{"id":599,"date":"2025-04-18T14:51:08","date_gmt":"2025-04-18T14:51:08","guid":{"rendered":"https:\/\/sites.smith.edu\/museum-capstone\/?p=599"},"modified":"2025-05-14T19:26:43","modified_gmt":"2025-05-14T19:26:43","slug":"copy-2","status":"publish","type":"post","link":"https:\/\/sites.smith.edu\/museum-capstone\/2025\/04\/18\/copy-2\/","title":{"rendered":"The Merry Soul"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"1000\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/102_the-merry1.jpg\" alt=\"Stone humanoid statue entitled, &quot;The Merry&quot;\" class=\"wp-image-570 size-full\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/102_the-merry1.jpg 778w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/102_the-merry1-233x300.jpg 233w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/102_the-merry1-768x987.jpg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/102_the-merry1-220x283.jpg 220w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>The Merry soul is cheerful and lively. Perhaps someone who comes alive only after a few drinks<\/p>\n\n\n\n<p>Explore the works below. Before expanding the text, think to yourself:<br><em>What do you see?<\/em><br><em>What do you feel?<\/em><br><em>What might it be addressing?<\/em><br><em>What questions do you have?<\/em><br><em>Do you like it? Why or why not?<\/em><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"676\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Beergarden.jpeg\" alt=\"&quot;Beer Garden with Ash&quot; by Nicole Eisenman\" class=\"wp-image-1004\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Beergarden.jpeg 800w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Beergarden-300x254.jpeg 300w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Beergarden-768x649.jpeg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Beergarden-220x186.jpeg 220w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Expand to learn more<\/summary>\n<p>This is <em>Beer Garden with Ash<\/em> (2009) by Nicole Eisenman. <em>Beer Garden<\/em> takes place in\u2014you guessed it\u2014a beer garden. Foregrounded by five figures, a busy scene unfolds before our eyes, revealing the highs and lows of spaces where people gather and drink. One would assume that a beer garden would be full of smiling faces, however as you take a closer look around, eyes are downturned, faces somber. As you look at our central figure\u2014who looks mysteriously like Eisenman herself\u2014we see her phone which, in our contemporary moment, feels like a relic. Made in 2009, Eisenman painted this in the aftermath of the 2008 financial crisis.&nbsp;<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>About the Artist<\/summary>\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:35% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"783\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-1024x783.jpg\" alt=\"\" class=\"wp-image-1178 size-full\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-1024x783.jpg 1024w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-300x229.jpg 300w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-768x587.jpg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-1536x1175.jpg 1536w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-880x673.jpg 880w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6-220x168.jpg 220w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Untitled-6.jpg 1846w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Nicole Eisenman (b. 1965) is a French-born American artist who works primarily in painting, and more recently in sculpture. She is best known for her figurative oil paintings that play with themes of sexuality, irony, and caricature. Stylistically, Eisenman draws from the social and political legacy of German expressionism, most obviously through their use of vibrant, jarring colors and shapes as well as a focus on individual emotion.<br><\/p>\n<\/div><\/div>\n<\/details>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"431\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-1024x431.jpg\" alt=\"Photo of Installation of 9-screen video &quot;The Visitors&quot; by Ragnar Kjartansson\" class=\"wp-image-859\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-1024x431.jpg 1024w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-300x126.jpg 300w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-768x323.jpg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-1536x646.jpg 1536w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-2048x862.jpg 2048w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-880x370.jpg 880w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Visitors-220x93.jpg 220w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Expand to learn more<\/summary>\n<p>This is a still from the installation space of the video <em>The Visitors<\/em> (2012) by Ragnar Kjartansson. In this nine-screen installation takes us inside the Rokeby house in upstate New York, where the rooms are occupied with Kjartansson and his friends as the perform simultaneously, but separately, a song with lyrics taken from a poem written by Kjartansson\u2019s ex-wife. Kjartansson can be found naked in the bathtub, singing alongside his guitar. The video ends with the musicians leaving the house and frolicking into the fields outside singing the song as they go. While they perform a raw, emotional song, the community that builds around music draws the viewer in, lifting their spirits. Click the link below to get a glimpse of the installation.<\/p>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"><a href=\"https:\/\/www.youtube.com\/watch?v=qOxG711lb0E\">https:\/\/www.youtube.com\/watch?v=qOxG711lb0E<\/a><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>About the Artist<\/summary>\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"631\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-1024x631.jpg\" alt=\"\" class=\"wp-image-1179 size-full\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-1024x631.jpg 1024w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-300x185.jpg 300w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-768x473.jpg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-1536x947.jpg 1536w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-880x542.jpg 880w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo-220x136.jpg 220w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/20130106-RAGNAR-slide-LW4M-superJumbo.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Ragnar Kjartansson (b. 1976) is an Icelandic artist engaging with a myriad of mediums but most notably in video. His works have the feeling of classical theater.&nbsp;<\/p>\n<\/div><\/div>\n<\/details>\n<\/details>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"937\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-1024x937.jpg\" alt=\"Painting titled &quot;The Hours Behind You&quot; by Lynette Yiadom-Boakye\" class=\"wp-image-860\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-1024x937.jpg 1024w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-300x274.jpg 300w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-768x703.jpg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-1536x1405.jpg 1536w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-880x805.jpg 880w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You-220x201.jpg 220w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/The-Hours-Behind-You.jpg 1598w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Expand to learn more<\/summary>\n<p>This is <em>The Hours Behind You<\/em> (2011), a painting by Lynette Yiadom-Boakye. <em>The Hours Behind You <\/em>features five Black women dancing in a circle. They wear white dresses and no shoes. Like all of Yiadom-Boakye\u2019s paintings, the story is unclear. Are these women performing a ritual or merely dancing to dance? Could it be one woman, appearing in different positions as she dances alone in a circle or is it truly five women? One can almost see a central object\u2014maybe a maypole or a a bonfire\u2014something almost religious around which they circle.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>About the Artist<\/summary>\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:47% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"716\" src=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1-1024x716.jpg\" alt=\"\" class=\"wp-image-1180 size-full\" srcset=\"https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1-1024x716.jpg 1024w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1-300x210.jpg 300w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1-768x537.jpg 768w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1-880x615.jpg 880w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1-220x154.jpg 220w, https:\/\/sites.smith.edu\/museum-capstone\/wp-content\/uploads\/sites\/350\/2025\/04\/Lynette-Yiadom-Boakye-1539400885-1.jpg 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Lynette Yiadom-Boakye (b. 1977) is a British artist of Ghanaian heritage. She is best known for her portraits of imaginary Black subjects. Her style can be described as raw with muted colors and a general stillness to her works.&nbsp;<\/p>\n<\/div><\/div>\n<\/details>\n<\/details>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size has-small-font-size is-horizontal is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-499968f5 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/sites.smith.edu\/museum-capstone\/portfolio\/the-contemporary-soul\/\" style=\"border-radius:0px\">Back to Home<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Merry soul is cheerful and lively. Perhaps someone who comes alive only after a few drinks Explore the works below. Before expanding the text, think to yourself:What do you see?What do you feel?What might it be addressing?What questions do you have?Do you like it? Why or why not?<\/p>\n","protected":false},"author":8150,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-599","post","type-post","status-publish","format-standard","hentry","category-course-blog"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/users\/8150"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/comments?post=599"}],"version-history":[{"count":8,"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/posts\/599\/revisions"}],"predecessor-version":[{"id":1412,"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/posts\/599\/revisions\/1412"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/media?parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/categories?post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.smith.edu\/museum-capstone\/wp-json\/wp\/v2\/tags?post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}