{"id":79,"date":"2019-03-30T15:46:36","date_gmt":"2019-03-30T19:46:36","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=79"},"modified":"2023-06-12T10:55:50","modified_gmt":"2023-06-12T14:55:50","slug":"portuguese","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/portuguese\/","title":{"rendered":"Portuguese"},"content":{"rendered":"

Barletta, Vincent. (Portuguese) Altair Martins, \u201cTwo Chapters from the Novel The Wall in the Dark<\/em>.\u201d 24.1-2<\/a>, 188.<\/p>\n

 <\/p>\n

Barros, Sandro. (Portuguese) Ronaldo Bressane, \u201cThe Cyber-Monkeys of Lokombia.\u201d 24.1-2<\/a>, 72.<\/p>\n

 <\/p>\n

Bebiano, Adriana. (Italian into Portuguese) Mario Materassi, \u201cNiente di Personale. Assolutamente Niente di Personale.\u201d 11.2<\/a>, 164.<\/p>\n

 <\/p>\n

Carlsen, Ivana. (Portuguese) Miguel Torga, \u201cAlma Grande.\u201d 2.1<\/a>, 13.<\/p>\n

 <\/p>\n

Castro, Paul Meloe. (Portuguese) Vimala Devi, \u201cN\u00e2ttak.\u201d 18.1<\/a>, 44.<\/p>\n

\u2014(Portuguese) Epit\u00e1cio Pais, \u201cMunu.\u201d 20.2<\/a>, 135.<\/p>\n

\u2014(Portuguese) Maria Elsa da Rocha, \u201cThe Bangle Seller.\u201d 23.2<\/a>, 178.<\/p>\n

 <\/p>\n

Cutler, Charles. (Portuguese) Carlos Drummond de Andrade, poems. 8.2<\/a>, 96.
\n\u2014(Portuguese) Ad\u00edlia Lopes, \u201cO pulso da Lillian Gish.\u201d 10.2<\/a>, 157.
\n\u2014(Portuguese) Lopes, \u201cAs rosas com bolores.\u201d 10.2<\/a>, 159.
\n\u2014(Portuguese) Lopes, \u201cO presente.\u201d 10.2<\/a>, 161.
\n\u2014(Portuguese) Lopes, \u201c\u2018Por exemplo, nunca convidei uma barata para lanchar comigo.\u2019 Clarice Lispector.\u201d 10.2<\/a>, 167.
\n\u2014(Portuguese) Lopes, \u201cA Elisabeth foi-se embora (com algumas coisas de Anne Sexton).\u201d 10.2<\/a>, 169.
\n\u2014(Portuguese) Lopes, \u201cUma afirmacao de Pessoa sobre Milton.\u201d 10.2<\/a>, 171.
\n\u2014(Portuguese) Lopes, \u201cUma historia de bailarinas.\u201d 10.2<\/a>, 173.
\n\u2014(Portuguese) Lopes, \u201cOs papelotes.\u201d 10.2<\/a>, 177.<\/p>\n

 <\/p>\n

Daniel, Mary L. (Portuguese) Joao Anzanello Carrascoza, \u201cThe Blue Vase.\u201d 24.1-2<\/a>, 105.<\/p>\n

 <\/p>\n

Eglin, Laura Cesarco. (Portuguese) Maria Alzira Brum Lemos, \u201cRhapsody for Body (A Set Theory).\u201d 24.1-2<\/a>, 150.<\/p>\n

 <\/p>\n

Entrekin, Alison. (Portuguese) Luiz Ruffato, \u201cScars \u2013 A Football Story.\u201d 24.1-2<\/a>, 262.<\/p>\n

 <\/p>\n

Ferreira, Carla Alexandra. (Portuguese) Tania Pellegrini, \u201cA Trace of Blood: Marcal Aquino and the New Realism.\u201d 24.1-2<\/a>, 64.<\/p>\n

 <\/p>\n

Francisco, Reginaldo (with Michael Katz consulting). (Portuguese) Beatriz Resende, \u201cFlavio Carneiro\u2019s Multiplicity.\u201d 24.1-2<\/a>, 96.<\/p>\n

 <\/p>\n

Garcia, Rosalia. (Portuguese) Sim\u00f5es Lopes Neto, \u201cMarshland.\u201d 23.2<\/a>, 261.<\/p>\n

 <\/p>\n

Gledson, John. (Portuguese) Milton Hatoum, \u201cEve\u2019s Verandas.\u201d 24.1-2<\/a>, 137.<\/p>\n

 <\/p>\n

Green, Sarah. (Portuguese) Adriana Lisboa, \u201cVivid Red Roses (Excerpt from\u00a0Symphony in White<\/em>.\u201d 24.1-2<\/a>, 173.<\/p>\n

 <\/p>\n

Guyer, Leland. (Portuguese) Flavio Carneiro, \u201cCassia & Liberio.\u201d 24.1-2<\/a>, 89.<\/p>\n

 <\/p>\n

Harrison, Marguerite Itamar. (Portuguese) Zulmira Ribeiro Tavares, \u201cPequena Mulher a Caminho.\u201d 10.2<\/a>, 183.
\n\u2014(Portuguese)Taveres, \u201cUm Assassino.\u201d 10.2<\/a>, 183.
\n\u2014(Portuguese)Taveres, \u201cDoutor em Filosofia e a Manicure de Doutores.\u201d 10.2<\/a>, 183.
\n\u2014(Portuguese) Adriana Lunardi, \u201cVictoria.\u201d 20.2<\/a>, 147.
\n\u2014 (Portuguese) Marcelino Freire, \u201cCivil Union (Chapter 9 from\u00a0Amar \u00c3 Crime<\/em>).\u201d 25.1<\/a>, 142.
\n\u2014 \u201cReview: Zulmira Ribeiro Tavares,\u00a0Vesuvio<\/em> [Vesuvius]. Bilingual edition. Translated from the Portuguese and with a preface by Hugh Hazelton.\u201d 25.2<\/a>, 335.<\/p>\n

 <\/p>\n

Hill, Chloe. (Portuguese) Hilda Hilst, poems. 21.2<\/a>, 82.<\/p>\n

 <\/p>\n

Houlihan, J. Z. (Portuguese) Fernando Pessoa, \u201cOblique Rain.\u201d 20.1<\/a>, 123.<\/p>\n

 <\/p>\n

Igrejas, Ant\u00f3nio. (Portuguese) Teolinda Gers\u00e3o, \u201cThe Reader.\u201d 16.1<\/a>, 234.<\/p>\n

 <\/p>\n

Jackson, Elizabeth. (Portuguese) Joao Almino, \u201cExcerpt from The Book of Emotions<\/em>.\u201d 24.1-2<\/a>, 28.<\/p>\n

 <\/p>\n

Kaplan, Hilary B. (Portuguese) Claudia Roquette-Pinto, \u201cMother\u2019s Day.\u201d 21.2<\/a>, 94.
\n\u2014(Portuguese) Roquette-Pinto, \u201cHow to Open a Man.\u201d 21.2<\/a>, 94.<\/p>\n

 <\/p>\n

Katz, Michael (consulting for Reginaldo Francisco). (Portuguese) Beatriz Resende, \u201cFlavio Carneiro\u2019s Multiplicity.\u201d 24.1-2<\/a>, 96.<\/p>\n

 <\/p>\n

Krummrich, Philip. (Portuguese) Anonymous, \u201cKing Ramiro of the Legend of Gaia.\u201d 13.1<\/a>, 257.
\n\u2014(Portuguese) Anonymous, \u201cThe Goat-Footed Lady.\u201d 13.1<\/a>, 264.
\n\u2014(Portuguese) Anonymous, \u201cThe Legend of King Lear.\u201d 13.1<\/a>, 266.
\n\u2014(Portuguese) Anonymous, \u201cThe Woman of the Sea or The Legend of the Marinhos.\u201d 13.1<\/a>, 267.
\n\u2014(Portuguese) Paula G\u00e2ndara, \u201cCoimbra, the Unfamiliar Memory.\u201d 20.2<\/a>, 76.
\n\u2014(Portuguese) G\u00e2ndara, \u201cPhotographs.\u201d 20.2<\/a>, 78.
\n\u2014(Portuguese) G\u00e2ndara, \u201cBel\u00e9m Pier.\u201d 20.2<\/a>, 80.<\/p>\n

 <\/p>\n

Larkosh, Christopher. (Portuguese) Joao Gilberto Noll, \u201cTwo Stories from the Collection\u00a0A maquino de ser<\/em>.\u201d 24.1-2<\/a>, 227.<\/p>\n

 <\/p>\n

L\u00e1zaro, Reyes. (with Moon). (Portuguese) Joseba Sarrionandia, \u201cMessage for Bernardo Atxaga.\u201d 12.1-2<\/a>, 190.<\/p>\n

 <\/p>\n

Lehnen, Leila. (Portuguese) Marcal Aquino, \u201cThe Precise Distance from the Vulva to the Heart.\u201d 24.1-2<\/a>, 48.<\/p>\n

 <\/p>\n

Levitin, Alexis. (Portuguese) Eugenio de Andrade, poems. 3.1<\/a>, 118.
\n\u2014(Portuguese) de Andrade, poems. 4.1<\/a>, 80.
\n\u2014(Portuguese) Alberto de Lacerda, \u201cFive Poems by Alberto de\u00a0Lacerda.\u201d 4.2<\/a>, 90.
\n\u2014(Portuguese) Irene Lisboa, poems. 6.1<\/a>, 82.
\n\u2014(Portuguese) \u201cSonnets from the Portuguese.\u201d 7.1<\/a>, 129.
\n\u2014(Portuguese) Fiama Pais Brand\u00e3o, poems. 8.2<\/a>, 112.
\n\u2014(Portuguese) Rosa Alice Branco, poems. 9.2<\/a>, 48.
\n\u2014(Portuguese) Carlos de Oliveira. \u201cEstalactite\u201d 10.2<\/a>, 144.
\n\u2014(Portuguese) Sophia de Mello Breyner Andrese, \u201cCultural Activist.\u201d 13.2<\/a>, 58.
\n\u2014(Portuguese) Andrese, \u201cBalcones.\u201d 13.2<\/a>, 58.
\n\u2014(Portuguese) Andrese, \u201cThe Infante.\u201d 13.2<\/a>, 60.
\n\u2014(Portuguese) Andrese, \u201cEyes.\u201d 13.2<\/a>, 60.
\n\u2014(Portuguese) Andrese, \u201cThe Poem and the House.\u201d 13.2<\/a>, 62.
\n\u2014(Portuguese) Gast\u00e3o Cruz, \u201cThe Swimmer.\u201d 16.1<\/a>, 160.
\n\u2014(Portuguese) Cruz, \u201cSong of Waves.\u201d 16.1<\/a>, 160.
\n\u2014(Portuguese) Cruz, \u201cA Chripling of Birds in the Lagoon.\u201d 16.1<\/a>, 162.
\n\u2014(Portuguese) Cruz, \u201cThe Four Seasons.\u201d 16.1<\/a>, 164.
\n\u2014(Portuguese) Cruz, \u201cDistance.\u201d 16.1<\/a>, 164.
\n\u2014(Portuguese) Cruz, \u201cCool Lemons.\u201d 16.1<\/a>, 166.
\n\u2014(Portuguese) Cruz, \u201cTwo Orchards (Estoi).\u201d 16.1<\/a>, 166.
\n\u2014(Portuguese) Cruz, \u201cAlgarve.\u201d 16.1<\/a>, 168.
\n\u2014(Portuguese) Cruz, \u201cSong.\u201d 16.1<\/a>, 170.
\n\u2014(Portuguese) Cruz, \u201cClouds.\u201d 16.1<\/a>, 170.
\n\u2014(Portuguese) Cruz, \u201cWhen the Sun Comes Up.\u201d 16.1<\/a>, 170.
\n\u2014(Portuguese) Cruz, \u201cBoats on the Lagoon.\u201d 16.1<\/a>, 172.
\n\u2014(Portuguese) Astrid Cabral, \u201cRiver of Yesteryear.\u201d 17.2<\/a>, 32.
\n\u2014(Portuguese) Cabral, \u201cFirst Mirror.\u201d 17.2<\/a>, 36.
\n\u2014(Portuguese) Salgado Maranh\u00e3o, \u201cLagoon.\u201d 18.2<\/a>, 24.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cOf the Sea I.\u201d 18.2<\/a>, 24.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cEcstasy.\u201d 18.2<\/a>, 26.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cThe Swamp.\u201d 18.2<\/a>, 28.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cIf, If.\u201d 18.2<\/a>, 30.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cSparks.\u201d 18.2<\/a>, 30.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cCorollary.\u201d 18.2<\/a>, 32.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cThe Bobbin.\u201d 18.2<\/a>, 34.
\n\u2014(Portuguese) Cruz, \u201cYouths at the Entrance to the Chiado.\u201d 20.2<\/a>, 68.
\n\u2014(Portuguese) Cruz, \u201cUnder the Sun.\u201d 20.2<\/a>, 70.
\n\u2014(Portuguese) Cruz, \u201cNote.\u201d 20.2<\/a>, 70.
\n\u2014(Portuguese) Cruz, \u201cThe Name of that Body.\u201d 20.2<\/a>, 70.
\n\u2014(Portuguese) Cruz, \u201cEbb Tide.\u201d 20.2<\/a>, 72.
\n\u2014(Portuguese) Cruz, \u201cTask.\u201d 20.2<\/a>, 72.
\n\u2014(Portuguese) Cruz, \u201cOxymorons for an Absence.\u201d 20.2<\/a>, 74.
\n\u2014(Spanish) Carmen V\u00e1scones, poems. 21.2<\/a>, 100.
\n\u2014(Spanish) Ana Minga, poems. 21.2<\/a>, 104.
\n\u2014(Portuguese) Ruy Belo, \u201cAnniversary Mass.\u201d 23.1<\/a>, 84.
\n\u2014(Portuguese) Ruy Belo, \u201cThe Grandeur of Man.\u201d 23.1<\/a>, 86.
\n\u2014(Portuguese) Belo, \u201cMisery and Grandeur.\u201d 23.1<\/a>, 86.
\n\u2014(Portuguese) Maranh\u00e3o, \u201c2 \u2026 and to what hands do i dedicate.\u201d 23.2<\/a>, 86.
\n\u2014(Portuguese) Maranh\u00e3o, \u201c4 Beneath the small appeals of this.\u201d 23.2<\/a>, 86.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cInterfaces.\u201d 23.2<\/a>, 88.
\n\u2014(Portuguese) Branco, \u201c27. (They flay rabbits).\u201d 25.1<\/a>, 14.
\n\u2014(Portuguese) Branco, \u201c29. (The men\u2019s hands would graze).\u201d 25.1<\/a>, 14.
\n\u2014(Portuguese) Branco, \u201c36. (In the winter there was no reason).\u201d 25.1<\/a>, 16.
\n\u2014(Portuguese) Branco, \u201c38 (In the summer the rooms).\u201d 25.1<\/a>, 16.
\n\u2014(Portuguese) Branco, \u201c39. (Sometimes it was known).\u201d 25.1<\/a>, 18.
\n\u2014(Portuguese) Branco, \u201c40. (It smelled of immaculate wax).\u201d 25.1<\/a>, 18.
\n\u2014(Portuguese) Branco, \u201c45. (The skylights can blind us).\u201d 25.1<\/a>, 20.
\n\u2014(Portuguese) Maranh\u00e3o, \u201cLamentation and\/or Verbal Negatives.\u201d 25.1<\/a>, 60.<\/p>\n

 <\/p>\n

Lorenz, Johnny. ((Brazilian) Portuguese) Armindo Trevisan, \u201cThe Prodigal Son.\u201d 16.2<\/a>, 158.
\n\u2014((Brazilian) Portuguese) Trevisan, \u201cThe Newspaper.\u201d 16.2<\/a>, 160.
\n\u2014((Brazilian) Portuguese) Mario Quintana, \u201cThe Map.\u201d 16.2<\/a>, 162.<\/p>\n

 <\/p>\n

Lowe, Elizabeth. (Portuguese) Nelson de Oliveira, \u201cBeatrice (Excerpt from Babel Babilonia<\/em>).\u201d 24.1-2<\/a>, 243.<\/p>\n

 <\/p>\n

Martins, Maria L\u00facia Mill\u00e9o. (Portuguese) Carlos Drummond de Andrade, \u201cLandscape: How to Make It.\u201d 5.1<\/a>, 72.
\n\u2014(English into Portuguese) Melinda Kennedy, \u201cAutobiography.\u201d 6.1<\/a>, 80.<\/p>\n

 <\/p>\n

McElroy, Isis. (Portuguese) Cintia Moscovich, \u201cThe Fiddler and the Roof.\u201d 24.1-2<\/a>, 206.<\/p>\n

 <\/p>\n

McNee, Malcolm. (Portuguese) Francisco Alvim, \u201cAlso, As a Matter of Fact, Only.\u201d 18.2<\/a>, 36.
\n\u2014(Portuguese) Alvim, \u201cOld Men.\u201d 18.2<\/a>, 36.<\/p>\n

\u2014(Portuguese) Alvim, \u201cElephant.\u201d 18.2<\/a>, 38.<\/p>\n

\u2014(Portuguese) Alvim, \u201cRemember?\u201d 18.2<\/a>, 38.<\/p>\n

\u2014(Portuguese) Alvim, \u201cAnts.\u201d 18.2<\/a>, 38.<\/p>\n

\u2014(Portuguese) Alvim, \u201cWanna See?\u201d 18.2<\/a>, 40.<\/p>\n

\u2014\u00a0(Portuguese) Josely Vianna Baptista, \u201cAuthor\u2019s Note on the Celestial Blue Words.\u201d 24.1-2<\/a>, 17.
\n<\/strong><\/p>\n

\u2014 (Portuguese) Baptista, \u201cThe Ancient Rites of the Hummingbird.\u201d 25.2<\/a>, 24.
\n<\/strong><\/p>\n

\u2014 (Portuguese) Baptista, \u201cBaroque Garden.\u201d 25.2<\/a>, 26.
\n<\/strong><\/p>\n

\u2014 (Portuguese) Sergio Medeiros, \u201cBororo Hunting Song.\u201d 25.2<\/a>, 29.<\/p>\n

\u2014 (Portuguese) Medeiros, \u201cAnimal Spirits.\u201d 25.2<\/a>, 34.
\n<\/strong><\/p>\n

\u2014 (Portuguese) Medeiros, \u201cSong of the Emergence of the Ancestors.\u201d 25.2<\/a>, 40.
\n<\/strong><\/p>\n

\u2014 (Portuguese) Medeiros, \u201cUntitled Poem.\u201d 25.2<\/a>, 46.<\/p>\n

 <\/p>\n

McNeil, Rhett Warren. (Portuguese) Joaquim Maria Machado de Assis, \u201d On the Ark: Three Unpublished Chapters from Genesis.\u201d 18.1<\/a>, 59.<\/p>\n

 <\/p>\n

McNerney, Dan. (Portuguese) Lu\u00eds de Cam\u00f5es, \u201cMote Alheio.\u201d 20.2<\/a>, 66.
\n\u2014(Portuguese) de Cam\u00f5es, \u201cVoltas Pr\u00f3prias.\u201d 20.2<\/a>, 66.<\/p>\n

 <\/p>\n

Moon, Sarah (with Reyes L\u00e1zaro). (Portuguese) Joseba Sarrionandia, \u201cMessage for Bernardo Atxaga.\u201d 12.1-2<\/a>, 190.<\/p>\n

 <\/p>\n

Prigann, Aisha. (Portuguese) Miguel Alberto Koleff, \u201cTranslating the Discursive Postmodernity of Nelson de Oliveira\u2019s Fiction.\u201d 24.1-2<\/a>, 256.<\/p>\n

 <\/p>\n

Resnick, Clay. (Portuguese) Carlos Trigueiro, \u201cAt Home with the Colonel.\u201d 16.1<\/a>, 41.<\/p>\n

 <\/p>\n

Rodrigues, Lidio. (Portuguese) Miguel Conde, \u201cMoving Worlds: Time and Feeling in Joao Anzanello Carrascoza.\u201d 24.1-2<\/a>, 114.<\/p>\n

 <\/p>\n

Santos, Ana Regina Faria Dos. (Portuguese) Clarice Lispector, \u201cA Thought.\u201d 6.1<\/a>, 155.<\/p>\n

 <\/p>\n

Santos, Vivaldo. (Portuguese) Bernardo Ajzenberg, \u201cExcerpt from\u00a0Dry Eyes<\/em>.\u201d 24.1-2<\/a>, 14.<\/p>\n

 <\/p>\n

Sarrionandia, Joseba. (Portuguese) \u201cMessage for Bernardo Atxaga.\u201d 12.1-2<\/a>, 189.
\n\u2014\u201cA Pile of Worn-Out Shoes.\u201d 12.1-2<\/a>, 191.<\/p>\n

 <\/p>\n

Sharpe, Peggy. (Portuguese) Marcelino Freire, \u201cThe Royal Manor,\u201d \u201cPeace.\u201d 24.1-2<\/a>, 124.<\/p>\n

 <\/p>\n

Smith, Steven K. (Portuguese) Fernando Pessoa, \u201cShe Sings, Poor Reaper.\u201d 13.2<\/a>, 154.<\/p>\n

 <\/p>\n

Watson, Ellen. (Portuguese) Adelia Prado, \u201cTwo Ways,\u201d \u201cThe Alphabet in the Park.\u201d 1.1<\/a>, 30.
\n\u2014(Portuguese) Adelia Prado, poems. 21.2<\/a>, 96.<\/p>\n","protected":false},"excerpt":{"rendered":"

Barletta, Vincent. (Portuguese) Altair Martins, \u201cTwo Chapters from the Novel The Wall in the Dark.\u201d 24.1-2, 188.   Barros, Sandro. (Portuguese) Ronaldo Bressane, \u201cThe Cyber-Monkeys of Lokombia.\u201d 24.1-2, 72.   Bebiano, Adriana. (Italian into Portuguese) Mario Materassi, \u201cNiente di Personale. Assolutamente Niente di Personale.\u201d 11.2, 164.   Carlsen, Ivana. (Portuguese) Miguel Torga, \u201cAlma Grande.\u201d 2.1, […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-79","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":6,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/79\/revisions"}],"predecessor-version":[{"id":1281,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/79\/revisions\/1281"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=79"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}