{"id":506,"date":"2019-05-19T16:39:16","date_gmt":"2019-05-19T20:39:16","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=506"},"modified":"2023-06-12T10:53:07","modified_gmt":"2023-06-12T14:53:07","slug":"italian","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/italian\/","title":{"rendered":"Italian (plus related dialects)"},"content":{"rendered":"

Appel, Anne Milano. (Italian) Paolo di Stefano, \u201cCannibal Dialects.\u201d\u00a014.1-2<\/a>, 177.<\/p>\n

Banerjee, Ron D.K. (Italian) Giovanni Pascoli, \u201cPurple Digitalis,\u201d \u201cJasmine At Night.\u201d 6.1<\/a>, 66.<\/p>\n

\u2014(Italian) Giacomo Leopardi, \u201cThe Infinite.\u201d 6.2<\/a>, 128.<\/p>\n

\u2014(Italian) Leopardi,\u201dThe Muse of Exile.\u201d 6.2<\/a>, 152.<\/p>\n

\u2014(Italian) \u201cNatura (Nature).\u201d 13.1<\/a>, 50.<\/p>\n

\u2014(Italian) \u201cUccelli (Birds).\u201d 13.1<\/a>, 52.<\/p>\n

\u2014(Italian) \u201cCaff\u00e9 di Inverigo (The Caf\u00e9 at Inverigo).\u201d 13.1<\/a>, 54<\/p>\n

\u2014(Italian) \u201cA Victoria Surliuga (For Victoria Surliuga).\u201d 13.1<\/a>, 56.<\/p>\n

\u2014(Italian) \u201cIntermezzo (Intermission).\u201d 13.1<\/a>, 58.<\/p>\n

\u2014(Italian) \u201cA Giorgio Luzzi (For Giorgio Luzzi).\u201d 13.1<\/a>, 58.<\/p>\n

\u2014(Italian) \u201cUna mostra di pittura del \u201932 (A painting exhibition in 1932).\u201d 13.1<\/a>, 58.<\/p>\n

\u2014(Italian) \u201cMimesi (Mimesis).\u201d 13.1<\/a>, 60.<\/p>\n

\u2014(Italian) \u201cOrigine (Origin).\u201d 13.1<\/a>, 62.<\/p>\n

\u2014(Italian) \u201cPersona seconda (Second Person).\u201d 13.1<\/a>, 66.<\/p>\n

\u2014(Italian) \u201cUntitled.\u201d 13.1<\/a>, 68.<\/p>\n

\u2014(Italian) \u201cUntitled.\u201d 13.1<\/a>, 72.<\/p>\n

 <\/p>\n

Basford, Douglas. \u201cIntroduction to Il Burchiello.\u201d 23.2<\/a>, 124.<\/p>\n

\u2014(Italian) Il Burchiello, \u201cNo Party Too Small.\u201d 23.2<\/a>, 128.<\/p>\n

\u2014(Italian) Il Burchiello, \u201cOne Doesn\u2019t Say Such Things.\u201d 23.2<\/a>, 130.<\/p>\n

\u2014(Italian) Il Burchiello, \u201cCareful What You Ask For.\u201d 23.2<\/a>, 132.<\/p>\n

\u2014(Italian) Il Burchiello, \u201cI\u2019m Pushed to Extremes.\u201d 23.2<\/a>, 134.<\/p>\n

 <\/p>\n

Bebiano, Adriana. (Italian into Portuguese) Mario Materassi, \u201cNiente di Personale. Assolutamente Niente di Personale.\u201d 11.2<\/a>, 164.<\/p>\n

 <\/p>\n

Bellesia, Giovanna (with Victoria Offredi Poletto). (Italian) Igiaba Scego, \u201cSausages.\u201d 13.2<\/a>, 214.
\n\u2014(with Poletto). (Italian) Christiana de Caldas Brito, \u201cI, Fingertip 5,423.\u201d 14.1-2,<\/a> 158.
\n\u2014(with Poletto). (Italian) Ubax Cristina Ali Farah, \u201cPunt Rap.\u201d 14.1-2<\/a>, 276.
\n\u2014(with Poletto). (Italian) Ali Farah, \u201cLittle Mother.\u201d 14.1-2<\/a>, 281.<\/p>\n

 <\/p>\n

Bennett, Martin Wilmot. (Italian) Raffaele Carrieri, poems. 9.2<\/a>, 62.<\/p>\n

 <\/p>\n

Bernardi, Adria. (Italian) Raffaello Baldini, \u201cThe Comedy.\u201d 13.1<\/a>, 76.
\n\u2014(Italian) Baldini, \u201cFussbudget.\u201d 13.1<\/a>, 82.
\n\u2014(Italian) Baldini, \u201cStricken.\u201d 13.1<\/a>, 88.
\n\u2014(Italian) Baldini, \u201cThe Will.\u201d 13.1<\/a>, 94.
\n\u2014(Romagnolo and Italian) Baldini, \u201cE\u2019 br\u00e8tt, Il beretto, The Cap.\u201d 14.1-2<\/a>, 43.
\n\u2014(Romagnolo and Italian) Baldini, \u201cFurist\u00edr, Forestiero, Outsider.\u201d 14.1-2<\/a>, 49.
\n\u2014(Romagnolo and Italian) Baldini, \u201cL\u00f3i, Luglio, July.\u201d 14.1-2<\/a>, 55.
\n\u2014(Romagnolo and Italian) Baldini, \u201cChina, China, Liqueur.\u201d 14.1-2<\/a>, 58.
\n\u2014(Romagnolo and Italian) Baldini, \u201cLa n\u00e0iva, La neve, Snow.\u201d 14.1-2<\/a>, 61.<\/p>\n

 <\/p>\n

Bonaffini, Luigi. (Friulian dialect of Italian) Pier Paolo Pasolini, \u201cLi letanis dal Biel fi, The Litanies of the Handsome Boy.\u201d 14.1-2<\/a>, 112.
\n\u2014(Friulian dialect of Italian) Pasolini, \u201cPloja tai cunfins, Rain at the Edges.\u201d 14.1-2<\/a>, 113.
\n\u2014(Friulian dialect of Italian) Pasolini, \u201cCan plor, Dirge.\u201d 14.1-2<\/a>, 114.<\/p>\n

 <\/p>\n

Bourbeau, David. (Italian) Giacomo Leopardi, \u201cThe Infinite.\u201d 6.2<\/a>, 127.<\/p>\n

 <\/p>\n

Boutelle, Annie. (Italian) Rita Dinale, \u201cWhenever I Return.\u201d 13.2<\/a>, 24.<\/p>\n

 <\/p>\n

Cantarella, H\u00e9l\u00e8ne. \u201cTranslation as a Political Instrument.\u201d 1.2<\/a>, 15.
\n\u2014(Italian) Alberto Moravia, \u201cThe Secret.\u201d 2.1<\/a>, 25.
\n\u2014(with Melinda Kennedy). (Italian) Salvatore Quasimodo, \u201cFive Poems by Salvatore Quasimodo.\u201d 4.2<\/a>, 82.
\n\u2014(with Melinda Kennedy). (Italian) Alessandro Ferace, \u201cThe Almond Tree,\u201d \u201cAlzheimer\u2019s.\u201d 5.1<\/a>, 54.
\n\u2014(Italian) Aldo Palazzeschi, \u201cMadame Bouche.\u201d 5.1<\/a>, 77.
\n\u2014(Italian) Manlio Cancogni, \u201cDeath of a \u2018Queen Mother.’\u201d 6.1<\/a>, 15.
\n\u2014(with Melinda Kennedy). (Italian) Ferace, \u201cA Group of Poems.\u201d 6.1<\/a>, 100.
\n\u2014(Italian) Prosper M\u00e9rim\u00e9e, \u201cMateo Falcone.\u201d 6.2<\/a>, 58.
\n\u2014(Italian) Natalia Ginzburg, \u201cHe and I.\u201d 7.1<\/a>, 34.<\/p>\n

 <\/p>\n

Connors, Susan Leigh. (Italian) Ghit\u00e0, \u201cThe Ball.\u201d 14.1-2<\/a>, 220.<\/p>\n

 <\/p>\n

Dalton, Mary. (Italian) Elena Clementelli, \u201cEtruscan Notebook (Quaderno Etrusco<\/em>).\u201d 25.2<\/a>, 72.<\/p>\n

 <\/p>\n

Davison, Chad (with Marella Feltrin-Morris). (Italian) \u201cFive African Poets.\u201d 14.1-2<\/a>, 191.<\/p>\n

 <\/p>\n

DiMaio, Alessandra. (Italian) Ubax Cristina Ali Farah, \u201cEntirely.\u201d 14.1-2<\/a>, 269.<\/p>\n

 <\/p>\n

Eaton, Steve. (Italian) Luigi Pirandello, \u201cMale di Luna.\u201d 25.2<\/a>, 179.
\n<\/strong>\u00a0\u00a0\u2014(Italian) Pirandello, \u201cRequiem Aeternam Dona Eis, Domine!\u201d 25.2<\/a>, 187.<\/p>\n

 <\/p>\n

Feltrin-Morris, Marella (with Chad Davison). (Italian) \u201cFive African Poets.\u201d 14.1-2<\/a>, 191.<\/p>\n

 <\/p>\n

Ferace, Alessandro. (English into Italian) Emily Dickinson, #1298. 6.2<\/a>, 108.
\n\u2014(English into Italian) Sylvia Plath, \u201cMushrooms.\u201d 6.2<\/a>, 110.
\n\u2014(English into Italian) Richard Wilbur, \u201cChildren of Darkness.\u201d 6.2<\/a>, 114.
\n\u2014(English into Italian) W.S. Merwin, \u201cLooking for Mushrooms at Sunrise.\u201d 6.2<\/a>, 118.
\n\u2014(with Melinda Kennedy). (Italian) Ferace, \u201cConfessione Firmata.\u201d 6.2<\/a>, 120.
\n\u2014(English into Italian) Robert Frost, poems. 9.2<\/a>, 56.
\n\u2014(English into Italian) Emily Dickinson, poems. 9.2<\/a>, 58.<\/p>\n

 <\/p>\n

Ferrarelli, Rina. (Italian) Bartolo Cattafi, poems. 8.2<\/a>, 124.<\/p>\n

 <\/p>\n

Ferrario, Paola. \u201cItalian Pictures.\u201d 14.1-2<\/a>, 228.<\/p>\n

 <\/p>\n

Foster, Brett. (Italian) Cecco Angioliera, poems. 17.2<\/a>, 60.<\/p>\n

 <\/p>\n

Frisardi, Andrew. (Milanese dialect and Italian) Franco Loi, \u201cFrom\u00a0Libor<\/em>.\u201d 14.1-2<\/a>, 103.<\/p>\n

\u2014(Italian) Dante Alighieri, \u201cVidero li occhi miei quanta pietate (Vita Nova XXXV).\u201d 20.1<\/a>, 87<\/p>\n

\u2014(Italian) Dante Alighieri, \u201cColor d\u2019amore e di pieta sembianti (Vita Nova XXXVI).\u201d 20.1<\/a>, 87.<\/p>\n

\u2014(Italian) Dante Alighieri, \u201cGentil pensero che parla di vui (Vita Nova XXXVIII).\u201d 20.1<\/a>, 89.<\/p>\n

\u2014(Italian) Dante Alighieri, \u201cQuantunque volte, lasso! mi rimembra (Vita Nova XXXIII).\u201d 20.1<\/a>, 89.<\/p>\n

\u2014(Italian) Dante Alighieri, \u201cS\u00c3\u00ac lungiamente m\u2019ha tenuto Amore (from Vita Nova XXVII).\u201d 20.1<\/a>, 91.<\/p>\n

\u2014(Italian) Dante Alighieri, \u201cEra venuta ne la mente mia (Vita Nova XXXIV).\u201d 20.1<\/a>, 93.<\/p>\n

 <\/p>\n

Gecewicz, Donald. (Italian) Giovanni Raboni, \u201cOgni Terzo Pensiero.\u201d 11.2<\/a>, 130.<\/p>\n

 <\/p>\n

Giuliani-Caponetto, Rosetta. \u201cAnother Country in My Eyes: Italian Cinema on African Immigration.\u201d 14.1-2<\/a>, 294.<\/p>\n

 <\/p>\n

Hanna, Monia. (Italian) Wadia Laila, \u201cChicken Curry.\u201d 14.1-2<\/a>, 150.
\n\u2014\u201cReview of\u00a0Amara Lakohous Sonctro di Civilt\u00e0 per un Ascensore a Piazza Vittorio<\/em>.\u201d 14.1-2<\/a>, 292.<\/p>\n

 <\/p>\n

Harris, Liz. (Italian) Mario Rigoni Stern, \u201cFrom\u00a0Giacomo\u2019s Seasons.<\/em>\u201d 8.2<\/a>, 199.<\/p>\n

 <\/p>\n

Irasema, Iglesias Galvan Claudia. (Spanish to Italian) Xanath Caraza, \u201cWhere Are You?\u201d 25.2<\/a>, 129.
\n\u2014(Spanish to Italian) Caraza, \u201cBe a Witness.\u201d 25.2<\/a>, 132.
\n\u2014(Spanish to Italian) Caraza, \u201cHow Many Lives?\u201d 25.2<\/a>, 137.
\n\u2014(Spanish to Italian) Caraza, \u201cSpill Water.\u201d 25.2<\/a>, 141.<\/p>\n

 <\/p>\n

Jaffe-Berg, Erith. (Hebrew and Italian) Leone De\u2019 Sommi, \u201cExcerpts from\u00a0In Defense of Women<\/i>.\u201d 16.2<\/a>, 110.<\/p>\n

 <\/p>\n

Kamei, Toshiya. (Italian) Jing Jing Huang, \u201cLa mia patria, My Homeland.\u201d 14.1-2<\/a>, 218.
\n\u2014(Italian) Loubna Handou, \u201cMarocco (Morocco).\u201d 15.1-2<\/a>, 94.<\/p>\n

 <\/p>\n

Kennedy, Melinda. (Italian) Elio Vittorini, \u201cA Name and a Voice.\u201d 1.1<\/a>, 8.
\n\u2014(Italian) Rita Dinale, \u201cAfrica Turning.\u201d 2.1<\/a>, 74.
\n\u2014(Italian) Carlo Levi, \u201cWords are Stones.\u201d 3.2<\/a>, 51.
\n\u2014(Italian) Cesare Pavese, poems. 4.1<\/a>, 58.
\n\u2014(Italian) Salvatore Quasimodo, \u201cOn the Road to Agrigentum.\u201d 4.1<\/a>, 65.
\n\u2014(with Cantarella). (Italian) Quasimodo, \u201cFive Poems by Salvatore Quasimodo.\u201d 4.2<\/a>, 82.
\n\u2014(Italian) Giuseppe Ungaretti, \u201cDelight,\u201d \u201cAt Rest.\u201d 5.1<\/a>, 48.
\n\u2014(Italian) Eugenio Montale, \u201cMotets I, VII, VIII.\u201d 5.1<\/a>, 50.
\n\u2014(with H\u00e9l\u00e8ne Cantarella). (Italian) Alessandro Ferace, \u201cThe Almond Tree,\u201d \u201cAlzheimer\u2019s.\u201d 5.1<\/a>, 54.
\n\u2014(Italian) Pavese, \u201cChapter XL, La Luna e i Falo.\u201d 6.1<\/a>, 46.
\n\u2014(with Cantarella). (Italian) Ferace, \u201cA Group of Poems.\u201d 6.1<\/a>, 100.
\n\u2014(with Ferace). (Italian) Ferace, \u201cConfessione Firmata.\u201d 6.2<\/a>, 120.
\n\u2014(Italian) Dinale, \u201cHeroines: Selections from L\u2019Olimpio \u00c8 Vuoto.\u201d 7.1<\/a>, 60.
\n\u2014\u201cFugue a la Greque.\u201d 7.1<\/a>, 150.
\n\u2014(Italian) Pavese, \u201cChapter One from\u00a0The Moon and the Bonfires<\/em>.\u201d 8.2<\/a>, 193.
\n\u2014(Italian) Quasimodo, \u201cAuschwitz.\u201d 10.2<\/a>, 137.<\/p>\n

Linsky, Amelia. (Italian) Stefano Benni, \u201cAutogrill Horror: The Boy with the Mohawk\u2019s Tale.\u201d 23.2<\/a>, 162.<\/p>\n

 <\/p>\n

Longfellow, Henry Wadsworth. (Italian) Dante Alighieri, \u201cInferno, Canto I.\u201d 3.1<\/a>, 19.
\n\u2014\u201cFrom the Sonnet Sequence \u2018Divina Commedia.’\u201d 3.1<\/a>, 4.<\/p>\n

 <\/p>\n

Mandelbaum, Allen. (Italian) Salvatore Quasimodo, \u201cStreet of Agrigentum.\u201d 4.1<\/a>, 64.<\/p>\n

 <\/p>\n

Materassi, Mario. (Italian) \u201cNothing Personal: Absolutely Nothing Personal.\u201d 11.2<\/a>, 163.<\/p>\n

 <\/p>\n

Menei, Giambattista. (Italian into Spanish) Mario Materassi, \u201cNiente di Personale. Assolutamente Niente di Personale.\u201d 11.2<\/a>, 166.<\/p>\n

 <\/p>\n

Merwin, W.S. (Italian) Dante Alighieri, \u201cPurgatorio IX.\u201d 6.2<\/a>, 86.
\n\u2014(Italian) Giacomo Leopardi, \u201cThe Infinite.\u201d 6.2<\/a>, 129.<\/p>\n

 <\/p>\n

Milkova, Stiliana. (Italian) Antonio Tabucchi, \u201cFlames.\u201d 25.1<\/a>, 148.<\/p>\n

 <\/p>\n

Nicolai, Adeodato Piazza. (Opitergino-motense dialect and Italian) Fabrio Franzin, \u201cFrom the volume\u00a0The Color of Words<\/em>.\u201d 14.1-2<\/a>, 85.
\n\u2014(Rovignese dialect of Istria and Italian) Eligio Zanini,\u201dEl Cucal Fileipo,\u00a0Cu I lu ciamo Fil\u00e9ipo, Il Gabbiano Fillip, Philip the Seagull.\u201d 14.1-2<\/a>,\u00a0<\/em>94.
\n\u2014(Rovignese dialect of Istria and Italian) Zanini, \u201cSensa Pas, Senza Pace,\u00a0Without Peace.\u201d 14.1-2<\/a>, 97.
\n\u2014(Dignanese dialect of Istria and Italian) Loredana Bogliun, \u201cLa piera, La pietra, the Stone.\u201d 14.1-2<\/a>, 99.
\n\u2014(Italian) Lucifero Martini, \u201cIstria.\u201d 14.1-2<\/a>, 101.
\n\u2014(Italian) Mario Schiavato, \u201cCarso.\u201d 14.1-2<\/a>, 102.
\n\u2014(Italian) Arnold de Vos, \u201cCross-dressed as a Man.\u201d 14.1-2<\/a>, 115.
\n\u2014(Italian) de Vos, \u201cSeen in an Eatery.\u201d 14.1-2<\/a>, 116.
\n\u2014(Italian) de Vos, \u201cYou Stop Before Me.\u201d 14.1-2<\/a>,\u00a0<\/em>117.
\n\u2014(Italian) de Vos, \u201cAmbush.\u201d 14.1-2<\/a>, 118.
\n\u2014(Italian) de Vos, \u201cMy God is Young\u00a0<\/em>Boy.\u201d 14.1-2<\/a>, 119.
\n\u2014(Italian) de Vos, \u201cIn the Valsugana Frost.\u201d 14.1-2<\/a>, 121.
\n\u2014(Italian) de Vos, \u201cIcarus.\u201d 14.1-2<\/a>, 123.
\n\u2014(Italian) de Vos, \u201cMy Migrant Voice.\u201d 14.1-2<\/a>, 124.
\n\u2014(Italian) de Vos, \u201cThe Hand Not Given.\u201d 14.1-2<\/a>, 125.
\n\u2014(Italian) Giacomo Scotti, \u201cI am My\u00a0<\/em>House as Long as I Live.\u201d 14.1-2<\/a>,\u00a0<\/em>140.
\n\u2014(Italian) Scotti, \u201cThe Bread.\u201d 14.1-2<\/a>, 142.
\n\u2014(Italian) Scotti, \u201cPoem for an Old Shepherd of the Velebit who Died on\u00a0the\u00a0<\/em>Velebit.\u201d 14.1-2<\/a>, 143.
\n\u2014(Italian) Scotti, \u201cMy Fish.\u201d 14.1-2<\/a>, 145.
\n\u2014(Italian) Scotti, \u201cI Have Only One Brother.\u201d 14.1-2<\/a>, 146.
\n\u2014(Italian) Isabella Panfido, \u201cHouse of Women.\u201d 14.1-2<\/a>,\u00a0<\/em>148.<\/p>\n

 <\/p>\n

Oram, Lydia Miranda. (Italian) Manlio Cancogni, \u201cFor H\u00e9l\u00e8ne.\u201d 9.2<\/a>, 358.<\/p>\n

\u2014(Italian) Laura di Pofi, \u201cStandard Italian or Dialect? When, Where, Why?\u201d 14.1-2<\/a>, 181.<\/p>\n

\u2014(Italian) Alessandra di Maio, \u201cAn Interview with Ubax Cristina Ali Farah.\u201d 14.1-2<\/a>, 24.<\/p>\n

\u2014(Italian)\u201dReview: An Anthology of Modern Italian Poetry: In English Translation, with Italian Text.<\/em>\u201d Edited by Ned Condini. Trans. Ned Condini. 17.2<\/a>, 191.<\/p>\n

\u2014(Italian) “excerpts from\u00a0Io Speriamo Che Me La Cavo: Sessanta Temi de <\/em>Bambini Napoletani <\/em>(Me, Let’s Hope I’ll Manage: Sixty Compositions by Neapolitan Children) and\u00a0Dio Ci Ha Creato Gratis: Il Vangelo Secondo i <\/em>Bambini di Arzano <\/em>(God Created Us Free of Charge: The Gospel According to the Children of Arzano).” 23.2<\/a>, 203.<\/p>\n

 <\/p>\n

Pandiri, Thalia. \u201cReview of Metafrassi \u201900: Revue de la Traduction<\/em>.\u00a0Vol. 6, 2000<\/em> (Odette \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Varon Vassard, ed.).\u201d 9.2<\/a>, 394.
\n\u2014(Italian) Francesco Marroni, \u201cCinema.\u201d 13.2<\/a>, 38.
\n\u2014(Italian) Marroni, \u201cNo Holds Barred (Senza Piet\u00e0).\u201d 13.2<\/a>, 82.
\n\u2014\u201cOther Italies, Italy\u2019s Others: Renewing Italian.\u201d 14.1-2<\/a>, 13.<\/p>\n

 <\/p>\n

Pasolini, Pier Paolo. (Friulian dialect) “Li letanis dal Biel fi, The Litanies of the Handsome Boy.” Trans. Luigi Bonaffini. 14.1-2<\/a>, 112.
\n—“Ploja tai cunfins, Rain at the Edges.” Trans. Bonaffini. 14.1-2<\/a>, 113.
\n—“Chan plor, Dirge.” Trans. Bonaffini. 14.1-2<\/a>, 114.<\/p>\n

 <\/p>\n

Petroff, Elizabeth and Richard Pioli. (Italian) Raffaele La Capria, \u201cThe Discovery of the Blue Grotto.\u201d 3.2<\/a>, 45.
\n\u2014(Italian) Giorgio de Chirico, \u201cMonsieur Dudron\u2019s Adventure.\u201d 2.2<\/a>, 15.<\/p>\n

 <\/p>\n

Pioli, Richard (and Elizabeth Petroff). (Italian) Raffaele La Capria, \u201cThe Discovery of the Blue Grotto.\u201d 3.2<\/a>, 45.
\n\u2014(and Petroff). (Italian) Giorgio de Chirico, \u201cMonsieur Dudron\u2019s Adventure.\u201d 2.2<\/a>, 15.
\n\u2014(Italian) Gabriele D\u2019Annunzio, \u201cIl Fanciullo.\u201d 4.2<\/a>, 98.<\/p>\n

 <\/p>\n

Poletto, Victoria Offredi (with Giovanna Bellesia). (Italian) Igiaba Scego, \u201cSausages.\u201d 13.2<\/a>, 214.
\n\u2014(with Bellesia). (Italian) Christiana de Caldas Brito, \u201cI, Fingertip 5,423.\u201d 14.1-2<\/a>, 158.
\n\u2014(with Bellesia). (Italian) Ubax Cristina Ali Farah, \u201cPunt Rap.\u201d 14.1-2<\/a>, 276.
\n\u2014(with Bellesia). (Italian) Ali Farah, \u201cLittle Mother.\u201d 14.1-2<\/a>, 281.<\/p>\n

 <\/p>\n

Procaccini, Alfonso. (Italian) Erri de Luca, \u201cValue.\u201d 21.2<\/a>, 60.
\n\u2014(Italian)Eugenio Montale, \u201cThe Eel.\u201d 23.2<\/a>, 1364.
\n\u2014(Italian) Eugenio Montale, \u201cfrom\u00a0Cuttlefish Bones<\/em>.\u201d 23.2<\/a>, 138.<\/p>\n

 <\/p>\n

Rozier, Louise (with John DuVal). (Romanesco Italian) Giorgio Roberti, \u201cSonnets from\u00a0\u2018Na zeppa a l\u2019occhio \/ A Stick in the Eye<\/em>.\u201d 14.1-2<\/a>, 128.<\/p>\n

 <\/p>\n

Siporin, Steve. (Italian) Augusto Segre, \u201cJachetu\u2019s Ring.\u201d 23.2<\/a>, 241.<\/p>\n

 <\/p>\n

Smith, Shirley A. (Italian) Anna Banti, \u201cLavinia Lost.\u201d 17.1<\/a>, 305.<\/p>\n

 <\/p>\n

Strowe, Anna. (Italian) Kossi Komla-Ebri, \u201cSelections from\u00a0Ethnocollisions: Daily Embarrassments in Black and White<\/em>.\u201d 14.1-2<\/a>, 162.<\/p>\n

 <\/p>\n

Summerfield, Giovanna. (Italian) Domenico Tempio, \u201cLa libraria, The Library.\u201d 14.1-2<\/a>, 126.
\n\u2014\u201cGli Aracini di Montalbano: More Than a Sicilian Culinary Note.\u201d 14.1-2<\/a>, 286.<\/p>\n

 <\/p>\n

Surliuga, Victoria. \u201cTranslator\u2019s Introduction.\u201d 13.1<\/a>, 42.
\n\u2014(Italian) Giampiero Neri, \u201cDelle Misure, Dei Pesi (Of Measurements, Of Weights).\u201d 13.1<\/a>, 44.
\n\u2014(Italian) Neri, \u201cVilla Nena.\u201d 13.1<\/a>, 46.
\n\u2014(Italian) Neri, \u201cStoria Naturale (Natural History).\u201d 13.1<\/a>, 48.<\/p>\n

 <\/p>\n

Wilbur, Richard. (Italian) Salvatore Quasimodo, \u201cThe Agrigentum Road.\u201d 4.1<\/a>, 65.<\/p>\n

 <\/p>\n

Witt, Martha (with Mary Ann Frese Witt). (Italian) Valeria Parrella, \u201cForty Flush.\u201d 18.2<\/a>, 201.<\/p>\n

 <\/p>\n

Witt, Mary Ann Frese (with Martha Witt). (Italian) Valeria Parrella, \u201cForty Flush.\u201d 18.2<\/a>, 201.<\/p>\n

 <\/p>\n

Zimmerman, Seth. (Italian) Dante Alighieri, \u201cInferno<\/em>, Canto I.\u201d 3.1<\/a>, 8.
\n\u2014\u201cTriple-Rhyming in the\u00a0Inferno<\/em>: Is it Worth the Torture?\u201d 3.1<\/a>, 23.<\/p>\n","protected":false},"excerpt":{"rendered":"

Appel, Anne Milano. (Italian) Paolo di Stefano, \u201cCannibal Dialects.\u201d\u00a014.1-2, 177. Banerjee, Ron D.K. (Italian) Giovanni Pascoli, \u201cPurple Digitalis,\u201d \u201cJasmine At Night.\u201d 6.1, 66. \u2014(Italian) Giacomo Leopardi, \u201cThe Infinite.\u201d 6.2, 128. \u2014(Italian) Leopardi,\u201dThe Muse of Exile.\u201d 6.2, 152. \u2014(Italian) \u201cNatura (Nature).\u201d 13.1, 50. \u2014(Italian) \u201cUccelli (Birds).\u201d 13.1, 52. \u2014(Italian) \u201cCaff\u00e9 di Inverigo (The Caf\u00e9 at Inverigo).\u201d […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-506","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=506"}],"version-history":[{"count":7,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/506\/revisions"}],"predecessor-version":[{"id":1355,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/506\/revisions\/1355"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=506"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=506"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}