{"id":451,"date":"2019-04-14T22:56:19","date_gmt":"2019-04-15T02:56:19","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=451"},"modified":"2019-06-12T12:08:48","modified_gmt":"2019-06-12T16:08:48","slug":"itc-r","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-r\/","title":{"rendered":"ITC R"},"content":{"rendered":"

Rabalais, Nathan. “Review: Beverly Matherne,\u00a0Bayou Des Acadiens \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(Blind River)<\/em>.” 25.1, 192.<\/p>\n

Racz, G.J. (Spanish) Eduardo Chirinos, “Poet’s Wood,” from\u00a0Escrito En Missoula<\/em>. 16:2, 84.
\n—(Spanish) Chirinos, “The House of the Lord.” 16:2, 86.
\n—(Spanish) Chirinos, “Bears.” 16:2, 86.
\n—(Spanish) Chirinos, “Poem for my Uncle Janus.” 16:2, 88.
\n—(Spanish) Chirinos, “On an Old Poem by Li Po.” 16:2, 90.
\n—(Spanish) Chirinos, “The Day the Trees Died.” 16:2, 92.
\n—(Spanish) Chirinos, “Saturday at the Zoo.” 16:2, 94.
\n—(Spanish) Manuel Gonz\u00e1lez Prada, “The Bible.” 18:1, 98.
\n—(Spanish) Gonz\u00e1lez Prada, “The Holy Fathers.” 18:1, 98.
\n—(Spanish) Gonz\u00e1lez Prada, “Saint Thomas Aquinas.” 18:1, 98.
\n—(Spanish) Gonz\u00e1lez Prada, “Antonio C\u00e1novas Del Castillo.” 18:1, 100.
\n—(Spanish) Gonz\u00e1lez Prada, “Jacques B\u00e9nigne Bossuet.” 18:1, 100.
\n—(Spanish) Gonz\u00e1lez Prada, “Denis Diderot.” 18:1, 100.
\n—(Spanish) Gonz\u00e1lez Prada, “Antonio Fern\u00e1ndez Grilo.” 18:1, 102.
\n—(Spanish) Gonz\u00e1lez Prada, “Jos\u00e9 Nakens.” 18:1, 102.
\n—(Spanish) Gonz\u00e1lez Prada, “Otto Von Bismarck.” 18:1, 102.
\n—(Spanish) Gonz\u00e1lez Prada, “Virgil.” 18:1, 104.
\n—(Spanish) Gonz\u00e1lez Prada, “Johann Wolfgang Goethe.” 18:1,104.
\n—(Spanish) Gonz\u00e1lez Prada, “Charles Baudelaire.” 18:1, 104.
\n—(Spanish) Gonz\u00e1lez Prada, “Paul Verlaine.” 18:1, 106.
\n—(Spanish) F\u00e9lix Mar\u00eda Samaniego, “The Fables of F\u00e9lix Mar\u00eda \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Samaniego.” 21:2, 20.<\/p>\n

\u00a0\u00a0—\u201cReview:\u00a0Poetry & Translation: The Art of the Impossible<\/em>. Peter Robinson.\u201d 20:1, 329.<\/p>\n

\u00a0\u00a0—(Spanish) Juan Del Valle\u00a0Y Caveides, “Punctuated Verses.” 23:1, 110.<\/p>\n

\u00a0\u00a0—(Spanish) Garcilaso De La Vega, “Letter to Bosc\u00e1n.” 23:1, 112.<\/p>\n


Raleigh, Tegan. (French) Leila Sebbar, “The Girl with a Red Sweater in Babel.” 11:1, 78.<\/span><\/p>\n

Ramaswamy, V. (Bengali) Samran Huda, “Ever Shadowing Me.” 17:1, 260.<\/p>\n

Ramey, Peter. (Old English) Anonymous, \u201cBeowulf: The Prologue and the First Two Fitts.\u201d 25.2, 54.
\n<\/strong><\/p>\n

Ramos, German E. Vargas (with Glenda Y. Nieto Cuebas). (Spanish) Francisco De Castro, “Interlude of the Witches.” 23:1, 212.<\/p>\n

Rathbun, Jennifer. (Spanish) Juan Armando Rojas, “Book.” 13:1, 142.
\n—(Spanish) Rojas, “Telescope.” 13:1, 144.
\n—(Spanish) Rojas, “Map.” 13:1, 146.
\n—(Spanish) Rojas, “Memory.” 13:1, 148.
\n—(Spanish) Rojas, “Flight.” 13:1, 150.<\/p>\n

Reeck, Matt (with Aftab Ahmad). (Urdu) Saadat Hasan Manto, “God Save<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Us From Our Sins.” 23:2, 167.<\/p>\n

Resnick, Clay. (Portuguese) Carlos Trigueiro, “At Home with the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Colonel.” 16:1, 41.<\/p>\n

Renner, Cooper. “Review of Gonzalo Celorio:\u00a0And Let the Earth Tremble at \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0its Centers<\/em>.” 20:2, 192.<\/p>\n

Rettig, Kathleen, (and Diana Brown). (Ladino) Margalit Matitiahu, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0poems. 9:2, 210.<\/p>\n

Rieu, A.V. (Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2, 139.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2, 146.<\/p>\n

Rivas, Manuel. (Galician) “Manifesto Against Silence.” 12:1, 173.<\/p>\n

Roberts, Tom. \u201cReview: Yevgeny Baratynsky, A Science Not for the Earth: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Selected Poems and Letters, translated from the Russian by \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Rawley Grau.\u201d 25.2, 326.
\n<\/strong><\/p>\n

Robles-S\u00e1ez, Adela. (Catalan) Montserrat Rod\u00e9s, “Silence, XIV.” 5:2, 188.
\n—(Catalan) Rod\u00e9s, “Silence, XXI.” 5:2, 190.
\n—(Catalan) Rod\u00e9s, “Fragment V.” 5:2, 190.
\n—(Catalan) Maria-Merc\u00e8 Mar\u00e7al, “Light Song.” 5:2, 191.
\n—(Catalan) Mar\u00e7al, “Like the Murderer Returning to the Scene of the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Crime.” 5:2, 191.
\n—(Catalan) Mar\u00e7al, “My Homeless Love.” 5:2, 193.
\n—(Catalan) Mar\u00e7al, “I Do Not Feel the Pain in Me, I Feel It In You.” 5:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0193.
\n—(and Lynette F. McGrath). (Catalan) Olga Xirinacs I D\u00edaz, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0“Midsummer Meditation.” 5:2, 158.<\/p>\n

Rodrigues, Lidio. (Portuguese) Miguel Conde, “Moving Worlds: Time and
\nFeeling in Joao Anzanello Carrascoza.” 24:1-2, 114.<\/p>\n

Rodrigues, Louis J. (Catalan) Josep Carner i Puig-Oriol, poems. 5:2, 70.
\n—“On Translating Salvador Espriu’s Verse.” 5:2, 213.<\/p>\n

Rogers, Jeanette Shulenberger. (Occitan) “Walking Throughout Minerve.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a016:1, 206.
\n—(Occitan) Bernart De Ventadorn, “When I See the Lark.” 16:2, 164.
\n—(Occitan) Miqu\u00e8l Dec\u00f2r, “Prologue,” from\u00a0Passejada Menerbersa<\/em>. 16:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0170.
\n—(Occitan) Dec\u00f2r, “Bize.” 16:2,\u00a0<\/em>170.
\n—(Occitan) Dec\u00f2r, “Malhac.”\u00a0<\/em>16:2, 172.
\n—(Occitan) Dec\u00f2r, “The Capitelles of the Postman.” 16:2, 172.
\n—(Occitan) Dec\u00f2r, “Epilogue.”\u00a0<\/em>16:2, 174.<\/p>\n

Rohlick, Thomas H. “Review:\u00a0Rise Ye Sea Slugs!<\/em>\u00a0by Robin D. Gill.” 13:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0278.<\/p>\n

Romaine, Barbara. (Arabic) Abu Abdullah Muhammad Ibn Idris Al-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Shafici, “Let the days be, for they’ll do as they will.” 23:2, 48.<\/p>\n

Rosenberg, Aaron. (Kiswahili) Remmy Ongala, “Mrema.” 10:1, 133.
\n—Ongala, “Little One.” 10:1, 141.<\/p>\n

Rosenberg, Samuel N. (Old French) Anonymous, “Cant voi l’aube dou jor \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0venir.” 10:2, 89.
\n—(Old French) Thibaut de Champagne, “Ausi conme unicorne sui.” 10:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a091.
\n—(Old French) Conon de Beth\u00fane, “Ce fut l’autrier en un autre pais.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a010.2, 95.
\n—(Old French) Anonymous, “Bele Doette as fenestres se siet.” 10:2, 99.
\n—(with Eglal Doss-Quinby). (Old French) “Three Anonymous Old \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0French Ballettes.” 13:2, 114.<\/p>\n

\u00a0 —(with Patricia Terry). (Occitan and Spanish) Anonymous, \u201cOccitan folk\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0ballads.\u201d 20:1, 97.
\n—(Old French)\u00a0Mahieu Le Juif, “Por Autrui Mouvrai Mon Chant.” 23:1,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0118.
\n—(Old French) Mahieu Le Juif, “Par Grant Franchise Me Covnient \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Chanter.” 23:1, 120.
\n—(Gascon [French]) Anonymous, “Farewell, Margaridette.” 23:2, 68.
\n—(Gascon [French]) Anonymous, “Jeanne Feels Unwell.” 23:2, 70.
\n—(Gascon [French]) Anonymous, “Margaret, My Sweet.” 23:2, 72.
\n—(Gascon [French]) Anonymous, “Good Day, My Lovely Lass.” 23:2, 74.<\/p>\n

—(French) Charles Baudelaire, “On Eug\u00e8ne Delacroix’s Tasso in Prison.” 27:1<\/a>, 38.<\/p>\n

—(French) Baudelaire, “A Skeleton at Work.” 27:1<\/a>, 40.<\/p>\n

—(French) Baudelaire, “Beacons.” 27:1<\/a>, 44.<\/p>\n

—(French) Baudelaire, “On a Portrait of Honor\u00e9 Daumier.” 27:1<\/a>, 48.
\n—(French) Paul Verlaine, \u201cI. (The pain in my heart).\u201d 25.2, 114.
\n—(French) Verlaine, \u201cII. (The sonorous ocean).\u201d 25.2, 116.
\n—(French) Verlaine, \u201cIII. (Here are fruits, flowers, leaves, and green\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0branches).\u201d 25.2, 118.
\n—(French) Verlaine, \u201cIV. (The moon at night).\u201d 25.2, 120.
\n<\/strong><\/p>\n

Rosenthal, David. (Catalan) Joan Salvat-Papasseit, poems. 5:2, 92.<\/p>\n

Rosenthal, M.L. “David: A Father’s Memoir.” 5:2, 30.<\/p>\n

Rosu, Dona\u00a0(with Arnold Johnston and Deborah Ann Percy). (Romanian)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zaharia Stancu, “Come With Me.” 23:1, 102.<\/p>\n

Rouse, W.H.D. (Greek) Homer,\u00a0Odyssey<\/em>, Book X, lines 210-224. 6:2, 138.
\n—(Greek) Homer,\u00a0Odyssey<\/em>, Book XI, lines 204-214. 6:2, 146.<\/p>\n

Routon, Claudia (with Heidi Czerwicz). (Galician) Branca Vilela, “While I \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Talk to Carlos.” 16:2, 188.
\n—(with Czerwicz). (Galician) Branca Vilela, “Wild Beasts.” 16:2, 190.
\n—(with Czerwicz). (Galician) Vilela, “Autumn Depression.” 16:2, 190.
\n—(with Czerwicz). (Galician) Vilela, “Don’t Let Me Fall Asleep.” 16:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0192.
\n—(with Czerwicz). (Galician) Vilela, “After You.” 16:2, 194.<\/p>\n

Rozas, Ixiar. (Basque) “Patios (III).” 12:1, 183.
\n—“River Eyes.” 12:1, 185.<\/p>\n

Rozenchan, Nancy. “Cintia Moscovich’s Brazilian View on Jewish Literary
\nThemes.” 24:1-2, 217.<\/p>\n

Rozier, Louise (with John DuVal). (Romanesco Italian) Giorgio Roberti, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0“Sonnets from\u00a0‘Na zeppa a l’occhio \/ A Stick in the Eye<\/em>.” 14:1-2, 128.<\/p>\n

Ruoen, Fan (Chinese). Su Shi, \u201cA Dream on the Night of the Twentieth of the First Lunar Month of Yi-Mao Year.\u201d 26:1<\/a>, 60.<\/span><\/p>\n

\u2014Ruoen (Chinese). Zhang Jiuling, \u201cLonging for Her Love afar on a Moonlit Night.\u201d 26:1<\/a>, 72.<\/span><\/p>\n

\u2014Ruoen (Chinese). Du Fu, \u201cComposed on a Night after His Departure from Sichuan.\u201d 26:1<\/a>, 74.<\/span><\/p>\n

Rutherford, John. (Galego) Pilar Pallar\u00e9s, “No resplandor das horas (In the Splendour of the Hours).” 22:1-2, 74.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rabalais, Nathan. “Review: Beverly Matherne,\u00a0Bayou Des Acadiens \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(Blind River).” 25.1, 192. Racz, G.J. (Spanish) Eduardo Chirinos, “Poet’s Wood,” from\u00a0Escrito En Missoula. 16:2, 84. —(Spanish) Chirinos, “The House of the Lord.” 16:2, 86. —(Spanish) Chirinos, “Bears.” 16:2, 86. —(Spanish) Chirinos, “Poem for my Uncle Janus.” 16:2, 88. —(Spanish) Chirinos, “On an Old Poem by Li Po.” […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-451","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":4,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/451\/revisions"}],"predecessor-version":[{"id":989,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/451\/revisions\/989"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=451"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=451"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}