{"id":77,"date":"2019-03-30T15:46:22","date_gmt":"2019-03-30T19:46:22","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=77"},"modified":"2023-06-12T10:49:46","modified_gmt":"2023-06-12T14:49:46","slug":"french","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/french\/","title":{"rendered":"French"},"content":{"rendered":"

Alland, Sonia. (French) Maria Bronsard, \u201cGlances.\u201d 16.2<\/a>, 176.
\n\u2014(French) Salah Al-Hamdani, \u201cBaghdad.\u201d 19.1-2<\/a>, 155.
\n\u2014(French) Al-Hamdani, \u201cXIITH View: Red Mourning.\u201d 19.1-2<\/a>, 157.
\n\u2014(French) Al-Hamdani, \u201cA Day in Childhood, Intensely.\u201d 19.1-2<\/a>, 159.
\n\u2014(French) Al-Hamdani, \u201cThe Beacon of Makeshift Houses.\u201d 19.1-2<\/a>, 158.
\n\u2014(French) Al-Hamdani, \u201cThe City of Sand.\u201d 19.1-2<\/a>, 160.
\n\u2014(French) Al-Hamdani, \u201cIf One of Us Died?\u201d 19.1-2<\/a>, 162.
\n\u2014(French) Al-Hamdani, \u201cA Homeland.\u201d 19.1-2<\/a>, 165.
\n\u2014(French) Al-Hamdani, \u201cThe Necrologist.\u201d 19.1-2<\/a>, 164.
\n\u2014(French) Isabelle Lagny, \u201cReturn to Baghdad: Translating with Salah Al-Hamdani, An Iraqi Poet who Writes in Arabic and French\u201d 19.1-2<\/a>, 180.<\/p>\n

 <\/p>\n

Anderson, Kirk. (French) Franck Pavloff, \u201cBrown Hounding.\u201d 20.1<\/a>, 166.<\/p>\n

 <\/p>\n

Anderson, Warren D. (French) Joachim du Bellay, \u201cBeatus Ille.\u201d 5.1<\/a>, 41.
\n\u2014(French) Pierre de Ronsard, poems. 9.2<\/a>, 70.
\n\u2014(French) Guillaume Apollinaire, poems. 9.2<\/a>, 72.
\n\u2014(and Thalia Pandiri) \u201cTranslation or Transformation?: Charles Baudelaire\u2019s Enivrez-Vous.\u201d 9.2<\/a>, 332.<\/p>\n

 <\/p>\n

Anson, John. (French) Paul Val\u00e9ry, \u201cDisaster.\u201d 23.2<\/a>, 122.<\/p>\n

 <\/p>\n

Bailat-Jones, Michelle. (French) Charles Ferdinand Ramuz, \u201cPhimonette.\u201d 20.1<\/a>, 197.<\/p>\n

 <\/p>\n

Ball, David. (French) Henri Michaux, \u201cIn the Night.\u201d 1.1<\/a>, 28.
\n\u2014(French) Michaux, \u201cSong of Death.\u201d 2.1<\/a>, 38.
\n\u2014\u201cReview of\u00a0Francis Ponge: Selected Poems<\/em>\u00a0(Margeret Guiton, ed.).\u201d\u00a03.2<\/a>, 161.
\n\u2014\u201cReview of\u00a0La Grande Pointe<\/em>\u00a0(Beverly Matherne).\u201d 4.1<\/a>, 113.
\n\u2014(French) James Sacr\u00e9, poems. 8.2<\/a>, 70.
\n\u2014\u201cUBU-ing a Theatre-Translation: Defense and Illustration.\u201d 9.1<\/a>, 135.
\n\u2014(with Nicole Ball). (French) \u201cIntroduction to the Special Francophone Issue.\u201d 11.1<\/a>, 16.
\n\u2014(French) Abdourahman A. Waberi, \u201cThe Equator of the Heart.\u201d 11.1<\/a>, 67.
\n\u2014(with Nicole Ball). (French) Ren\u00e9 Depestre, \u201cCaribbean Mother Sea.\u201d 11.1<\/a>, 172.<\/p>\n

 <\/p>\n

Ball, Nicole. (French) Michel Jourdain, poems. 9.2<\/a>, 106.
\n\u2014(with David Ball). (French) \u201cIntroduction to the Special Francophone Issue.\u201d 11.1<\/a>, 16.
\n\u2014(with David Ball). (French) Ren\u00e9 Depestre, \u201cCaribbean Mother Sea.\u201d 11.1<\/a>, 172.
\n\u2014(French) Depestre, \u201cIn Free Praise of the French Language.\u201d 11.1<\/a>, 176.
\n\u2014(French) Depestre, \u201cImages for an Anti-Autobiography.\u201d 11.1<\/a>, 180.
\n\u2014(French) Depestre, \u201cFar from Jacmel.\u201d 11.1<\/a>, 186.<\/p>\n

 <\/p>\n

Banerjee, Ron D.K. (Czech into French) Frantisek Halas, \u201cLe Charmeur de Rats,\u201d \u201cLe Coq Dissipe la Mort.\u201d 2.1<\/a>, 48.<\/p>\n

 <\/p>\n

Barber, Jennifer. (French) Emmanuel\u00a0Merle, \u201cfrom\u00a0Ici en exil\u00a0<\/em>(2012).\u201d 23.2<\/a>, 120.<\/p>\n

 <\/p>\n

Bennett, Martin Wilmot. (French) Charles Vig\u00e9e, poems. 8.2<\/a>, 90.
\n\u2014(French) Philippe Jaccottet, \u201cMadrigal.\u201d 8.2<\/a>, 94.<\/p>\n

 <\/p>\n

Borda, Itxaro. (French) \u201cFrom\u00a0Poems of the Infinite Silence<\/em>.\u201d 12.1-2<\/a>, 75.<\/p>\n

 <\/p>\n

Boutelle, Annie. (French) Rilke, poems. 9.2<\/a>, 80.
\n\u2014(French) Rilke, \u201cThe Little Year of the Vine,\u201d 11.2<\/a>, 59.<\/p>\n

 <\/p>\n

Carlson, Barbara Siegel. (French) Patrick Beurard-Valdoye, \u201cPortbou: Walter Benjamin.\u201d 16.1<\/a>, 100.<\/p>\n

 <\/p>\n

Charles, Asselin. (French) Frank\u00e9tienne, \u201cThe Noose.\u201d 11.1<\/a>, 135.<\/p>\n

 <\/p>\n

Dairon, Pierre. (French) \u201cReview: Beverly Matherne.\u00a0Lamothe-Cadillac:\u00a0<\/em>Sa Jeunesse en France. Suite de po\u00e8mes en prose en francais et en\u00a0<\/em>anglais.<\/em>\u201d 18.1<\/a>, 234.<\/p>\n

 <\/p>\n

Danon, Samuel. (French) \u201cVillon\u2019s Epitaph (Ballad of the Hanged).\u201d 16.1<\/a>, 194.
\n\u2014(French) Fran\u00e7ois Villon, \u201cBallade of the Ladies of Long Ago.\u201d 20.2<\/a>, 30.
\n\u2014(French) Villon, \u201cBallade of the Lords of Long Ago.\u201d 20.2<\/a>, 34.
\n\u2014(French) Villon, \u201cAnother Ballade.\u201d 20.2<\/a>, 36.
\n\u2014(French) Villon, \u201cBallade: A Prayer To Our Lady.\u201d 23.1<\/a>, 126.
\n\u2014(French) Villon, \u201cBallade to his Girlfriend.\u201d 23.1<\/a>, 128.
\n\u2014(French) Eugene Guillevic, \u201cThe Flower.\u201d 25.2<\/a>, 102.
\n\u2014(French) Guillevic, \u201cSparrowhawk.\u201d 25.2<\/a>, 108.<\/strong><\/p>\n

 <\/p>\n

Daval, Stephanie. (French) Tchicaya U Tam\u2019si, \u201cThe Whirlwind.\u201d 5.1<\/a>, 111.<\/p>\n

 <\/p>\n

Dickow, Alexis. (French) Guillaume Apollinaire, \u201cSong of the Unrequited Lover.\u201d 25.1<\/a>, 22.
\n\u2014(French) Apollinaire, \u201cSung for Laetre One Year Ago.\u201d 25.1<\/a>, 26.
\n\u2014(French) Apollinaire, \u201cThe Zaporozhain Coassack\u2019s Answer to the Sultan of Constantinople.\u201d 25.1<\/a>, 28.
\n\u2014(French) Apollinaire, \u201cThe Seven Swords.\u201d 25.1<\/a>, 35.<\/p>\n

 <\/p>\n

Dixon, John S. (French) Tristan Cabral, poems. 5.1<\/a>, 64.<\/p>\n

 <\/p>\n

DuVal, John. (French) Fran\u00e7ois Villon, \u201cBequest of a Ballade for Villon\u2019s Mother to Pray to our Lady in her Own Words.\u201d 18.2<\/a>, 96.
\n\u2014(French) Villon, \u201cBequest of a Ballade for Fat Margot.\u201d 18.2<\/a>, 100.<\/p>\n

 <\/p>\n

Ferber, Michael. (French) Andr\u00e9 Ch\u00e9nier, \u201cThe Young Captive (1794).\u201d 11.2<\/a>, 89.<\/p>\n

 <\/p>\n

Frederick, Patricia. (French) Djura, \u201cExcerpt from \u2018Beneath the Veil\u2026Algeria.’\u201d 15.1-2<\/a>, 149.
\n\u2014(French) Djura, \u201cExcerpt from \u2018The Prophet\u2019s Sneeze.’\u201d 15.1-2<\/a>, 153.
\n\u2014(French) Djura, \u201cExcerpt from \u2018The Prophet\u2019s Sneeze.’\u201d 15.1-2<\/a>, 160.
\n\u2014(French) Amin Maalouf, \u201cFour Moments.\u201d 23.2<\/a>, 32.<\/p>\n

 <\/p>\n

Fulton, Dawn. (French) Gis\u00e8le Pineau, \u201cAm\u00e9lie and the Anoles.\u201d 11.1<\/a>, 200.<\/p>\n

 <\/p>\n

Gallagher, Edward J. (French) Guillaume Apollinaire, \u201cSaint Adorata.\u201d 21.2<\/a>, 192.<\/p>\n

 <\/p>\n

Gounaridou, Kiki (with Joel Tansey). \u201cIsabell Sbrissa\u2019s Swiss-French Theatre of Abstraction.\u201d 23.1<\/a>, 57.<\/p>\n

\u2014(with Joel Tansey and Rosine Schautz). (French) Isabelle Sbrissa, \u201cCrossing the Desert.\u201d 23.1<\/a>, 59.<\/p>\n

 <\/p>\n

Hardenberg, Wendeline A. (French) Marie-Claire Bancquart, poems. 21.2<\/a>, 72.<\/p>\n

 <\/p>\n

Hartland, Patricia. (French\/Creole)\u00a0Raphael Confiant, \u201cProphecy of Nights [from opening\u00a0chapter of\u00a0Ravines du devent-jour \/ Ravines of Early\u00a0<\/em>Morning<\/em>].\u201d 23.2<\/a>, 195.<\/p>\n

 <\/p>\n

Hecht, Anthony. (French) Joachim du Bellay, \u201cHeureux Qui (After du Bellay).\u201d 5.1<\/a>, 43.<\/p>\n

 <\/p>\n

Hochstadt, Pearl R. (French) Jean de la Fontaine, \u201cThe Frog and the Ox.\u201d 16.1<\/a>, 198.
\n\u2014(French) de la Fontaine, \u201cThe Cock and the Pearl.\u201d 16.1<\/a>, 200.
\n\u2014(French) de la Fontaine, \u201cThe Wolf Accusing the Fox, With the Ape as Judge.\u201d 16.1<\/a>, 200.
\n\u2014(French) de la Fontaine, \u201cThe Satyr and the Traveler.\u201d 16.1<\/a>, 202.
\n\u2014(French) de la Fontaine, \u201cThe Doctors.\u201d 16.1<\/a>, 204.<\/p>\n

 <\/p>\n

Hurezanu, Daniela. (French) Andr\u00e9 Chedid, \u201cThe Lost Garden.\u201d 11.1<\/a>, 82.<\/p>\n

 <\/p>\n

de Jager, Marjolijn. (French) V\u00e9ronique Tadjo, \u201cThe Wrath of the Dead, the Young Zairian Woman who Resembled a Tutsi.\u201d 11.1<\/a>, 55.<\/p>\n

 <\/p>\n

Johnstan, Allan. (with Guillemetter Johnston) (French) Abdullatif La\u00e7bi, \u201cTo My Son Yacine.\u201d 25.1<\/a>, 84.
\n\u2014(French) Labi, \u201cFour Years.\u201d 25.1<\/a>, 88.<\/p>\n

 <\/p>\n

Johnston, Guillemetter (with Allan Johnstan) (French) Abdullatif La\u00e7bi, \u201cTo My Son Yacine.\u201d 25.1<\/a>, 84.
\n\u2014(French) La\u00e7bi, \u201cFour Years.\u201d 25.1<\/a>, 88.<\/p>\n

 <\/p>\n

Kaplansky, Jonathon. (French) Sylvie Massicotte, \u201cTaurus.\u201d 11.1<\/a>, 288.<\/p>\n

 <\/p>\n

Kates, J. (French) Ren\u00e9 Villard, \u201cThe Cemetary of Saint-Nic.\u201d 17.2<\/a>, 58.<\/p>\n

 <\/p>\n

Keane, Tim (with Myriam Moraz). (French) Pierre Chappuis, \u201cBlank Page.\u201d 21.2<\/a>, 110.
\n\u2014 (French) Chappuis, \u201cWhat Room.\u201d 21.2<\/a>, 110.<\/p>\n

 <\/p>\n

Kennedy, Melinda. (French) Georges Braque, \u201cA Few Aphorisms (from the Notebooks of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Georges Braque).\u201d 4.1<\/a>, 26.
\n\u2014(French) Paul Eluard, \u201cUnderstand You Who Dare,\u201d \u201cCourage.\u201d 4.1<\/a>, 54.<\/p>\n

 <\/p>\n

Lagny, Isabelle. (Arabic to French) Salah Al-Hamdani, \u201cBaghdad.\u201d 19.1-2<\/a>, 155.
\n\u2014(Arabic to French) Al-Hamdani, \u201cXIITH View: Red Mourning.\u201d 19.1-2<\/a>, 157.
\n\u2014(Arabic to French) Al-Hamdani, \u201cA Day in Childhood, Intensely.\u201d 19.1-2<\/a>, 159.
\n\u2014(Arabic to French) Al-Hamdani, \u201cThe Beacon of Makeshift Houses.\u201d 19.1-2<\/a>, 158.
\n\u2014(Arabic to French) Al-Hamdani, \u201cThe City of Sand.\u201d 19.1-2<\/a>, 160.
\n\u2014(Arabic to French) Al-Hamdani, \u201cIf One of Us Died?\u201d 19.1-2<\/a>, 162.
\n\u2014(Arabic to French) Al-Hamdani, \u201cA Homeland.\u201d 19.1-2<\/a>, 165.
\n\u2014(Arabic to French) Al-Hamdani, \u201cThe Necrologist.\u201d 19.1-2<\/a>, 164.<\/p>\n

 <\/p>\n

L\u00e1zaro, Reyes. (with Moon and Pandiri). (French) Aurelia Arkotxa, \u201cJust Like Aldous Huxley\u2019s Prophecy.\u201d 12.1-2<\/a>, 171.<\/p>\n

 <\/p>\n

Leete, Elizabeth B. (French) Guillaume Apollinaire, \u201cThe Mirabeau Bridge.\u201d 4.1<\/a>, 90.
\n\u2014(French) Marcel Bourquin, \u201cA Love Letter.\u201d 4.1<\/a>, 92.<\/p>\n

 <\/p>\n

Levens, Lance. (French) Jean de la Cepp\u00e8de, \u201cBook I Sonnet #23.\u201d 20.2<\/a>, 48.
\n\u2014(French) la Cepp\u00e8de, \u201cBook III Sonnet #85.\u201d 20.2<\/a>, 48.<\/p>\n

 <\/p>\n

Liddell, Erik. (French) Gabrielle Emilie Le Tonnelier de Breteuil and Marquise du Chatelet-Lomot, \u201cDiscourse on Happiness.\u201d 16.1<\/a>, 274.<\/p>\n

 <\/p>\n

Lovelock, Yann and Patrick Williamson. (French) Serge Pey. \u201cEvery Poem is a Decapitated Head Held up by a Single Hair.\u201d 16.1<\/a>, 186.<\/p>\n

 <\/p>\n

Martineau, Yzabelle. \u201cNicolas Kurtovitch and the Cultural Interface in New Caledonia.\u201d 11.1<\/a>, 101.
\n\u2014(French) Nicolas Kurtovitch, \u201cWith Mask.\u201d 11.1<\/a>, 106.
\n\u2014(French) Kurtovitch, \u201cThe Man in the Forest.\u201d 11.1<\/a>, 114.
\n\u2014(French) Kurtovitch, \u201cPoem for the Fourth of July.\u201d 11.1<\/a>, 118.<\/p>\n

 <\/p>\n

Matherne, Beverly. Review of Je suis cadien\u00a0<\/em>(Jean Arceneaux), 3.2<\/a>, 156.
\n\u2014\u201cTranslating from English to Cajun French: A Healing Process.\u201d 4.1<\/a>, 16.<\/p>\n

 <\/p>\n

Moon, Sarah. (with L\u00e1zaro and Thalia Pandiri). (French) Aurelia Arkotxa, \u201cJust Like Aldous Huxley\u2019s Prophecy.\u201d 12.1-2<\/a>, 171.<\/p>\n

 <\/p>\n

Moorhead, Andrea. (French) Madeleine Gagnon, poems. 9.2<\/a>, 94.<\/p>\n

 <\/p>\n

Moraz, Myriam (with Tim Keane). (French) Pierre Chappuis, \u201cBlank Page.\u201d 21.2<\/a>, 110.
\n\u2014(French) Chappuis, \u201cWhat Room.\u201d 21.2<\/a>, 110.<\/p>\n

 <\/p>\n

Newman, Karen. (French) Madeleine de Sc\u00fadery, \u201cStory of Sapho.\u201d 8.2<\/a>, 168.<\/p>\n

 <\/p>\n

Owen, Jan. (French) Charles Baudelaire, \u201cThe Lovers\u2019 Wine.\u201d 20.2<\/a>, 38.
\n\u2014(French) Baudelaire, \u201cThe Loner\u2019s Wine.\u201d 20.2<\/a>, 38.
\n\u2014(French) Baudelaire, \u201cThe Ragpickers\u2019 Wine.\u201d 20.2<\/a>, 40.
\n\u2014(French) Baudelaire, \u201cThe Murderer\u2019s Wine.\u201d 20.2<\/a>, 42.<\/p>\n

 <\/p>\n

Pag\u00e8s, Meriem. (French) Tassadit Yacine, \u201cFemmes, Espace et Creation dans le Monde Berbere; Women, Space and Creation in Berber Society.\u201d 15.1-2<\/a>, 192.<\/p>\n

 <\/p>\n

Past, Mariana. (French) Callixthe Beyala, \u201cBirth of a Myth.\u201d 11.1<\/a>, 42.<\/p>\n

 <\/p>\n

Pfitzner, Ina. (French) Wolf Biermann, \u201cMonkey on the Rocks\u201d 9.2<\/a>, 84.
\n\u2014(French) Boris Vian, \u201cI\u2019m a Snob\u201d 9.2<\/a>, 88.<\/p>\n

 <\/p>\n

Raleigh, Tegan. (French) Leila Sebbar, \u201cThe Girl with a Red Sweater in Babel.\u201d 11.1<\/a>, 78.<\/p>\n

 <\/p>\n

Rosenberg, Samuel N.<\/p>\n

\u2014(Gascon [French]) Anonymous, \u201cFarewell, Margaridette.\u201d 23.2<\/a>, 68.
\n\u2014(Gascon [French]) Anonymous, \u201cJeanne Feels Unwell.\u201d 23.2<\/a>, 70.
\n\u2014(Gascon [French]) Anonymous, \u201cMargaret, My Sweet.\u201d 23.2<\/a>, 72.
\n\u2014(Gascon [French]) Anonymous, \u201cGood Day, My Lovely Lass.\u201d 23.2<\/a>, 74.
\n\u2014(French) Paul Verlaine, \u201cI. (The pain in my heart).\u201d 25.2<\/a>, 114.
\n\u2014(French) Verlaine, \u201cII. (The sonorous ocean).\u201d 25.2<\/a>, 116.
\n\u2014(French) Verlaine, \u201cIII. (Here are fruits, flowers, leaves, and green branches).\u201d 25.2<\/a>, 118.
\n\u2014(French) Verlaine, \u201cIV. (The moon at night).\u201d 25.2<\/a>, 120.<\/p>\n

 <\/p>\n

Schautz, Rosine (with Kiki Gounaridou and Joel Tansey). (French) Isabelle Sbrissa, \u201cCrossing the Desert.\u201d 23.1<\/a>, 59.<\/p>\n

 <\/p>\n

Sellin, Eric. (French) Emile Verhaeren, \u201cThe Ship.\u201d 20.2<\/a>, 132.
\n\u2014(French) Pierre de Ronsard, \u201cA Sonnet for Helen.\u201d 21.2<\/a>, 164.<\/p>\n

 <\/p>\n

Shapiro, Norman R. (French) Stephen Bernard, \u201cThe Two Rabbits.\u201d 11.1<\/a>, 234.
\n\u2014(French) Jules Choppin, \u201cThe Hare and the Tortoise.\u201d 11.1<\/a>, 240.
\n\u2014(French) Choppin, \u201cThe Oak and the Reed.\u201d 11.1<\/a>, 243.
\n\u2014(French) Joseph D\u00e9jacque, \u201cThe Oyster and the Pearl.\u201d 11.1<\/a>, 244.
\n\u2014(French) Charles Chauvin Boisclair D\u00e9lery, \u201cThe Wasp and the Bee.\u201d 11.1<\/a>, 246.
\n\u2014(French) D\u00e9lery, \u201cThe Tree and the Mast.\u201d 11.1<\/a>, 248.
\n\u2014(French) Edgar Grima, \u201cThe Cricket and the Ant.\u201d 11.1<\/a>, 254.
\n\u2014(French) Grima, \u201cThe Wolf and the Stork.\u201d 11.1<\/a>, 264.<\/p>\n

 <\/p>\n

Shread, Carolyn. (French) Sandra Moussemp\u00e8s, poems. 8.2<\/a>, 78.<\/p>\n

 <\/p>\n

Small, Curtis. (French) Myriam Warner-Vieyra, \u201cThat Special Hour.\u201d 11.1<\/a>, 215.<\/p>\n

 <\/p>\n

Speedy, Karin. (French) Georges Badoux, \u201cExcerpt from\u00a0Sauvages et Civilises<\/em>.\u201d 11.1<\/a>, 128.<\/p>\n

 <\/p>\n

Tachtiris, Corinne. (French) Yanick Lahens, \u201cMoonbathing.\u201d 11.1<\/a>, 188.
\n\u2014(French) Marie-C\u00e9lie Agnant. \u201cTravail.\u201d 23.2<\/a>, 112.<\/p>\n

 <\/p>\n

Thompson, Peter. (French) Nassira Azzouz, \u201cThe Smile.\u201d 17.1<\/a>, 124.
\n\u2014(French) Azzouz, \u201cA Child at Sabra.\u201d 17.1<\/a>, 126.
\n\u2014(French) Azzouz, \u201c[Untitled].\u201d 17.1<\/a>, 130.
\n\u2014(French) Amina Said, \u201cAn Untitled Poem (a despairing dawn).\u201d 19.1-2<\/a>, 78.
\n\u2014(French) Nabil Far\u00e8s, \u201cA Child at Sabra.\u201d 19.1-2<\/a>, 80.<\/p>\n

 <\/p>\n

Vander Vorst, Christina. (French) Marie-C\u00e9lie Agnant, \u201cThe House Facing the Sea.\u201d 11.1<\/a>, 193.<\/p>\n

Varsano, Paula. (French) Gaston Miron, \u201cGirl.\u201d 11.1<\/a>, 294.<\/p>\n

 <\/p>\n

Waggoner, May. (French) Camille Thierry, \u201cThe Pirate\u2019s Mistress.\u201d 11.1<\/a>, 266.
\n\u2014(French) Thierry, \u201cRegrets of the Old Mulatto Woman or Sanite Foueron\u2019s Distress.\u201d 11.1<\/a>, 271.<\/p>\n

 <\/p>\n

Wilbur, Richard. (French) Moli\u00e8re, \u201cAmphitryon: Act One, Scene One.\u201d 2.1<\/a>, 42.<\/p>\n

\u2014(French) Joachim du Bellay, \u201cHappy the Man.\u201d 5.1<\/a>, 42.<\/p>\n

 <\/p>\n

Williamson, Patrick (with Yann Lovelock). (French) Serge Pey. \u201cEvery Poem is a Decapitated Head Held up by a Single Hair.\u201d 16.1<\/a>, 186.
\n\u2014(French) Mathieu B\u00e9n\u00e9zet, \u201cPhase I (Extract from\u00a0L\u2019Oc\u00e9an jusqu\u2019\u00e8 \u00e0 toi<\/em>).\u201d 17.1<\/a>, 120.<\/p>\n

 <\/p>\n

Yoder, Lauren. (French) Kama Kamanda, \u201cThe Paddles of Fate.\u201d 11.1<\/a>, 34.<\/p>\n

 <\/p>\n

Zonana, Joyce. (French) Henri Bosco, \u201cMegremut [opening of Chapter One of novel\u00a0Malicroix<\/em>].\u201d 23.2<\/a>, 185.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Alland, Sonia. (French) Maria Bronsard, \u201cGlances.\u201d 16.2, 176. \u2014(French) Salah Al-Hamdani, \u201cBaghdad.\u201d 19.1-2, 155. \u2014(French) Al-Hamdani, \u201cXIITH View: Red Mourning.\u201d 19.1-2, 157. \u2014(French) Al-Hamdani, \u201cA Day in Childhood, Intensely.\u201d 19.1-2, 159. \u2014(French) Al-Hamdani, \u201cThe Beacon of Makeshift Houses.\u201d 19.1-2, 158. \u2014(French) Al-Hamdani, \u201cThe City of Sand.\u201d 19.1-2, 160. \u2014(French) Al-Hamdani, \u201cIf One of Us Died?\u201d […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-77","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":7,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/77\/revisions"}],"predecessor-version":[{"id":1313,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/77\/revisions\/1313"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=77"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}