{"id":657,"date":"2019-05-24T19:32:00","date_gmt":"2019-05-24T23:32:00","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=657"},"modified":"2023-06-12T10:46:35","modified_gmt":"2023-06-12T14:46:35","slug":"arabic-2","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/arabic-2\/","title":{"rendered":"Arabic"},"content":{"rendered":"

Abderrazzaq du Souhad Zendah, Mohammad. (Arabic) Qadi\u2019Iyad, \u201cA book.\u201d 15.1-2<\/a>, 28.
\n\u2014(Arabic) Qadi\u2019Iyad, \u201cO Seeker of Knowledge.\u201d 15.1-2<\/a>, 30.
\n\u2014(Arabic) Qadi\u2019Iyad, \u201cRepentance.\u201d 15.1-2<\/a>, 32.
\n\u2014(Arabic) Qadi\u2019Iyad, \u201cTo You I Stretch Forth the Palms of My Hands.\u201d 15.1-2<\/a>, 34.
\n\u2014(Arabic) Qadi\u2019Iyad, \u201cPoppy Flowers.\u201d 15.1-2<\/a>, 36.<\/p>\n

 <\/p>\n

Akhtarkhavari, Nesreen. (Arabic) Tayseer Al-Sboul, \u201cThe Final Shore.\u201d 23.2<\/a>, 38<\/p>\n

 <\/p>\n

Al-Ali, Kadhim (with Adil Al-Thamiry). (Arabic) Kadhim Al-Hijaj, \u201cOne Change of Vowel Changes.\u201d 15.1-2<\/a>, 74.<\/p>\n

 <\/p>\n

Al-Masri, Khaled. (Arabic) Zeinab Assaf, \u201cFuneral Prayer in Absentia.\u201d 15.1-2<\/a>, 44.<\/p>\n

 <\/p>\n

Al-Thamiry, Adil (with Kadhim Al-Ali). (Arabic) Kadhim Al-Hijaj, \u201cOne Change of Vowel Changes.\u201d 15.1-2<\/a>, 74.
\n\u2014(Arabic) Al-Hijaj, \u201cA Whle World: Short Poems.\u201d 15.1-2<\/a>, 74.<\/p>\n

 <\/p>\n

Al-Ziqrid, Amira. (Arabic) Salwa Bakr, \u201cMy Grandma\u2019s Provisions.\u201d 19.1-2<\/a>, 260.<\/p>\n

 <\/p>\n

Beard, Michael (and Adnan Haydar). (Arabic) \u201cInscriptions for the Henna-Speckled Bride.\u201d 4.1<\/a>, 70.<\/p>\n

 <\/p>\n

Bentahar, Ziad. (Arabic) Larbi Batma, \u201cA Gnawa Adventure, from Arrahil<\/em>.\u201d 15.1-2<\/a>, 140.<\/p>\n

 <\/p>\n

Blanchard, Bob. (with Rafed A. Khashan) (Arabic). Mohammed Khudeir, \u201cThe Pilgrim.\u201d 19.1-2<\/a>, 276.<\/p>\n

 <\/p>\n

Cuffel, Alex. (Arabic) Abd Al-Rahman Ibn Al-Faqih Uthman, \u201cExcerpts from Murshid al-zuwwar ila qubur al-abrar, al-musanna al-Durr al-munazzam ziyara al-jabal al-Muqattam<\/em>.\u201d 15.1-2<\/a>, 138.<\/p>\n

 <\/p>\n

Denboer, James. \u201cKharjas from Muwashshahat in Arabic and Hebrew.\u201d 15.1-2<\/a>, 166.<\/p>\n

 <\/p>\n

Elnamoury, Mona. (Arabic) Ahmed Zaghlool Alsheety, \u201cThree Green Canaries.\u201d 19.1-2<\/a>, 245.<\/p>\n

 <\/p>\n

Fauver, Stephanie. (Arabic) Dhu Al-Nun Ayyub, \u201cA Pillar in the Tower of Babel.\u201d 19.1-2<\/a>, 214.<\/p>\n

 <\/p>\n

Foreman, Alex. (Arabic) Ibn Khafaja, \u201cWords Spoken in Contemplation.\u201d 19.1-2<\/a>, 26.<\/p>\n

 <\/p>\n

Gubbins, Vartan. (Arabic) Mohamed Mahmud Al-Zubairi, \u201cA Yamani Poem.\u201d 19.1-2<\/a>, 74.<\/p>\n

 <\/p>\n

Guthrie, Alice. (Arabic) Rachid Nini, \u201cAn Extract from\u00a0Diaries of a Clandestine Migrant<\/em>.\u201d 19.1-2<\/a>, 263.<\/p>\n

 <\/p>\n

Hassan, Amani. (Arabic) Ala Hlehel, \u201cCoexistence.\u201d 15.1-2<\/a>, 114.<\/p>\n

 <\/p>\n

Hassan, Mohamed El-Sawi (with Nahla Khalil) \u201cPerspectives in Arabic Translation: Identity and Memory.\u201d 19.1-2<\/a>, 18.
\n\u2014 \u201cReview: Youssef Rakha. The Book of the Sultan\u2019s Seal: Strange Incidents from History in the City of Mars. Translated from the Arabic by Paul Starkey.\u201d 25.2<\/a>, 330.<\/p>\n

 <\/p>\n

Haydar, Adnan (with Michael Beard). (Arabic) Nina Cassian, \u201cInscriptions for the Henna-Speckled Bride.\u201d 4.1<\/a>, 67.
\n\u2014(Arabic) Said Aql, \u201cQuintrains from\u00a0Khumasiyyat<\/em>.\u201d 4.1<\/a>, 71.<\/p>\n

 <\/p>\n

Ismail, Lobna A. (Arabic) Mounir Otaiba, \u201cNine Blue Beads for the Coming One.\u201d 19.1-2<\/a>, 250.<\/p>\n

 <\/p>\n

Izwaini, Sattar. (Arabic) Mahmood Jindary, \u201cThe Castle.\u201d 19.1-2<\/a>, 224.<\/p>\n

 <\/p>\n

Jasim, Mohamed. (Arabic into Swedish) Bassem Al-Meraiby, \u201cWhenever the Stars Shine on the Eyes of a Lover.\u201d 19.1-2<\/a>, 139.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cEvery Beautiful Girl’s Mouth Owes Me a Kiss.\u201d 19.1-2<\/a>, 139.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cThe Wolf\u2019s Reflection in the Mirror.\u201d 19.1-2<\/a>, 138.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cPortrait of a Poet.\u201d 19.1-2<\/a>, 138.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cI Often Remember Van Gogh.\u201d 19.1-2<\/a>, 141.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cRoots.\u201d 19.1-2<\/a>, 141.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cThere are Still Boats That Have Not Arrived.\u201d 19.1-2<\/a>, 140.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cWhen the Poet Raises his Mirror.\u201d 19.1-2<\/a>, 143.
\n\u2014(Arabic into Swedish) Al-Meraiby, \u201cWith my Sobbing Finger I Point to my Land.\u201d 19.1-2<\/a>, 142.<\/p>\n

 <\/p>\n

Khalil, Nahla (with Mohamed El-Sawi Hassan). \u201cPerspectives in Arabic Translation: Identity and Memory.\u201d 19.1-2<\/a>, 18.<\/p>\n

 <\/p>\n

Khashan, Rafed A. (with Bob Blanchard) (Arabic). Mohammed Khudeir, \u201cThe Pilgrim.\u201d 19.1-2<\/a>, 276.<\/p>\n

 <\/p>\n

Lagny, Isabelle. (Arabic to French) Salah Al-Hamdani, \u201cBaghdad.\u201d 19.1-2<\/a>, 155.
\n\u2014(Arabic to French) Al-Hamdani, \u201cXIITH View: Red Mourning.\u201d 19.1-2<\/a>, 157.
\n\u2014(Arabic to French) Al-Hamdani, \u201cA Day in Childhood, Intensely.\u201d 19.1-2<\/a>, 159.
\n\u2014(Arabic to French) Al-Hamdani, \u201cThe Beacon of Makeshift Houses.\u201d 19.1-2<\/a>, 158.
\n\u2014(Arabic to French) Al-Hamdani, \u201cThe City of Sand.\u201d 19.1-2<\/a>, 160.
\n\u2014(Arabic to French) Al-Hamdani, \u201cIf One of Us Died?\u201d 19.1-2<\/a>, 162.
\n\u2014(Arabic to French) Al-Hamdani, \u201cA Homeland.\u201d 19.1-2<\/a>, 165.
\n\u2014(Arabic to French) Al-Hamdani, \u201cThe Necrologist.\u201d 19.1-2<\/a>, 164.<\/p>\n

 <\/p>\n

Laher, Suheil. (Arabic) \u2018Abdullah Ibn Al-Mu\u2019Tazz, \u201cUntitled, from\u00a0Tabaqat Al-Shu\u2019 Ara\u2019 Al-Muhdahtin<\/em>.\u201d 15.1-2<\/a>, 38.<\/p>\n

 <\/p>\n

Mourad, Ghada. (Arabic) Ashraf Zaghal, \u201cSelf.\u201d 23.2<\/a>, 44.<\/p>\n

 <\/p>\n

Muhamad, Abdulzahra. (Arabic) Abdulhrahman Majeed Al-Rube\u2019e, \u201cThe Ram.\u201d 15.1-2<\/a>, 128.<\/p>\n

 <\/p>\n

Peate, John. (Arabic) Haifa Bitar, \u201cBetween the A and the Z.\u201d 19.1-2<\/a>, 254.<\/p>\n

 <\/p>\n

Romaine, Barbara. (Arabic) Abu Abdullah Muhammad Ibn Idris Al-Shafici, \u201cLet the days be, for they\u2019ll do as they will.\u201d 23.2<\/a>, 48.<\/p>\n

 <\/p>\n

Sellin, Eric. (with Mbarek Sryfi) (Arabic) Hassan Najmi, \u201cCognito.\u201d 19.1-2<\/a>, 31.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cA Little Woman.\u201d 19.1-2<\/a>, 33.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Window.\u201d 19.1-2<\/a>, 32.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cDeath of a Little Girl.\u201d 19.1-2<\/a>, 35.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Inn.\u201d 19.1-2<\/a>, 34.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Station Square.\u201d 19.1-2<\/a>, 37.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cN.A.\u201d 19.1-2<\/a>, 36.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Blueness of the Evening.\u201d 19.1-2<\/a>, 39.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Desert.\u201d 19.1-2<\/a>, 38.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Empty Chair.\u201d 19.1-2<\/a>, 44.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cSeagull.\u201d 19.1-2<\/a>, 47.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cMessage in a Bottle.\u201d 19.1-2<\/a>, 46.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Daughters.\u201d 19.1-2<\/a>, 49.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cA Room in Rome.\u201d 19.1-2<\/a>, 48.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cSands.\u201d 19.1-2<\/a>, 51.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Violins.\u201d 19.1-2<\/a>, 50.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Runaway\u2019s Nostalgia.\u201d 19.1-2<\/a>, 53.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Dead Man.\u201d 19.1-2<\/a>, 53.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cWhispers.\u201d 19.1-2<\/a>, 55.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cThe Rain in the Poem.\u201d 19.1-2<\/a>, 54.
\n\u2014(with Sryfi) (Arabic) Najmi, \u201cA Cloud.\u201d 19.1-2<\/a>, 56.<\/p>\n

 <\/p>\n

Shamma, Tarek. (Arabic) Wafa Malih, \u201cLooking into a Lover\u2019s Eyes.\u201d 15.1-2<\/a>, 124.
\n\u2014(Arabic) Ibrahim Samuel, \u201cThat Sunday Morning.\u201d 23.2<\/a>, 174.<\/p>\n

 <\/p>\n

Sobh, Mahmud. (Arabic) Ibn Zaydun, \u201cLuscious C\u00f3rdoba.\u201d 15.1-2<\/a>, 178.
\n\u2014(Arabic) Zaydun, \u201cNostalgic Lover.\u201d 15.1-2<\/a>, 178.
\n\u2014(Arabic) Zaydun, \u201cWine and Roses.\u201d 15.1-2<\/a>, 178.
\n\u2014(Arabic) Zaydun, \u201cAfter Absence.\u201d 15.1-2<\/a>, 178.
\n\u2014(Arabic) Zaydun, \u201cA Furtive Glance.\u201d 15.1-2<\/a>, 178.
\n\u2014(Arabic) Zaydun, \u201cA Secret.\u201d 15.1-2<\/a>, 178.
\n\u2014(Arabic) Zaydun, \u201cHIdden Suffering.\u201d 15.1-2<\/a>, 178.<\/p>\n

 <\/p>\n

Sryfi, Mbarek. (with Eric Sellin) (Arabic) Hassan Najmi, \u201cCognito.\u201d 19.1-2<\/a>, 31.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cA Little Woman.\u201d 19.1-2<\/a>, 33.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Window.\u201d 19.1-2<\/a>, 32.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cDeath of a Little Girl.\u201d 19.1-2<\/a>, 35.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Inn.\u201d 19.1-2<\/a>, 34.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Station Square.\u201d 19.1-2<\/a>, 37.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cN.A.\u201d 19.1-2<\/a>, 36.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Blueness of the Evening.\u201d 19.1-2<\/a>, 39.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Desert.\u201d 19.1-2<\/a>, 38.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Empty Chair.\u201d 19.1-2<\/a>, 44.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cSeagull.\u201d 19.1-2<\/a>, 47.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cMessage in a Bottle.\u201d 19.1-2<\/a>, 46.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Daughters.\u201d 19.1-2<\/a>, 49.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cA Room in Rome.\u201d 19.1-2<\/a>,48.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cSands.\u201d 19.1-2<\/a> 51.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Violins.\u201d 19.1-2<\/a>, 50.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Runaway\u2019s Nostalgia.\u201d 19.1-2<\/a>, 53.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Dead Man.\u201d 19.1-2<\/a>, 53.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cWhispers.\u201d 19.1-2<\/a>, 55.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cThe Rain in the Poem.\u201d 19.1-2<\/a>, 54.
\n\u2014(with Sellin) (Arabic) Najmi, \u201cA Cloud.\u201d 19.1-2<\/a>, 56.
\n\u2014(Arabic) Aicha Bassry, \u201cHouse of Night (Chapter 1 of\u00a0Silk Nights).\u201d 25.2<\/a>, 229.<\/p>\n","protected":false},"excerpt":{"rendered":"

Abderrazzaq du Souhad Zendah, Mohammad. (Arabic) Qadi\u2019Iyad, \u201cA book.\u201d 15.1-2, 28. \u2014(Arabic) Qadi\u2019Iyad, \u201cO Seeker of Knowledge.\u201d 15.1-2, 30. \u2014(Arabic) Qadi\u2019Iyad, \u201cRepentance.\u201d 15.1-2, 32. \u2014(Arabic) Qadi\u2019Iyad, \u201cTo You I Stretch Forth the Palms of My Hands.\u201d 15.1-2, 34. \u2014(Arabic) Qadi\u2019Iyad, \u201cPoppy Flowers.\u201d 15.1-2, 36.   Akhtarkhavari, Nesreen. (Arabic) Tayseer Al-Sboul, \u201cThe Final Shore.\u201d 23.2, 38 […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-657","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=657"}],"version-history":[{"count":8,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/657\/revisions"}],"predecessor-version":[{"id":1311,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/657\/revisions\/1311"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=657"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=657"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}