Given that museums are institutions historically implicated in colonialism, exclusion, and extraction, how can they ethically interpret histories shaped by oppression without further re-inscribing that very violence? What responsibilities do institutions owe to the people in the past and present? Through trauma-informed approaches, intersectional theory, and community-centered storytelling, I examine how these interpretation strategies can ethically share oppressive narratives and rather, center community and joyful futures. My digital project, “Uprooted Stories,” is an interpretive website and resource gallery that is a culmination of these three approaches in practice. The project features contemporary artists of Asian identities along with histories of immigration and migration within Asian diasporas. By drawing from these interpretation strategies, this project aims to build an ever-evolving restorative platform that gives voice to the past and empowers the present.