{"id":445,"date":"2019-04-14T22:53:50","date_gmt":"2019-04-15T02:53:50","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=445"},"modified":"2019-07-24T05:54:19","modified_gmt":"2019-07-24T09:54:19","slug":"itc-o","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-o\/","title":{"rendered":"ITC O"},"content":{"rendered":"<p>O&#8217;Brien, James. (Japanese) Kitahara Hakushu, &#8220;Hizakari.&#8221; 10:2, 63.<br \/>\n&#8212;(Japanese) Hakushu, &#8220;Aoi tonbo.&#8221; 10:2, 65.<br \/>\n&#8212;(Japanese) Hakushu, &#8220;Teki.&#8221; 10:2, 65.<br \/>\n&#8212;(Japanese) Hakushu, &#8220;Suiro.&#8221; 10:2, 67.<br \/>\n&#8212;(Japanese) Hakushu, &#8220;Itoguruma.&#8221; 1 0:2, 69.<br \/>\n&#8212;(Japanese) Hakushu, &#8220;Hakuga.&#8221; 10:2, 69.<br \/>\n&#8212;(Japanese) Hagiwara Sakutaro, &#8220;Jimen no soko no byoki no kao.&#8221; 10:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a071.<br \/>\n&#8212;(Japanese) Sakutaro, &#8220;Naibu ni iru hito ga kikeina byonin ni mieru \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0riyu.&#8221; 10:2, 71.<br \/>\n&#8212;(Japanese) Sakutaro, &#8220;Oyogu hito.&#8221; 10:2, 73.<br \/>\n&#8212;(Japanese) Sakutaro, &#8220;Kusatta hamaguri.&#8221; 10:2, 73.<br \/>\n&#8212;(Japanese) Sakutaro, &#8220;Airen.&#8221; 10:2, 75.<br \/>\n&#8212;(Japanese) Sakutaro, &#8220;Satsujin jiken.&#8221; 10:2, 75.<br \/>\n&#8212;(Japanese) Murano Shiro, &#8220;Fur Glove.&#8221; 13:2, 30.<br \/>\n&#8212;(Japanese) Shiro, &#8220;Love Letter.&#8221; 13:2, 30.<br \/>\n&#8212;(Japanese) Shiro, &#8220;Photo Print.&#8221; 13:2, 31.<br \/>\n&#8212;(Japanese) Shiro, &#8220;The Darkening Wind.&#8221; 13:2, 34.<br \/>\n&#8212;(Japanese) Shiro, &#8220;Viscera at Night.&#8221; 13:2, 36.<\/p>\n<p>\u00d2j\u00f3, Akinloy\u00e8. &#8220;From Oral to Contemporary: Praise Singing in Afaimo, A \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Collection of Yor\u00f9b\u00e1 Poems By Akinwumi \u00ccs\u00f6l\u00e1.&#8221; 10:1, 199.<br \/>\n&#8212;(Yor\u00f9b\u00e1) Akinwumi \u00ccs\u00f6l\u00e1, &#8220;First Words.&#8221; 10:1, 213.<br \/>\n&#8212;(Yor\u00f9b\u00e1) \u00ccs\u00f6l\u00e1, &#8220;Be Patient.&#8221; 10:1, 215.<br \/>\n&#8212;(Yor\u00f9b\u00e1) \u00ccs\u00f6l\u00e1, &#8220;Without Knowing.&#8221; 10:1, 217.<br \/>\n&#8212;(Yor\u00f9b\u00e1) \u00ccs\u00f6l\u00e1, &#8220;T\u00edt\u00edlol\u00e1.&#8221; 10:1, 219.<\/p>\n<p>O&#8217;Halloran, Steve. (Spanish) O&#8217;Halloran, poems. 6:1, 112.<\/p>\n<p>Olsen, Andrea E. (Spanish) Cristina Fern\u00e1ndez-Cubas, &#8220;Death in \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Captivity.&#8221; 17:2, 120.<\/p>\n<p>Omboga, Zaja. &#8220;Kiswahili Literary Translations: A Critical Reappraisal.&#8221; \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a010:1, 142.<\/p>\n<p>Oram, Dimitri (with Thalia Pandiri). (Russian) Marina Temkina, poems. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a07:2, 166.<\/p>\n<p>Oram, Lydia Miranda. (Spanish) Almudena Grandes, &#8220;Exemplary Women \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(Modelos de Mujer),&#8221; Excerpts from the Prologue:\u00a0<em>Memories of a \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Gypsy Girl<\/em>, &#8220;Mother Love.&#8221; 9:2, 263.<br \/>\n&#8212;(Italian) Manlio Cancogni, &#8220;For H\u00e9l\u00e8ne.&#8221; 9:2, 358.<br \/>\n&#8212;(Italian) Laura di Pofi, &#8220;Standard Italian or Dialect? When, Where, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Why?&#8221; 14:1-2, 181.<br \/>\n&#8212;(Italian) Alessandra di Maio, &#8220;An Interview with Ubax Cristina Ali \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Farah.&#8221; 14:1-2, 241.<br \/>\n&#8212;&#8220;A Poetics of Passage: the Prose of Ubax Cristina Ali Farah.&#8221; 14:1-2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0248.<br \/>\n&#8212;&#8220;Constructing the Hybrid\/Transcultural Subject: Interpellating \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Tradition through Translation in Gustavo Sainz&#8217;s\u00a0Gazapo.&#8221; 16:1, 54.<br \/>\n&#8212;(Spanish)&#8221;Review:\u00a0<em>After-Dinner Declarations.<\/em>&#8221; Poems by Nicanor \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Parra. Trans. Deborah Garfinkle. 17:2, 169.<br \/>\n&#8212;(Spanish)&#8221;Review:\u00a0<em>An Anthology of Nineteenth-Century Women&#8217;s \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Poetry from Spain: In English Translation with Original Text.<\/em>&#8221; Edited by \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Anna-Marie Aldaz. Trans. Anna-Marie Aldaz and W. Robert Walker. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a017:2, 187.<br \/>\n&#8212;(Italian)&#8221;<em>Review: An Anthology of Modern Italian Poetry: In English \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Translation, with Italian Text.<\/em>&#8221; Edited by Ned Condini. Trans. Ned \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Condini. 17:2, 191.<\/p>\n<p>&#8212;(Italian) &#8220;excerpts from\u00a0<em>Io Speriamo Che Me La Cavo: Sessanta Temi de <\/em><em>Bambini Napoletani <\/em>(Me, Let&#8217;s Hope I&#8217;ll Manage: Sixty Compositions by Neapolitan Children) and\u00a0<em>Dio Ci Ha Creato Gratis: Il Vangelo Secondo i <\/em><em>Bambini di Arzano <\/em>(God Created Us Free of Charge: The Gospel According to the Children of Arzano).&#8221; 23:2, 203.<\/p>\n<p>Orlando, Val\u00e9rie K. Review: Nabile Far\u00e8s, &#8220;A Passenger from the West.&#8221; 21:2, 269.<\/p>\n<p>Osner, Jeremy. (Spanish) Slavko Zupcic, &#8220;Tescucho, Italy,&#8221; (from the short<br \/>\nstory collection\u00a0<em>M\u00e9dicos Taxistas<\/em>). 21:2, 238.<\/p>\n<p>Otxoa, Julia. (Spanish) &#8220;Aphorisms and Poems.&#8221; 12:1, 152.<\/p>\n<p>\u00d8verland, Orm. Review of\u00a0<em>Through Naked Branches: Selected Poems of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Tarjei Vesaas<\/em>\u00a0(Roger Greenwald), 8:2, 308.<br \/>\n&#8212;Review of\u00a0<em>North in the World: Selected Poems of Rolf Jacobsen<\/em>. 10:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0313.<\/p>\n<p>Owen, Jan. (French) Charles Baudelaire, &#8220;The Lovers&#8217; Wine.&#8221; 20:2, 38.<br \/>\n&#8212;(French) Bauldelaire, &#8220;The Loner&#8217;s Wine.&#8221; 20:2, 38.<br \/>\n&#8212;(French) Bauldelaire, &#8220;The Ragpickers&#8217; Wine.&#8221; 20:2, 40.<br \/>\n&#8212;(French) Bauldelaire, &#8220;The Murderer&#8217;s Wine.&#8221; 20:2, 42.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O&#8217;Brien, James. (Japanese) Kitahara Hakushu, &#8220;Hizakari.&#8221; 10:2, 63. &#8212;(Japanese) Hakushu, &#8220;Aoi tonbo.&#8221; 10:2, 65. &#8212;(Japanese) Hakushu, &#8220;Teki.&#8221; 10:2, 65. &#8212;(Japanese) Hakushu, &#8220;Suiro.&#8221; 10:2, 67. &#8212;(Japanese) Hakushu, &#8220;Itoguruma.&#8221; 1 0:2, 69. &#8212;(Japanese) Hakushu, &#8220;Hakuga.&#8221; 10:2, 69. &#8212;(Japanese) Hagiwara Sakutaro, &#8220;Jimen no soko no byoki no kao.&#8221; 10:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a071. &#8212;(Japanese) Sakutaro, &#8220;Naibu ni iru hito ga kikeina [&hellip;]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-445","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=445"}],"version-history":[{"count":2,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/445\/revisions"}],"predecessor-version":[{"id":1261,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/445\/revisions\/1261"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=445"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=445"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}