\u00f1aki (with Sarah J. Turtle). (Basque) Itxaro Borda, “From Poems of the Infinite Silence<\/em>.” 12:1-2<\/a>, 81.
\n—(with Turtle). (Basque) Ixiar Rozas, “Patois (III).” 12:1-2<\/a>, 184.<\/p>\n

Menei, Giambattista. (Italian into Spanish) Mario Materassi, “Niente di Personale. Assolutamente Niente di Personale.” 11:2<\/a>, 166.<\/p>\n

Meredith, Hyacinthus (Chinese). Mao, Zedong, \u201cSixteen Character Rhyme: Shan<\/i>.\u201d 26:1<\/a>, 38.<\/span><\/p>\n

Merwin, W.S. (Spanish) Antonio Porchia, “Voices.” 4:2<\/a>, 31.
\n—(Italian) Dante Alighieri, “Purgatorio IX.” 6:2<\/a>, 86.
\n—(Italian) Giacomo Leopardi, “The Infinite.” 6:2<\/a>, 129.<\/p>\n

Messo, George. (Turkish) Melih Cevdet Anday, “Olmus Bir Arkadastan Mektup.” 11:2<\/a>, 124.
\n—(Turkish) Anday, “Fotograf.” 11:2<\/a>, 124.
\n—(Turkish) Anday, “Agiz Mizikasi.” 11:2<\/a>, 126.
\n—(Turkish) Anday, “Serce.” 11:2<\/a>, 126.
\n—(Turkish) Anday, “Agaclarin Yukardaki Yapraklari.” 11:2<\/a>, 126.
\n—(Turkish) Birhan Keskin, “Fan.” 16:1<\/a>, 174.
\n—(Turkish) Keskin, “Sun…Star.” 16:1<\/a>, 174.
\n—(Turkish) Keskin, “Phoenix.” 16:1<\/a>, 176.
\n—(Turkish) Keskin, “Mountain.” 16:1<\/a>, 176.
\n—(Turkish) Orhan Veli, “Exodus.” 21:2<\/a>, 62.<\/p>\n

Milkova, Stiliana. (Italian) Antonio Tabucchi, “Flames.” 25:1<\/a>, 148.<\/p>\n

Miller, Elizabeth Gamble. (Spanish) Antonio Porpetta, poems. 2:2<\/a>, 94.<\/p>\n

Miller, Stephen (with Patrick Donnelly). (Japanese) Shakky\u00f4-Ka, “From Japanese Imperial Anthologies.” 16:2<\/a>, 49.<\/p>\n

Milosevska, Lence (and Richard Gaughran). (Macedonian) Peter M. Andreeveski, “Chapter One from The Last Peasants.<\/em>” 8:2<\/a>, 225.<\/p>\n

Miscovich, Mark. (German) Wolfgang Hermann, “The Park on his Shoulders.” 27:1<\/a>, 134.<\/p>\n

—(German) Hermann, “The Stairs.” 27:1<\/a>, 136.<\/p>\n

Moberg, Verne. “On Kristina Lugn.” 8:1<\/a>, 71.<\/p>\n

Moffett, Judith. (Swedish) Esaias Tegn\u00e9r, “Kannik.” 8:1<\/a>, 98.
\n—(Swedish) Viktor Rydberg, “The Wood Siren.” 8:1<\/a>, 100.
\n—(Swedish) Gustaf Froding, poems. 8:1<\/a>, 104.<\/p>\n

Moman-Kov\u00e1cov\u00e1, Vlasta (with Hilary Keller). Review: Anne-Marie Cazalis, “Planh.” 21:2<\/a>, 287.<\/p>\n

Monroy, Am\u00e1lia Rodr\u00edguez. “The Unending Voyage of a Knight Errant.” 5:2<\/a>, 43.<\/p>\n

Moon, Sarah (with Reyes L\u00e1zaro). (Basque) Bernardo Atxaga, “The Death and Life of Words.” 12:1-2<\/a>, 60.
\n—(with Justin Crumbaugh). (Basque) Harakaitz Cano, “Poetry is Fiction (That’s Bull).” 12:1-2<\/a>, 96.
\n—(with L\u00e1zaro). (Spanish) Tere Irastortza, “Untitled.” 12:1-2<\/a>, 135.
\n—(with L\u00e1zaro). (Spanish) Irastortza, “Untitled.” 12:1-2<\/a>, 138.
\n—(Spanish) Julia Otxoa, “Cranes.” 12:1-2<\/a>, 158.
\n—(Spanish) Otxoa, “Language of Shadows.” 12:1-2<\/a>, 160.
\n—(with L\u00e1zaro and Thalia Pandiri). (French) Aurelia Arkotxa, “Just Like Aldous Huxley’s Prophecy.” 12:1-2<\/a>, 171.
\n—(with L\u00e1zaro and Pandiri). (Galician) Manuel Rivas, “Manifesto Against Silence. 12:1-2<\/a>, 173.
\n—(with L\u00e1zaro). (Portuguese) Joseba Sarrionandia, “Message for Bernardo Atxaga.” 12:1-2<\/a>, 190.<\/p>\n

Moorhead, Andrea. (French) Madeleine Gagnon, poems. 9:2<\/a>, 94.<\/p>\n

Morales, Nancy (with Terry Ehret and John Johnson). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, “Semantic Engagements.” 23:2<\/a>, 84.<\/p>\n

\u00a0 —(with Terry Ehret and John Johnson). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, “Word.” 23:2<\/a>, 84.<\/p>\n

Moraz, Myriam (with Tim Keane). (French) Pierre Chappuis, “Blank Page.” 21:2<\/a>, 110.
\n—(French) Chappuis, “What Room.” 21:2<\/a>, 110.<\/p>\n

Morford, Mark. “Review of\u00a0Musae Anglicanae Anglice Redditae<\/em> (John Gilmore).” 16:1<\/a>, 324.<\/p>\n

Morgan, Jason. (Japanese) Tanizaki Juni’chir\u00c5\u008d, “On Laziness.” 23:1<\/a>, 165.
\n—(Japanese) Mur Saisei, “The Tantrum.” 25:1<\/a>, 74.
\n—(Japanese) Saisei, “Rain Poem.” 25:1<\/a>, 76.<\/p>\n

Morrigan, Pan (Chinese). Ouyang Xiu, \u201cSpring in the Hidden Valley.\u201d 26:1,<\/a> 62.<\/span><\/p>\n

Morris, Joel. (German) Paul Scheerbart, “Malwu The Helmsman: A Vesta Novellete (from the 1912 collection Astral Novelletes\u00a0<\/em>[Astrale Novelletten<\/em>], Munich: Georg M\u00fcller).” 23:2<\/a>, 208.<\/p>\n

Mourad, Ghada. (Arabic) Ashraf Zaghal, “Self.” 23:2<\/a>, 44.<\/p>\n

Moyer, Jessica (Chinese). Li Yu, \u201cCherishing the Fragrant Companion, Scene 10: Playful Vows.\u201d 26:1<\/a>, 216.<\/span><\/p>\n

Muhamad, Abdulzahra. (Arabic) Abdulhrahman Majeed Al-Rube’e, “The Ram.” 15:1-2<\/a>, 128.<\/p>\n

Mujcinovic, Fatima. (Bosnian) Karim Zaimovic, “The Secret of Raspberry Jam.” 9:2<\/a>, 288.
\n—(Bosnian) Melina Kameric, “Red Lace Lingerie.” 23:1<\/a>, 16.
\n—(Bosnian) Kameric, “Shoes for the Oscars.” 23:1<\/a>, 19.
\n—(Bosnian) Kameric, “Made in Yugoslavia.” 23:1<\/a>, 20.<\/p>\n

Muldoon, Paul. (Irish) Nuala n\u00ed Dhomhnaill, “Nude.” 12:1-2<\/a>, 228.
\n—(Irish) n\u00ed Dhomhnaill, “I Cannot Lie Here.” 12:1-2<\/a>, 233.
\n—(Irish) n\u00ed Dhomhnaill, “The Language Issue.” 12:1-2<\/a>, 237.
\n—(Irish) n\u00ed Dhomhnaill, “The Task.” 12:1-2<\/a>, 251.<\/p>\n

Mule, Katwiwa. “Translation, Mistranslation and Cultural Theory: African Inflections, Challenges and Prospects” 10:1<\/a>, 16.
\n—“Review: Nawal El Saadawi,\u00a0The Novel<\/em>.” 19:1-2<\/a>, 319.<\/p>\n

Mullen, William. (Chinese) Du Fu, “Spring Prospect,” “From the Lake Tower.” 6:2<\/a>, 122.
\n—(Greek) Pindar, “Tenth Olympian Ode.” 7:1<\/a>, 113.<\/p>\n

Murphy, Dan (with Reyes L\u00e1zaro). (Spanish) Bernardo Atxaga, “Confession.” 12:1-2<\/a>, 47.<\/p>\n

Murphy, Ruth (Edited by Catherine Madsen). (Yiddish) Hersh Smoliar, \u201cThe Family.\u201d 27.2<\/a>, 128.<\/p>\n

\u2014 (Edited by Catherine Madsen). (Yiddish) Smoliar, \u201cResurrection of the Dead.\u201d 27.2<\/a>, 132.<\/p>\n

\u2014(Yiddish) Salomea Perl, \u201cThe Canvas.\u201d 27.2<\/a>, 144.<\/p>\n

\u2014(Yiddish) Perl, \u201cThe Theater.\u201d 27.2<\/a>, 147.<\/p>\n

\u2014(Yiddish) Perl, \u201cKhaykl Latnik (A Sketch).\u201d 27.2<\/a>, 155.<\/p>\n

\u2014(Yiddish) Perl, \u201cPotki with the Eyebrows.\u201d 27.2<\/a>, 159.<\/p>\n

\u2014(Yiddish) Perl, \u201cChildless<\/a>.\u201d 27.2<\/a>, 171.<\/p>\n

\u2014(Yiddish) Perl, \u201cSeeking Bread.\u201d 27.2<\/a>, 180.<\/p>\n

\u2014(Yiddish) Perl, \u201cTsipke.\u201d 27.2<\/a>, 188.<\/p>\n

Muskheli, Vaho and Veronica Muskheli. (Georgian) Archil Sulakauri, from\u201cSalamura\u2019s Adventures.\u201d 20:1<\/a>, 281.<\/p>\n","protected":false},"excerpt":{"rendered":"

Maclachlan, Elena. (Italian) Chiara Matraini, “How Greatly Deceptive and Various.” 1:2, 66. MacPherson, James. “The Poems of Ossian.” 4:2, 41. Magallanos, Carmen (with Marie Waechter). (Spanish) Magallanos, “Seven Poems.” 4:1, 86. Mahalel, Adi. (Yiddish)\u00a0Yossel Birstein, “Between the Olive Trees.” 23:1, 27. Maier, Ted (with Alicia Cabiedes-Fink). (Spanish) Sara Vanegas Cove\u00f1a, “Four Poems by Sara Vanegas […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-441","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=441"}],"version-history":[{"count":10,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/441\/revisions"}],"predecessor-version":[{"id":2271,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/441\/revisions\/2271"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=441"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=441"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}