{"id":453,"date":"2019-04-14T22:57:15","date_gmt":"2019-04-15T02:57:15","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=453"},"modified":"2019-06-12T12:05:19","modified_gmt":"2019-06-12T16:05:19","slug":"itc-s","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-s\/","title":{"rendered":"ITC S"},"content":{"rendered":"

Sa, Lucia. “Fragments of a City.” 24:1-2, 272.<\/p>\n

Sanders, Mark. (Afrikaans) “N.P. van Wyk Louw in Translation.” 10:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0323.
\n—N.P. Van Wyk Louw “Volkskritiek\/ People’s Criticism.” 10:1, 329.<\/p>\n

Sanderson, Candie. Review: Kim Th\u00fay, “Ru.” 21:2, 299.<\/p>\n

Santos, Ana Regina Faria Dos. (Portuguese) Clarice Lispector, “A \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Thought.” 6:1, 155.<\/p>\n

Santos, Antonio Ra\u00fal de Toro. (English into Galician) Nuala n\u00ed \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Dhomhnaill, “Nude.” 12:1-2, 224.
\n—(English into Galician) n\u00ed Dhomhnaill, “I Cannot Lie Here.” 12:1-2, 231.
\n—(English into Galician) n\u00ed Dhomhnaill, “The Language Issue.” 12:1-2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0235.
\n—(English into Galician) n\u00ed Dhomhnaill, “Labysheedy (The Silken Bed).” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a012:1-2, 240.
\n—(English into Galician) n\u00ed Dhomhnaill, “My Own Love (In Brackets).” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a012:1-2, 247.
\n—(English into Galician) n\u00ed Dhomhnaill, “You Are.” 12:1-2, 253.<\/p>\n

Santos, Vivaldo. (Portuguese) Bernardo Ajzenberg, “Excerpt from\u00a0Dry \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eyes<\/em>.” 24:1-2, 14.<\/p>\n

Sarrionandia, Joseba. (Portuguese) “Message for Bernardo Atxaga.” 12:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0189.
\n—“A Pile of Worn-Out Shoes.” 12:1, 191.<\/p>\n

Sato, Hiroaki. “Frogs, Frogs, Everywhere.” 7:1, 8.<\/p>\n

Satterlee, Thom. (Danish) Per Aage Brandt, “50 existence, for god’s sake,.”<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 23:2, 146.<\/p>\n

\u00a0 —(Danish) Per Aage Brandt, “49 why should one rant and rage.” 23:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 146.<\/p>\n

\u00a0 —(Danish) Per Aage Brandt, “44 she stands at the window, which,.” 23:2,<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0 146.<\/p>\n

Schabowski, Holly. “Cynthia Elbaum, Photographer.” 4:2, 19.<\/p>\n

Schautz, Rosine (with Kiki Gounaridou and Joel Tansey). (French) Isabelle\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sbrissa, “Crossing the Desert.” 23:1, 59.
\n—(with Kiki Gounaridou) (Greek) Dominique Ziegler, \u201cPrivate Affairs\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(Affaires Privees).\u201d 25.2, 247.
\n<\/strong><\/p>\n

Schenk, Leslie. (Chinese and Japanese) “Six Poems from Ideograms.” 7:1, 56.<\/p>\n

Schoenberger, Casey (Chinese). Xu Wei, \u201cRhapsody on the Lotus.\u201d 26:1<\/a>, 42.<\/span><\/p>\n

Schoolfield, George. “Introduction to Special Issue on Swedish Literature.”\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a08:1, 13.
\n—Review of\u00a0The Serious Game<\/em>\u00a0(Hjalmar S\u00f6derberg). 9:2, 390.<\/p>\n

Schwehla, Martin (with Gerhild Kurtak and Ren\u00e9e v. Paschen). (English to \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0German) Paschen, “Words are Lurking.” 18:2, 74.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Like \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Stainless Steel.” 18:2, 74.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Black \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sheep.” 18:2, 76.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Falling \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Apart at the Seams.” 18:2, 78.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Droplets of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Words.” 18:2, 78.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Window \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dreams\/Joy is Approaching.” 18:2, 80.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Magic \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Carpet.” 18:2, 82.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Amsterdam \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Can.” 18:2, 82.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Southern \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Summer.” 18:2, 84.
\n—(with Kurtak and Paschen) (English to German) Paschen, “The Trouble \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 with Thailand.” 18:2, 86.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Montr\u00e9al \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Clochard.” 18:2, 86.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Jerusalem of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 the Jews.” 18:2, 88.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Afraid of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Freud.” 18:2, 90.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Desperately \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seeking Silence.” 18:2, 90.
\n—(with Kurtak and Paschen) (English to German) Paschen, “A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Preference for Comfort.” 18:2, 92.
\n—(with Kurtak and Paschen) (English to German) Paschen, “The Fog in \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 the Fall.” 18:2, 92.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Elections.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 18:2, 94.
\n—(with Kurtak and Paschen) (English to German) Paschen, “Flames in \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 the Fireplace.” 18:2, 94.<\/p>\n

Scott, Nina. (Spanish) Juan Rodriguez Freile, “The Witch Juana Garcia.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02:1, 19.
\n—“Sor Juana In\u00e9s de la Cruz:\u00a0Loa\u00a0<\/em>to\u00a0El divino Narciso<\/em>.” 9:1, 43.<\/p>\n

Scott, Shannon. \u201cInterview with Raymond N. MacKenzie, translator of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0diaboliques: six tales of decadence by Jules Barbey D\u2019Aurevilly.\u201d \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a025.2, 314.
\n<\/strong><\/p>\n

Sellin, Eric. (with Mbarek Sryfi) (Arabic) Hassan Najmi, “Cognito.” 19.1-2, 31.
\n—(with Sryfi) (Arabic) Najmi, “A Little Woman.” 19.1-2, 33.
\n—(with Sryfi) (Arabic) Najmi, “The Window.” 19.1-2, 32.
\n—(with Sryfi) (Arabic) Najmi, “Death of a Little Girl.” 19.1-2, 35.
\n—(with Sryfi) (Arabic) Najmi, “The Inn.” 19.1-2, 34.
\n—(with Sryfi) (Arabic) Najmi, “The Station Square.” 19.1-2, 37.
\n—(with Sryfi) (Arabic) Najmi, “N.A.” 19.1-2, 36.
\n—(with Sryfi) (Arabic) Najmi, “The Blueness of the Evening.” 19.1-2, 39.
\n—(with Sryfi) (Arabic) Najmi, “The Desert.” 19.1-2, 38.
\n—(with Sryfi) (Arabic) Najmi, “The Empty Chair.” 19.1-2, 44.
\n—(with Sryfi) (Arabic) Najmi, “Seagull.” 19.1-2, 47.
\n—(with Sryfi) (Arabic) Najmi, “Message in a Bottle.” 19.1-2, 46.
\n—(with Sryfi) (Arabic) Najmi, “The Daughters.” 19.1-2, 49.
\n—(with Sryfi) (Arabic) Najmi, “A Room in Rome.” 19.1-2,48.
\n—(with Sryfi) (Arabic) Najmi, “Sands.” 19.1-2, 51.
\n—(with Sryfi) (Arabic) Najmi, “The Violins.” 19.1-2, 50.
\n—(with Sryfi) (Arabic) Najmi, “The Runaway’s Nostalgia.” 19.1-2, 53.
\n—(with Sryfi) (Arabic) Najmi, “The Dead Man.” 19.1-2, 53.
\n—(with Sryfi) (Arabic) Najmi, “Whispers.” 19.1-2, 55.
\n—(with Sryfi) (Arabic) Najmi, “The Rain in the Poem.” 19.1-2, 54.
\n—(with Sryfi) (Arabic) Najmi, “A Cloud.” 19.1-2, 56.
\n—“Poetic Compromises and the Uncertainty Principle: Translating \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Verhaeren’s ‘Le Navire.'” 20:2, 122.
\n—(French) Emile Verhaeren, “The Ship.” 20:2, 132.
\n—(French) Pierre de Ronsard, “A Sonnet for Helen.” 21:2, 164.
\n—Review: “The Translator as Critical Whistle-Blower.” 21:2, 166.<\/p>\n

Senechal, Diana. (Lithuanian) Tomas Venclova, poems. 7:2, 76.<\/p>\n

\u0218<\/span>erb\u0103<\/span>nescu, Tudor. (English to Romanian) X\u00e1nath Caraza, “Wind on My Face.” 27:1<\/a>, 60.<\/p>\n

—(English to Romanian) Caraza, “Smoke.” 27:1<\/a>, 64.<\/p>\n

Sesar, Carl. (Japanese) Ishikawa Takuboku, “Sad Toys.” 2:2, 76.
\n—(Japanese) Takuboku, from “Sad Toys.” 8:2, 64.<\/p>\n

Shamma, Tarek. (Arabic) Wafa Malih, “Looking into a Lover’s Eyes.” 15:1-
\n2, 124.
\n—(Arabic) Ibrahim Samuel, “That Sunday Morning.” 23:2, 174.<\/p>\n

Shapiro, Norman R. (French) Stephen Bernard, “The Two Rabbits.” 11:1, 234.
\n—(French) Jules Choppin, “The Hare and the Tortoise.” 11:1, 240.
\n—(French) Choppin, “The Oak and the Reed.” 11:1, 243.
\n—(French) Joseph D\u00e9jacque, “The Oyster and the Pearl.” 11:1, 244.
\n—(French) Charles Chauvin Boisclair D\u00e9lery, “The Wasp and the Bee.” 11:1, 246.
\n—(French) D\u00e9lery, “The Tree and the Mast.” 11:1, 248.
\n—(French) Edgar Grima, “The Cricket and the Ant.” 11:1, 254.
\n—(French) Grima, “The Wolf and the Stork.” 11:1, 264.<\/p>\n

Sharpe, Peggy. (Portuguese) Marcelino Freire, “The Royal Manor,” “Peace.” 24:1-2, 124.<\/p>\n

Shaver, K. (and Ion Cretu). (Romanian). Ioan Es. Pop, “The House.” 8:2, 38.<\/p>\n

Shaw, T.E. (Greek) Homer,\u00a0Odyssey<\/em>, Book V, lines 291-299. 6:2, 132.<\/p>\n

Shearin, Will. (Latin) Horace, “Hard Work (Epode<\/em>\u00a08).” 16:1, 184.<\/p>\n

Shore, Marci. (Polish) Michal Glowinski, “The Pastry,” “Emil.” 9:2, 321.<\/p>\n

Shread, Carolyn. (French) Sandra Moussemp\u00e8s, poems. 8:2, 78.<\/p>\n

Shroder, Maurice Z. (Old French) Francois Villon, “Ballade que Villon \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0feist a la requeste de sa mere pour prier nostre dame.” 10:2, 103.
\n—Villon, “Ballade des femmes du temps jadis.” 10:2, 105.<\/p>\n

Shupala, Andy. (Classical Chinese) Chang Chi, poems 9:2, 202.<\/p>\n

Sibisan, Aura (and Sorkin). (Romanian) Saviana Stanescu, poems. 9:2, 24.<\/p>\n

Sidikou, A\u00efssata. (Songhoy-Zarma) “Beto as a Nation Builder.” 10:1, 285.
\n—(Songhoy-Zarma) “Beto.” 10:1, 291.<\/p>\n

Simpson, Patricia Anee. “Review: Ursula Krechel,\u00a0Voices from the Bitter \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Core<\/em>.” 18:2, 261.<\/p>\n

Siporin, Steve. (Italian) Augusto Segre, “Jachetu’s Ring.” 23:2, 241.<\/p>\n

Sj\u00f6berg, Leif. “Translating with W.H. Auden: Gunnar Ekel\u00f6f’s Last \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Poems.” 1:2, 38.
\n—(Swedish) Ova Allansson, “The Mutineer.” 8:1, 20.
\n—(and Stephen Klass). (Swedish) Sara Lidman, “The Bear Girl.” 8:1, 49.
\n—(and Klass). (Swedish) Harry Martinson. “Excerpts from Aniara.” 8:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0110.<\/p>\n

Small, Curtis. (French) Myriam Warner-Vieyra, “That Special Hour.” 11:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0215.<\/p>\n

Smith, Carolyn. (Greek) Sappho, “He seems the equal of the gods, that \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0man.” 6:1, 78.<\/p>\n

Smith, Donny. (Spanish) Wenceslao Maldonado, “Gorgona.” 13:2, 68.<\/p>\n

Smith, Nathaniel. “Some Thoughts on Translating in Rhyme.” 2:1, 4.
\n—(Romanian) Mihai Eminescu, “The Star.” 2:2, 70.
\n—(Catalan) Bartomeu Rossell\u00f3-P\u00f2rcel, “Beginning of a Bell,” “Bird \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Curves.” 2:2, 72.
\n—(Proven\u00e7al) Brother Ramon de Cornet, “Truffa.” 4:2, 116.
\n—(Latin) Anonymous, “A Medieval Invitatio Amoris.” 4:2, 122.
\n—“Introduction” to Special Catalan Issue. 5:2, 13.
\n—“Translating Two Poems by Bartomeu Rossell\u00f3-P\u00f2rcel.” 5:2, 203.
\n—“‘The Anthracite Prayer’: An Introduction.” 8:2, 19.
\n—(and Ion Cretu). (Romanian) Ioan Es. Pop, “banquet.” 8:2, 60.<\/p>\n

Smith, Pamela J. Ol\u00fab\u00f9nmi, “The Oral\/Aural: Sound and Meaning in \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Yor\u00f9b\u00e1 Poetic Prose Translation\u2014Ak\u00ednw\u00f9m\u00ed \u00ccs\u00f6l\u00e1 and the F\u00e1g\u00fanw\u00e0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Tradition.” 10:1, 185.
\n—(Yor\u00f9b\u00e1) Akinwumi Isola, “The Loss of Innocence” (Agb\u00f3y\u00ecnb\u00f3 K\u00ec \u00ed K\u00fa
\nS\u00edl\u00e9<\/em>, excerpt from the novel,\u00a0Og\u00fan Omod\u00e9<\/em>, chapter thirteen). 21:2, 173.<\/p>\n

Smith, Shirley A. (Italian) Anna Banti, “Lavinia Lost.” 17:1, 305.<\/p>\n

Smith, Steven K. (Portuguese) Fernando Pessoa, “She Sings, Poor \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Reaper.” 13:2, 154.<\/p>\n

Snook, Jean M. (German) Evelyn Grill, “Means of Flight (From the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Working World of Just-A-Housewife).” 16:1, 295.
\n—(German) Gerd Fuchs, “Schuss (Chapter 1 of the Novel\u00a0Schussfahrt<\/em>.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a016:2, 26.<\/p>\n

Sobh, Mahmud. (Arabic) Ibn Zaydun, “Luscious C\u00f3rdoba.” 15:1-2, 178.
\n—(Arabic) Zaydun, “Nostalgic Lover.” 15:1-2, 178.
\n—(Arabic) Zaydun, “Wine and Roses.” 15:1-2, 178.
\n—(Arabic) Zaydun, “After Absence.” 15:1-2, 178.
\n—(Arabic) Zaydun, “A Furtive Glance.” 15:1-2, 178.
\n—(Arabic) Zaydun, “A Secret.” 15:1-2, 178.
\n—(Arabic) Zaydun, “HIdden Suffering.” 15:1-2, 178.<\/p>\n

Sohar, Paul. (Hungarian) Endre Ady, “Cadaver on the Wheatfield.” 23:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0106.<\/p>\n

Sokolovsky, Yevgeniy. (Russian) Slava Nurgaliev, “The swifts are sissors \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0busy with the azure,.” 23:2, 104.<\/p>\n

Song, Chae-Pyong (with Walter H. Kokernot). (Korean) Ku Hyo-So, “A \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Woman Returning from Farther Away.” 13:1, 224.<\/p>\n

\u00a0 —(with Darcy L. Brandel). (Korean) Moon Jae-Tun, “Old Mother.” 23:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0154.<\/p>\n

\u00a0 —(with Darcy L. Brandel). (Korean) Moon Jae-Tun, “When Rain Is About \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0to Come.” 23:1, 154.<\/p>\n

\u00a0 —(with Brandel). (Korean) Jae-Tun, “Passing through the Tunnel.” 23:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0154.<\/p>\n

Sorkin, Adam J. “‘I Was of Three Minds’: Some Observations on \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Translating Poetry.” 6:2, 19.
\n—(with Sibisan, Aura). (Romanian) Saviana Stanescu, poems. 9:2, 24.
\n—(Romanian) Radu Andiescu, “Catalanul Din Mine.” 10:2, 25.
\n—(Romanian) Andriescu, “Aproape o minune: de vorba cu Taj Mahal.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a010:2, 31.
\n—(Romanian) Andriescu, “Hamburger, Sau Drumul Spre Hogeac.” 10:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a035.
\n—(Romanian) Andriescu, “Puntile Stalinskaya.” 10:2, 39.
\n—(Romanian) Andriescu, “Naspa la singe.” 10:2, 45.
\n—(Romanian)Andriescu, “Bip.” 10:2, 51.
\n—(Romanian) Ioana Ieronim, “Scari rulante.” 11:2, 108.
\n—(Romanian) Ieronim, “Zmeu rupt din franghie.” 11:2, 114.
\n—(Romanian) Ieronim, “Ganditorul.” 11:2, 116.
\n—(Romanian) Ieronim, “Scena de gen: carciuma.” 11:2, 118.
\n—(Romanian) Ieronim, “Matanii carpatine.” 11:2, 120.
\n—(Romanian) Ieronim, “Diferenpa culturala;.” 11:2, 122.
\n—(Romanian) Ieronim, “Replica.” 11:2, 122.
\n—(with Liana Vrajitoru). (Romanian) Elena Stefoi, “A Team No Matter \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0What.” 13:2, 148.
\n—(with Vrajitoru) (Romanian) Stefoi, “Berlin Pastel.” 13:2, 150.
\n—(with Irene Perciali). (Romanian) Stefoi, “The Crisis of Afterwards.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a013:2, 152.
\n—“Review of Ileana Malacioiu,\u00a0After the Raising of Lazarus<\/em>.” 14:1-2, 208.<\/p>\n

Spears, Heather. (Danish) Niels Hav, \u201cHypocrites.\u201d 20:1, 53.<\/p>\n

\u00a0 —(Danish) \u201cThe Kids.\u201d 20:1, 53.<\/p>\n

Speedy, Karin. “Translating Socrates’ ‘Creole’ in Georges Badoux.” 11:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0120.
\n—(French) Georges Badoux, “Excerpt from\u00a0Sauvages et Civilises<\/em>.” 11:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0128.<\/p>\n

Sryfi, Mbarek. (with Eric Sellin) (Arabic) Hassan Najmi, “Cognito.” 19.1-2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a031.
\n—(with Sellin) (Arabic) Najmi, “A Little Woman.” 19.1-2, 33.
\n—(with Sellin) (Arabic) Najmi, “The Window.” 19.1-2, 32.
\n—(with Sellin) (Arabic) Najmi, “Death of a Little Girl.” 19.1-2, 35.
\n—(with Sellin) (Arabic) Najmi, “The Inn.” 19.1-2, 34.
\n—(with Sellin) (Arabic) Najmi, “The Station Square.” 19.1-2, 37.
\n—(with Sellin) (Arabic) Najmi, “N.A.” 19.1-2, 36.
\n—(with Sellin) (Arabic) Najmi, “The Blueness of the Evening.” 19.1-2, 39.
\n—(with Sellin) (Arabic) Najmi, “The Desert.” 19.1-2, 38.
\n—(with Sellin) (Arabic) Najmi, “The Empty Chair.” 19.1-2, 44.
\n—(with Sellin) (Arabic) Najmi, “Seagull.” 19.1-2, 47.
\n—(with Sellin) (Arabic) Najmi, “Message in a Bottle.” 19.1-2, 46.
\n—(with Sellin) (Arabic) Najmi, “The Daughters.” 19.1-2, 49.
\n—(with Sellin) (Arabic) Najmi, “A Room in Rome.” 19.1-2,48.
\n—(with Sellin) (Arabic) Najmi, “Sands.” 19.1-2, 51.
\n—(with Sellin) (Arabic) Najmi, “The Violins.” 19.1-2, 50.
\n—(with Sellin) (Arabic) Najmi, “The Runaway’s Nostalgia.” 19.1-2, 53.
\n—(with Sellin) (Arabic) Najmi, “The Dead Man.” 19.1-2, 53.
\n—(with Sellin) (Arabic) Najmi, “Whispers.” 19.1-2, 55.
\n—(with Sellin) (Arabic) Najmi, “The Rain in the Poem.” 19.1-2, 54.
\n—(with Sellin) (Arabic) Najmi, “A Cloud.” 19.1-2, 56.
\n—(Arabic) Aicha Bassry, \u201cHouse of Night (Chapter 1 of\u00a0Silk Nights).\u201d \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a025.2, 229.<\/p>\n

Statt, Paul. (Classical Greek) Anacreon, “The Motley-Sandaled Girl.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a013:1,\u00a040.<\/p>\n

Stavans, Ilan. (Spanish) Gerardo Mario Goloboff, “The Passion According \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0to San Martin.” 2:1, 30.
\n—“The Original Language.” 3:1, 54.
\n—“Thorn At The Core: A Conversation with Ariel Dorfman.” 4:1, 8.
\n—“Translation and Conquest.” 3:2, 67.
\n—(Spanish) Alcina Lubich Domecq, “Bottles.” 5:1, 95
\n—(and Marjorie Agosin). “A Conversation.” 5:1, 85.<\/p>\n

Stein-Obreros, Anna. (Spanish) Reina Roff\u00e9, \u201cSleepless Night\u201d 20:1, 174.<\/p>\n

Stieber, Ernestine J. “Review:\u00a0In Hora Mortis\u2014Under the Iron of the Moon\u00a0<\/em>by \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Thomas Bernhard, translated by James Reidel).” 16:2, 230.<\/p>\n

Stenberg, Josh. (Chinese) Potato Brother (Yu Kuichao), “A cruel kind of a \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0process.” 23:1, 150.<\/p>\n

Stendahl, Brita. (Swedish) Gunnar Ekel\u00f6f, “Euphoria,” “Melancholia.”\u00a04:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0136.
\n—(Swedish) Ekel\u00f6f, “Melancholia,” “Euphoria.” 6:1, 74.
\n—(Swedish) Solveig von Schoultz, “13 Poems from The Cloud Shadow.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a08:1, 130.<\/p>\n

Stracher, Cameron A. “An Introduction to Copyright Law for \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Translators.” 1:1, 34.<\/p>\n

Strowe, Anna. (Italian) Kossi Komla-Ebri, “Selections from Ethnocollisions: Daily Embarrassments in Black and White<\/em>.” 14:1-2, 162.<\/p>\n

Suet-Ying Chiu, Elena (Manchu). Bujilgen Jakdan, \u201cPlanting a Pear Tree.\u201d 26:1<\/a>, 207.<\/span><\/p>\n

Sujane, Wu (with Pan Morrigan) (Chinese). Ouyang Xiu, \u201cSpring in the Hidden Valley.\u201d 26:1<\/a>, 62.<\/span><\/p>\n

\u2014Sujane (Chinese). Ouyang, \u201cOuting to Langye Mountain.\u201d 26:1<\/a>, 64.<\/span><\/p>\n

\u2014Sujane (Chinese). Ouyang, \u201cPresented to the Daoist Li Jingxian.\u201d 26:1<\/a>, 66.<\/span><\/p>\n

\u2014Sujane (Chinese). Ouyang, \u201cA Song Presented to Shen Zun.\u201d 26:1<\/a>, 70.<\/span><\/p>\n

Sullivan, Robert G. “Review of\u00a0Homes of the Heart: A Ramallah Chronicle<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Farouq Wadi.” 15:1-2, 231.
\n—“(with Meriem Pages). “Review: Rafik Schami,\u00a0The Dark Side of Love.”\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a019.1-2, 388.<\/p>\n

Summerfield, Giovanna. (Italian) Domenico Tempio, “La libraria, The\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Library.” 14:1-2, 126.
\n—“Gli Aracini di Montalbano: More Than a Sicilian Culinary Note.” 14:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0286.<\/p>\n

Surliuga, Victoria. “Translator’s Introduction.” 13:1, 42.
\n—(Italian) Giampiero Neri, “Delle Misure, Dei Pesi (Of Measurements, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Of Weights).” 13:1, 44.
\n—(Italian) Neri, “Villa Nena.” 13:1, 46.
\n—(Italian) Neri, “Storia Naturale (Natural History).” 13:1, 48.<\/p>\n

Susko, Mario. (Croatian) Susko, “Four War Poems (plus three).” 3:1, 104.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sa, Lucia. “Fragments of a City.” 24:1-2, 272. Sanders, Mark. (Afrikaans) “N.P. van Wyk Louw in Translation.” 10:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0323. —N.P. Van Wyk Louw “Volkskritiek\/ People’s Criticism.” 10:1, 329. Sanderson, Candie. Review: Kim Th\u00fay, “Ru.” 21:2, 299. Santos, Ana Regina Faria Dos. (Portuguese) Clarice Lispector, “A \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Thought.” 6:1, 155. Santos, Antonio Ra\u00fal de Toro. (English into […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-453","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":7,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/453\/revisions"}],"predecessor-version":[{"id":986,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/453\/revisions\/986"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=453"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}