{"id":345,"date":"2016-12-30T03:42:26","date_gmt":"2016-12-30T03:42:26","guid":{"rendered":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/?page_id=345"},"modified":"2017-01-28T19:55:09","modified_gmt":"2017-01-28T19:55:09","slug":"robert-kushner","status":"publish","type":"page","link":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/robert-kushner\/","title":{"rendered":"Robert Kushner, 2013 &#8211; 2014"},"content":{"rendered":"<figure id=\"attachment_449\" aria-describedby=\"caption-attachment-449\" style=\"width: 1168px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-449 size-full\" src=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.13-PM.png\" alt=\"screen-shot-2017-01-24-at-5-18-13-pm\" width=\"1168\" height=\"773\" srcset=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.13-PM.png 1168w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.13-PM-300x199.png 300w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.13-PM-768x508.png 768w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.13-PM-1024x678.png 1024w\" sizes=\"auto, (max-width: 1168px) 100vw, 1168px\" \/><figcaption id=\"caption-attachment-449\" class=\"wp-caption-text\">Robert Kushner observes as Peter Pettengill registers a collage onto an etched copper plate that has been inked and wiped for printing.<\/figcaption><\/figure>\n<figure id=\"attachment_452\" aria-describedby=\"caption-attachment-452\" style=\"width: 1163px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-452 size-full\" src=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.40-PM.png\" alt=\"screen-shot-2017-01-24-at-5-18-40-pm\" width=\"1163\" height=\"772\" srcset=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.40-PM.png 1163w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.40-PM-300x199.png 300w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.40-PM-768x510.png 768w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.40-PM-1024x680.png 1024w\" sizes=\"auto, (max-width: 1163px) 100vw, 1163px\" \/><figcaption id=\"caption-attachment-452\" class=\"wp-caption-text\">Kushner fields questions from students regarding his work and his collaboration with Peter at Smith College.<\/figcaption><\/figure>\n<p><strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-451\" src=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.29-PM.png\" alt=\"screen-shot-2017-01-24-at-5-18-29-pm\" width=\"1169\" height=\"774\" srcset=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.29-PM.png 1169w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.29-PM-300x199.png 300w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.29-PM-768x508.png 768w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-24-at-5.18.29-PM-1024x678.png 1024w\" sizes=\"auto, (max-width: 1169px) 100vw, 1169px\" \/><br \/>\n<\/strong><\/p>\n<p><strong>Robert Kushner<\/strong><br \/>\n<span style=\"font-size: small\">Peter Pettengill, printer<br \/>\n<span style=\"font-size: small\">2014 &#8211; 2015<\/span><\/span><\/p>\n<p><strong>Workshop: October 15\u201317, 2014<\/strong><\/p>\n<p><span style=\"font-size: small\">Widely recognized as a leading figure in the Pattern and Decoration style of painting that emerged in American art in the 1960s and 1970s. Kushner\u2019s work often features botanical subjects placed against abstract or geometric backgrounds. According to the artist: \u201cDecoration, an abjectly pejorative dismissal for many, is a very big, somewhat defiant declaration for me. \u2026 The eye can wander, the mind think unencumbered through visual realms that are expansively and emotionally rich. Decoration has always had its own agenda, the sincere and unabashed offering of pleasure and solace.\u201d<\/span><\/p>\n<p><span style=\"font-size: small\">Kushner\u2019s project for the Smith College Print Workshop was a natural outgrowth of his most recent project, <em>Scriptorium:Devout Exercises of the Heat<\/em>. This installation consists of over 1,000 drawings of plants and flowers on antique book pages. The print series <em>O Aloe<\/em> takes a similar form\u2014a bold drawing of an aloe plant rendered in lift-ground aquatint is juxtaposed against a collage of printed elements from newspapers, books, and magazines that span cultures and decades.<\/span><\/p>\n<p><span style=\"font-size: small\">Robert Kushner. American, 1949 \u2013<\/span><\/p>\n<figure id=\"attachment_524\" aria-describedby=\"caption-attachment-524\" style=\"width: 224px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-524 size-medium\" src=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-25-at-4.14.18-PM-224x300.png\" alt=\"screen-shot-2017-01-25-at-4-14-18-pm\" width=\"224\" height=\"300\" srcset=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-25-at-4.14.18-PM-224x300.png 224w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-25-at-4.14.18-PM.png 574w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><figcaption id=\"caption-attachment-524\" class=\"wp-caption-text\">O Aloe XXI: Lovely Ladies III, 2014 <br \/> Sugarlift aquatint monoprint on <br \/> antique collaged paper mounted <br \/>on Rives BFK <br \/> Printed by Peter Pettengill assisted <br \/> by James Pettengill<\/figcaption><\/figure>\n<figure id=\"attachment_525\" aria-describedby=\"caption-attachment-525\" style=\"width: 224px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-525 size-medium\" src=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-25-at-4.15.09-PM-224x300.png\" alt=\"screen-shot-2017-01-25-at-4-15-09-pm\" width=\"224\" height=\"300\" srcset=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-25-at-4.15.09-PM-224x300.png 224w, https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-content\/uploads\/sites\/44\/2016\/12\/Screen-Shot-2017-01-25-at-4.15.09-PM.png 577w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><figcaption id=\"caption-attachment-525\" class=\"wp-caption-text\">O Aloe I: Massachusetts I, 2014 <br \/> Sugarlift aquatint monoprint on antique <br \/> collaged paper mounted on Rives BFK <br \/> Printed by Peter Pettengill assisted <br \/>by James Pettengill<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Robert Kushner Peter Pettengill, printer 2014 &#8211; 2015 Workshop: October 15\u201317, 2014 Widely recognized as a leading figure in the Pattern and Decoration style of painting that emerged in American art in the 1960s and 1970s. Kushner\u2019s work often features botanical subjects placed against abstract or geometric backgrounds. According to the artist: \u201cDecoration, an abjectly &hellip; <a href=\"https:\/\/sites.smith.edu\/printmaking-workshop-series\/robert-kushner\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Robert Kushner, 2013 &#8211; 2014<\/span><\/a><\/p>\n","protected":false},"author":252,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-345","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/pages\/345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/users\/252"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/comments?post=345"}],"version-history":[{"count":8,"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/pages\/345\/revisions"}],"predecessor-version":[{"id":585,"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/pages\/345\/revisions\/585"}],"wp:attachment":[{"href":"https:\/\/sites.smith.edu\/printmaking-workshop-series\/wp-json\/wp\/v2\/media?parent=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}