{"id":226,"date":"2020-05-04T22:35:47","date_gmt":"2020-05-05T02:35:47","guid":{"rendered":"https:\/\/sites.smith.edu\/por228-sp20\/?page_id=226"},"modified":"2020-05-12T19:21:32","modified_gmt":"2020-05-12T23:21:32","slug":"exhibicao-de-arte-indigena-na-aula","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/","title":{"rendered":"Exhibi\u00e7\u00e3o de Arte Contempor\u00e2nea Ind\u00edgena"},"content":{"rendered":"<h5>Arte de Jaider Esbell e Denilson Baniwa<\/h5>\n<h5>Etiquetas e coment\u00e1rios pelas alunas da aula<\/h5>\n<figure id=\"attachment_374\" aria-describedby=\"caption-attachment-374\" style=\"width: 3264px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-374 size-full\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762.jpg\" alt=\"\" width=\"3264\" height=\"2448\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762.jpg 3264w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762-300x225.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762-768x576.jpg 768w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762-1024x768.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762-1200x900.jpg 1200w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/IMG_4922-1-e1588717579762-1980x1485.jpg 1980w\" sizes=\"auto, (max-width: 3264px) 100vw, 3264px\" \/><figcaption id=\"caption-attachment-374\" class=\"wp-caption-text\">Com Algumas das Curadoras<\/figcaption><\/figure>\n<div id='gallery-1' class='gallery galleryid-226 gallery-columns-3 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/awa-uyuka-kise-ta-uyuka-kuri-ae-kise-iru%cc%88-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"772\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Awa\u0301-uyuka\u0301-kise\u0301-ta\u0301-uyuka\u0301-kuri\u0301-ae\u0301-kise\u0301-iru\u0308-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-342\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Awa\u0301-uyuka\u0301-kise\u0301-ta\u0301-uyuka\u0301-kuri\u0301-ae\u0301-kise\u0301-iru\u0308-1.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Awa\u0301-uyuka\u0301-kise\u0301-ta\u0301-uyuka\u0301-kuri\u0301-ae\u0301-kise\u0301-iru\u0308-1-300x226.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Awa\u0301-uyuka\u0301-kise\u0301-ta\u0301-uyuka\u0301-kuri\u0301-ae\u0301-kise\u0301-iru\u0308-1-768x579.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-342'>\n\t\t\t\tDenilson Baniwa, \u201cAw\u00e1 uyuk\u00e1 kis\u00e9, t\u00e1 uyuk\u00e1 kur\u00ed a\u00e9 kis\u00e9 ir\u00fc (those who harm with metal, with metal shall be hurt), 2018, acr\u00edlico em tecido, 2018. \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/318\/'><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"425\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/318.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-339\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/318.jpg 700w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/318-300x182.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-339'>\n\t\t\t\tJaider Esbell, \u201cConhecimento e dignidade\u201d, acr\u00edlica sobre tela, 2012.\nUma vis\u00e3o on\u00edrica da rela\u00e7\u00e3o com a terra e o territ\u00f3rio, entre o peixe e a mulher gr\u00e1vida, e as amea\u00e7as a esta rela\u00e7\u00e3o \u2013 arame farpado, agrot\u00f3xicos, as chamadas altas tecnologias que v\u00e3o separando ela do rio, fonte de alimenta\u00e7\u00e3o saud\u00e1vel.\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/screen-shot-2019-04-29-at-4-46-47-pm\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.47-PM.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-324\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.47-PM.png 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.47-PM-300x199.png 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.47-PM-768x509.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-324'>\n\t\t\t\tDenilson Baniwa, \u201cPaj\u00e9-On\u00e7a ca\u00e7ando na Avenida Paulista\u201d, 2018, performance, HD v\u00eddeo, 16:9, cor, som, 16\u201904\u201d. Como a sociedade n\u00e3o ind\u00edgena faz dif\u00edcil ou at\u00e9 imposs\u00edvel as pr\u00e1ticas tradicionais ind\u00edgenas, como a ca\u00e7a? O territ\u00f3rio nativo dos ind\u00edgenas vira um lugar de dif\u00edcil pertencimento, que muitas vezes n\u00e3o sabem navegar.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/transmakunaima\/'><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"952\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/transmakunaima.jpeg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-355\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/transmakunaima.jpeg 960w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/transmakunaima-150x150.jpeg 150w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/transmakunaima-300x298.jpeg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/transmakunaima-768x762.jpeg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-355'>\n\t\t\t\tJaider Esbell, da exposi\u00e7\u00e3o \u201cTransMakunaima\u201d (2018)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/913\/'><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"467\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/913.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-330\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/913.jpg 700w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/913-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-330'>\n\t\t\t\tJaider Esbell, \u201cConhe\u00e7a a ti pr\u00f3prio\u201d, 2013, acr\u00edlica sobre tela.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/azougue-80\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Azougue-80.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-329\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Azougue-80.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Azougue-80-300x240.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Azougue-80-768x614.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-329'>\n\t\t\t\tDenilson Baniwa, \u201cAzougue 80\u201d, 2018, HD v\u00eddeo, cor, som, 4\u201929\u201d.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/natureza-morta-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-2.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-343\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-2.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-2-300x212.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-2-768x543.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-343'>\n\t\t\t\tDenilson Baniwa, \u201cNatureza Morta II\u201d, 2017, infogravura.\nN\u00e3o se esque\u00e7a de que os animais tamb\u00e9m s\u00e3o da floresta.\nA imagem alterada de uma floresta verde cortada na forma de uma on\u00e7a indica sua presen\u00e7a fundamental, como seres origin\u00e1rios da terra.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/417\/'><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"500\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/417.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-336\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/417.jpg 531w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/417-300x282.jpg 300w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-336'>\n\t\t\t\tJaider Esbell, \u201cPata Ewa\u2019n\u201d (O cora\u00e7\u00e3o do mundo), acr\u00edlica sobre tela, 2016. \nEsta obra representa a conex\u00e3o entre diversos seres vivos no mundo.\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/petroglifos-na-selva-de-pedra-6\/'><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Petroglifos-na-Selva-de-Pedra-6.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-334\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Petroglifos-na-Selva-de-Pedra-6.jpg 1000w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Petroglifos-na-Selva-de-Pedra-6-300x225.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Petroglifos-na-Selva-de-Pedra-6-768x576.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-334'>\n\t\t\t\tDenilson Baniwa, \u201cPetroglifos na Selva de Pedra\u201d, 2019, proje\u00e7\u00e3o \u00e0 laser na cidade.\nAs figuras projetadas nos pr\u00e9dios aqui s\u00e3o s\u00edmbolos das tradi\u00e7\u00f5es ind\u00edgenas de encontro com as tecnologias e urbanismo modernos.\nComo que a tecnologia afeta as vidas ind\u00edgenas? Como que afeta as vidas n\u00e3o-ind\u00edgenas? Ajuda com a resist\u00eancia? Destr\u00f3i vidas? Destr\u00f3i as tradi\u00e7\u00f5es culturais dos povos ind\u00edgenas? A tecnologia pode ser adotada para servir as vidas e a resist\u00eancia ind\u00edgenas?\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/serpente-do-tempo-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Serpente-do-Tempo-2.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-328\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Serpente-do-Tempo-2.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Serpente-do-Tempo-2-300x200.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Serpente-do-Tempo-2-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-328'>\n\t\t\t\tDenilson Baniwa, \u201cCobra do Tempo\u201d, 2017, parede de 75 metros, inclu\u00eddo na exposi\u00e7\u00e3o Dja Guat\u00e1 Por\u00e3 \/ Rio de Janeiro ind\u00edgena\u201d, no Museu de Arte do Rio. Foto de Alexandre Ara\u00fajo.\nInclui dados do censo de 2010, que registrou presen\u00e7a ind\u00edgena em 89 dos munic\u00edpios do estado do Rio de Janeiro.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/la-gioconda-kunha%cc%83\/'><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1272\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/La-Gioconda-Kunha\u0303.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-353\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/La-Gioconda-Kunha\u0303.png 1000w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/La-Gioconda-Kunha\u0303-236x300.png 236w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/La-Gioconda-Kunha\u0303-768x977.png 768w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/La-Gioconda-Kunha\u0303-805x1024.png 805w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-353'>\n\t\t\t\tDenilson Baniw\u00e1, \u201cLa Gioconda Kunh\u00e3\u201d, 2019.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/paje-onc%cc%a7a-hackeando-a-33a-bienal-de-artes-de-sa%cc%83o-paulo-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Paje\u0301-Onc\u0327a-Hackeando-a-33\u00aa-Bienal-de-Artes-de-Sa\u0303o-Paulo-4.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-326\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Paje\u0301-Onc\u0327a-Hackeando-a-33\u00aa-Bienal-de-Artes-de-Sa\u0303o-Paulo-4.jpg 683w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Paje\u0301-Onc\u0327a-Hackeando-a-33\u00aa-Bienal-de-Artes-de-Sa\u0303o-Paulo-4-200x300.jpg 200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-326'>\n\t\t\t\t\u201cPaj\u00e9-On\u00e7a Hackeando a 33\u00aa Bienal de Artes de S\u00e3o Paulo\u201d, 2018, performance, HD v\u00eddeo, 16:9, cor, som, 15\u2019 Ritualisticamente queimando a hist\u00f3ria da arte.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/jaider-expo-2-1170x750\/'><img loading=\"lazy\" decoding=\"async\" width=\"1170\" height=\"750\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/jaider-expo-2-1170x750.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-371\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/jaider-expo-2-1170x750.jpg 1170w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/jaider-expo-2-1170x750-300x192.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/jaider-expo-2-1170x750-768x492.jpg 768w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/jaider-expo-2-1170x750-1024x656.jpg 1024w\" sizes=\"auto, (max-width: 1170px) 100vw, 1170px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-371'>\n\t\t\t\tJaider Esbell, &#8220;It was Amazon,&#8221; 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/148\/'><img loading=\"lazy\" decoding=\"async\" width=\"499\" height=\"500\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/148.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-333\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/148.jpg 499w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/148-150x150.jpg 150w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/148-300x300.jpg 300w\" sizes=\"auto, (max-width: 499px) 100vw, 499px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-333'>\n\t\t\t\tJaider Esbell, \u201cA \u00e1rvore de todos os saberes\u201d, 2013, acr\u00edlica sobre tela.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/screen-shot-2019-04-29-at-4-46-34-pm\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.34-PM.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-325\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.34-PM.png 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.34-PM-300x200.png 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Screen-Shot-2019-04-29-at-4.46.34-PM-768x513.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-325'>\n\t\t\t\tDenilson Baniwa, \u201cPaj\u00e9-On\u00e7a ca\u00e7ando na Avenida Paulista\u201d, 2018, performance, HD v\u00eddeo, 16:9, cor, som, 16\u201904\u201d. Voc\u00ea acha que os ind\u00edgenas n\u00e3o est\u00e3o nas cidades? Est\u00e1 errado!\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/nheengaita%cc%83-protagonismo-e-a-nossa-voz-precisa-ser-escutada-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"840\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Nheengaita\u0303-Protagonismo-e-a-nossa-voz-precisa-ser-escutada-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-341\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Nheengaita\u0303-Protagonismo-e-a-nossa-voz-precisa-ser-escutada-1.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Nheengaita\u0303-Protagonismo-e-a-nossa-voz-precisa-ser-escutada-1-300x246.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Nheengaita\u0303-Protagonismo-e-a-nossa-voz-precisa-ser-escutada-1-768x630.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-341'>\n\t\t\t\t\u201cNheengait\u00e1\u201d (Protagonismo e a nossa voz precisa ser escutada), 2018, acr\u00edlica sobre tecido.\nA converg\u00eancia dos mundos ind\u00edgena e n\u00e3o ind\u00edgena. A mo\u00e7a na pintura est\u00e1 usando um microfone e sistema de som para falar com o p\u00fablico, um s\u00edmbolo da amplifica\u00e7\u00e3o das vozes e presen\u00e7as dos ind\u00edgenas.\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/225\/'><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"500\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/225.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-337\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/225.jpg 502w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/225-150x150.jpg 150w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/225-300x300.jpg 300w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-337'>\n\t\t\t\tJaider Esbell, \u201cMaldita e desejada\u201d, 2013, acr\u00edlica sobre tela. \nInteressante como as cores fazem uma esp\u00e9cie de caleidosc\u00f3pio e que a figura do animal seja representada com olhos vermelhos, que d\u00e3o um tom de mist\u00e9rio.\n\u201cCultura ind\u00edgena deve ser analisada com a contempor\u00e2nea.\u201d \u2013 Jaider Esbell\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/curumin-guardador-de-memorias-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"788\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Curumin-guardador-de-memo\u0301rias-2.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-340\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Curumin-guardador-de-memo\u0301rias-2.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Curumin-guardador-de-memo\u0301rias-2-300x231.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Curumin-guardador-de-memo\u0301rias-2-768x591.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-340'>\n\t\t\t\tDenilson, Baniwa, \u201cCurumim\u201d, guardador de mem\u00f3rias, 2018, acr\u00edlica sobre tecido.\nEsta obra mostra uma figura ind\u00edgena com um computador Apple, que \u00e9 o \u00fanico elemento do mundo n\u00e3o-ind\u00edgena.  O fundo \u00e9 decorado com um padr\u00e3o ind\u00edgena e o menino tem objetos fabricados por povos ind\u00edgenas (a marac\u00e1 e a cesta\u201d).  Pode-se interpretar a presen\u00e7a do computador ent\u00e3o como algo agora ind\u00edgena, que pode existir no mundo ind\u00edgena, uma ideia que se contrap\u00f5e a estere\u00f3tipos dos povos ind\u00edgenas como n\u00e3o fazendo parte do mundo contempor\u00e2neo.  \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/713\/'><img loading=\"lazy\" decoding=\"async\" width=\"417\" height=\"500\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/713.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-335\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/713.jpg 417w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/713-250x300.jpg 250w\" sizes=\"auto, (max-width: 417px) 100vw, 417px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-335'>\n\t\t\t\tJaider Esbell, \u201cZoomorfo\u201d, 2016, fitas, marcadores, tinta acr\u00edlica, casca, e galhos de \u00e1rvores. \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/arqueiro-digital\/'><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"988\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/arqueiro-digital.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-351\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/arqueiro-digital.png 1500w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/arqueiro-digital-300x198.png 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/arqueiro-digital-768x506.png 768w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/arqueiro-digital-1024x674.png 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/arqueiro-digital-1200x790.png 1200w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-351'>\n\t\t\t\tDenilson Baniwa, \u201cArqueiro digital\u201d, 2017, a partir da gravura \u201cCaboclo\u201d, de Jean-Baptiste Debret (1834). \nCores vibrantes. O ca\u00e7ador deitado. Outro em p\u00e9 no fundo. Cactos, cores vibrantes, um p\u00e1ssaro morto.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/ekukwe-2-a-terra-envenenada-e-com-odor-de-morte\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Eku\u0301kwe-2-a-terra-envenenada-e-com-odor-de-morte.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-338\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Eku\u0301kwe-2-a-terra-envenenada-e-com-odor-de-morte.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Eku\u0301kwe-2-a-terra-envenenada-e-com-odor-de-morte-300x200.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Eku\u0301kwe-2-a-terra-envenenada-e-com-odor-de-morte-768x511.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-338'>\n\t\t\t\t\nDenilson Baniw\u00e1, \u201cEk\u00fakwe 2\u201d (a terra envenenada e com odor de morte), 2018, acr\u00edlica sobre tecido.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/attachment\/614\/'><img loading=\"lazy\" decoding=\"async\" width=\"519\" height=\"500\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/614.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-331\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/614.jpg 519w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/614-300x289.jpg 300w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-331'>\n\t\t\t\tJaider Esbell, \u201cA jornada dos n\u00e3o-humanos\u201d, 2012, acr\u00edlica sobre tela.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/natureza-morta-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-344\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-1.jpg 1024w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-1-300x212.jpg 300w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/natureza-morta-1-768x543.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-344'>\n\t\t\t\tDenilson Baniwa, \u201cNatureza Morta I\u201d, 2016, infogravura.\nA natureza morre quando os ind\u00edgenas s\u00e3o mortos.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/floresta-de-pe\/'><img loading=\"lazy\" decoding=\"async\" width=\"954\" height=\"1280\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/floresta-de-pe\u0301.png\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-354\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/floresta-de-pe\u0301.png 954w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/floresta-de-pe\u0301-224x300.png 224w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/floresta-de-pe\u0301-768x1030.png 768w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/floresta-de-pe\u0301-763x1024.png 763w\" sizes=\"auto, (max-width: 954px) 100vw, 954px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-354'>\n\t\t\t\tDenilson Baniwa, \u201cFloresta em p\u00e9, fascismo no ch\u00e3o\u201d, 2018.\nObra feita durante uma oficina de cartazes na Casa do Povo em S\u00e3o Paulo. O artista diz que usa linguagens ocidentais para descoloniz\u00e1-las na sua obra.  Nesta obra, ele usa a on\u00e7a, um s\u00edmbolo potente para ele junto com as palavras para destacar a diferen\u00e7a entre o uso ind\u00edgena de sua pr\u00f3pria terra e o uso do governo fascista que a maltrata e destr\u00f3i.  \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.smith.edu\/por228-sp20\/outros-projetos\/exhibicao-de-arte-indigena-na-aula\/cacique-samado\/'><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Cacique-Samado.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-332\" srcset=\"https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Cacique-Samado.jpg 819w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Cacique-Samado-240x300.jpg 240w, https:\/\/sites.smith.edu\/por228-sp20\/wp-content\/uploads\/sites\/519\/2020\/05\/Cacique-Samado-768x960.jpg 768w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-332'>\n\t\t\t\tDenilson Baniwa, \u201cCacique Samado\u201d, 2017, gravura.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Arte de Jaider Esbell e Denilson Baniwa Etiquetas e coment\u00e1rios pelas alunas da aula<\/p>\n","protected":false},"author":3443,"featured_media":373,"parent":207,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"footnotes":""},"class_list":["post-226","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/pages\/226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/users\/3443"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/comments?post=226"}],"version-history":[{"count":11,"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/pages\/226\/revisions"}],"predecessor-version":[{"id":542,"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/pages\/226\/revisions\/542"}],"up":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/pages\/207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/media\/373"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/por228-sp20\/wp-json\/wp\/v2\/media?parent=226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}