{"id":700,"date":"2019-05-24T20:26:02","date_gmt":"2019-05-25T00:26:02","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=700"},"modified":"2023-06-12T10:49:58","modified_gmt":"2023-06-12T14:49:58","slug":"galego","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/galego\/","title":{"rendered":"Galician and Galego"},"content":{"rendered":"

Burns, John. (Galego). Salvador Garc\u00eda-Boda\u00f1o, \u201cAquelas ma\u00f1\u00e1ns dem\u00fasica (Those mornings when there was music I).\u201d 22.1-2<\/a>, 54.<\/p>\n

 <\/p>\n

Czerwiecz, Heidi (with Claudia Routon). (Galician) Branca Vilela, \u201cWhile I Talk to Carlos.\u201d 16.2<\/a>, 188.
\n\u2014(with Routon). (Galician) Vilela, \u201cWild Beasts.\u201d 16.2<\/a>, 190.
\n\u2014(with Routon). (Galician) Vilela, \u201cAutumn Depression.\u201d 16.2<\/a>, 190.
\n\u2014(with Routon). (Galician) Vilela, \u201cDon\u2019t Let me Fall Asleep.\u201d 16.2<\/a>, 192.
\n\u2014(with Routon). (Galician) Vilela, \u201cAfter You.\u201d 16.2<\/a>, 194.<\/p>\n

 <\/p>\n

Dahlgren, Marta. (Galego) Manuel Mar\u00eda, \u201cOde a beleza da palabra (Ode to the Beauty of Words).\u201d 22.1-2<\/a>, 42.
\n\u2014(with Carys Evans-Corrales). (Galego) Salvador Garc\u00eda-Boda\u00f1o, \u201cThose mornings when there was music II.\u201d 22.1-2<\/a>, 57.
\n\u2014(Galego) Manuel Rivas, \u201cSuicidio campesino (Those Who Die on the Land).\u201d 22.1-2<\/a>, 80.
\n\u2014(Galego) Rivas, \u201cAgua na man (Water in His Hands).\u201d 22.1-2<\/a>, 80.
\n\u2014(with Evans-Corrales). (Galego) Mar\u00eda Lado, \u201cPaxaros e maceiras (Birds and Apple-Trees).\u201d 22.1-2<\/a>, 122.<\/p>\n

 <\/p>\n

Evans-Corrales, Carys. (Galego) \u00c1lvaro Cunqueiro, \u201cEu son Danae (I am Danae).\u201d 22.1-2<\/a>, 36.<\/p>\n

\u2014(Galego) Xohana Torres, \u201cEramos navegantes das illas (We were Explorers\u2026).\u201d 22.1-2<\/a>, 44.<\/p>\n

\u2014(Galego) Xohana Torres, \u201cOphelia II.\u201d 22.1-2<\/a>, 49.<\/p>\n

\u2014(Galego) Bernardino Gra\u00f1a, \u201cEn Padr\u00f3n os alumnos do Instituto (The Pupils at Padron High School.\u201d 22.1-2<\/a>, 52.<\/p>\n

\u2014(with Marta Dahlgren). (Galego) Salvador Garc\u00eda-Boda\u00f1o, \u201cThose mornings when there was music II.\u201d 22.1-2<\/a>, 57.<\/p>\n

\u2014(Galego) Salvador Garc\u00eda-Boda\u00f1o, \u201cMetamorphose (Metamorphosis).\u201d 22.1-2<\/a>, 58.<\/p>\n

\u2014(Galego) Xos\u00e9 Lu\u00eds M\u00e9ndez Ferr\u00edn, \u201cAgora \u00e9 o intro do regreso (Now is the Time to Return.\u201d 22.1-2<\/a>. 60.<\/p>\n

\u2014(Galego) Marilar Aleixandre, \u201cCirce a Ulises (Circe to Ulysses).\u201d 22.1-2<\/a>, 64.<\/p>\n

\u2014(Galego) Alfonso Pexegueiro, \u201cA Muller Das Garzas (The Heron Woman).\u201d 22.1-2<\/a>, 66.<\/p>\n

\u2014(Galego) Alfonso Pexegueiro, \u201cPatria (Homeland).\u201d 22.1-2<\/a>, 66.<\/p>\n

\u2014(Galego) Chus Pato, \u201cO \u00fanico rito que co\u00f1ezo (The Only Rite I Know).\u201d 22.1-2<\/a>, 70.<\/p>\n

\u2014(Galego) Pilar Pallar\u00e9s, \u201cI Am the Seated Scribe.\u201d 22.1-2<\/a>, 77.<\/p>\n

\u2014(Galego) Pilar Pallar\u00e9s, \u201cFalamos nunha lingua desvairada (We Speak in Incoherencies).\u201d 22.1-2<\/a>, 78.<\/p>\n

\u2014(Galego) Miguel Anxo Fern\u00e1n Vello, \u201cPaciencia (Patience).\u201d 22.1-2<\/a>, 82.<\/p>\n

\u2014(Galego) Manuel Forcadela, \u201cL\u2019eclair.\u201d 22.1-2<\/a>, 84.<\/p>\n

\u2014(Galego) Manuel Forcadela, \u201cMaestro.\u201d 22.1-2<\/a>, 84.<\/p>\n

\u2014(Galego) Lois Pereiro, \u201cEdinburgh, Edinburgh.\u201d 22.1-2<\/a>, 88.<\/p>\n

\u2014(Galego) Lois Pereiro, \u201cOtro poema de amor (Another Love Poem).\u201d 22.1-2<\/a>, 88.<\/p>\n

\u2014(Galego) Xela Arias, \u201cMon\u00f3logo adicto (Addicted Monologue).\u201d 22.1-2<\/a>, 92.<\/p>\n

\u2014(Galego) Ana Roman\u00ed, \u201cCami\u00f1an descalzas (They Walk Barefoot).\u201d 22.1-2<\/a>, 96.<\/p>\n

\u2014(Galego) Ana Roman\u00ed, \u201cE se fago da varanda\u2026 (And if I Make of This Season\u2026).\u201d 22.1-2<\/a>, 96.<\/p>\n

\u2014(Galego) Fran Alonso, \u201cTerrae.\u201d 22.1-2<\/a>, 100.<\/p>\n

\u2014(Galego) Marta Dacosta, \u201cHoubo un medo azul (There Was a Blue Dread).\u201d 22.1-2<\/a>, 102.<\/p>\n

\u2014(Galego) Marta Dacosta, \u201cComo Ofelia (Like Ophelia).\u201d 22.1-2<\/a>, 102.<\/p>\n

\u2014(Galego) Lupe G\u00f3mez, \u201cMonecas Nansi louras (Blonde Nancy Dolls).\u201d 22.1-2<\/a>, 104.<\/p>\n

\u2014(Galego) Lupe G\u00f3mez, \u201cO amor (Love).\u201d 22.1-2<\/a>, 104.<\/p>\n

\u2014(Galego) G\u00f3mez, \u201cDefinici\u00f3n (Definition).\u201d 22.1-2<\/a>, 104.<\/p>\n

\u2014(Galego) Estabaliz Espinosa, \u201cComera a ta alma (I Would Eat Your Soul).\u201d 22.1-2<\/a>, 106.<\/p>\n

\u2014(Galego) Estabaliz Espinosa, \u201cSobrenatural (Supernatural).\u201d 22.1-2<\/a>, 106.<\/p>\n

\u2014(Galego) Olga Novo, \u201cDolorido un campo de algod\u00f3n ou tabaco (Pain-wracked a Field of Cotton or Tobacco).\u201d 22.1-2<\/a>, 112.<\/p>\n

\u2014(Galego) Mar\u00c3\u00ada Do Cebreiro, \u201cO que n\u00f3s sentimos.. (What We Feel\u2026).\u201d 22.1-2<\/a>, 116.<\/p>\n

\u2014(Galego) Emma Pedreira, \u201cLibro da selva. Conto da Selva (Versi\u00f3n 2.0.) (Jungle Book. Jungle Story).\u201d 22.1-2<\/a>, 118.<\/p>\n

\u2014(Galego) Mar\u00eda Lado, \u201cLaranxa mandarina (Mandarin Oranges).\u201d 22.1-2<\/a>, 122.<\/p>\n

\u2014(with Marta Dahlgren). (Galego) Mar\u00eda Lado, \u201cPaxaros e maceiras (Birds and Apple-Trees).\u201d 22.1-2<\/a>, 122.<\/p>\n

\u2014(Galego) Mario Regueira, \u201co silencio (Retardo) (Silence Deferred).\u201d 22.1-2<\/a>, 126.<\/p>\n

\u2014(Galego) Xiana Arias, \u201cRepite (Repeat).\u201d 22.1-2<\/a>, 128.<\/p>\n

 <\/p>\n

L\u00e1zaro, Reyes. (with Moon and Pandiri). (Galician) Manuel Rivas, \u201cManifesto Against Silence.\u201d 12.1-2<\/a>, 174.<\/p>\n

 <\/p>\n

Martin, Annabel. (Galician) Manuel Rivas, \u201cAll Animals Speak.\u201d 12.1-2<\/a>, 163.<\/p>\n

 <\/p>\n

Moon, Sarah (with L\u00e1zaro and Pandiri). (Galician) Manuel Rivas, \u201cManifesto Against Silence. 12.1-2<\/a>, 173.<\/p>\n

 <\/p>\n

Pandiri, Thalia. (Galician) Manueal Rivas, \u201cManifesto Against Silence.\u201d 12.1-2<\/a>, 174.\u201d<\/p>\n

 <\/p>\n

Rivas, Manuel. (Galician) \u201cManifesto Against Silence.\u201d 12.1-2<\/a>, 173.<\/p>\n

 <\/p>\n

Routon, Claudia (with Heidi Czerwicz). (Galician) Branca Vilela, \u201cWhile I Talk to Carlos.\u201d 16.2<\/a>, 188.
\n\u2014(with Czerwicz). (Galician) Branca Vilela, \u201cWild Beasts.\u201d 16.2<\/a>, 190.
\n\u2014(with Czerwicz). (Galician) Vilela, \u201cAutumn Depression.\u201d 16.2<\/a>, 190.
\n\u2014(with Czerwicz). (Galician) Vilela, \u201cDon\u2019t Let Me Fall Asleep.\u201d 16.2<\/a>, 192.
\n\u2014(with Czerwicz). (Galician) Vilela, \u201cAfter You.\u201d 16.2<\/a>, 194.<\/p>\n

 <\/p>\n

Rutherford, John. (Galego) Pilar Pallar\u00e9s, \u201cNo resplandor das horas (In the Splendour of the Hours).\u201d 22.1-2<\/a>, 74.<\/p>\n

 <\/p>\n

Santos, Antonio Ra\u00fal de Toro. (English into Galician) Nuala n\u00ed Dhomhnaill, \u201cNude.\u201d 12.1-2<\/a>, 224.
\n\u2014(English into Galician) n\u00ed Dhomhnaill, \u201cI Cannot Lie Here.\u201d 12.1-2<\/a>, 231.
\n\u2014(English into Galician) n\u00ed Dhomhnaill, \u201cThe Language Issue.\u201d 12.1-2<\/a>, 235.
\n\u2014(English into Galician) n\u00ed Dhomhnaill, \u201cLabysheedy (The Silken Bed).\u201d 12.1-2<\/a>, 240.
\n\u2014(English into Galician) n\u00ed Dhomhnaill, \u201cMy Own Love (In Brackets).\u201d 12.1-2<\/a>, 247.
\n\u2014(English into Galician) n\u00ed Dhomhnaill, \u201cYou Are.\u201d 12.1-2<\/a>, 253.<\/p>\n

 <\/p>\n

V\u00e1zquez De Moreiras, Alejandro Evangelista. (Galego) Luz Pozo Garza, \u201cA ave da luz (The Bird of Light).\u201d 22.1-2<\/a>, 38.<\/p>\n

\u2014(Galego) Luz Pozo Garza, \u201cProcurabas as sombras (You Sought the Shadows).\u201d 22.1-2<\/a>, 38.<\/p>\n

\u2014(Galego) Pozo Garza, \u201cLotus no coraz\u00f3n (Lotus in My Heart).\u201d 22.1-2<\/a>, 40.<\/p>\n","protected":false},"excerpt":{"rendered":"

Burns, John. (Galego). Salvador Garc\u00eda-Boda\u00f1o, \u201cAquelas ma\u00f1\u00e1ns dem\u00fasica (Those mornings when there was music I).\u201d 22.1-2, 54.   Czerwiecz, Heidi (with Claudia Routon). (Galician) Branca Vilela, \u201cWhile I Talk to Carlos.\u201d 16.2, 188. \u2014(with Routon). (Galician) Vilela, \u201cWild Beasts.\u201d 16.2, 190. \u2014(with Routon). (Galician) Vilela, \u201cAutumn Depression.\u201d 16.2, 190. \u2014(with Routon). (Galician) Vilela, \u201cDon\u2019t Let […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-700","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=700"}],"version-history":[{"count":5,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/700\/revisions"}],"predecessor-version":[{"id":1251,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/700\/revisions\/1251"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=700"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=700"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}