{"id":530,"date":"2019-05-21T15:25:47","date_gmt":"2019-05-21T19:25:47","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=530"},"modified":"2023-06-12T10:56:40","modified_gmt":"2023-06-12T14:56:40","slug":"spanish","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/spanish\/","title":{"rendered":"Spanish"},"content":{"rendered":"

Agosin, Marjorie (Spanish) Agosin, \u201cThe Autumn of the Mothers.\u201d 6.1<\/a>,\u00a036.<\/p>\n

 <\/p>\n

Aranda, Luc\u00eda. (Spanish) Mar\u00eda Monasterios, \u201cAir.\u201d 17.1<\/a>, 116.<\/p>\n

 <\/p>\n

Atxaga, Bernardo. (Basque into Spanish) \u201cArcaico Coraz\u00f3n.\u201d 12.1-2<\/a>, 45.
\n\u2014(Spanish) \u201cThe Death and Life of Words.\u201d 12.1-2<\/a>, 58.
\n\u2014(Spanish) \u201cWritten in the USA.\u201d 12.1-2<\/a>, 62.<\/p>\n

 <\/p>\n

Aynesworth, Michele McKay. (Spanish) Fernando Sorrentino, \u201cA Question of Age.\u201d 13.2<\/a>, 208.<\/p>\n

 <\/p>\n

Bauer, Samuel. (Spanish) Joaqu\u00edn Sabina, \u201cThe Damned Blessed I.\u201d 18.2<\/a>, 42.<\/p>\n

 <\/p>\n

Berg, Mark. (Spanish) Ibn Zaydun, \u201cLuscious C\u00f3rdoba.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Zaydun, \u201cNostalgic Lover.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Zaydun, \u201cWine and Roses.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Zaydun, \u201cAfter Absence.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Zaydun, \u201cA Furtive Glance.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Zaydun, \u201cA Secret.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Zaydun, \u201cHidden Suffering.\u201d 15.1-2<\/a>, 178.
\n\u2014(Spanish) Mahmud Sobh, \u201cHeroism of an Arab in the Mantle of a Poet.\u201d 19.1-2<\/a>, 84.
\n\u2014(Spanish) Sobh, \u201cFree Sail.\u201d 19.1-2<\/a>, 85.
\n\u2014(Spanish) Sobh,\u201dOf the Green Meadows.\u201d 19.1-2<\/a>, 85.
\n\u2014(Spanish) Sobh,\u201dA Meeting with my Son at his Birth.\u201d 19.1-2<\/a>, 87.
\n\u2014(Spanish) Sobh,\u201dLament for the Ruins of Medina Asahra Before, During, After.\u201d 19.1-2<\/a>, 86
\n\u2014(Spanish) Sobh,\u201dFrom the Other Shore.\u201d 19.1-2<\/a>, 90.
\n\u2014(Spanish) Sobh,\u201dTaqasim.\u201d 19.1-2<\/a>, 93
\n\u2014(Spanish) Sobh,\u201dPoetry Lesson.\u201d 19.1-2<\/a>, 94.
\n\u2014(Spanish) Sobh,\u201dThe Poet\u2019s Clay.\u201d 19.1-2<\/a>, 96.<\/p>\n

 <\/p>\n

Berg, Mary G. (Spanish) Clar E. Ronderos, [Untitled.] 18.1<\/a>, 96.<\/p>\n

 <\/p>\n

Breto, Isabel Alonso. (English into Spanish) Nuala n\u00ed Dhomhnaill, \u201cNude.\u201d 12.1-2<\/a>, 226.
\n\u2014(English into Spanish) n\u00ed Dhomhnaill, \u201cI Cannot Lie Here.\u201d 12.1-2<\/a>, 232.
\n\u2014(English into Spanish) n\u00ed Dhomhnaill, \u201cThe Language Issue.\u201d 12.1-2<\/a>, 236.
\n\u2014(English into Spanish) n\u00ed Dhomhnaill, \u201cLabysheedy (The Silken Bed).\u201d 12.1-2<\/a>, 242.
\n\u2014(English into Spanish) n\u00ed Dhomhnaill, \u201cMy Own Love (In Brackets).\u201d 12.1-2<\/a>, 248.
\n\u2014(English into Spanish) n\u00ed Dhomhnaill, \u201cYou Are.\u201d 12.1-2<\/a>, 254.<\/p>\n

 <\/p>\n

Brown, Diana Baldini. (Spanish) Olga Bressano de Alonso, \u201cPellegrino.\u201d 20.1<\/a>, 113.<\/p>\n

\u2014(Spanish) \u201cSempre Giovane.\u201d 20.1<\/a>, 115.<\/p>\n

\u2014(Spanish) \u201cLa pieta.\u201d 20.1<\/a>, 117.<\/p>\n

 <\/p>\n

Brown, Kevin. (Spanish) Efr\u00e1\u00adn Bartolom\u00f3, \u201cfrom: \u2018Ocosingo War Diary: Voices from Chiapas.\u2019\u201d 20.1<\/a>, 81.<\/p>\n

\u2014(Spanish) Efrain Bartolome, from: \u201cOcosingo War Diary: Voices from Chiapas: \u2018Don Tonito.’\u201d 21.2<\/a>, 148.<\/p>\n

 <\/p>\n

Cabiedes-Fink, Alicia (and Ted Maier). (Spanish) Sara Vanegas Cove\u00f1a, \u201cFour Poems by Sara Vanegas Cove\u00f1a.\u201d 4.2<\/a>, 94.<\/p>\n

 <\/p>\n

Call, Wendy. (Spanish) Jos\u00e9 Alfredo Escobar Mart\u00ednez, \u201cSanta Maria Del Mar.\u201d 16.2<\/a>, 82.<\/p>\n

 <\/p>\n

Calvo, Antonio F. (Spanish) Richard Bruce Nugent, From\u00a0Smoke, Lilies & Jade: Dreaming a Future<\/em>. \u201cAlex\u2019s Dream.\u201d 18.1<\/a>, 84.<\/p>\n

 <\/p>\n

Ca\u00f1adas, Ivan. (Spanish) Francisco de Quevedo y Villegas, \u201cA Mighty Lord is Master Gold (c. 1600).\u201d 13.1<\/a>, 120.<\/p>\n

 <\/p>\n

Camire, Kelsey. (Spanish) Julia Otxoa, \u201cAphorisms and Poems.\u201d 12.1-2<\/a>, 155.<\/p>\n

 <\/p>\n

Carbajal, Aleksandra. (Spanish) Roc\u00edo Qespi, \u201cThe Cemetery of Acari.\u201d 16.1<\/a>, 244.<\/p>\n

 <\/p>\n

Carbajosa, Natalia. (Spanish) Mila Ramos, Poems From \u201c8,00 Reasons for Remembering.\u201d 17.2<\/a>, 66.
\n\u2014(Spanish) Gracia Iglesias, \u201cThere Was a Mermaid in My Glass of Water\u201d 17.2<\/a>, 70.<\/p>\n

 <\/p>\n

Costa, Margaret Jull. (Spanish) Bernardo Atxaga, \u201cWritten in the USA.\u201d 12.1-2<\/a>, 62.<\/p>\n

 <\/p>\n

Croft, Jennifer. (Spanish) Lucas Mertehikian, poems. 21.2<\/a>, 136.<\/p>\n

 <\/p>\n

Cuebas, Glenda Y. Nieto. (with German E. Vargas Ramos). (Spanish) Francisco De Castro, \u201cInterlude of the Witches.\u201d 23.1<\/a>, 212.<\/p>\n

 <\/p>\n

Dahlgren, Marta. (English into Spanish) Emily Dickinson, \u201cAfter Great Pain.\u201d 10.2<\/a>, 108.
\n\u2014(English into Spanish) Dickinson, \u201cMy Life Had Stood\u2014A Loaded Gun.\u201d 10.2<\/a>, 108.
\n\u2014(English into Spanish) Dickinson, \u201cThe Auctioneer of Parting.\u201d 10.2<\/a>, 110.<\/p>\n

 <\/p>\n

Dubrava, Patricia. (Spanish) M\u00f3nica Lav\u00edn, \u201cThe Letter.\u201d 20.2<\/a>, 178.<\/p>\n

 <\/p>\n

Edwards, Jennifer Gabrielle. (Spanish) Hernando Tellez, \u201cLather and Nothing Else.\u201d 10.2<\/a>, 188.
\n\u2014(Spanish) Julio Paredes, \u201cEme.\u201d 10.2<\/a>, 192.<\/p>\n

 <\/p>\n

Ehret, Terry (with John Johnson and Nancy Morales). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, \u201cSemantic Engagements.\u201d 23.2<\/a>, 84.
\n\u2014(with Johnson and Morales). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, \u201cWord.\u201d 23.2<\/a>, 84.<\/p>\n

 <\/p>\n

Enr\u00edquez-Mej\u00eda, Rafaela. (Spanish into Nahuatl) X\u00e1nath Caraza, \u201cMujer.\u201d 20.2<\/a>, 114.<\/p>\n

 <\/p>\n

Erskine, Tessa. (Spanish) Luis Pulido Ritter, \u201cAn Illegal\u2019s Fantasy with the Butcher on the Corner.\u201d 23.1<\/a>, 34.<\/p>\n

 <\/p>\n

Falek, Alexandra. (Spanish) Lara Villaro, \u201c[Untitled].\u201d 17.1<\/a>, 104.
\n\u2014(Spanish) Circe Maia, \u201cHer.\u201d 18.2<\/a>, 44.
\n\u2014(Spanish) Maia, \u201cDeath Song.\u201d 18.2<\/a>, 46.
\n\u2014(Spanish) Maia, \u201cBetrayal.\u201d 18.2<\/a>, 48.<\/p>\n

 <\/p>\n

Fleck, Jonathan. (Spanish) \u00d3scar Hahn, \u201cEl Loco Amor.\u201d 18.1<\/a>, 164.
\n\u2014(Spanish) Hahn \u201cThe Manic Love.\u201d 18.1<\/a>, 108.<\/p>\n

 <\/p>\n

Franzen, Cola. (Spanish) Sa\u00fal Yurkievich, \u201cPerch\u2019i No Spero di Tornar Giammai.\u201d 9.1<\/a>, 32.
\n\u2014(Spanish) Yurkievich, \u201cMemorable.\u201d 9.1<\/a>, 36.
\n\u2014(Spanish) Yurkievich, \u201cMoratorium.\u201d 9.1<\/a>, 38.
\n\u2014(Spanish) Yurkievich, \u201cLuminary.\u201d 9.1<\/a>, 40.
\n\u2014(Spanish) Juan Cameron, \u201cAlvaro de Campos.\u201d 10.2<\/a>, 113.
\n\u2014(Spanish) Cameron, \u201cExtra\u00f1as Circunstancias.\u201d 10.2<\/a>, 113.
\n\u2014(Spanish) Cameron, \u201cEscrituras.\u201d 10.2<\/a>, 115.
\n\u2014(Spanish) Cameron, \u201cBolero.\u201d 10.2<\/a>, 115.
\n\u2014(Spanish) Cameron, \u201cSobre el Talento.\u201d 10.2<\/a>, 117.
\n\u2014(Spanish) Cameron, \u201cCarte de Viaje.\u201d 10.2<\/a>, 119.
\n\u2014(Spanish) Cameron, \u201cErase una Vez.\u201d 10.2<\/a>, 119.
\n\u2014(Spanish) Cameron, \u201cDoble Juego.\u201d 10.2<\/a>, 121.
\n\u2014(Spanish) Cameron, \u201cTranas.\u201d 10.2<\/a>, 123.
\n\u2014(Spanish) Cameron, \u201cRetirada.\u201d 10.2<\/a>, 123.
\n\u2014(Spanish) Germ\u00e1n Guerra, \u201cMart\u00ed.\u201d 13.1<\/a>, 108.
\n\u2014(Spanish) Guerra, \u201cA Circus, A Universe.\u201d 13.1<\/a>, 112.
\n\u2014(Spanish) Guerra, \u201cThe City and the Edge of the Island.\u201d 13.1<\/a>, 114.
\n\u2014(Spanish) Guerra, \u201cSojourn in Pompeii and Herculaneum.\u201d 13.1<\/a>, 116.
\n\u2014(Spanish) Guerra, \u201cMing Y \/ the Dimming of the Light.\u201d 13.1<\/a>, 118.<\/p>\n

 <\/p>\n

Fridman, Leora S. (Spanish) (with Marina Kaplan, Robert Kaplan, and Reyes Lazaro) Aldo Pellegrini, \u201cSystem of Discipline.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, \u201cSomeone Waking Up.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, \u201cNeed for the Adding Machine.\u201d 20.2<\/a>, 54.
\n\u2014(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, \u201cThe Heart of all Faces.\u201d 20.2<\/a>, 56.
\n\u2014(Spanish) (with M. Kaplan, R. Kaplan, and Lazaro) Pellegrini, \u201cOne More Show.\u201d 20.2<\/a>, 58.<\/p>\n

 <\/p>\n

Genova, Thomas. (Spanish) Feliux M. Tanco Y Bosmeniel. \u201cPetrona and Rosalia.\u201d 25.1<\/a>, 162.<\/p>\n

 <\/p>\n

Gonz\u00e1lez Rodr\u00edguez, Maria Luz. (English to Spanish) Penn Kemp, \u201cNot Waving But Drowning.\u201d 20.2<\/a>, 62.<\/p>\n

 <\/p>\n

Graf, Eric Clifford. (Spanish) Garcilaso de la Vega, \u201cSonnet 29.\u201d 8.2<\/a>, 122.<\/p>\n

 <\/p>\n

Hammond, Catherine. (Spanish) Olvido Garc\u00eda Vald\u00e9s, \u201cOlive Trees Pulled out by the Roots\u2026\u201d 18.2<\/a>, 50.<\/p>\n

 <\/p>\n

Higle, Heather E. (Spanish) Gin\u00e1s S. Cutillas, \u201cA Domestic Story.\u201d 23.1<\/a>, 37.
\n\u2014(Spanish) Gin\u00e1s S. Cutillas, \u201cA Small Problem.\u201d 23.1<\/a>, 37.<\/p>\n

 <\/p>\n

Hill, Nick. (Spanish) David Huerta, \u201cNoviazgo.\u201d 11.2<\/a>, 142.
\n\u2014(Spanish) Huerta, \u201cBolero en Armaged\u00f3n.\u201d 11.2<\/a>, 146.<\/p>\n

 <\/p>\n

Holland-Wempe, Stephen. (Spanish) X\u00e1nath Caraza, \u201cMujer.\u201d 20.2<\/a>, 114.<\/p>\n

 <\/p>\n

Irasema, Iglesias Galvan Claudia. (Spanish to Italian) Xanath Caraza, \u201cWhere Are You?\u201d 25.2<\/a>, 129.
\n\u2014(Spanish to Italian) Caraza, \u201cBe a Witness.\u201d 25.2<\/a>, 132.
\n\u2014(Spanish to Italian) Caraza, \u201cHow Many Lives?\u201d 25.2<\/a>, 137.
\n\u2014(Spanish to Italian) Caraza, \u201cSpill Water.\u201d 25.2<\/a>, 141.<\/p>\n

 <\/p>\n

Jenkins, Philip (with Eli Tolaretxipi). (Spanish) Eli Tolaretxipi, \u201cThe Fish.\u201d 12.1-2<\/a>, 194.
\n\u2014(Spanish) Tolaretxipi, \u201cLos Lazos del N\u00famero.\u201d 12.1-2<\/a>, 197.
\n\u2014(Spanish) Tolaretxipi, \u201cPoems from\u00a0Dead Love, Still Life<\/em>.\u201d 12.1-2<\/a>, 203.<\/p>\n

 <\/p>\n

Johnson, John (with Terry Ehret and Nancy Morales). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, \u201cSemantic Fragments.\u201d 23.2<\/a>, 84.
\n\u2014(with Terry Ehret and Nancy Morales). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, \u201cWord.\u201d 23.2<\/a>, 84.<\/p>\n

 <\/p>\n

Kamei, Toshiya. (Spanish) Juan Gerardo Aguilar, \u201cFlowers in the Windows.\u201d 13.2<\/a>, 156.<\/p>\n

\u2014(Spanish) Espido Freire, \u201cThe Black Sheep.\u201d 17.2<\/a>, 135.<\/p>\n

 <\/p>\n

Kaplan, Marina. (Spanish) (with Leora S. Fridman, Robert Kaplan, and Reyes Lazaro) Aldo Pellegrini, \u201cSystem of Discipline.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, \u201cSomeone Waking Up.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, \u201cNeed for the Adding Machine.\u201d 20.2<\/a>, 54.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, \u201cThe Heart of all Faces.\u201d 20.2<\/a>, 56.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and Lazaro) Pellegrini, \u201cOne More Show.\u201d 20.2<\/a>, 58.<\/p>\n

 <\/p>\n

Kaplan, Robert. (Spanish) (with Leora S. Fridman, M. Kaplan, and Reyes Lazaro) Aldo Pellegrini, \u201cSystem of Discipline.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, \u201cSomeone Waking Up.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, \u201cNeed for the Adding Machine.\u201d 20.2<\/a>, 54.
\n\u2014(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, \u201cThe Heart of all Faces.\u201d 20.2<\/a>, 56.
\n\u2014(Spanish) (with Fridman, M. Kaplan, and Lazaro) Pellegrini, \u201cOne More Show.\u201d 20.2<\/a>, 58.
\n\u2014 (with Margaret Young) (Spanish) Debora Benacot, \u201c(She found out her spiral notebook).\u201d 25.2<\/a>, 122.
\n\u2014 (with Margaret Young) (Spanish) Benacot, \u201c(It is not true that any self-respecting writer).\u201d 25.2<\/a>, 124.
\n\u2014 (with Margaret Young) (Spanish) Benacot, \u201c(The newborn girl).\u201d 25.2<\/a>, 126.<\/p>\n

 <\/p>\n

Kingery, Sandra. (Spanish) Xanath Caraza, \u201cWhere Are You?\u201d 25.2<\/a>, 129.
\n<\/strong>\u2014(Spanish) Caraza, \u201cBe a Witness.\u201d 25.2<\/a>, 132.
\n\u2014(Spanish) Caraza, \u201cHow Many Lives?\u201d 25.2<\/a>, 137.
\n\u2014(Spanish) Caraza, \u201cSpill Water.\u201d 25.2<\/a>, 141.<\/strong><\/p>\n

 <\/p>\n

L\u00e1zaro, Reyes. (with Dan Murphy). (Spanish) Bernardo Atxaga, \u201cConfession.\u201d 12.1-2<\/a>, 52.
\n\u2014(English into Spanish) Ferida Durakovic, \u201cFrom the\u00a0Textbook of Slavic Mythology<\/em>.\u201d 12.1-2<\/a>, 102.
\n\u2014(English into Spanish) Durakovic, \u201cGeorg Trakl on the Battlefield Revisited, 1993.\u201d 12.1-2<\/a>, 104.
\n\u2014(English into Spanish) Durakovic, \u201cIt\u2019s April.\u201d 12.1-2<\/a>, 109.
\n\u2014(with Moon). (Spanish) Tere Irastortza, \u201cUntitled.\u201d 12.1-2<\/a>, 135.
\n\u2014(with Moon). (Spanish) Irastortza, \u201cUntitled.\u201d 12.1-2<\/a>, 138.
\n\u2014(Spanish) (with Leora Fridman, Robert Kaplan, and Marina Kaplan) Aldo Pellegrini, \u201cSystem of Discipline.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, \u201cSomeone Waking Up.\u201d 20.2<\/a>, 52.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, \u201cNeed for the Adding Machine.\u201d 20.2<\/a>, 54.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, \u201cThe Heart of all Faces.\u201d 20.2<\/a>, 56.
\n\u2014(Spanish) (with Fridman, R. Kaplan, and M. Kaplan) Pellegrini, \u201cOne More Show.\u201d 20.2<\/a>, 58.<\/p>\n

 <\/p>\n

Leong, Michael. (Spanish) Estela Lamat, \u201cHow to Make a Corner.\u201d 17.1<\/a>, 110.
\n\u2014(Spanish) Lamat, \u201cLa Llorona<\/em>, I Endure for the Purpose of Crying.\u201d 17.1<\/a>, 112.<\/p>\n

 <\/p>\n

Levin, Lynn (with Odi Gonzales). (Spanish) Odi Gonzales, \u201cApprentice Painters.\u201d 20.1<\/a>, 25.
\n\u2014(Spanish) \u201cGod Shows Paradise to Adam and Eve.\u201d 20.1<\/a>, 31.
\n\u2014(Spanish) \u201cThe Prodigal Son.\u201d 20.1<\/a>, 35.<\/p>\n

 <\/p>\n

Levitin, Alexis. (Spanish) Carmen V\u00e1scones, poems. 21.2<\/a>, 100.
\n\u2014(Spanish) Ana Minga, poems. 21.2<\/a>, 104.<\/p>\n

 <\/p>\n

Lindgren, Joan. (Spanish) Claudio Rodriguez, \u201cCalle Sin Nombre.\u201d 11.2<\/a>, 132.
\n\u2014(Spanish) Claudio Rodriguez, \u201cLos Almendros de Marialba.\u201d 11.2<\/a>, 138.<\/p>\n

 <\/p>\n

Livingstone, Victoria. (Spanish) Alina Diaconu, \u201cChild\u2019s Drawing.\u201d 16.2<\/a>, 198.
\n\u2014(Spanish) Diacon\u00fa, \u201cViolent Buenos Aires.\u201d 16.2<\/a>, 198.
\n\u2014(Spanish) Diacon\u00fa, \u201cBeauty Unaware.\u201d 16.2<\/a>, 200.
\n\u2014(Spanish) Diacon\u00fa, \u201cThe Body.\u201d 16.2<\/a>, 202.
\n\u2014(Spanish) Diacon\u00fa, \u201cGray Matter.\u201d 16.2<\/a>, 202.<\/p>\n

 <\/p>\n

Magallanos, Carmen (with Marie Waechter). (Spanish) Magallanos, \u201cSeven Poems.\u201d 4.1<\/a>, 86.<\/p>\n

 <\/p>\n

Maier, Ted (with Alicia Cabiedes-Fink). (Spanish) Sara Vanegas Cove\u00f1a, \u201cFour Poems by Sara Vanegas Cove\u00f1a.\u201d 4.2<\/a>, 94.<\/p>\n

 <\/p>\n

Menei, Giambattista. (Italian into Spanish) Mario Materassi, \u201cNiente di Personale. Assolutamente Niente di Personale.\u201d 11.2<\/a>, 166.<\/p>\n

 <\/p>\n

Merwin, W.S. (Spanish) Antonio Porchia, \u201cVoices.\u201d 4.2<\/a>, 31.<\/p>\n

 <\/p>\n

Miller, Elizabeth Gamble. (Spanish) Antonio Porpetta, poems. 2.2<\/a>, 94.<\/p>\n

 <\/p>\n

Moon, Sarah (with Reyes L\u00e1zaro). (Spanish) Tere Irastortza, \u201cUntitled.\u201d 12.1-2<\/a>, 135.
\n\u2014(with L\u00e1zaro). (Spanish) Irastortza, \u201cUntitled.\u201d 12.1-2<\/a>, 138.
\n\u2014(Spanish) Julia Otxoa, \u201cCranes.\u201d 12.1-2<\/a>, 158.
\n\u2014(Spanish) Otxoa, \u201cLanguage of Shadows.\u201d 12.1-2<\/a>, 160.<\/p>\n

 <\/p>\n

Morales, Nancy (with Terry Ehret and John Johnson). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, “Semantic Engagements.” 23.2,<\/a> 84.<\/p>\n

\u2014(with Terry Ehret and John Johnson). (Spanish) Ulalume Gonz\u00e1lez de Le\u00f3n, \u201cWord.\u201d 23.2<\/a>, 84.<\/p>\n

 <\/p>\n

Murphy, Dan (with Reyes L\u00e1zaro). (Spanish) Bernardo Atxaga, \u201cConfession.\u201d 12.1-2<\/a>, 47.<\/p>\n

 <\/p>\n

O\u2019Halloran, Steve. (Spanish) O\u2019Halloran, poems. 6.1<\/a>, 112.<\/p>\n

 <\/p>\n

Olsen, Andrea E. (Spanish) Cristina Fern\u00e1ndez-Cubas, \u201cDeath in Captivity.\u201d 17.2<\/a>, 120.<\/p>\n

 <\/p>\n

Oram, Lydia Miranda. (Spanish) Almudena Grandes, \u201cExemplary Women (Modelos de Mujer),\u201d Excerpts from the Prologue: Memories of a Gypsy Girl<\/em>, \u201cMother Love.\u201d 9.2<\/a>, 2.<\/p>\n

\u2014(Spanish) “Review: After-Dinner Declarations.<\/em>\u201d Poems by Nicanor Parra. Trans. Deborah Garfinkle. 17.2<\/a>, 169.
\n\u2014(Spanish “Review: An Anthology of Nineteenth-Century Women\u2019s Poetry from Spain: In English Translation with Original Text.<\/em>\u201d 17.2<\/a>, 187.<\/p>\n

 <\/p>\n

Osner, Jeremy. (Spanish) Slavko Zupcic, \u201cTescucho, Italy,\u201d (from the short story collection\u00a0M\u00e9dicos Taxistas<\/em>). 21.2<\/a>, 238.<\/p>\n

 <\/p>\n

Otxoa, Julia. (Spanish) \u201cAphorisms and Poems.\u201d 12.1-2<\/a>, 152.<\/p>\n

 <\/p>\n

Porter, Phoebe. (Spanish) Maite Gonz\u00e1lez Esnal, \u201cBlackbirds in the Cornfield.\u201d 12.1-2<\/a>, 122.<\/p>\n

 <\/p>\n

Racz, G.J. (Spanish) Eduardo Chirinos, \u201cPoet\u2019s Wood,\u201d from\u00a0Escrito En Missoula<\/em>. 16.2<\/a>, 84.
\n\u2014(Spanish) Chirinos, \u201cThe House of the Lord.\u201d 16.2<\/a>, 86.
\n\u2014(Spanish) Chirinos, \u201cBears.\u201d 16.2<\/a>, 86.
\n\u2014(Spanish) Chirinos, \u201cPoem for my Uncle Janus.\u201d 16.2<\/a>, 88.
\n\u2014(Spanish) Chirinos, \u201cOn an Old Poem by Li Po.\u201d 16.2<\/a>, 90.
\n\u2014(Spanish) Chirinos, \u201cThe Day the Trees Died.\u201d 16.2<\/a>, 92.
\n\u2014(Spanish) Chirinos, \u201cSaturday at the Zoo.\u201d 16.2<\/a>, 94.
\n\u2014(Spanish) Manuel Gonz\u00e1lez Prada, \u201cThe Bible.\u201d 18.1<\/a>, 98.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cThe Holy Fathers.\u201d 18.1<\/a>, 98.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cSaint Thomas Aquinas.\u201d 18.1<\/a>, 98.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cAntonio C\u00e1novas Del Castillo.\u201d 18.1<\/a>, 100.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cJacques B\u00e9nigne Bossuet.\u201d 18.1<\/a>, 100.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cDenis Diderot.\u201d 18.1<\/a>, 100.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cAntonio Fern\u00e1ndez Grilo.\u201d 18.1<\/a>, 102.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cJos\u00e9 Nakens.\u201d 18.1<\/a>, 102.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cOtto Von Bismarck.\u201d 18.1<\/a>, 102.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cVirgil.\u201d 18.1<\/a>, 104.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cJohann Wolfgang Goethe.\u201d 18.1<\/a>, 104.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cCharles Baudelaire.\u201d 18.1<\/a>, 104.
\n\u2014(Spanish) Gonz\u00e1lez Prada, \u201cPaul Verlaine.\u201d 18.1<\/a>, 106.
\n\u2014(Spanish) F\u00e9lix Mar\u00eda Samaniego, \u201cThe Fables of F\u00e9lix Mar\u00eda Samaniego.\u201d 21.2<\/a>, 20<\/p>\n

\u2014(Spanish) Juan Del Valle Y Caveides, \u201cPunctuated Verses.\u201d 23.1<\/a>, 110.<\/p>\n

\u2014(Spanish) Garcilaso De La Vega, \u201cLetter to Bosc\u00e1n.\u201d 23.1<\/a>, 112.<\/p>\n

 <\/p>\n

Ramos, German E. Vargas (with Glenda Y. Nieto Cuebas). (Spanish) Francisco De Castro, \u201cInterlude of the Witches.\u201d 23.1<\/a>, 212.<\/p>\n

 <\/p>\n

Rathbun, Jennifer. (Spanish) Juan Armando Rojas, \u201cBook.\u201d 13.1<\/a>, 142.
\n\u2014(Spanish) Rojas, \u201cTelescope.\u201d 13.1<\/a>, 144.
\n\u2014(Spanish) Rojas, \u201cMap.\u201d 13.1<\/a>, 146.
\n\u2014(Spanish) Rojas, \u201cMemory.\u201d 13.1<\/a>, 148.
\n\u2014(Spanish) Rojas, \u201cFlight.\u201d 13.1<\/a>, 150.<\/p>\n

 <\/p>\n

Rosenberg, Samuel N. (with Patricia Terry). (Occitan and Spanish) Anonymous, \u201cOccitan folk ballads.\u201d 20.1<\/a>, 97.<\/p>\n

 <\/p>\n

Scott, Nina. (Spanish) Juan Rodriguez Freile, \u201cThe Witch Juana Garcia.\u201d 2.1<\/a>, 19.<\/p>\n

 <\/p>\n

Smith, Donny. (Spanish) Wenceslao Maldonado, \u201cGorgona.\u201d 13.2<\/a>, 68.<\/p>\n

 <\/p>\n

Stavans, Ilan. (Spanish) Gerardo Mario Goloboff, \u201cThe Passion According to San Martin.\u201d 2.1<\/a>, 30.
\n\u2014(Spanish) Alcina Lubich Domecq, \u201cBottles.\u201d 5.1<\/a>, 95.<\/p>\n

 <\/p>\n

Stein-Obreros, Anna. (Spanish) Reina Roff\u00e9, \u201cSleepless Night\u201d 20.1<\/a>, 174.<\/p>\n

 <\/p>\n

Terando, Lorena (Spanish) Consuelo Avila, \u201cCompa\u00f1ero\u201d from\u00a0Bajo Mis Pies No Florecen Amapolas<\/em>. 10.2<\/a>, 129
\n\u2014(Spanish) Avila, \u201cMiedo.\u201d 10.2<\/a>, 129
\n\u2014(Spanish) Avila, \u201cCaracoles.\u201d 10.2<\/a>, 131,
\n\u2014(Spanish) Avila, \u201cConversaci\u00f3n.\u201d 10.2<\/a>, 131
\n\u2014(Spanish) Avila, \u201cSoledad.\u201d 10.2<\/a>, 131
\n\u2014(Spanish) Avila, \u201cCelos.\u201d 10.2<\/a>, 133
\n\u2014(Spanish) Avila, \u201cDeja.\u201d 10.2<\/a>, 133
\n\u2014(Spanish) Avila, \u201cPrisi\u00f3n.\u201d 10.2<\/a>, 135<\/p>\n

 <\/p>\n

Torre, Cristina de la. (Spanish) Alejandro Aguilar, \u201cNegrito, the Chinese Sugar Man.\u201d 11.2<\/a>, 190.
\n\u2014(Spanish) Bernardo Atxaga, \u201cAdam\u2019s Flu.\u201d 13.2<\/a>, 26.<\/p>\n

 <\/p>\n

Tolaretxipi, Eli. (Basque into Spanish) Tere Irastortza, \u201cHawking.\u201d 12.1-2<\/a>, 131.
\n\u2014(Basque into Spanish) Irastortza,\u201dUntitled.\u201d 12.1-2<\/a>, 134.
\n\u2014(Basque into Spanish) Irastortza,\u201dUntitled.\u201d 12.1-2<\/a>, 137.<\/p>\n

 <\/p>\n

Upton, John. (Spanish) Luis de G\u00f3ngora, \u201cHow Our Life is Shorter Than We Think.\u201d 13.2<\/a>, 142.<\/p>\n

 <\/p>\n

V\u00e1zquez, Pilar. (Spanish) John Berger, \u201cCada D\u00eda M\u00e1s Rojas.\u201d 12.1-2<\/a>, 187.<\/p>\n

 <\/p>\n

Waechter, Maria (and Carmen Magallanos). (Spanish) Magallanos, \u201cSeven Poems.\u201d 4.1<\/a>, 86.<\/p>\n

 <\/p>\n

Washbourne, Kelly. (Spanish) Ruben Dar\u00edo, \u201cHonorio\u2019s Nightmare.\u201d 1.2<\/a>, 48.
\n\u2014(Spanish) Washbourne, \u201cThe Nirvana Dictionary,\u201d \u201cNot What It Can But What It Must.\u201d 2.1<\/a>, 11.<\/p>\n

 <\/p>\n

Young, Margaret. (with Robert Kaplan) (Spanish) Debora Benacot, \u201c(She found out her spiral notebook).\u201d 25.2<\/a>, 122.
\n\u2014(with Robert Kaplan) (Spanish) Benacot, \u201c(It is not true that any self-respecting writer).\u201d 25.2<\/a>, 124.
\n\u2014(with Robert Kaplan) (Spanish) Benacot, \u201c(The newborn girl).\u201d 25.2<\/a>, 126.<\/p>\n

 <\/p>\n

Zimmerman, Sam. (Spanish) Nela Rio, \u201cEver Carlotta.\u201d 2.2<\/a>, 36.<\/p>\n","protected":false},"excerpt":{"rendered":"

Agosin, Marjorie (Spanish) Agosin, \u201cThe Autumn of the Mothers.\u201d 6.1,\u00a036.   Aranda, Luc\u00eda. (Spanish) Mar\u00eda Monasterios, \u201cAir.\u201d 17.1, 116.   Atxaga, Bernardo. (Basque into Spanish) \u201cArcaico Coraz\u00f3n.\u201d 12.1-2, 45. \u2014(Spanish) \u201cThe Death and Life of Words.\u201d 12.1-2, 58. \u2014(Spanish) \u201cWritten in the USA.\u201d 12.1-2, 62.   Aynesworth, Michele McKay. (Spanish) Fernando Sorrentino, \u201cA Question of […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-530","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=530"}],"version-history":[{"count":6,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/530\/revisions"}],"predecessor-version":[{"id":1290,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/530\/revisions\/1290"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=530"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=530"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}