Depicting Desire: Butch/Femme Representation in the Late 20th Century

A Senior Archives Capstone Collection by Sophie Jones '23

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  • What is Butch/Femme?
  • Experiences + Reflections
  • Dyke TV / Oral Histories
  • Works Cited

What is Butch/Femme?

You may have heard these words before. Certain images may be popping into your head – the butch, clad in jeans, wielding a hammer, arms crossed and jaw set. Or you may imagine red nails, stilettos, long hair, and a trail of sweet perfume. Or you may have no idea what these words mean. Either way, here is a short history of butch/femme to help you understand.

Butch/femme is a dynamic within the lesbian community. Not all lesbians identify with it, and many do not like the dynamic at all, finding it derivative of patriarchal gender roles.1 Historically, butches have dressed in masculine clothing and held more “masculine” jobs (i.e. manual labor), while their femme counterpart was more inclined to enjoy traditionally feminine forms of appearance and presentation.2 Butch/femme became prominent in the mid-20th century and was most heavily associated with white, working class lesbians who found community in metropolitan bars. Due to connections with manual labor, butchness is often associated with strength.3

Butch/Femme Couple at Mona’s, a lesbian bar in San Francisco, 1950s. Courtesy of GLBT Historical Society.

The movement has historically excluded lesbians of color, with studs (black masculine lesbians) and black femmes facing both racism and homophobia from their own community and society at large. Trans lesbians and drag queens and kings have also played a monumental role in the formation of this identity. While butch/femme may be regarded as a binary dynamic, many butches and femmes are trans, nonbinary, or use additional labels to describe themselves.4

Because butches have historically taken on masculine forms of presentation, they are more likely to bear the brunt of societal “othering” as women and non cis men who choose to present as masculine. This is not to say the femme is necessarily “straight-passing” and does not also face homophobia from people outside of the community.5 However, historically, butches would receive violence and hatred for their outward appearance and their femmes would serve as healers, protectors, and partners.

While trans and non-binary butches and femmes have always existed, they are far more visible now. Butch/femme is not an exclusive or limited pairing – many lesbians are masc for masc, butch for butch, femme for femme – there is no limit to lesbian attraction, and butch/femme is only one of these forms of attraction and love within the community.

My goal with this collection of materials was to reveal the experiences and artistic reflections of several prominent lesbian figures whose work helped to advance queer representation in the public sphere while addressing the complexities of butch and femme identities. I wanted to demonstrate how love and desire are driving forces behind the sustained unification and strength of these two identities, and focus on refractions and reflections of butch/femme experiences from 1975-2000. While I understand that butch/femme is not representative of the general queer community, these selected works highlight butch and femme voices in particular. I also hoped to represent butches and femmes of color who may not be as recognized as their white counterparts.

Further Reading

  • The Persistent Desire, by Joan Nestle
  • The Femme Mystique, by Lesleà Newman
  • Stone Butch Blues, by Leslie Feinberg
  • Persistence: All Ways Butch and Femme, edited by Ivan E. Coyote and Zena Sharman
  • Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America, by Lillian Faderman
  • Boots of Leather, Slippers of Gold, by Elizabeth Kennedy & Madeline Davis
  • Eye to Eye: Portraits of Lesbians, by Joan E. Biren

References

  1. Joan Nestle, “The Femme Question,” The Persistent Desire: A Femme-Butch Reader. Alyson Publications, 1992.
  2. Alix Genter. “Appearances Can Be Deceiving: Butch-Femme Fashion and Queer Legibility in New York City, 1945–1969.” Feminist Studies 42, no. 3(2016): 604–31. https://doi.org/10.15767/feministstudies.42.3.0604.
  3. Elizabeth Lapovsky Kennedy & Madeline Davis, “The Construction of the Butch Role,” The Persistent Desire: A Femme-Butch Reader. Alyson Publications, 1992.
  4. Amanda H. Littauer. 28 Mar 2018, Sexual Minorities at the Apex of Heteronormativity (1940s–1965) from: The Routledge History of Queer America.
  5. Nestle, “The Femme Question,” The Persistent Desire.
Widgets

Personal Note: I arrived at Smith College confused. I knew it was the gay center of Massachusetts (after Provincetown, of course). I was excited to kiss a girl for the first time. But at night, I would stay up, swiping and swiping and swiping on men, seeking their validation even though there was little I found desirable about them romantically. Intro to Women and Gender Studies lead me to a Radicalesbians manifesto, the "Woman-Identified Woman," which taught me two things. The first was that I wanted to study archives. The second was how to end my quest for male approval - but the problem of attraction still remained.

I loved being friends with femmes. I loved doing their makeup, gossiping with them, and admiring their dresses and shoes from afar. But I didn't desire them. Senior year, after coming to a series of realizations, I was pointed to The Persistent Desire. After reading and learning about those before me, I realized that the joy of expressing femininity has never been for any man, that is has always been my own, and will always be just for me and the butches I present myself to.

I love masculine lesbians. I love how strong they are, how tender, how they take masculinity - a complicated and grand thing - and make it their own. I adore being friends with them and loving them. I want to defend them for the rest of my life, as a thank you for what they have done for me, all that they have shown me about love, about desire. Thank you, thank you, thank you.

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