{"id":629,"date":"2019-05-21T17:16:59","date_gmt":"2019-05-21T21:16:59","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=629"},"modified":"2023-06-12T10:56:58","modified_gmt":"2023-06-12T14:56:58","slug":"swedish","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/swedish\/","title":{"rendered":"Swedish"},"content":{"rendered":"

Bok, Sissela. (Swedish) Olof Lagercrantz, \u201cFrom:\u00a0The Art of Reading and Writing<\/em>.\u201d 8.1<\/a>, 192.<\/p>\n

 <\/p>\n

Born, Heidi von. \u201cAspects of Swedish Literature in the year 2000: A Stroll through the Swedish Book Forest\u2014Some Resting Places.\u201d 8.1<\/a>, 203.<\/p>\n

 <\/p>\n

Carlstedt, Maria (with Anna Mandell, Katarina Tucker, and Erica Wick). (Swedish) Carina Karlsson, \u201cExcerpts from Lisbeta, Per Skarp\u2019s Wife<\/em>.\u201d 8.1<\/a>, 140.<\/p>\n

 <\/p>\n

Claeson, Eva. (Swedish) Margareta Ekstr\u00f6m, poems. 1.1<\/a>, 20.
\n\u2014\u201cAn Interview with Leif Sj\u00f6berg.\u201d 1.2<\/a>, 35.
\n\u2014(Swedish) Barbro Dahlin, \u201cDeath Comes So Gently.\u201d 1.2<\/a>, 60.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cThe World is Full of Buffalos and Palefaces.\u201d 2.1<\/a>, 31.
\n\u2014(Swedish) M\u00e4rta Tikkanen. \u201cFrom: Little Red Ridinghood.\u201d 2.2<\/a>, 49.
\n\u2014(Swedish) Johanna Ekstr\u00f6m, \u201cFive Swedish Poems.\u201d 3.2<\/a>, 144.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cThe Gate of Night.\u201d 4.1<\/a>, 94.
\n\u2014(Swedish) Dahlin, poems. 4.1<\/a>, 96.
\n\u2014(Swedish) Bodil Malmsten, \u201cBehind Town Center,\u201d \u201cA Man Came.\u201d 4.1<\/a>, 102.
\n\u2014(Swedish) Dahlin, \u201cThe Sun Dance.\u201d 4.2<\/a>, 24.
\n\u2014(Swedish) Inga Britt Wik, \u201cOctober.\u201d 4.2<\/a>, 138.
\n\u2014(Swedish) Sara Lidman, \u201cWoyzeck in Svappavaara.\u201d 6.1<\/a>, 19.
\n\u2014(Swedish) Lidman, \u201cLovers of Svappavaara.\u201d 6.2<\/a>, 53.
\n\u2014(Swedish) Helga Henschen, \u201cSpeak.\u201d 7.1<\/a>, 146.
\n\u2014(Swedish) Sonja Akesson, poems. 8.1<\/a>, 156.
\n\u2014(Swedish) Akesson, \u201cThe Delightful Sixties.\u201d 8.1<\/a>, 178.
\n\u2014(Swedish) Ekstr\u00f6m, \u201cExcerpts from\u00a0About Nature at Stora Skuggan<\/em>.\u201d 8.1<\/a>, 184.
\n\u2014(Swedish) Dahlin, poems 9.2, 136.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cBefore She was Born.\u201d 17.2<\/a>, 52.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cAbout Heritage.\u201d 17.2<\/a>, 52.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cWhen She was Very New.\u201d 17.2<\/a>, 54.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cIn the Morning.\u201d 17.2<\/a>, 56.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cAt the Window.\u201d 17.2<\/a>, 58.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cAt the Country Cottage.\u201d 17.2<\/a>, 60.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cVery Close.\u201d 17.2<\/a>, 62.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cThe Blind Wall.\u201d 17.2<\/a>, 62.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cAbout I and Dead.\u201d 18.2<\/a>, 64.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cIn the Rearview Mirror.\u201d 18.2<\/a>, 52.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cStorm.\u201d 18.2<\/a>, 54.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cA Dog\u2019s Life.\u201d 18.2<\/a>, 54.
\n\u2014(Swedish) M. Ekstr\u00f6m, \u201cFriends.\u201d 18.2<\/a>, 56.
\n\u2014(Swedish) Bassem Al-Meraiby, \u201cWhenever the\u00a0Stars Shine on the Eyes of a Lover.\u201d 19.1-2<\/a>, 139.
\n\u2014(Swedish) Al-Meraiby, \u201cEvery Beautiful Girl’s Mouth Owes Me a Kiss.\u201d 19.1-2<\/a>, 139.
\n\u2014(Swedish) Al-Meraiby, \u201cThe Wolf\u2019s Reflection in the Mirror.\u201d 19.1-2<\/a>, 138.
\n\u2014(Swedish) Al-Meraiby, \u201cPortrait of a Poet.\u201d 19.1-2<\/a>, 138.
\n\u2014(Swedish) Al-Meraiby, \u201cI Often Remember Van Gogh.\u201d 19.1-2<\/a>, 141.
\n\u2014(Swedish) Al-Meraiby, \u201cRoots.\u201d 19.1-2<\/a>, 141.
\n\u2014(Swedish) Al-Meraiby, \u201cThere are Still Boats That Have Not Arrived.\u201d 19.1-2<\/a>, 140.
\n\u2014(Swedish) Al-Meraiby, \u201cWhen the Poet Raises his Mirror.\u201d 19.1-2<\/a>, 143.
\n\u2014(Swedish) Al-Meraiby, \u201cWith my Sobbing Finger I Point to my Land.\u201d 19.1-2<\/a>, 142.<\/p>\n

 <\/p>\n

Frykhamn, Gabriella. (with Michael Joyce) (Swedish) Karin Boye, \u201cA Painter\u2019s Wish.\u201d 18.2<\/a>, 60.
\n\u2014(with Joyce) (Swedish) Boye, \u201c6.\u201d 18.2<\/a>, 62.<\/p>\n

 <\/p>\n

Geddes, Tom. (Swedish) Torngy Lindgren, \u201cHoney from the Bumblebee.\u201d 8.1<\/a>, 39.<\/p>\n

 <\/p>\n

Greenwald, Roger. (Swedish) Gunnar Harding, \u201cRockets.\u201d 16.2<\/a>, 68.
\n\u2014(Swedish) Harding, \u201cThe Confused Teacher of the Deaf.\u201d 16.2<\/a>, 70.
\n\u2014(Swedish) Harding, \u201cDecayed.\u201d 16.2<\/a>, 74.
\n\u2014(Swedish) Harding, \u201cThe Wandering Shoemaker.\u201d 16.2<\/a>, 76.
\n\u2014(Swedish) Harding, \u201cEmbers.\u201d 16.2<\/a>, 78.<\/p>\n

 <\/p>\n

Hollister, Sarah. (Swedish) Tom Hedlund, \u201cPoem From the Time of the Climate Change.\u201d 18.2<\/a>, 64.
\n\u2014(Swedish) Hedlund, \u201cVacant Train Number 1922.\u201d 18.2<\/a>, 66.
\n\u2014(Swedish) Hedlund, \u201cAt Torne Lake.\u201d 18.2<\/a>, 68.
\n\u2014(Swedish) Hedlund, \u201cLot 1:14.\u201d 18.2<\/a>, 70.
\n\u2014(Swedish) Hedlund, \u201cThe Shadow Under the Brim of the Hat.\u201d 18.2<\/a>, 72.<\/p>\n

 <\/p>\n

Jasim, Mohamed. (Arabic into Swedish) Bassem Al-Meraiby, \u201cWhenever the Stars Shine on the Eyes of a Lover.\u201d 19.1-2<\/a>, 139.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cEvery Beautiful Girl’s Mouth Owes Me a Kiss.\u201d 19.1-2<\/a>, 139.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cThe Wolf\u2019s Reflection in the Mirror.\u201d 19.1-2<\/a>, 138.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cPortrait of a Poet.\u201d 19.1-2<\/a>, 138.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cI Often Remember Van Gogh.\u201d 19.1-2<\/a>, 141.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cRoots.\u201d 19.1-2<\/a>, 141.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cThere are Still Boats That Have Not Arrived.\u201d 19.1-2<\/a>, 140.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cWhen the Poet Raises his Mirror.\u201d 19.1-2<\/a>, 143.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cWith my Sobbing Finger I Point to my Land.\u201d 19.1-2<\/a>, 142.<\/p>\n

 <\/p>\n

Joyce, Michael (with Gabriella Frykhamn). (Swedish) Karin Boye, \u201cA Painter\u2019s Wish.\u201d 18.2<\/a>, 60.
\n\u2014(with Frykhamn). (Swedish) Boye, \u201c6.\u201d 18.2<\/a>, 62.<\/p>\n

 <\/p>\n

Klass, Stephen (and Leif Sj\u00f6berg). (Swedish) Sara Lidman, \u201cThe Bear Girl.\u201d 8.1<\/a>, 49.
\n\u2014(and Sj\u00f6berg). (Swedish) Harry Martinson, \u201cExcerpts from Aniara.\u201d 8.1<\/a>, 110.<\/p>\n

 <\/p>\n

Lesser, Rika. (Swedish) \u201cGunner Ekel\u00f6f\u2019s \u2018Helvetes-Brueghel.’\u201d 4.1<\/a>, 106.
\n\u2014(Swedish) Goran Sonnevi, poems. 8.1<\/a>, 168.<\/p>\n

 <\/p>\n

Mandell, Anna (with Maria Carlstedt, Katarina Tucker, and Erica Wick). (Swedish) Carina Karlsson, \u201cExcerpts from Lisbeta, Per Skarp\u2019s Wife<\/em>.\u201d 8.1<\/a>, 140.<\/p>\n

 <\/p>\n

Moffett, Judith. (Swedish) Esaias Tegn\u00e9r, \u201cKannik.\u201d 8.1<\/a>, 98.
\n\u2014(Swedish) Viktor Rydberg, \u201cThe Wood Siren.\u201d 8.1<\/a>, 100.
\n\u2014(Swedish) Gustaf Froding, poems. 8.1<\/a>, 104.<\/p>\n

 <\/p>\n

Schoolfield, George. \u201cIntroduction to Special Issue on Swedish Literature.\u201d 8.1<\/a>, 13.
\n\u2014Review of\u00a0The Serious Game<\/em>\u00a0(Hjalmar S\u00f6derberg). 9.2, 390.<\/p>\n

 <\/p>\n

Sj\u00f6berg, Leif. (Swedish) Ova Allansson, \u201cThe Mutineer.\u201d 8.1<\/a>, 20.
\n\u2014(and Stephen Klass). (Swedish) Sara Lidman, \u201cThe Bear Girl.\u201d 8.1<\/a>, 49.
\n\u2014(and Klass). (Swedish) Harry Martinson. \u201cExcerpts from Aniara.\u201d 8.1<\/a>, 110.<\/p>\n

 <\/p>\n

Stendahl, Brita. (Swedish) Gunnar Ekel\u00f6f, \u201cEuphoria,\u201d \u201cMelancholia.\u201d 4.2<\/a>, 136.
\n\u2014(Swedish) Ekel\u00f6f, \u201cMelancholia,\u201d \u201cEuphoria.\u201d 6.1<\/a>, 74.
\n\u2014(Swedish) Solveig von Schoultz, \u201c13 Poems from The Cloud Shadow.\u201d 8.1<\/a>, 130.<\/p>\n

 <\/p>\n

Thorstensson, Roland. (Swedish) Harald Gaski, \u201cEssay: Sami Literature.\u201d 8.1<\/a>, 84.<\/p>\n

 <\/p>\n

Tucker, Katarina (with Maria Carlstedt, Anna Mandell, and Erica Wick). (Swedish) Carina Karlsson, \u201cExcerpts from Lisbeta, Per Skarp\u2019s Wife<\/em>.\u201d 8.1<\/a>, 140.<\/p>\n

 <\/p>\n

Wick, Erica (with Maria Carlstedt, Anna Mandell, and Katarina Tucker). (Swedish) Carina Karlsson, \u201cExcerpts from Lisbeta, Per Skarp\u2019s Wife<\/em>.\u201d 8.1<\/a>, 140.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bok, Sissela. (Swedish) Olof Lagercrantz, \u201cFrom:\u00a0The Art of Reading and Writing.\u201d 8.1, 192.   Born, Heidi von. \u201cAspects of Swedish Literature in the year 2000: A Stroll through the Swedish Book Forest\u2014Some Resting Places.\u201d 8.1, 203.   Carlstedt, Maria (with Anna Mandell, Katarina Tucker, and Erica Wick). (Swedish) Carina Karlsson, \u201cExcerpts from Lisbeta, Per Skarp\u2019s […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-629","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=629"}],"version-history":[{"count":6,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/629\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/629\/revisions\/1288"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=629"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=629"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}