{"id":461,"date":"2019-04-14T22:58:23","date_gmt":"2019-04-15T02:58:23","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=461"},"modified":"2019-06-12T11:57:44","modified_gmt":"2019-06-12T15:57:44","slug":"itc-w","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/indexes\/itc-w\/","title":{"rendered":"ITC W"},"content":{"rendered":"

Waddell, Helen. (Latin) Anonymous, “Iam, Dulcis Amica.” 4:2, 120.<\/p>\n

Waechter, Maria (and Carmen Magallanos). (Spanish) Magallanos, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0“Seven Poems.” 4:1, 86.<\/p>\n

Waggoner, May. (French) Camille Thierry, “The Pirate’s Mistress.” 11:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0266.
\n—(French) Thierry, “Regrets of the Old Mulatto Woman or Sanite \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Foueron’s Distress.” 11:1, 271.<\/p>\n

Waite, Kasey J. (Old English) Anonymous, \u201cWulf and Eadwacer.\u201d \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a025.2, 50.<\/p>\n

Washbourne, Kelly. (Spanish) Ruben Dar\u00edo, “Honorio’s Nightmare.” 1:2, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a048.
\n—(Spanish) Washbourne, “The Nirvana Dictionary,” “Not What It Can \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0But What It Must.” 2:1, 11.<\/p>\n

Wallenstein, Barry. “Two Poems.” 5:2, 41.<\/p>\n

Watson, Ellen. (Portuguese) Adelia Prado, “Two Ways,” “The Alphabet in \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0the Park.” 1:1, 30.
\n—(Portuguese) Adelia Prado, poems. 21:2, 96.<\/p>\n

Wei-hsin, Lin (Chinese). Eileen Chang, \u201cMy Views on Su Qing.\u201d 26:1<\/a>, 180.<\/span><\/p>\n

\u2014Wei-hsin (Chinese). Chang, \u201cThe Sayings of my Aunt.\u201d 26:1<\/a>, 198.<\/span><\/p>\n

Weissengruber, Erik. “‘Can One Not Be Serious, Even When Laughing?’: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0British Translations of G. E. Lessings’s\u00a0Minna von Barnhelm<\/em>, 1786- \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a01805.” 9:1, 51.<\/p>\n

Wetmore, Kevin (and Maura Chwastyk). “A Phonomorphological Model \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0for the Study of Intercultural Theatre.” 9:1, 225.<\/p>\n

Wheeler, Sally. (Russian) Alla Mikhalevich, “Wasps (I).” 20:2, 98.
\n—(Russian) Mikhalevich, “Two Almost Equal Seasons Fill the Year.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a020:2,100.<\/p>\n

White, Sarah. (Old Occitan) “Songs of Women Troubadours.” 2:2, 56.<\/p>\n

Wick, Erica (with Maria Carlstedt, Anna Mandell, and Katarina Tucker). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(Swedish) Carina Karlsson, “Excerpts from\u00a0Lisbeta, Per Skarp’s Wife<\/em>.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a08:1, 140.<\/p>\n

Wigan, Phillip and Julia. (Portuguese) Pedro Meira Monteiro, “Collecting
\nImages: On Joao Almino’s Fictional Work.” 24:1-2, 38.<\/p>\n

Wilbur, Richard. (French) Moli\u00e8re, “Amphitryon: Act One, Scene One.” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a02:1, 42.
\n—(Italian) Salvatore Quasimodo, “The Agrigentum Road.” 4:1, 65.
\n—(Romanian) Nina Cassian, “Ballad of The Jack of Diamonds.” 4:1, 66.
\n—(Romanian) Cassian, “Ballad of The Jack of Diamonds” (correction). \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a04:2, 140.
\n—(French) Joachim du Bellay, “Happy the Man.” 5:1, 42.
\n—(Bulgarian) Valeri Petrov, poems. 7:2, 12.<\/p>\n

Williams, Donald Mace. (German) Rainer Maria Rilke, “The Last Evening.” 25.1, 108.
\n—(German) Rilke, “The Panther.” 25.1, 108.<\/p>\n

Williamson, Patrick (with Yann Lovelock). (French) Serge Pey. “Every \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Poem is a Decapitated Head Held up by a Single Hair.” 16:1, 186.
\n—(French) Mathieu B\u00e9n\u00e9zet, “Phase I (Extract from\u00a0L’Oc\u00e9an jusqu’\u00e8 a
\ntoi<\/em>).” 17:1, 120.<\/p>\n

Witt, Martha (with Mary Ann Frese Witt). (Italian) Valeria Parrella, “Forty \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Flush.” 18:2, 201.<\/p>\n

Witt, Mary Ann Frese (with Martha Witt). (Italian) Valeria Parrella, “Forty \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Flush.” 18:2, 201.<\/p>\n

Wong, Elaine (Chinese). Chen Li, \u201cAriettas: An Excerpt.\u201d 26:1<\/a>, 30.<\/span><\/p>\n

\u2014Wong (Chinese). Chen, \u201cMemorandum of A Forgotten Comforter.\u201d 26:1<\/a>, 32.<\/span><\/p>\n

\u2014Wong (Chinese). Chen, \u201cRio de Ouro, 1500.\u201d 26:1<\/a>, 34<\/span><\/p>\n

Woronzoff-Dashkoff, Catherine. Mikhail Bulgakov adapted by Smekhov, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Veniamin. Two scenes from the stage adaptation of\u00a0Master and \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Margarita<\/em>: “Satan’s Ball” 10:2, 216.
\n—“By Candlelight” 10:2, 218.<\/p>\n

Wortsman, Peter. “Simultaneous Musils or Will the Real Dichter Please \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Rise From the Dead!” 9:2, 335.<\/p>\n","protected":false},"excerpt":{"rendered":"

Waddell, Helen. (Latin) Anonymous, “Iam, Dulcis Amica.” 4:2, 120. Waechter, Maria (and Carmen Magallanos). (Spanish) Magallanos, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0“Seven Poems.” 4:1, 86. Waggoner, May. (French) Camille Thierry, “The Pirate’s Mistress.” 11:1, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0266. —(French) Thierry, “Regrets of the Old Mulatto Woman or Sanite \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Foueron’s Distress.” 11:1, 271. Waite, Kasey J. (Old English) Anonymous, \u201cWulf and Eadwacer.\u201d \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a025.2, 50. […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":359,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-461","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=461"}],"version-history":[{"count":2,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/461\/revisions"}],"predecessor-version":[{"id":981,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/461\/revisions\/981"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/359"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=461"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=461"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}