{"id":194,"date":"2026-05-03T18:14:31","date_gmt":"2026-05-03T22:14:31","guid":{"rendered":"https:\/\/sites.smith.edu\/mux300-lmintz\/?page_id=194"},"modified":"2026-05-04T22:28:47","modified_gmt":"2026-05-05T02:28:47","slug":"about-2","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/mux300-lmintz\/?page_id=194","title":{"rendered":"About"},"content":{"rendered":"\n
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VOCABULARY<\/h2>\n<\/div>\n\n\n\n
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Blue-and-White Ceramics<\/h3>\n\n\n\n

Ceramics with a cobalt blue pigment on white clay with a clear glaze<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Blue-and-White Porcelain<\/h3>\n\n\n\n

Ceramics primarily created in Jingdezhen, with a specific type of sand and temperature for firing<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Delftware<\/h3>\n\n\n\n

Blue-and-White ceramics that are made in Delft, a port city in the Netherlands <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Chinoiserie <\/h3>\n\n\n\n

A general term for a European recreation or imitation of a blue-and-white porcelain piece from China<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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A Bit About Me\u2026Minty Mintz<\/strong> ’26<\/strong><\/p>\n\n\n\n

One of the Only Loud and Proud Ceramic Enthusiasts!<\/h3>\n<\/div>\n\n\n\n
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Ceramics, particularly blue-and-whites, have been a large interest of mine since I completed a curatorial project conceptualizing display methods at the Toledo Museum of Art. When I was looking into possible research avenues for this final project, I was reminded of how intertwined the world of ceramics is with economics, politics, and most notably, innovation in art. <\/p>\n\n\n\n

After studying the ever-increasingly expanding spiderweb of countries, time periods, dynasties, and techniques, I kept finding more and more information that kept changing how I viewed the exchange. Each new piece of information complicated the concepts I thought I had fully grasped.<\/p>\n\n\n\n

It was during an expert interview with Dr. Clara Cho Wun Ma where this digital resource found its form. I was explaining the work I was doing to avoid a Euro-centric bias when she called out the ways my efforts created new biases. I was not thinking about the artisans who created porcelain for locals in China, the Japanese artisans who brought new motifs, and the exchange with Iran. There are so many layers to blue-and-white ceramics and this project was a way to explore the misconceptions I held after years of interest and intermittent research.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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I hope this digital resource provides the space for you to openly explore the thoughts you didn’t realize you had, just like I did. Also, perhaps it will bring some appreciation to what I consider a wildly underappreciated form of art.<\/strong><\/p>\n\n\n\n

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Sources Used<\/h2>\n\n\n\n
Expand to See Sources Here<\/summary>\n

Bland, Bartholomew F., and Laura Vookles. 2014. Strut: The Peacock and Beauty in Art<\/em>. Hudson River Museum.<\/p>\n\n\n\n

\u201cCHINESE-IRANIAN RELATIONS Xi. Mutual Influence of Chinese and Persian Ceramics.\u201d n.d. Encyclopaedia Iranica<\/em>. Accessed May 4, 2026. https:\/\/www.iranicaonline.org\/articles\/chinese-iranian-xi\/<\/a>.<\/p>\n\n\n\n

Department of Islamic of Art. 2001. \u201cGeometric Patterns in Islamic Art – The Metropolitan Museum of Art.\u201d October 1. https:\/\/www.metmuseum.org\/essays\/geometric-patterns-in-islamic-art<\/a>.<\/p>\n\n\n\n

Feiran, Wang, Asyaari Muhamad, and Yasmin Amirah. 2025. \u201cStudy on the Decorative Patterns and Motifs of Blue and White Porcelain Unearthed in Malacca City.\u201d Internation Journal of Research and Innovation in Social Science<\/em> 9 (8): 3262\u201383. https:\/\/doi.org\/10.47772\/IJRISS<\/a>.<\/p>\n\n\n\n

Gu, Meizi, Anita Fang Chen, and Rita Almeida Filipe. 2025. \u201cBlue-and-White Porcelain: Cross-Cultural Exchange and Design Innovation between China and Europe.\u201d Cogent Arts & Humanities<\/em> 12 (1): 2483584. https:\/\/doi.org\/10.1080\/23311983.2025.2483584<\/a>.<\/p>\n\n\n\n

\u201cHistory.\u201d n.d. Royal Delft Museum<\/em>. Accessed May 3, 2026. https:\/\/museum.royaldelft.com\/en\/discover-the-collection\/history\/<\/a>.<\/p>\n\n\n\n

Korea, The National Museum of. n.d. \u201cBlue-and-White Porcelain Jar with Plum, Bamboo, and Bird Design.\u201d Smarthistory. Accessed May 4, 2026. https:\/\/smarthistory.org\/blue-and-white-porcelain-jar-plum-bamboo-bird-design\/<\/a>.<\/p>\n\n\n\n

\u201cLiterati | Confucianism, Poetry & Calligraphy | Britannica.\u201d n.d. Accessed May 3, 2026. https:\/\/www.britannica.com\/topic\/literati<\/a>.<\/p>\n\n\n\n

Liu, Yali, and Rosjana Chandhasa. 2022. \u201cFlowers: Cultural And Auspicious Dimensions Applied To Chinese Ceramics Products.\u201d Journal of Positive School Psychology<\/em> 6 (11).<\/p>\n\n\n\n

Matin, Moujan, and Mark Pollard. 2015. \u201cHistorical Accounts of Cobalt Ore Processing from the Kashan Mine, Iran.\u201d Iran<\/em> 53: 171\u201383.<\/p>\n\n\n\n

Mi, Lisha, and Saw Gene. 2025. \u201cThe Emperor\u2019s Nature: A Study of Naturalism in Qing Dynasty Imperial Ceramics from the Nanjing Museum Collection.\u201d International Journal of Education and Social Development<\/em> 4 (September): 46\u201350. https:\/\/doi.org\/10.54097\/2z47w311<\/a>.<\/p>\n\n\n\n

Needham, Joseph, Rose Kerr, and Nigel Wood. 2004. Science and Civilisation in China<\/em>. Vol. 5. Cambridge University Press.<\/p>\n\n\n\n

Noord, Willemijn van. 2021. \u201cBetween Script and Ornament: Delftware Decorated with Pseudo-Chinese Characters, 1680\u20131720.\u201d Journal of Design History<\/em> 34 (1): 1\u201320. https:\/\/doi.org\/10.1093\/jdh\/epaa049<\/a>.<\/p>\n\n\n\n

Ross, Douglas E. 2012. \u201cLate-Nineteenth- and Early-Twentieth-Century Japanese Domestic Wares from British Columbia.\u201d In Ceramics in America<\/em>, edited by Robert Hunter. The Chipstone Foundation.<\/p>\n\n\n\n

Seong, Gowoon. 2024. \u201cAn East Asian Perspective on Ceramic Exchange between Ming China and Joseon.\u201d The Review of Korean Studies<\/em> 27 (1): 45\u201389. https:\/\/doi.org\/10.25024\/review.2024.27.1.45<\/a>.<\/p>\n\n\n\n

Shabani, Zahra, Fataneh Mahmoudi, and Gholamreza Hassani. 2018. \u201cTHE 8-POINTED STAR (OCTAGRAM) SYMBOLOGY FROM THE PERSPECTIVE OF KARL GUSTAV JUNG.\u201d \u0412\u0456\u0441\u043d\u0438\u043a \u041d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0457 \u0410\u043a\u0430\u0434\u0435\u043c\u0456\u0457 \u041a\u0435\u0440\u0456\u0432\u043d\u0438\u0445 \u041a\u0430\u0434\u0440\u0456\u0432 \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u0456 \u041c\u0438\u0441\u0442\u0435\u0446\u0442\u0432<\/em>, no. 1. https:\/\/doi.org\/10.32461\/2226-3209.1.2018.178784<\/a>.<\/p>\n\n\n\n

\u201cSultanabad Ware | Persian, Ceramic, Glazed | Britannica.\u201d n.d. Accessed May 3, 2026. https:\/\/www.britannica.com\/art\/Sultanabad-ware<\/a>.<\/p>\n\n\n\n

Sun, Jingyi, Qian Liu, Zhi Huang, Jian Wang, and Lun Wang. 2025. \u201cResearch on the Dissemination of Chinese Ceramic Stories Based on Ceramic Poetry and Its Translation.\u201d Media and Communication Research<\/em> 6 (1): 56\u201363. https:\/\/doi.org\/10.23977\/mediacr.2025.060108<\/a>.<\/p>\n\n\n\n

Tsui, Denise. 2025. \u201cChinese Ceramics Explained \u2013 A Guide for Collectors.\u201d Sothebys.Com, October 28. https:\/\/www.sothebys.com\/en\/articles\/chinese-ceramics-explained-a-guide-for-collectors<\/a>.<\/p>\n\n\n\n

Venicheh, B. H., and Iman Zakariaee Kermani. 2016. Explanation of Iran and China\u2019s Intercultural Relations in the Context of Safavid and Ming Blue and White Pottery<\/em>. 10 (January): 1876\u201385. https:\/\/doi.org\/10.3923\/ibm.2016.1876.1885<\/a>.Yuan, Liu, Tajul Shuhaizam Bin Said, and Harozila Ramli. 2025. \u201cExploring the Classification of Birds in Ceramic Flower-And-Bird Paintings and Aesthetic Value Philosophy.\u201d International Journal of Research and Innovation in Social Science<\/em> IX (I): 128\u201333. https:\/\/doi.org\/10.47772\/IJRISS.2025.9010013<\/a><\/p>\n<\/details>\n","protected":false},"excerpt":{"rendered":"

VOCABULARY Blue-and-White Ceramics Ceramics with a cobalt blue pigment on white clay with a clear glaze Blue-and-White Porcelain Ceramics primarily created in Jingdezhen, with a specific type of sand and temperature for firing Delftware Blue-and-White ceramics that are made in Delft, a port city in the Netherlands Chinoiserie A general term for a European recreation […]<\/p>\n","protected":false},"author":6719,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-194","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=\/wp\/v2\/pages\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=\/wp\/v2\/users\/6719"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=194"}],"version-history":[{"count":14,"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions"}],"predecessor-version":[{"id":264,"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions\/264"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/mux300-lmintz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}