{"id":447,"date":"2019-04-14T22:54:17","date_gmt":"2019-04-15T02:54:17","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=447"},"modified":"2019-06-10T05:50:37","modified_gmt":"2019-06-10T09:50:37","slug":"itc-p","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-p\/","title":{"rendered":"ITC P"},"content":{"rendered":"

Pag\u00e8s, Meriem. “Introduction: Narrating the Arab World Through Translation.” 15:1-2, 16.
\n—“Illustrating Morocco.” 15:1-2, 96.
\n—(French) Tassadit Yacine, “Femmes, Espace et Creation dans le Monde Berbere; Women, Space and Creation in Berber Society.” 15:1-2, 192.
\n—“Review:\u00a0The Wind in My Hair<\/em>\u00a0by Salwa Salem with Laura Maritano.”<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15:1-2, 228.
\n—(with Robert G. Sullivan). “Review: Rafik Schami,\u00a0The Dark Side of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Love.”<\/em>19.1-2, 388.<\/p>\n

Painter, Robert. (Old Norse) from the\u00a0Faroe-Islander Saga,\u00a0<\/em>“Chapter 7: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0‘Standoff at Little Dimum’.” 23:1, 41.
\n— (German) Wladimir Kaminer, “Three Excerpts from Russendisko.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a025.1, 137.
\n—(German) Kaminer, “My First Frenchman.” 25.1, 138.
\n— (German) Kaminer, “Russian Phone Sex.” 25.1, 138.
\n— (German) Kaminer, “Nuts from Around teh World and German \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mushrooms from Saxony.” 25.1, 140.
\n—\u00a0\u201cShort Note on Translating \u2018the Saddlehead Verses\u2019.\u201d 25.2, 200.
\n<\/strong>—\u00a0(Old Icelandic) Anonymous \u201cThe Saddlehead Verses.\u201d 25.2, 201
\n<\/strong><\/p>\n

Panagopoulou, Stella (with Patera, Angelik\u00ed, Mart\u00ednez Rodr\u00edguez, Mar\u00eda Jos\u00e9, Apostolaki, Katerina, Asouti, Varvara, Basakou, Tatiana, Dougali, Timoklia, and Papatheodorou, Afroditi). (Spanish to Modern Greek) X\u00e1nath Caraza, “I. Llueve en el fosforescente verde matutino.” 27:1<\/a>, 70.<\/p>\n

—(Spanish to Modern Greek) Caraza, “III. Cazo la luna azul de julio.” 27:1<\/a>, 72.<\/p>\n

—(Spanish to Modern Greek) Caraza, “VI. El viento no quiere soplar.” 27:1<\/a>, 74.<\/p>\n

—(Spanish to Modern Greek) Caraza, “XIII. Lacustre vida soy.” 27:1<\/a>, 76.<\/p>\n

—(Spanish to Modern Greek), Caraza, “XXX. L\u00edquido sentir en esta tarde de invierno.” 27:1<\/a>, 78.<\/p>\n

Pandiri, Thalia. (Greek) Athina Papadaki, “Holy Ewe Lamb, Madonna of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0the Pressure Cooker.” 7:1, 78.
\n—(with Dimitri Oram). (Russian) Marina Temkina, poems. 7:2, 166.
\n—(Modern Greek) Christoforos Milionis, “The Lute,” “Induction \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Ceremony.” 9:2, 256.
\n—(and Warren Anderson). “Translation or Transformation?: Charles \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Baudelaire’s Enivrez-Vous.” 9:2, 332.
\n—“Bilingual Creative Writing: A Conversation with Margalit Matitiahu.” 9:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0343.
\n—“Poets Translating Poets: An Interview With Yehudit Heller.” 9:2, 347.
\n—“Review of\u00a0Metafrassi ’00: Revue de la Traduction<\/em>.\u00a0Vol. 6, 2000<\/em>\u00a0(Odette \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Varon Vassard, ed.).” 9:2, 394.
\n—(Greek) Milonis, “Computer Virus.” 10:2, 295.
\n—“From the Editor-in-Chief.” 11:1, 13.
\n—(English) “Introduction to Manifesto Against Silence.” 12:1, 169.
\n—(Galician) Manueal Rivas, “Manifesto Against Silence.” 12:1, 174.”
\n—(Greek) Milonis, “A Genuinely Smart Weapon.” 13:1, 275.
\n—“From the Editor-in-Chief.” 13:2, 11.
\n—(Italian) Francesco Marroni, “Cinema.” 13:2, 38.
\n—(Italian) Marroni, “No Holds Barred (Senza Piet\u00e0).” 13:2, 82.
\n—(with Margot Atwell and Nevena Zhelyaskova) (Bulgarian) Stojan \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Valev, “Guardian Angel.” 13:2, 253.
\n—“Translation and Translation Studies in Greece.” 13:2, 288.
\n—“The Emlit Project: European Minority Literatures in Translation.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a013:2, 302.
\n—“Other Italies, Italy’s Others: Renewing Italian.” 14:1-2, 13.
\n—“From the Editor-in-Chief.” 15:1-2, 14.
\n—“Twice Removed: The Question of Retranslation.” 15:1-2, 175.
\n—“Review:\u00a0Winter Fragments<\/em>\u00a0by Bartolo Cattafi.” 16:1, 332.
\n—“Editorial.” 17:1, 10.
\n—“Editorial.” 18:2, 14.
\n—“Review of Liliana blum, The Curse of Eve and Other Stories.” 18:2, 297.
\n—“Review: Contemporary Fiction in Greece: Three Women Writers.” 18:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0318.
\n—“Editorial.” 20:2, 12.
\n—Translation as Cultural Fusion. Review: X\u00e1nath Caraza, “Coraz\u00f3n
\nPintado: Ekphrastic Poems, Conjuro.” 21:2, 278.<\/p>\n

\u00a0 —“In This Issue.” 23:1, 12.<\/p>\n

\u00a0 —“In This Issue.” 23:2, 12.<\/p>\n

\u00a0 —“Some Thoughts on Yannis Ritsos,\u00a0Petrified Time<\/em>, translated by Martin McKinsey and Scott King.” 23:2, 276.
\n—“In This Issue.\u201d 25.1, 11.
\n—“In This Issue.\u201d\u00a025.2, 11.<\/p>\n

Papatheodorou, Afroditi (with Patera, Angelik\u00ed, Mart\u00ednez Rodr\u00edguez, Mar\u00eda Jos\u00e9, Panagopoulou, Stella, Apostolaki, Katerina, Asouti, Varvara, Basakou, Tatiana, and Dougali, Timoklia). (Spanish to Modern Greek) X\u00e1nath Caraza, “I. Llueve en el fosforescente verde matutino.” 27:1<\/a>, 70.<\/p>\n

—(Spanish to Modern Greek) Caraza, “III. Cazo la luna azul de julio.” 27:1<\/a>, 72.<\/p>\n

—(Spanish to Modern Greek) Caraza, “VI. El viento no quiere soplar.” 27:1<\/a>, 74.<\/p>\n

—(Spanish to Modern Greek) Caraza, “XIII. Lacustre vida soy.” 27:1<\/a>, 76.<\/p>\n

—(Spanish to Modern Greek), Caraza, “XXX. L\u00edquido sentir en esta tarde de invierno.” 27:1<\/a>, 78.<\/p>\n

Parasher, Tejas. (Hindi) Munshi Premchand, “The Chess Players.” 18:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0137.<\/p>\n

Park, Jason. (Korean) Song Yong, “Teacher and the Crown Prince.” 17:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0190.
\n—(Korean) Yong, “The Three-Story House.” 17:1, 249.<\/p>\n

Park, Joonseong. (Korean) Song Yong, “At the Stairs.” 11:2, 193.<\/p>\n

Past, Mariana. (French) Callixthe Beyala, “Birth of a Myth.” 11:1, 42.<\/p>\n

Patera, Angelik\u00ed (with Mart\u00ednez Rodr\u00edguez, Mar\u00eda Jos\u00e9, Panagopoulou, Stella, Apostolaki, Katerina, Asouti, Varvara, Basakou, Tatiana, Dougali, Timoklia, and Papatheodorou, Afroditi). (Spanish to Modern Greek) X\u00e1nath Caraza, “I. Llueve en el fosforescente verde matutino.” 27:1<\/a>, 70.<\/p>\n

—(Spanish to Modern Greek) Caraza, “III. Cazo la luna azul de julio.” 27:1<\/a>, 72.<\/p>\n

—(Spanish to Modern Greek) Caraza, “VI. El viento no quiere soplar.” 27:1<\/a>, 74.<\/p>\n

—(Spanish to Modern Greek) Caraza, “XIII. Lacustre vida soy.” 27:1<\/a>, 76.<\/p>\n

—(Spanish to Modern Greek), Caraza, “XXX. L\u00edquido sentir en esta tarde de invierno.” 27:1<\/a>, 78.<\/p>\n

Patke, Rajeev S. “Translation as Metaphor: The Poetry of Agha Shahid Ali.” 8:2, 266.<\/p>\n

Patterson, David. (Hebrew) C.N. Bialik, “My Native Village and My Dream.” 7:1, 30.<\/p>\n

Peate, John. (Arabic) Haifa Bitar, “Between the A and the Z.” 19.1-2, 254.<\/p>\n

Perciali, Irene (with Adam J. Sorkin). (Romanian) Elena Stefoi, “The Crisis \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0of Afterwards.” 13:2, 152.<\/p>\n

Percy, Deborah Ann (with Arnold Johnston and Dona Ro\u00c5\u0178u).<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Romanian)\u00a0Zaharia Stancu, “Come With Me.” 23:1, 102.<\/p>\n

Petro, Pamela. (English) “Review:\u00a0Y Llofrudd Iath\u00a0<\/em>(The Language Murderer<\/em>) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0by Gwyneth Lewis.” 12:1, 215.<\/p>\n

Petro, Peter. (Slovak) Milan Rufus, poems. 7:2, 184.
\n—(Slovak) Jan Ondrus, poems. 7:2, 190.
\n—(Slovak) Milan Richter, poems. 7:2, 196.
\n—(Slovak) Petro, “German Quartet.” 7:2, 200.<\/p>\n

Petroff, Elizabeth and Richard Pioli. (Italian) Raffaele La Capria, “The \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Discovery of the Blue Grotto.” 3:2, 45.
\n—(Italian) Giorgio de Chirico, “Monsieur Dudron’s Adventure.” 2:2, 15.<\/p>\n

Pfitzner, Ina. (French) Wolf Biermann, “Monkey on the Rocks” 9:2, 84.
\n—(French) Boris Vian, “I’m a Snob” 9:2, 88.<\/p>\n

Pick, Nina. (Greek) Stratis Haviaras, \u201cDiptych.\u201d 25.2, 152.
\n<\/strong><\/p>\n

Piekoszewski, Marcin (with S\u00f8ren Alberto Gauger). (Polish) Jerzy \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Ficowski, “The Artificial Hen or the Gravedigger’s Lover.” 13:1, 217.<\/p>\n

Pioli, Richard (and Elizabeth Petroff). (Italian) Raffaele La Capria, “The \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Discovery of the Blue Grotto.” 3:2, 45.
\n—(and Petroff). (Italian) Giorgio de Chirico, “Monsieur Dudron’s \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Adventure.” 2:2, 15.
\n—(Italian) Gabriele D’Annunzio, “Il Fanciullo.” 4:2, 98.<\/p>\n

Poletto, Victoria Offredi (with Giovanna Bellesia Contuzzi). (Italian) Igiaba Scego, “Sausages.” 13:2, 214.
\n—(with Bellesia Contuzzi). (Italian) Christiana de Caldas Brito, “I, Fingertip 5,423.” 14:1-2, 158.
\n—(with Bellesia Contuzzi). (Italian) Ubax Cristina Ali Farah, “Punt Rap.” 14:1-2, 276.
\n—(with Bellesia Contuzzi). (Italian) Ali Farah, “Little Mother.” 14:1-2, 281.<\/p>\n

—(with Bellesia Contuzzi). (Italian) Gabriella Kuruvilla, “The Other Woman and Me.” 27:1<\/a>, 121.<\/p>\n

Poochigan, Aaron. (Ancient Greek) Apollonius of Rhodes, “Aphrodite Welcomes Hera and Athena to her Home.” 17:2, 86.
\n—“The Trials of Jason.” 17:2, 96.<\/p>\n

Poom, Ritva. (Finnish) Eeva-Liisa Manner, poems. 2:2, 80.<\/p>\n

Pope, Alexander. (Greek) Homer,\u00a0Odyssey<\/em>, Book V, lines 291-299. 6:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0131.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2, 137.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2, 145.<\/p>\n

Porter, Phoebe. (Spanish) Maite Gonz\u00e1lez Esnal, “Blackbirds in the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cornfield.” 12:1-2, 122.<\/p>\n

Prigann, Aisha. (Portuguese) Miguel Alberto Koleff, “Translating the
\nDiscursive Postmodernity of Nelson de Oliveira’s Fiction.” 24:1-2, 256.<\/p>\n

Prince, Lynn A. (German) Emine Sevgi Ozdamar, “Mothertongue.” 4:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a046.
\n—“Translating the Temporal: Le Voyeur into The Voyeur.” 4:2, 69.<\/p>\n

Prindle, Tamae K. “Review of Naoko Awa,\u00a0The Fox’s Window and Other \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Stories<\/em>.” 18:2, 292.<\/p>\n

Probstein, Ian. (Russian) Roald Mandelshtam, \u201cDialogue.\u201d 20:1, 49.<\/p>\n

\u00a0 —(Russian) \u201cLemon-seller.\u201d 20:1, 49.<\/p>\n

\u00a0 —(Russian) Osip Mandelshtam, \u201cLamarck.\u201d 20:1, 77.<\/p>\n

Procaccini, Alfonso. (Italian) Erri de Luca, “Value.” 21:2, 60.
\n—(Italian)Eugenio Montale, “The Eel.” 23:2, 1364.
\n—(Italian) Eugenio Montale, “from\u00a0Cuttlefish Bones<\/em>.” 23:2, 138.<\/p>\n

Puppo, Ronald. (Catalan) Josep Carner i Puig-Oriol, poems. 5:2, 64.
\n—(Catalan) Joan Salvat-Papasseit, “His Words to Her.” 5:2, 96.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pag\u00e8s, Meriem. “Introduction: Narrating the Arab World Through Translation.” 15:1-2, 16. —“Illustrating Morocco.” 15:1-2, 96. —(French) Tassadit Yacine, “Femmes, Espace et Creation dans le Monde Berbere; Women, Space and Creation in Berber Society.” 15:1-2, 192. —“Review:\u00a0The Wind in My Hair\u00a0by Salwa Salem with Laura Maritano.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15:1-2, 228. —(with Robert G. Sullivan). “Review: Rafik Schami,\u00a0The […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-447","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=447"}],"version-history":[{"count":3,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/447\/revisions"}],"predecessor-version":[{"id":924,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/447\/revisions\/924"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=447"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=447"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}