{"id":81,"date":"2019-03-30T15:46:45","date_gmt":"2019-03-30T19:46:45","guid":{"rendered":"https:\/\/sites.smith.edu\/metamorphoses\/?page_id=81"},"modified":"2023-06-12T10:47:37","modified_gmt":"2023-06-12T14:47:37","slug":"mandarin","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/metamorphoses\/languages\/mandarin\/","title":{"rendered":"Chinese (including Classical)"},"content":{"rendered":"

Allaster, John (with Bozhou Men) (Chinese). Shi Zhecun, \u201cMiss de Luxe.\u201d\u00a026.1<\/a>, 172.<\/p>\n

 <\/p>\n

Brady, Taylor (with Paul Festa and David Hazard) (Chinese). Chen Yingsong, \u201cThe Leopard\u2019s Last Dance.\u201d\u00a026.1<\/a>, 131.<\/p>\n

 <\/p>\n

Cai, Meghan (Chinese). Wang Jingtao, \u201cA Sweet Kiss After Wine.\u201d\u00a026.1<\/a>, 202.<\/p>\n

 <\/p>\n

Cheung, Esther M.K. (with Michelle L.Y. Kwok). (Chinese) Xi Xi, \u201c\u2018The Dream Factory,\u2019 from Mourning for the Breast<\/em>.\u201d 17.1<\/a>, 262.<\/p>\n

 <\/p>\n

Farman, Michael. (Classical Chinese) Shi-Jing, \u201cConsider the Rat.\u201d 13.1<\/a>, 128.
\n\u2014(Classical Chinese) Shi-Jing, \u201cThe Han River.\u201d 13.1<\/a>, 130.
\n\u2014(Classical Chinese) Shi-Jing, \u201cNorth Wind.\u201d 13.1<\/a>, 132.
\n\u2014(Classical Chinese) Shi-Jing, \u201cThe Ospreys.\u201d 13.1<\/a>, 134.
\n\u2014(Classical Chinese) Shi-Jing, \u201cRabbit\u2019s Running.\u201d 13.1<\/a>, 136.
\n\u2014(Classical Chinese) Shi-Jing, \u201cSplendor of the Lily.\u201d 13.1<\/a>, 138.
\n\u2014(Classical Chinese) Shi-Jing, \u201cSwan Geese.\u201d 13.1<\/a>, 140.<\/p>\n

 <\/p>\n

Festa, Paul (with Taylor Brady, David Hazard) (Chinese). Chen Yingsong, \u201cThe Leopard\u2019s Last Dance.\u201d 26.1<\/a>, 131.<\/p>\n

 <\/p>\n

Foreman, Alex (Chinese). Xi Peilan, \u201cCrossing the Yangtze.\u201d 26.1<\/a>, 40.<\/span><\/p>\n

\u2014Foreman (Chinese). Du Fu, \u201cStaying the Night in a Riverside Villa.\u201d\u00a026.1<\/a>, 76.<\/span><\/p>\n

\u2014Foreman (Chinese). Du, \u201cThe Conscription.\u201d\u00a026.1<\/a>, 78.<\/span><\/p>\n

\u2014Foreman (Chinese). Du, \u201cBallad of the Fair Lady.\u201d\u00a026.1<\/a>, 82.<\/span><\/p>\n

\u2014Foreman (Chinese). Li Bo, \u201cThe River-Merchant\u2019s Wife: A Longgully Love Song.\u201d\u00a026.1<\/a>, 86.<\/span><\/p>\n

\u2014Foreman (Chinese). Wang Wei, \u201cPresented to Subprefect Zhang.\u201d\u00a026.1<\/a>, 90.<\/span><\/p>\n

\u2014Foreman (Chinese). Anonymous (Han Era), \u201cSouth of the Walls We Fought.\u201d\u00a026.1<\/a>, 100.<\/span><\/p>\n

 <\/p>\n

Hazard, David (with Paul Festa and Taylor Brady) (Chinese). Chen Yingsong, \u201cThe Leopard\u2019s Last Dance.\u201d\u00a026.1<\/a>, 131.<\/p>\n

 <\/p>\n

Hu, Amelia (Chinese). Fan Xiaoqing, \u201cDream Delivery Express.\u201d\u00a026.1<\/a>, 116.<\/p>\n

 <\/p>\n

Huang, Harry J. (Chinese) Gao Weixi, \u201cMy Wife\u2019s Hands.\u201d 18.1<\/a>, 214.<\/p>\n

 <\/p>\n

Klein, Lucas (Chinese). Xi Chuan, \u201cOn Fan Kuan\u2019s Monumental Landscape Scroll\u00a0Travelers Among Mountains and Streams.\u201d<\/i>\u00a026.1<\/a>, 22.<\/span><\/p>\n

\u2014<\/i>Klein (Chinese). Chuan, \u201cOnce More on Fan Kuan\u2019s Travelers Among Mountains and Streams.\u201d\u00a026.1<\/a>, 24.<\/span><\/p>\n

 <\/p>\n

Kwok, Michelle L.Y. (with Esther M.K. Cheung). (Chinese) Xi Xi, \u201c\u2018The Dream Factory,\u2019 from Mourning for the Breast<\/em>.\u201d 17.1<\/a>, 262.<\/p>\n

 <\/p>\n

Li, Dong. (Chinese) Changming Yuan, \u201cTongiht I Chant the Scripture.\u201d 25.1<\/a>, 82.
\n\u2014(Chinese) Yuan, \u201cHigh Voltage.\u201d 25.1<\/a>, 82.<\/p>\n

 <\/p>\n

Li, Dongqiao. (Chinese) Haizi, \u201cTo the Bodhisattva on my Neck.\u201d 18.1<\/a>, 18.
\n\u2014(Chinese) Haizi, \u201cIn the Vast Grassland, Had a Premonition of the Sea Falling Upon Us.\u201d 18.1<\/a>, 22.<\/p>\n

 <\/p>\n

Men, Bozhou (with John Allaster) (Chinese). Shi Zhecun, \u201cMiss de Luxe.\u201d\u00a026.1<\/a>, 172.<\/p>\n

 <\/p>\n

Meredith, Hyacinthus (Chinese). Mao, Zedong, \u201cSixteen Character Rhyme:\u00a0Shan<\/i>.\u201d\u00a026.1<\/a>, 38.<\/p>\n

 <\/p>\n

Morrigan, Pan (Chinese). Ouyang Xiu, \u201cSpring in the Hidden Valley.\u201d\u00a026.1,<\/a>\u00a062.<\/p>\n

 <\/p>\n

Moyer, Jessica (Chinese). Li Yu, \u201cCherishing the Fragrant Companion, Scene 10: Playful Vows.\u201d\u00a026.1<\/a>, 216.<\/p>\n

 <\/p>\n

Mullen, William. (Chinese) Du Fu, \u201cSpring Prospect,\u201d \u201cFrom the Lake Tower.\u201d 6.2<\/a>, 122.
\n\u2014(Greek) Pindar, \u201cTenth Olympian Ode.\u201d 7.1<\/a>, 113.<\/p>\n

 <\/p>\n

Ruoen, Fan (Chinese). Su Shi, \u201cA Dream on the Night of the Twentieth of the First Lunar Month of Yi-Mao Year.\u201d\u00a026.1<\/a>, 60.<\/span><\/p>\n

\u2014Ruoen (Chinese). Zhang Jiuling, \u201cLonging for Her Love afar on a Moonlit Night.\u201d\u00a026.1<\/a>, 72.<\/span><\/p>\n

\u2014Ruoen (Chinese). Du Fu, \u201cComposed on a Night after His Departure from Sichuan.\u201d\u00a026.1<\/a>, 74.<\/span><\/p>\n

 <\/p>\n

Schenk, Leslie. (Chinese and Japanese) \u201cSix Poems from Ideograms.\u201d 7.1<\/a>, 56.<\/p>\n

 <\/p>\n

Shupala, Andy. (Classical Chinese) Chang Chi, poems 9.2<\/a>, 202.<\/p>\n

 <\/p>\n

Schoenberger, Casey (Chinese). Xu Wei, \u201cRhapsody on the Lotus.\u201d\u00a026.1<\/a>, 42.<\/p>\n

 <\/p>\n

Stenberg, Josh. (Chinese) Potato Brother (Yu Kuichao), \u201cA cruel kind of a process.\u201d 23.1<\/a>, 150.<\/p>\n

 <\/p>\n

Sujane, Wu (with Pan Morrigan) (Chinese). Ouyang Xiu, \u201cSpring in the Hidden Valley.\u201d\u00a026.1<\/a>, 62.<\/span><\/p>\n

\u2014Sujane (Chinese). Ouyang, \u201cOuting to Langye Mountain.\u201d\u00a026.1<\/a>, 64.<\/span><\/p>\n

\u2014Sujane (Chinese). Ouyang, \u201cPresented to the Daoist Li Jingxian.\u201d\u00a026.1<\/a>, 66.<\/span><\/p>\n

\u2014Sujane (Chinese). Ouyang, \u201cA Song Presented to Shen Zun.\u201d\u00a026.1<\/a>, 70.<\/span><\/p>\n

 <\/p>\n

Terayama, Shuki. (Chinese) Shuki Terayama, \u201cThe Painter and the Viewer.” 25.1<\/a>, 80.
\n\u2014 (Chinese) Terayama, \u201cMigrating.\u201d 25.1<\/a>, 80.<\/p>\n

 <\/p>\n

Ting, Wang. (Chinese) Su Tong, “What Does Your Husband Do?” 26.1<\/a>, 105.<\/p>\n

 <\/p>\n

Tsao, Joanne (Chinese). Yuan Haowen, \u201cWritten to the Lyric Pattern\u00a0Mulan Hua Man<\/i>: Two Poems on \u201cRoaming the Three Terraces.\u201d\u201d\u00a026.1<\/a>, 54.<\/p>\n

 <\/p>\n

Wei-hsin, Lin (Chinese). Eileen Chang, \u201cMy Views on Su Qing.\u201d\u00a026.1<\/a>, 180.<\/span><\/p>\n

\u2014Wei-hsin (Chinese). Chang, \u201cThe Sayings of my Aunt.\u201d\u00a026.1<\/a>, 198.<\/span><\/p>\n

 <\/p>\n

Wong, Elaine (Chinese). Chen Li, \u201cAriettas: An Excerpt.\u201d\u00a026.1<\/a>, 30.<\/span><\/p>\n

\u2014Wong (Chinese). Chen, \u201cMemorandum of A Forgotten Comforter.\u201d\u00a026.1<\/a>, 32.<\/span><\/p>\n

\u2014Wong (Chinese). Chen, \u201cRio de Ouro, 1500.\u201d\u00a026.1<\/a>, 34.<\/span><\/p>\n

 <\/p>\n

Xurong, Kong (Chinese). Fu Xuan, \u201cFu\u00a0<\/i>on the Weathervane with Preface.\u201d\u00a026.1<\/a>, 92.<\/span><\/p>\n

\u2014Xurong (Chinese). Fu, \u201cFu<\/i>\u00a0on the Milfiol.\u201d\u00a026.1<\/a>, 94.<\/span><\/p>\n

\u2014Xurong (Chinese). Fu, \u201cFu<\/i>\u00a0on the Hound.\u201d\u00a026.1<\/a>, 96.<\/span><\/p>\n

 <\/p>\n

Yuemin, He (Chinese). Classic of Poetry, \u201cSwallows.\u201d\u00a026.1<\/a>, 102.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Allaster, John (with Bozhou Men) (Chinese). Shi Zhecun, \u201cMiss de Luxe.\u201d\u00a026.1, 172.   Brady, Taylor (with Paul Festa and David Hazard) (Chinese). Chen Yingsong, \u201cThe Leopard\u2019s Last Dance.\u201d\u00a026.1, 131.   Cai, Meghan (Chinese). Wang Jingtao, \u201cA Sweet Kiss After Wine.\u201d\u00a026.1, 202.   Cheung, Esther M.K. (with Michelle L.Y. Kwok). (Chinese) Xi Xi, \u201c\u2018The Dream Factory,\u2019 […]<\/p>\n","protected":false},"author":1791,"featured_media":0,"parent":1123,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"orig-auth":[],"auth-translator":[],"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/users\/1791"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":12,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"predecessor-version":[{"id":1241,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/81\/revisions\/1241"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/pages\/1123"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/media?parent=81"}],"wp:term":[{"taxonomy":"orig-auth","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/orig-auth?post=81"},{"taxonomy":"auth-translator","embeddable":true,"href":"https:\/\/sites.smith.edu\/metamorphoses\/wp-json\/wp\/v2\/auth-translator?post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}